Das Kantatenwerk/Sacred Cantatas, Volume 5: BWV 79-99

~ Release by Johann Sebastian Bach; Harnoncourt, Leonhardt (see all versions of this release, 5 available)

Annotation

Individual barcode: 0745099175924

Annotation last modified on 2015-10-28 11:38 UTC.

Tracklist

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4▼CD
#TitleArtistRatingLength
1Cantata No. 91, "Gelobet seist su, Jesu Christ," BWV 91 [Coro.] Gelobet seist du, Jesu Christ
choir vocals:
Collegium Vocale Gent (on 1978-09-15) and Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (on 1978-09-15)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (on 1978-09-15)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (on 1978-09-15)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1978-09-15)
recording of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ": I. Coro "Gelobet seist du, Jesu Christ" (on 1978-09-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ"
Johann Sebastian Bach3:00
2Cantata No. 91, "Gelobet seist su, Jesu Christ," BWV 91 Recitativo. Der Glanz der höchsten Herrlichkeit
treble vocals:
Detlef Bratschke (alto vocalist, conductor, organist and harpsichordist) (on 1978-09-15)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (on 1978-09-15)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (on 1978-09-15)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1978-09-15)
recording of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ": II. Recitativo (Sopran) e Choral "Der Glanz der höchsten Herrlichkeit" (on 1978-09-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ"
Johann Sebastian Bach1:38
3Cantata No. 91, "Gelobet seist su, Jesu Christ," BWV 91 Aria. Gott, dem der Erdenkreis zu klein
tenor vocals:
Kurt Equiluz (tenor) (on 1978-09-15)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (on 1978-09-15)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (on 1978-09-15)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1978-09-15)
recording of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ": III. Aria (Tenor) "Gott, dem der Erden Kreis zu klein" (on 1978-09-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ"
Johann Sebastian Bach3:15
4Cantata No. 91, "Gelobet seist su, Jesu Christ," BWV 91 Recitativo. O Christenheit, wohlan
bass vocals:
Max van Egmond (bass-baritone) (on 1978-09-15)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (on 1978-09-15)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (on 1978-09-15)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1978-09-15)
recording of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ": IV. Recitativo (Bass) "O Christenheit!" (on 1978-09-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ"
Johann Sebastian Bach1:14
5Cantata No. 91, "Gelobet seist su, Jesu Christ," BWV 91 Aria. (Duetto) Die Armut, so Gott auf sich nimmt
alto vocals:
Paul Esswood (countertenor) (on 1978-09-15)
treble vocals:
Detlef Bratschke (alto vocalist, conductor, organist and harpsichordist) (on 1978-09-15)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (on 1978-09-15)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (on 1978-09-15)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1978-09-15)
recording of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ": V. Aria (Duetto Sopran, Alt) "Die Armut, so Gott auf sich nimmt" (on 1978-09-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ"
Johann Sebastian Bach8:13
6Cantata No. 91, "Gelobet seist su, Jesu Christ," BWV 91 Choral. Das hat er alles uns getan
choir vocals:
Collegium Vocale Gent (on 1978-09-15) and Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (on 1978-09-15)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (on 1978-09-15)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (on 1978-09-15)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1978-09-15)
recording of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ": VI. Choral "Das hat er alles uns getan" (on 1978-09-15)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 109)
part of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ"
Johann Sebastian Bach0:48
7Cantata No. 92, "Ich hab in Gottes Herz und Sinn," BWV 92 [Coro.] Ich hab in Gottes Herz und Sinn
choir vocals:
Collegium Vocale Gent (from 1978-09-15 until 1978-09-16) and Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (from 1978-09-15 until 1978-09-16)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-09-15 until 1978-09-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-09-15 until 1978-09-16)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1978-09-15 until 1978-09-16)
recording of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": I. Coro "Ich hab in Gottes Herz und Sinn" (from 1978-09-15 until 1978-09-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn"
Johann Sebastian Bach6:56
8Cantata No. 92, "Ich hab in Gottes Herz und Sinn," BWV 92 Recitativo. Es kann mir fehlen nimmermehr
bass vocals:
Max van Egmond (bass-baritone) (from 1978-09-15 until 1978-09-16)
choir vocals:
