Ich mag keinen Jazz, aber das gefällt mir

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1What a Wonderful World
recorded in:
New York, New York, United States (on 1970-05-26)
producer:
Bob Thiele (producer & songwriter)
cello:
Charles McCracken (cellist) (on 1970-05-26), Kermit Moore (on 1970-05-26) and George Ricci (on 1970-05-26)
double bass:
Richard Davis (American jazz bassist) (on 1970-05-26) and George Duvivier (on 1970-05-26)
drums (drum set):
Bernard “Pretty” Purdie (on 1970-05-26)
electric bass guitar:
John Williams Jr. (bass) (on 1970-05-26)
flute:
James Spaulding (jazz) (on 1970-05-26)
guitar:
Sam Brown (jazz guitarist) (on 1970-05-26) and Kenny Burrell (on 1970-05-26)
instruments:
Allan Schulman (cellist and composer) (on 1970-05-26)
piano:
Frank Owens (American pianist) (on 1970-05-26)
viola:
Julien Barber (on 1970-05-26), Alfred Brown (viola) (on 1970-05-26), David Schwartz (violist) (on 1970-05-26) and Emanuel Vardi (on 1970-05-26)
violin:
Arnold Black (on 1970-05-26), Winston Collymore (on 1970-05-26), Paul Gershman (on 1970-05-26), Harry Lookofsky (on 1970-05-26), Joe Malin (on 1970-05-26), Manny Green (on 1970-05-26), Gene Orloff (on 1970-05-26), Max Pollikoff (on 1970-05-26) and Selwart Richard Clarke (on 1970-05-26)
vocals:
Louis Armstrong (on 1970-05-26)
conductor:
Oliver Nelson (saxophone, arranger, composer) (on 1970-05-26)
arranger:
Oliver Nelson (saxophone, arranger, composer)
phonographic copyright (℗) by:
BMG Music (in 1970)
recording of:
What a Wonderful World (on 1970-05-26)
writer:
George Douglas (producer & songwriter) and George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. and Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
part of:
12 Monkeys Soundtrack
part of:
Freaky Friday (2003)
Louis Armstrong3:23
2Over the Rainbow
recorded in:
Roma (Rome), Roma, Lazio, Italy (on 1962-01-05)
engineer:
Jean‐Pierre Chalbos (mastering engineer)
producer:
Daniel Baumgarten
double bass:
Benoît Quersin (Belgian jazz bassist) (on 1962-01-05)
drums (drum set):
Daniel Humair (on 1962-01-05)
guitar:
René Thomas (Belgian jazz guitarist) (on 1962-01-05)
piano:
Amedeo Tommasi (Italian jazz pianist) (on 1962-01-05)
reeds:
Bobby Jaspar (Belgian 1940-60s tenor saxophonist) (on 1962-01-05)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1962-01-05)
instrumental cover recording of:
Over the Rainbow (The Wizard of Oz) (on 1962-01-05)
lyricist:
Yip Harburg (in 1938)
composer:
Harold Arlen (in 1938)
premiered by:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S E Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 12th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1939 winner)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
part of:
The Wizard of Oz (1939 film soundtrack)
Chet Baker3:30
3The Pink Panther Theme
recording engineer:
Jim Malloy
producer:
Joe Reisman
tenor saxophone:
Plas Johnson (in 1962)
orchestra:
The Henry Mancini Orchestra (in 1963)
conductor:
Henry Mancini (US composer, conductor & arranger) (in 1963)
arranger:
Henry Mancini (US composer, conductor & arranger)
recorded at:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, United States (in 1963)
recording of:
The Pink Panther Theme (in 1962)
orchestrator and composer:
Henry Mancini (US composer, conductor & arranger)
arranger:
Deseő Csaba
publisher:
EMI United Partnership Ltd., Northridge Music, Inc. and 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S E Asia) Ltd., Taiwan Branch)
part of:
Classic 100: Piano (2025) (number: 61)
recording of:
The Pink Panther Theme (on 1963-09-16)
orchestrator and composer:
Henry Mancini (US composer, conductor & arranger)
arranger:
Deseő Csaba
publisher:
EMI United Partnership Ltd., Northridge Music, Inc. and 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S E Asia) Ltd., Taiwan Branch)
part of:
Classic 100: Piano (2025) (number: 61)
instrumental recording of:
