Gran Enciclopedia de la Música 19 - Los Nacionalismos

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#	Title	Artist	Rating	Length
1	Suite de Peer Gynt. La mañana orchestra: Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Bratislava Radio Symphony Orchestra (Slovak Radio Symphony Orchestra), London Festival Orchestra (Alfred Scholz pseudonym), Orchestre Philharmonique de la Slovaquie (Slovak State Philharmonic Orchestra, Košice), Slowakische Staatsphilharmonie (Slovak Philharmonic) and Slowakisches Philharmonisches Orchester (Alfred Scholz pseudonym) conductor: Sven Bengtson (conductor, an Alfred Scholz pseudonym), Libor Pesek (conductor), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Róbert Stankovský and Peter Stern (fictitious conductor, Alfred Scholz pseudonym) recording of: Peer Gynt Suite no. 1, op. 46: I. Morgenstemning (Peer Gynt Suite no. 1, op. 46: I. Morning Mood) composer: Edvard Grieg (composer) (in 1875) revised by: Edvard Grieg (composer) (in 1888) version of: Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning part of: Peer Gynt Suite no. 1, op. 46	Edvard Grieg		3:57
2	Suite de Peer Gynt. La muerte de Aase orchestra: Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Philharmonic Ensemble Pro Musica (Alfred Scholz related), Slowakische Staatsphilharmonie (Slovak Philharmonic), Slowakische Staatsphilharmonie and Slowakisches Philharmonisches Orchester (Alfred Scholz pseudonym) conductor: Sven Bengtson (conductor, an Alfred Scholz pseudonym), Herbert Fleischmann, Libor Pešek (conductor) and Peter Stern (fictitious conductor, Alfred Scholz pseudonym) recording of: Peer Gynt Suite no. 1, op. 46: II. Åses død (Peer Gynt Suite no. 1, op. 46: II. Åse’s Death) composer: Edvard Grieg (composer) (in 1875) revised by: Edvard Grieg (composer) (in 1888) version of: Peer Gynt, op. 23: 3. akt: Åses død part of: Peer Gynt Suite no. 1, op. 46	Edvard Grieg		4:37
3	Suite de Peer Gynt. Danza de Anitra orchestra: Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Slowakische Philharmonie (Slovak Philharmonic) and Slowakisches Philharmonisches Orchester (Alfred Scholz pseudonym) conductor: Sven Bengtson (conductor, an Alfred Scholz pseudonym), Alfred Gehardt (fictitious conductor), Libor Pesek (conductor) and Peter Stern (fictitious conductor, Alfred Scholz pseudonym) recording of: Peer Gynt Suite no. 1, op. 46: III. Anitras dans (Peer Gynt Suite no. 1, op. 46: III. Anitra’s Dance) composer: Edvard Grieg (composer) (in 1875) revised by: Edvard Grieg (composer) (in 1888) version of: Peer Gynt, op. 23: 4. akt: Anitras dans part of: Peer Gynt Suite no. 1, op. 46	Edvard Grieg	4	3:33
4	Suite de Peer Gynt. En el salón del Rey de la Montaña orchestra: Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym) and Slovak Philharmonic Orchestra (Slovak Philharmonic) conductor: Sven Bengtson (conductor, an Alfred Scholz pseudonym), Libor Pešek (conductor) and Peter Stern (fictitious conductor, Alfred Scholz pseudonym) phonographic copyright (℗) by: GMS (in 1986) recording of: Peer Gynt Suite no. 1, op. 46: IV. I Dovregubbens hall (Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King) composer: Edvard Grieg (composer) (in 1875) revised by: Edvard Grieg (composer) (in 1888) version of: Peer Gynt, op. 23: 2. akt: I Dovregubbens hall part of: Peer Gynt Suite no. 1, op. 46	Edvard Grieg		2:22
5	Suite de Peer Gynt. Lamento de Ingrid orchestra: London Festival Orchestra (Alfred Scholz pseudonym) and Slowakische Staatsphilharmonie (Slovak Philharmonic) conductor: Sven Bengtson (conductor, an Alfred Scholz pseudonym) and Libor Pesek (conductor) recording of: Peer Gynt Suite no. 2, op. 55: I. Bruderovet. Ingrids klage (Peer Gynt Suite no. 2, op. 55: I. The Abduction of the Bride. Ingrid’s Lament) composer: Edvard Grieg (composer) (in 1875) revised by: Edvard Grieg (composer) (in 1891) version of: Peer Gynt, op. 23: 2. akt, prelude: Bruderovet. Ingrids klage part of: Peer Gynt Suite no. 2, op. 55	Edvard Grieg		4:13
