The Very Best Of - Red Line Selection

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Soul Man
recording of:
Soul Man
writer:
Isaac Hayes (in 1967) and David Porter (US soul musician, producer & songwriter) (in 1967)
publisher:
EMI Music Publishing (do not use as a release label!), Rondor Music (London) Ltd., Rondor Music Ltd. (publisher), Walden Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Almo Music Corp. (USA, affiliated with ASCAP) (in 1986) and Walden Music Corp. (publisher) (in 1986)
Sam & Dave?:??
2Love Grows
phonographic copyright (℗) by:
HHO Javelin Promotions Ltd. and HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing)
recording of:
Love Grows (Where My Rosemary Goes)
writer:
Tony Macaulay and Barry Mason (English songwriter)
publisher:
Barry Mason Music Ltd., BMG Music Publishing Ltd., Intersong Music Ltd. and Universal Music Publishing MGB Australia
Edison Lighthouse3?:??
3Hitchin’ a Ride
recording of:
Hitchin’ a Ride
lyricist:
Peter Callander
composer:
Mitch Murray
publisher:
Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Vanity Fayre?:??
4The Night Chicago Died
recording of:
The Night Chicago Died
lyricist:
Peter Callander
composer:
Mitch Murray
Paper Lace?:??
5Ain’t That a Shame
phonographic copyright (℗) by:
Everest Records (classical)
live recording of:
Ain’t That a Shame
writer:
Antoine Domino (Fats Domino) and Dave Bartholomew
publisher:
Commodore Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Unart Catalog Inc., F. Day & Hunter Ltd., Travis Music, Inc., Unart Music Corp. (in 1955, in 1983) and United Artists Music Ltd. (from 1977 to present)
Fats Domino?:??
6Soul Rebel
recording engineer:
Errol Thompson (Jamaican reggae/dub producer & engineer) (in 1970-11)
producer:
Clement “Coxsone” Dodd, Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry (aka The Upsetter)
bass:
Lloyd Parks (Jamaican bassist) (in 1970-11)
drums (drum set):
Carlton “Carly” Barrett (in 1970-11)
guitar:
Alva “Reggie” Lewis (in 1970-11) and Rannie “Bop” Williams (in 1970-11)
keyboard:
Glen Adams (in 1970-11)
percussion:
Uziah “Sticky” Thompson (in 1970-11)
lead vocals:
Bob Marley (Jamaican reggae artist) (in 1970-11)
tenor vocals [harmony vocals]:
Peter Tosh (in 1970-11) and Bunny Wailer (in 1970-11)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1970)
recorded at:
Studio 17 in Jamaica (in 1970-11)
recording of:
Soul Rebel (in 1970-11)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Because Éditions, Blue Mountain Music, Cayman Music Inc, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fifty Six Hope Road Music Limited, Jamrec Music, Odnil Music and Rondor Music (London) Ltd.
Bob Marley?:??
7Sandy
producer:
John Farrar
mixer:
David J. Holman
arranger:
John Farrar, Michael Gibson (trombone) and Louis St. Louis (American songwriter, music arranger and singer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978), Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1978) and RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1978)
recording of:
Sandy (Grease, 1978 film)
lyricist:
Scott Simon
composer:
Louis St. Louis (American songwriter, music arranger and singer)
publisher:
Ensign Music Corp. (in 1978) and Unichappell Music (in 1978)
part of:
Grease (1978 film)
John Travolta3.75?:??
8Rock Around the Clock
double bass:
Marshall Lytle (on 1954-04-12)
drums (drum set):
Billy Gussak (on 1954-04-12)
electric guitar:
Danny Cedrone (on 1954-04-12)
guitar:
Bill Haley (on 1954-04-12)
piano:
Johnny Grande (on 1954-04-12)
steel guitar:
William F. ‘Billy’ Williamson (on 1954-04-12)
tenor saxophone:
Joey D'Ambrosio (on 1954-04-12)
vocals:
Bill Haley (on 1954-04-12)
recording of:
Rock Around the Clock (Bill Haley’s version) (on 1954-04-12)
lyricist and composer:
Jimmy De Knight (in 1952) and Max C. Freedman (American songwriter and lyricist) (in 1952)
arranger:
Harry Filler
publisher:
Edward Kassner Music Co. Ltd. and Myers Music, Inc.
version of:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley & His Comets4?:??
9Red River Rock
cover recording of:
Red River Rock
composer:
Tom King (50s & 60s songwriter), Ira Mack and Fred Mendelsohn
publisher:
Burlington Music Co., Ltd. and Mole Hole Music
is based on:
Red River Valley
Johnny and the Hurricanes3?:??
10Boom Boom
producer:
Roy Rogers (US blues guitarist & producer)
recording of:
Boom Boom
lyricist and composer:
John Lee Hooker (US blues singer, songwriter & guitarist)
publisher:
Conrad Publishing Co. Inc. and Tristan Music Ltd.
John Lee Hooker2.5?:??
11Ruby Don’t Take Your Love to Town
cover recording of:
Ruby, Don’t Take Your Love to Town
lyricist and composer:
Mel Tillis
publisher:
Cedarwood Publishing Company, Inc., Universal Cedarwood Publishing and Universal Music Publishing International Ltd.
