| # | Title | Artist | Rating | Length |
|---|
| 1 | The Power of Love- recording engineer:
- Jim Gaines and Robert Missbach
- additional engineer:
- Michael Christopher , Phil Kaffel and Malcolm Pollack
- assistant engineer:
- Rob Beaton, Alex Haas , Tom Size and Jim “Watts” Vereecke
- producer:
- Bob Clearmountain, Jellybean and Huey Lewis and the News
- mixer:
- Robert Missbach
- bass guitar:
- Mario Cipollina
- drums (drum set) and percussion:
- Bill Gibson
- guitar:
- Johnny Colla and Chris Hayes
- harmonica:
- Huey Lewis
- keyboard:
- Sean Hopper
- saxophone:
- Johnny Colla
- vocals:
- Johnny Colla , Bill Gibson , Chris Hayes , Sean Hopper and Huey Lewis
- phonographic copyright (℗) by:
- Chrysalis Records, Inc. (in 1984, in 1985, in 1986) and Chrysalis (in 1985)
- recorded at:
- Fantasy Studios in Berkeley, California, United States, Studio D Recording in Sausalito, California, United States and The Plant Studios in Sausalito, California, United States
- mixed at:
- Power Station Studios in Hell's Kitchen, New York, New York, United States
- music videos:
- The Power of Love by Huey Lewis and the News
- part of:
- Billboard: The 500 Best Pop Songs (number: 108)
- recording of:
- The Power of Love
- writer:
- Johnny Colla , Chris Hayes and Huey Lewis
- publisher:
- Cause and Effect Music, Copyright Control , Huey Lewis Music, Hulex Music , Kinda Blue Music, Mushroom Music and WB Music Corp.
- sub-publisher:
- Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc.
- part of:
- The 58th Academy Award for Best Original Song (number: 2)
- part of:
- Back to the Future: the Musical
| Huey Lewis & the News | 4 | 3:43 |
| 2 | Ride Like the Wind | Christopher Cross | 2 | 3:55 |
| 3 | Higher Love | Steve Winwood | 5 | 4:03 |
| 4 | If I Could Turn Back Time- recording engineer and mixer:
- Frank Wolf
- additional engineer:
- Guy Roche
- assistant engineer:
- Ken Allardyce, Mario Luccy, Craig Porteils and Duane Seykora
- producer:
- Guy Roche and Diane Warren
- additional guitar:
- Gene Black and Glenn Sciurba
- bass guitar:
- John Pierce
- drums (drum set) and tambourine:
- Mark T. Williams
- guitar:
- Steve Lukather
- keyboard:
- Alan Pasqua and Guy Roche
- background vocals:
- Michael Anthony , Robin Beck, Desmond Child, Jimmy Demers, Jean McClain and Maria Vidal
- lead vocals:
- Cher
- phonographic copyright (℗) by:
- Geffen Records (in 1989) and The David Geffen Company (in 1989)
- recorded at:
- Bill Schnee Studios in North Hollywood, Los Angeles, California, United States and Criterion Studios in Los Angeles, California, United States
- mixed at:
- The Complex Studios in Los Angeles, California, United States
- part of:
- Billboard: The 500 Best Pop Songs (number: 386)
- recording of:
- If I Could Turn Back Time
- lyricist and composer:
- Diane Warren
- publisher:
- EMI Music Publishing and Realsongs (in 1989)
| Cher | 3.75 | 3:57 |
| 5 | First Time | Robin Beck | 3 | 3:16 |
| 6 | Rosanna | Toto | 3.8 | 4:01 |
| 7 | Take It on the Run | REO Speedwagon | 3.75 | 4:00 |
| 8 | Go Your Own Way | Fleetwood Mac | 4.3 | 3:38 |
| 9 | The Way It Is | Bruce Hornsby | 4.05 | 4:56 |
| 10 | Walking in Memphis | Marc Cohn | 4 | 4:14 |
| 11 | Missing You- assistant engineer:
- Ken Stiger
- engineer:
- Gary Hellman
- producer:
- Gary Gersh, David Thoener and John Waite
- mixer and editor:
- John Luongo
- phonographic copyright (℗) by:
- Capitol Records (in 1984), Capitol Records, LLC (in 1984), EMI America Records (in 1984) and EMI–Manhattan Records (in 1984)
- recording of:
- Missing You
- lyricist:
- John Waite
- composer:
- Mark Leonard, Chas Sandford and John Waite
- publisher:
- Alley Music Corp., Carlin Music Corporation, Copyright Control , Everpop Songs, Markmeem Music , Paperwaite Music (, in 1984), Quartet Music Inc., Sony Music Publishing , Warner Chappell Music Ltd. , WB Music Corp. (until 2019-05-28), Fallwater Music (in 1984), Markeem Music (in 1984), The Hudson Bay Music Co. (in 1984) and WC Music Corp. (from 2019-05-28 to present)
| John Waite | 5 | 4:00 |
| 12 | No Myth | Michael Penn | 3.5 | 4:08 |
| 13 | Hazard | Richard Marx | 4 | 4:46 |
| 14 | Jessie | Joshua Kadison | 1 | 4:21 |
| 15 | Out of Touch | Hall & Oates | | 4:07 |
| 16 | Waiting for a Star to Fall- drum machine programming:
- George Merrill
- producer:
- Arif Mardin
- assistant mixer:
- Jim Dineen
- mixer:
- David Leonard
- alto saxophone:
- Andy Snitzer
- bass guitar, piano and synthesizer:
- George Merrill
- drums (drum set):
- Denny Fongheiser and Michael Jochum
- guitar:
- John Goux
- synthesizer [Crowning touch]:
- Joe Mardin
- additional vocals:
- Susan Boyd
- vocals:
- George Merrill and Shannon Rubicam
- phonographic copyright (℗) by:
- BMG Music (in 1988) and Sony Music Entertainment (in 1988)
- mixed at:
- The Grey Room in Hollywood, Los Angeles, California, United States
- recording of:
- Waiting for a Star to Fall
- writer:
- George Merrill and Shannon Rubicam
- publisher:
- Irving Music, Inc., Rondor Music (London) Ltd., Universal Music Publishing Ltd. , ヤマハミュージックEH(CM) , ユニバーサル・ミュージック・パブリッシング Synch事業部 , Boy Meets Girl Music (from 1987 to present) and Irving Music (from 1987 to present)
| Boy Meets Girl | 3.25 | 4:26 |
| 17 | Love Changes | Climie Fisher | 3.9 | 4:26 |
| 18 | I Can Dream About You | Dan Hartman | 4.2 | 4:08 |
| 19 | Nothing's Gonna Stop Us Now- performer:
- Starship (in 1987)
- phonographic copyright (℗) by:
- BMG Music (in 1985, in 1987), BMG Entertainment (in 1987) and Sony Music Entertainment (in 1987)
- recording of:
- Nothing’s Gonna Stop Us Now (in 1987)
- writer:
- Albert Hammond and Diane Warren
- arranger:
- Narada Michael Walden
- publisher:
- BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control , EMI Music Publishing Ltd. , Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. , WB Music Corp. and Windswept Pacific Music Ltd.
- part of:
- The 60th Academy Award for Best Original Song (number: 2)
| Starship | 4 | 4:28 |
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