Lutheran Masses, Volume 2

~ Release by J. S. Bach; The Purcell Quartet, Nancy Argenta, Michael Chance, Mark Padmore, Peter Harvey (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Trio Sonata in C major, BWV 529: I. Allegro
harpsichord:
Robert Woolley (English harpsichordist & organist) (on 1997-12-10)
viola da gamba:
Richard Boothby (viol and cello player) (on 1997-12-10)
violin:
Catherine Mackintosh (violinist) (on 1997-12-10) and Catherine Weiss (on 1997-12-10)
recorded at:
St. Bartholomew's Church (Orford) in Suffolk, England, United Kingdom (on 1997-12-10)
recording of:
Trio Sonata in C major, BWV 529: I. Allegro (for keyboard quartet, Boothby) (on 1997-12-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Richard Boothby (viol and cello player)
version of:
Triosonate für Orgel Nr. 5 C-Dur, BWV 529: I. Allegro
part of:
Trio Sonata in C major, BWV 529 (for keyboard quartet, Boothby)
Johann Sebastian Bach4:56
2Trio Sonata in C major, BWV 529: II. [Largo]
harpsichord:
Robert Woolley (English harpsichordist & organist) (on 1997-12-10)
viola da gamba:
Richard Boothby (viol and cello player) (on 1997-12-10)
violin:
Catherine Mackintosh (violinist) (on 1997-12-10) and Catherine Weiss (on 1997-12-10)
recorded at:
St. Bartholomew's Church (Orford) in Suffolk, England, United Kingdom (on 1997-12-10)
recording of:
Trio Sonata in C major, BWV 529: II. [Largo] (for keyboard quartet, Boothby) (on 1997-12-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Richard Boothby (viol and cello player)
version of:
Triosonate für Orgel Nr. 5 C-Dur, BWV 529: II. Largo
part of:
Trio Sonata in C major, BWV 529 (for keyboard quartet, Boothby)
Johann Sebastian Bach4:54
3Trio Sonata in C major, BWV 529: III. Allegro
harpsichord:
Robert Woolley (English harpsichordist & organist) (on 1997-12-10)
viola da gamba:
Richard Boothby (viol and cello player) (on 1997-12-10)
violin:
Catherine Mackintosh (violinist) (on 1997-12-10) and Catherine Weiss (on 1997-12-10)
recorded at:
St. Bartholomew's Church (Orford) in Suffolk, England, United Kingdom (on 1997-12-10)
recording of:
Trio Sonata in C major, BWV 529: III. Allegro (for keyboard quartet, Boothby) (on 1997-12-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Richard Boothby (viol and cello player)
version of:
Triosonate für Orgel Nr. 5 C-Dur, BWV 529: III. Allegro
part of:
Trio Sonata in C major, BWV 529 (for keyboard quartet, Boothby)
Johann Sebastian Bach3:27
4Mass in G major, BWV 236: I. Kyrie
cello:
Richard Boothby (viol and cello player) (from 1999-07-07 until 1999-07-09)
organ:
Robert Woolley (English harpsichordist & organist) (from 1999-07-07 until 1999-07-09)
violin:
Catherine Mackintosh (violinist) (from 1999-07-07 until 1999-07-09) and Catherine Weiss (from 1999-07-07 until 1999-07-09)
bass vocals:
Peter Harvey (bass-baritone) (from 1999-07-07 until 1999-07-09)
countertenor vocals:
Michael Chance (British countertenor) (from 1999-07-07 until 1999-07-09)
soprano vocals:
Nancy Argenta (soprano) (from 1999-07-07 until 1999-07-09)
tenor vocals:
Mark Padmore (British tenor) (from 1999-07-07 until 1999-07-09)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1999-07-07 until 1999-07-09)
recording of:
Messe G-Dur, BWV 236: I. Coro "Kyrie eleison" (from 1999-07-07 until 1999-07-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe G-Dur, BWV 236
Johann Sebastian Bach3:54
5Mass in G major, BWV 236: II. Gloria (Vivace)
cello:
Richard Boothby (viol and cello player) (from 1999-07-07 until 1999-07-09)
organ:
Robert Woolley (English harpsichordist & organist) (from 1999-07-07 until 1999-07-09)
violin:
Catherine Mackintosh (violinist) (from 1999-07-07 until 1999-07-09) and Catherine Weiss (from 1999-07-07 until 1999-07-09)
bass vocals:
Peter Harvey (bass-baritone) (from 1999-07-07 until 1999-07-09)
countertenor vocals:
Michael Chance (British countertenor) (from 1999-07-07 until 1999-07-09)
soprano vocals:
Nancy Argenta (soprano) (from 1999-07-07 until 1999-07-09)
tenor vocals:
Mark Padmore (British tenor) (from 1999-07-07 until 1999-07-09)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1999-07-07 until 1999-07-09)
recording of:
Messe G-Dur, BWV 236: II. Coro "Gloria in excelsis Deo" (from 1999-07-07 until 1999-07-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe G-Dur, BWV 236