6	Suite de Peer Gynt. Danza árabe orchestra: London Festival Orchestra (Alfred Scholz pseudonym), Philharmonic Ensemble Pro Musica (Alfred Scholz related), Slowakische Staatsphilharmonie (Slovak Philharmonic) and Slowakisches Philharmonisches Orchester (Alfred Scholz pseudonym) conductor: Sven Bengtson (conductor, an Alfred Scholz pseudonym), Herbert Fleischmann and Libor Pesek (conductor) recording of: Peer Gynt Suite no. 2, op. 55: I. Bruderovet. Ingrids klage (Peer Gynt Suite no. 2, op. 55: I. The Abduction of the Bride. Ingrid’s Lament) composer: Edvard Grieg (composer) (in 1875) revised by: Edvard Grieg (composer) (in 1891) version of: Peer Gynt, op. 23: 2. akt, prelude: Bruderovet. Ingrids klage part of: Peer Gynt Suite no. 2, op. 55 recording of: Peer Gynt Suite no. 2, op. 55: II. Arabisk dans (Peer Gynt Suite no. 2, op. 55: II. Arabian Dance) composer: Edvard Grieg (composer) (in 1875) revised by: Edvard Grieg (composer) (in 1891) version of: Peer Gynt, op. 23: 4. akt: Arabisk dans part of: Peer Gynt Suite no. 2, op. 55	Edvard Grieg		4:37
7	Suite de Peer Gynt. El regreso de Peer Gynt (escena de la tormenta) orchestra: International Concert Orchestra (an Alfred Scholz pseudonym) (ended), London Festival Orchestra (Alfred Scholz pseudonym), Philharmonic Ensemble Pro Musica (Alfred Scholz related) and Slowakische Staatsphilharmonie (Slovak Philharmonic) conductor: Sven Bengtson (conductor, an Alfred Scholz pseudonym), Herbert Fleischmann, Alfred Gehardt (fictitious conductor), Libor Pesek (conductor) and Viktor Zimmerman (an Alfred Scholz pseudonym) recording of: Peer Gynt Suite no. 2, op. 55: III. Peer Gynts hjemfart (Stormfull aften på havet) (Peer Gynt Suite no. 2, op. 55: III. Peer Gynt’s Homecoming (Stormy Evening on the Coast)) composer: Edvard Grieg (composer) (in 1875) revised by: Edvard Grieg (composer) (in 1891) version of: Peer Gynt, op. 23: 5. akt: Peer Gynts hjemfart part of: Peer Gynt Suite no. 2, op. 55	Edvard Grieg		2:33
8	Suite de Peer Gynt. Canción de Solveig orchestra: London Festival Orchestra (Alfred Scholz pseudonym), Slowakische Staatsphilharmonie (Slovak Philharmonic) and Slowakisches Philharmonisches Orchester (Alfred Scholz pseudonym) conductor: Sven Bengtson (conductor, an Alfred Scholz pseudonym) and Libor Pesek (conductor) recording of: Peer Gynt Suite no. 2, op. 55: IV. Solveigs sang (Peer Gynt Suite no. 2, op. 55: IV. Solveig’s Song, do not use if there is a singer) (in 1984) composer: Edvard Grieg (composer) (in 1875) revised by: Edvard Grieg (composer) (in 1891) version of: Peer Gynt, op. 23: 4. akt: Solveigs sang part of: Peer Gynt Suite no. 2, op. 55	Edvard Grieg	5	5:22
9	Cuarteto de cuerda en Fa mayor, "Americano" string quartet: Trávníček Quartet recording of: String Quartet no. 12 in F major, op. 96, B. 179 “American”: I. Allegro ma non troppo composer: Antonín Dvořák (composer) (from 1893-06-08 until 1894-06-23) part of: String Quartet no. 12 in F major, op. 96, B. 179 “American”	Antonín Dvořák		8:58
10	Cuarteto de cuerda en Fa mayor, "Americano" string quartet: Trávníček Quartet recording of: String Quartet no. 12 in F major, op. 96, B. 179 “American”: II. Lento composer: Antonín Dvořák (composer) (from 1893-06-08 until 1894-06-23) part of: String Quartet no. 12 in F major, op. 96, B. 179 “American”	Antonín Dvořák		7:33
11	Cuarteto de cuerda en Fa mayor, "Americano" string quartet: Trávníček Quartet recording of: String Quartet no. 12 in F major, op. 96, B. 179 “American”: III. Molto vivace composer: Antonín Dvořák (composer) (from 1893-06-08 until 1894-06-23) part of: String Quartet no. 12 in F major, op. 96, B. 179 “American”	Antonín Dvořák		3:52
12	Cuarteto de cuerda en Fa mayor, "Americano" string quartet: Trávníček Quartet recording of: String Quartet no. 12 in F major, op. 96, B. 179 “American”: IV. Finale: Vivace ma non troppo composer: Antonín Dvořák (composer) (from 1893-06-08 until 1894-06-23) part of: String Quartet no. 12 in F major, op. 96, B. 179 “American”	Antonín Dvořák		5:21