Kenny Rogers4?:??
12When a Man Loves a Woman
producer:
Marlin Greene (’60s teen artist, writer & engineer) and Quin Ivy
double bass:
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (on 1966-02-17)
drums (drum set):
Roger Hawkins (on 1966-02-17)
farfisa [farfisa organ]:
Spooner Oldham (on 1966-02-17)
guitar:
Marlin Greene (’60s teen artist, writer & engineer) (on 1966-02-17)
vocals:
Percy Sledge (on 1966-02-17)
phonographic copyright (℗) by:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, in 1966) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1966)
recorded at:
Norala Studio in Sheffield, Alabama, United States (on 1966-02-17)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 54) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
When a Man Loves a Woman (on 1966-02-17)
writer:
Calvin Lewis, Percy Sledge and Andrew Wright (US keyboardist)
publisher:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 1966 to present), Pronto (BMI‐affiliated publishing company) (in 1972) and Quinvy (record company and publisher) (in 1972)
Percy Sledge4.35?:??
13Tell Laura I Love Her
recording of:
Tell Laura I Love Her
lyricist:
Ben Raleigh
composer:
Jeff Barry
publisher:
E.B. Marks Music Corp. and Steeplechase Music
Ray Peterson4.5?:??
14Sugar Baby Love
engineer:
John Mackswith (English sound engineer)
producer:
Wayne Bickerton
recording of:
Sugar Baby Love (The Rubettes)
lyricist:
Wayne Bickerton
composer:
Tony Waddington
premiered by:
The Rubettes (in 1974-01)
publisher:
Arlovol Music, Budde Music Inc. (US publisher) and WB Music Corp. (1929–2019)
The Rubettes?:??
15Sugar Sugar
music videos:
Sugar, Sugar by The Archies
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 6), Rolling Stone: The 50 Best Tunes by Made-Up Musicians (number: 18), Billboard: Greatest of All Time Hot 100 Songs (number: 90) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 155)
recording of:
Sugar, Sugar (in 1969)
writer:
Jeff Barry and Andy Kim (pop singer & songwriter)
publisher:
Don Kirshner Music Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner/Chappell Music Ltd. (1996–2019)
The Archies3.5?:??
16Under the Boardwalk
recorded in:
New York, New York, United States (on 1964-05-21)
producer:
Bert Berns and Mike Leander
double bass [bass]:
Milt Hinton (on 1964-05-21)
drums (drum set) [drums]:
Gary Chester (studio drummer and educator) (on 1964-05-21)
guitar:
Everett Barksdale (on 1964-05-21), Bill Suyker (on 1964-05-21), Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (on 1964-05-21) and Bob Bushnell (on 1964-05-21)
piano:
Ernie Hayes (American pianist, organist and arranger) (on 1964-05-21)
strings [nine strings]:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1964-05-21)
vibraphone [vibes]:
George Devens (on 1964-05-21)
baritone vocals:
Gene Pearson (vocals, Drifters) (on 1964-05-21)
bass vocals:
Winifred Terry (on 1964-05-21)
lead vocals:
Johnny Moore (soul/rnb vocalist for The Drifters) (on 1964-05-21)
tenor vocals:
Charlie Thomas (The Drifters) (on 1964-05-21)
conductor:
Gary Sherman (mid-20th century composer, arranger & conductor) (on 1964-05-21)
arranger:
Gary Sherman (mid-20th century composer, arranger & conductor) and Teacho Wiltshire
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 304) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 487)
recording of:
Under the Boardwalk (on 1964-05-21)
writer:
Arthur Resnick (songwriter, producer) and Kenny Young
publisher:
Alley Music Corp., Intersong (publisher), TM Music Ltd. and Trio Music Company
The Drifters4.35?:??
17Surfin’
recording of:
Surfin’
composer:
Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
The Beach Boys?:??
18Yellow River
recording of:
Yellow River
lyricist and composer:
Jeff Christie
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Christie5?:??
19Judy in Disguise
phonographic copyright (℗) by:
Pye International (in 1968)
part of:
TV Cream: Real 100 Best Singles Ever (number: 96)
recording of:
Judy in Disguise (With Glasses) (in 1967)
writer:
Andrew Bernard and John Fred (John Fred Gourrier)
publisher:
Bug Music Ltd., Fanfare Music Corp., Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and MCS Music Ltd.
John Fred & His Playboy Band3.85?:??
20Sex Machine
producer:
James Brown (The Godfather of Soul)
bass guitar:
Bootsy Collins (US funk musician & songwriter)
drums (drum set):
John Starks
guitar:
Catfish Collins
organ:
Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group)
piano:
James Brown (The Godfather of Soul)
tenor saxophone:
Robert McCollough
trumpet:
Clayton Gunnells and Darryl Hassan Jamison
lead vocals:
James Brown (The Godfather of Soul) (on 1970-04-25)
vocals:
Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group)
performer:
The J.B.’s
phonographic copyright (℗) by:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1970)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 196) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 326)
recording of:
Get Up (I Feel Like Being Like a) Sex Machine (on 1970-04-25)
writer:
James Brown (The Godfather of Soul), Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group) and Ron Lenhoff
publisher:
Dynatone Publishing Co. and Intersong Music Ltd.
James Brown4?:??