Johann Sebastian Bach5:00
6Mass in G major, BWV 236: III. Gratias
cello:
Richard Boothby (viol and cello player) (from 1999-07-07 until 1999-07-09)
organ:
Robert Woolley (English harpsichordist & organist) (from 1999-07-07 until 1999-07-09)
violin:
Catherine Mackintosh (violinist) (from 1999-07-07 until 1999-07-09) and Catherine Weiss (from 1999-07-07 until 1999-07-09)
bass vocals:
Peter Harvey (bass-baritone) (from 1999-07-07 until 1999-07-09)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1999-07-07 until 1999-07-09)
recording of:
Messe G-Dur, BWV 236: III. Aria (Bass) "Gratias agimus tibi" (from 1999-07-07 until 1999-07-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe G-Dur, BWV 236
Johann Sebastian Bach5:01
7Mass in G major, BWV 236: IV. Domine Deus
cello:
Richard Boothby (viol and cello player) (from 1999-07-07 until 1999-07-09)
organ:
Robert Woolley (English harpsichordist & organist) (from 1999-07-07 until 1999-07-09)
violin:
Catherine Mackintosh (violinist) (from 1999-07-07 until 1999-07-09) and Catherine Weiss (from 1999-07-07 until 1999-07-09)
countertenor vocals:
Michael Chance (British countertenor) (from 1999-07-07 until 1999-07-09)
soprano vocals:
Nancy Argenta (soprano) (from 1999-07-07 until 1999-07-09)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1999-07-07 until 1999-07-09)
recording of:
Messe G-Dur, BWV 236: IV. Duet (Soprano, Alto) "Domine Deus" (from 1999-07-07 until 1999-07-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe G-Dur, BWV 236
Johann Sebastian Bach4:00
8Mass in G major, BWV 236: V. Quoniam (Adagio)
cello:
Richard Boothby (viol and cello player) (from 1999-07-07 until 1999-07-09)
organ:
Robert Woolley (English harpsichordist & organist) (from 1999-07-07 until 1999-07-09)
violin:
Catherine Mackintosh (violinist) (from 1999-07-07 until 1999-07-09) and Catherine Weiss (from 1999-07-07 until 1999-07-09)
tenor vocals:
Mark Padmore (British tenor) (from 1999-07-07 until 1999-07-09)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1999-07-07 until 1999-07-09)
recording of:
Messe G-Dur, BWV 236: V. Aria (Tenor) "Quoniam tu solus sanctus" (from 1999-07-07 until 1999-07-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe G-Dur, BWV 236
Johann Sebastian Bach4:37
9Mass in G major, BWV 236: VI. Cum Sancto Spiritu
cello:
Richard Boothby (viol and cello player) (from 1999-07-07 until 1999-07-09)
organ:
Robert Woolley (English harpsichordist & organist) (from 1999-07-07 until 1999-07-09)
violin:
Catherine Mackintosh (violinist) (from 1999-07-07 until 1999-07-09) and Catherine Weiss (from 1999-07-07 until 1999-07-09)
bass vocals:
Peter Harvey (bass-baritone) (from 1999-07-07 until 1999-07-09)
countertenor vocals:
Michael Chance (British countertenor) (from 1999-07-07 until 1999-07-09)
soprano vocals:
Nancy Argenta (soprano) (from 1999-07-07 until 1999-07-09)
tenor vocals:
Mark Padmore (British tenor) (from 1999-07-07 until 1999-07-09)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1999-07-07 until 1999-07-09)
recording of:
Messe G-Dur, BWV 236: VI. Coro "Cum sancto spiritu" (from 1999-07-07 until 1999-07-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil I, I. Coro "Wer Dank opfert, der preiset mich"
part of:
Messe G-Dur, BWV 236
Johann Sebastian Bach3:53
10Mass in F major, BWV 233: I. Kyrie
cello:
Richard Boothby (viol and cello player) (from 1999-07-07 until 1999-07-09)
organ:
Robert Woolley (English harpsichordist & organist) (from 1999-07-07 until 1999-07-09)
violin:
Catherine Mackintosh (violinist) (from 1999-07-07 until 1999-07-09) and Catherine Weiss (from 1999-07-07 until 1999-07-09)
bass vocals:
Peter Harvey (bass-baritone) (from 1999-07-07 until 1999-07-09)
countertenor vocals:
Michael Chance (British countertenor) (from 1999-07-07 until 1999-07-09)
soprano vocals:
Nancy Argenta (soprano) (from 1999-07-07 until 1999-07-09)
tenor vocals:
Mark Padmore (British tenor) (from 1999-07-07 until 1999-07-09)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1999-07-07 until 1999-07-09)
recording of:
Messe F-Dur, BWV 233: I. Coro "Kyrie eleison" (from 1999-07-07 until 1999-07-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kyrie eleison F-Dur, BWV 233a "Christe, du Lamm Gottes"
part of:
Messe F-Dur, BWV 233
Johann Sebastian Bach4:20