Collegium Vocale Gent (from 1978-09-15 until 1978-09-16) and Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (from 1978-09-15 until 1978-09-16)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-09-15 until 1978-09-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-09-15 until 1978-09-16)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1978-09-15 until 1978-09-16)
recording of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": II. Choral e Recitativo (Bass) "Es kann mir fehlen nimmermehr" (from 1978-09-15 until 1978-09-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn"
Johann Sebastian Bach3:27
9Cantata No. 92, "Ich hab in Gottes Herz und Sinn," BWV 92 Aria. Seht, seht! wie reißt, wie bricht, wie fällt
tenor vocals:
Kurt Equiluz (tenor) (from 1978-09-15 until 1978-09-16)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-09-15 until 1978-09-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-09-15 until 1978-09-16)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1978-09-15 until 1978-09-16)
recording of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": III. Aria (Tenor) "Seht, seht! wie reißt, wie bricht, wie fällt" (from 1978-09-15 until 1978-09-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn"
Johann Sebastian Bach2:59
10Cantata No. 92, "Ich hab in Gottes Herz und Sinn," BWV 92 Choral. Zudem ist Weisheit und Verstand
alto vocals:
Paul Esswood (countertenor) (from 1978-09-15 until 1978-09-16)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-09-15 until 1978-09-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-09-15 until 1978-09-16)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1978-09-15 until 1978-09-16)
recording of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": IV. Choral (Alt) "Zudem ist Weisheit und Verstand" (from 1978-09-15 until 1978-09-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn"
Johann Sebastian Bach3:22
11Cantata No. 92, "Ich hab in Gottes Herz und Sinn," BWV 92 Recitativo. Wir wollen nun nicht länger zagen
tenor vocals:
Kurt Equiluz (tenor) (from 1978-09-15 until 1978-09-16)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-09-15 until 1978-09-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-09-15 until 1978-09-16)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1978-09-15 until 1978-09-16)
recording of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": V. Recitativo (Tenor) "Wir wollen nun nicht länger zagen" (from 1978-09-15 until 1978-09-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn"
Johann Sebastian Bach1:06
12Cantata No. 92, "Ich hab in Gottes Herz und Sinn," BWV 92 Aria. Das Brausen von den rauhen Winden
bass vocals:
Max van Egmond (bass-baritone) (from 1978-09-15 until 1978-09-16)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-09-15 until 1978-09-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-09-15 until 1978-09-16)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1978-09-15 until 1978-09-16)
recording of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": VI. Aria (Bass) "Das Stürmen von den rauhen Winden" (from 1978-09-15 until 1978-09-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn"
Johann Sebastian Bach4:46
13Cantata No. 92, "Ich hab in Gottes Herz und Sinn," BWV 92 Choral. Ei nun, mein Gott, so fall ich dir
alto vocals:
Paul Esswood (countertenor) (from 1978-09-15 until 1978-09-16)
bass vocals:
Max van Egmond (bass-baritone) (from 1978-09-15 until 1978-09-16)
tenor vocals:
Kurt Equiluz (tenor) (from 1978-09-15 until 1978-09-16)
treble vocals:
Detlef Bratschke (alto vocalist, conductor, organist and harpsichordist) (from 1978-09-15 until 1978-09-16)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-09-15 until 1978-09-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-09-15 until 1978-09-16)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1978-09-15 until 1978-09-16)
recording of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": VII. (Choral e) Recitativo (Bass, Tenor, Alt, Sopran) "Ei nun, mein Gott, so fall ich dir" (from 1978-09-15 until 1978-09-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn"
Johann Sebastian Bach2:13
14Cantata No. 92, "Ich hab in Gottes Herz und Sinn," BWV 92 Aria. Meinem Hirten bleib ich treu
treble vocals:
Detlef Bratschke (alto vocalist, conductor, organist and harpsichordist) (from 1978-09-15 until 1978-09-16)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-09-15 until 1978-09-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-09-15 until 1978-09-16)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1978-09-15 until 1978-09-16)
recording of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": VIII. Aria (Sopran) "Meinem Hirten bleib ich treu" (from 1978-09-15 until 1978-09-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn"
Johann Sebastian Bach3:17
15Cantata No. 92, "Ich hab in Gottes Herz und Sinn," BWV 92 Choral. Soll ich denn auch des Todes Weg
choir vocals:
Collegium Vocale Gent (from 1978-09-15 until 1978-09-16) and Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (from 1978-09-15 until 1978-09-16)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-09-15 until 1978-09-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-09-15 until 1978-09-16)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1978-09-15 until 1978-09-16)
recording of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": IX. Choral "Soll ich denn auch des Todes Weg" (from 1978-09-15 until 1978-09-16)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Breitkopf 389 Choralgesänge (number: 347)
part of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn"
Johann Sebastian Bach1:14
16Cantata No. 93, "Wer nur den lieben Gott lässt walten," BWV 93 Coro. Wer nur den lieben Gott läßt walten
alto vocals:
Paul Esswood (countertenor) (on 1977-04-21)
bass vocals:
Ruud van der Meer (on 1977-04-21)
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (on 1977-04-21)
tenor vocals:
Kurt Equiluz (tenor) (on 1977-04-21)
orchestra:
Concentus Musicus Wien (on 1977-04-21)
conductor:
Nikolaus Harnoncourt (conductor) (on 1977-04-21)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (on 1977-04-21)
recording of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten": I. Coro (Sopran, Alt, Tenor, Bass) "Wer nur den lieben Gott läßt walten" (on 1977-04-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten"
Johann Sebastian Bach5:17
17Cantata No. 93, "Wer nur den lieben Gott lässt walten," BWV 93 Recitativo - Choral. Was helfen uns die schweren Sorgen
bass vocals:
Ruud van der Meer (on 1977-04-21)
orchestra:
Concentus Musicus Wien (on 1977-04-21)
conductor:
Nikolaus Harnoncourt (conductor) (on 1977-04-21)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (on 1977-04-21)
recording of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten": II. Recitativo (e Choral) (Bass) "Was helfen uns die schweren Sorgen?" (on 1977-04-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten"
Johann Sebastian Bach1:29
18Cantata No. 93, "Wer nur den lieben Gott lässt walten," BWV 93 Cantata No. 93, "Wer nur den lieben Gott lässt walten," BWV 93 Aria. Man halte nur ein wenig stille
tenor vocals:
Kurt Equiluz (tenor) (on 1977-04-21)
orchestra:
Concentus Musicus Wien (on 1977-04-21)
conductor:
Nikolaus Harnoncourt (conductor) (on 1977-04-21)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (on 1977-04-21)
recording of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten": III. Aria (Tenor) "Man halte nur ein wenig stille" (on 1977-04-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten"
Johann Sebastian Bach2:53
19Cantata No. 93, "Wer nur den lieben Gott lässt walten," BWV 93 Aria - Choral. (Duetto) Er kennt die rechten Freudenstunden
alto vocals:
Paul Esswood (countertenor) (on 1977-04-21)
treble vocals:
Wilhelm Wiedl (boy soprano) (on 1977-04-21)
orchestra:
Concentus Musicus Wien (on 1977-04-21)
conductor:
Nikolaus Harnoncourt (conductor) (on 1977-04-21)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (on 1977-04-21)
recording of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten": IV. Aria (Duetto Sopran, Alt) (con Choral) "Er kennt die rechten Freudenstunden" (on 1977-04-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten"
Johann Sebastian Bach2:49
20Cantata No. 93, "Wer nur den lieben Gott lässt walten," BWV 93 Recitativo - Choral. Denk nicht in deiner Drangsalshitze
tenor vocals:
Kurt Equiluz (tenor) (on 1977-04-21)
orchestra:
Concentus Musicus Wien (on 1977-04-21)
conductor:
Nikolaus Harnoncourt (conductor) (on 1977-04-21)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (on 1977-04-21)
recording of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten": V. Recitativo (e Choral) (Tenor) "Denk nicht in deiner Drangsalshitze" (on 1977-04-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten"
Johann Sebastian Bach2:05
21Cantata No. 93, "Wer nur den lieben Gott lässt walten," BWV 93 Aria. Ich will auf den Herren schaun
treble vocals:
Wilhelm Wiedl (boy soprano) (on 1977-04-21)
orchestra:
Concentus Musicus Wien (on 1977-04-21)
conductor:
Nikolaus Harnoncourt (conductor) (on 1977-04-21)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (on 1977-04-21)
recording of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten": VI. Aria (Sopran) "Ich will auf den Herren schaun" (on 1977-04-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten"
Johann Sebastian Bach2:32
22Cantata No. 93, "Wer nur den lieben Gott lässt walten," BWV 93 Choral. Sing, bet und geh auf Gottes Wegen
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (on 1977-04-21)
orchestra:
Concentus Musicus Wien (on 1977-04-21)
conductor:
Nikolaus Harnoncourt (conductor) (on 1977-04-21)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (on 1977-04-21)
recording of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten": VII. Choral "Sing, bet und geh auf Gottes Wegen" (on 1977-04-21)
lyricist:
Georg Neumark (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 369)
part of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten"
Johann Sebastian Bach0:55
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6▶CD