11Mass in F major, BWV 233: II. Gloria
cello:
Richard Boothby (viol and cello player) (from 1999-07-07 until 1999-07-09)
organ:
Robert Woolley (English harpsichordist & organist) (from 1999-07-07 until 1999-07-09)
violin:
Catherine Mackintosh (violinist) (from 1999-07-07 until 1999-07-09) and Catherine Weiss (from 1999-07-07 until 1999-07-09)
bass vocals:
Peter Harvey (bass-baritone) (from 1999-07-07 until 1999-07-09)
countertenor vocals:
Michael Chance (British countertenor) (from 1999-07-07 until 1999-07-09)
soprano vocals:
Nancy Argenta (soprano) (from 1999-07-07 until 1999-07-09)
tenor vocals:
Mark Padmore (British tenor) (from 1999-07-07 until 1999-07-09)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1999-07-07 until 1999-07-09)
recording of:
Messe F-Dur, BWV 233: II. Coro "Gloria in excelsis Deo" (from 1999-07-07 until 1999-07-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe F-Dur, BWV 233
Johann Sebastian Bach5:12
12Mass in F major, BWV 233: III. Domine Deus
cello:
Richard Boothby (viol and cello player) (from 1999-07-07 until 1999-07-09)
organ:
Robert Woolley (English harpsichordist & organist) (from 1999-07-07 until 1999-07-09)
violin:
Catherine Mackintosh (violinist) (from 1999-07-07 until 1999-07-09) and Catherine Weiss (from 1999-07-07 until 1999-07-09)
bass vocals:
Peter Harvey (bass-baritone) (from 1999-07-07 until 1999-07-09)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1999-07-07 until 1999-07-09)
recording of:
Messe F-Dur, BWV 233: III. Aria (Bass) "Domine Deus" (from 1999-07-07 until 1999-07-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe F-Dur, BWV 233
Johann Sebastian Bach3:34
13Mass in F major, BWV 233: IV. Qui tollis (Adagio)
cello:
Richard Boothby (viol and cello player) (from 1999-07-07 until 1999-07-09)
organ:
Robert Woolley (English harpsichordist & organist) (from 1999-07-07 until 1999-07-09)
violin:
Catherine Mackintosh (violinist) (from 1999-07-07 until 1999-07-09) and Catherine Weiss (from 1999-07-07 until 1999-07-09)
soprano vocals:
Nancy Argenta (soprano) (from 1999-07-07 until 1999-07-09)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1999-07-07 until 1999-07-09)
recording of:
Messe F-Dur, BWV 233: IV. Aria (Soprano) "Qui tollis peccata mundi" (from 1999-07-07 until 1999-07-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
part of:
Messe F-Dur, BWV 233
Johann Sebastian Bach5:06
14Mass in F major, BWV 233: V. Quoniam (Vivace)
cello:
Richard Boothby (viol and cello player) (from 1999-07-07 until 1999-07-09)
organ:
Robert Woolley (English harpsichordist & organist) (from 1999-07-07 until 1999-07-09)
violin:
Catherine Mackintosh (violinist) (from 1999-07-07 until 1999-07-09) and Catherine Weiss (from 1999-07-07 until 1999-07-09)
countertenor vocals:
Michael Chance (British countertenor) (from 1999-07-07 until 1999-07-09)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1999-07-07 until 1999-07-09)
recording of:
Messe F-Dur, BWV 233: V. Aria (Alto) "Quoniam tu solus sanctus" (from 1999-07-07 until 1999-07-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
part of:
Messe F-Dur, BWV 233
Johann Sebastian Bach4:35
15Mass in F major, BWV 233: VI. Cum Sancto Spiritu (Presto)
cello:
Richard Boothby (viol and cello player) (from 1999-07-07 until 1999-07-09)
organ:
Robert Woolley (English harpsichordist & organist) (from 1999-07-07 until 1999-07-09)
violin:
Catherine Mackintosh (violinist) (from 1999-07-07 until 1999-07-09) and Catherine Weiss (from 1999-07-07 until 1999-07-09)
bass vocals:
Peter Harvey (bass-baritone) (from 1999-07-07 until 1999-07-09)
countertenor vocals:
Michael Chance (British countertenor) (from 1999-07-07 until 1999-07-09)
soprano vocals:
Nancy Argenta (soprano) (from 1999-07-07 until 1999-07-09)
tenor vocals:
Mark Padmore (British tenor) (from 1999-07-07 until 1999-07-09)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1999-07-07 until 1999-07-09)
recording of:
Messe F-Dur, BWV 233: VI. Coro "Cum sancto spiritu" (on 1999-07-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1738)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes": I. Coro "Darzu ist erschienen der Sohn Gottes"
part of:
Messe F-Dur, BWV 233
Johann Sebastian Bach2:28

Credits

Release

ASIN:UK: B00004GOWP [info]

Release group

part of:Lutheran Masses (number: 2) (order: 2)