The Pink Panther Theme
orchestrator and composer:
Henry Mancini (US composer, conductor & arranger)
arranger:
Deseő Csaba
publisher:
EMI United Partnership Ltd., Northridge Music, Inc. and 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S E Asia) Ltd., Taiwan Branch)
part of:
Classic 100: Piano (2025) (number: 61)
Henry Mancini4.12:40
4Time After Time
engineer and mixer:
Ron Lorman and Tom Swift (engineer)
co-producer:
Vince Wilburn, Jr. (drummer)
producer:
Miles Davis (jazz trumpeter, bandleader, songwriter) and Robert Irving III (keyboardist)
bass:
Darryl Jones (bassist for The Rolling Stones) (on 1984-01-26)
drums (drum set):
Al Foster (on 1984-01-26)
guitar:
John Scofield (US guitarist/composer) (on 1984-01-26)
percussion:
Steve Thornton (Percussionist) (on 1984-01-26)
synthesizer:
Robert Irving III (keyboardist) (on 1984-01-26)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1984-01-26)
arranger:
Miles Davis (jazz trumpeter, bandleader, songwriter) and Robert Irving III (keyboardist)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (on 1984-01-26)
mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
instrumental cover recording of:
Time After Time (on 1984-01-26)
writer:
Rob Hyman and Cyndi Lauper
publisher:
Sony Songs Inc. (ended, ), CBS Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dub Notes Music (publisher) (, in 1984), Gray Matter Music, Human Boy Music, Reilla Music Company, Rella Music Co. (publisher) (, in 1984), Rellla Music Corp., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Miles Davis4.53:38
5It's Oh So Quiet
recording of:
It’s Oh So Quiet
lyricist:
Erich Meder
composer:
Hans Lang (Austrian composer) and Bert Reisfeld
translator:
Bert Reisfeld
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Peermusic (UK) Limited and Songs of PolyGram International, Inc.
translated version of:
Und jetzt ist es still
Lisa Ekdahl2:39
6Dont Let Me Be Misunderstood
bass:
Robin Draganic
drums (drum set):
Heinrich Köbberling
grand piano:
Marque Lowenthal
vocals:
Lyambiko (member of Lyambiko)
cover recording of:
Don’t Let Me Be Misunderstood
writer:
Bennie Benjamin, Gloria Caldwell, Sol Marcus and Horace Ott
publisher:
Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. (1929–2019) and Unichappell Music, Inc. (in 1981)
Lyambiko54:56
7Now's the Time
alto saxophone:
Charles McPherson and Charlie Parker (aka “Bird”, jazz alto saxophonist)
double bass:
Ron Carter (US jazz double-bassist)
drums (drum set):
John Guerin
piano:
Walter Davis Jr. (American hard bop pianist)
trumpet:
Red Rodney
recording of:
Now’s the Time
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
publisher:
Atlantic Music Corp. (BMI)
Charlie Parker3:22
8Smooth Sailing
bass guitar:
Arnold Fishkind (on 1951-06-26)
drums (drum set):
Johnny Blowers (on 1951-06-26)
guitar:
Everett Barksdale (on 1951-06-26)
background vocals:
The Ray Charles Singers (on 1951-06-26)
vocals:
Ella Fitzgerald (American jazz singer) (on 1951-06-26)
instrumental cover recording of:
Smooth Sailing (Instrumental) (on 1951-06-26)
composer:
Arnett Cobb
publisher:
Wayne Music (smooth sailing - Cobb)
Ella Fitzgerald3:07
9You've Changed
bass:
Milt Hinton (from 1958-02-19 until 1958-02-21)
bass trombone:
Tom Mitchell (US jazz trombonist) (from 1958-02-19 until 1958-02-21)
cello:
Maurice Brown (jazz cellist) (from 1958-02-19 until 1958-02-21) and David Soyer (from 1958-02-19 until 1958-02-21)
drums (drum set):
Osie Johnson (from 1958-02-19 until 1958-02-21)
flute:
Danny Bank (reeds) (from 1958-02-19 until 1958-02-21), Phil Bodner (Woodwind player) (from 1958-02-19 until 1958-02-21), Thomas Parshley (from 1958-02-19 until 1958-02-21) and Romeo Penque (from 1958-02-19 until 1958-02-21)
guitar:
Barry Galbraith (from 1958-02-19 until 1958-02-21)
harp:
Janet Putnam (harpist) (from 1958-02-19 until 1958-02-21)
piano:
Mal Waldron (American jazz pianist) (from 1958-02-19 until 1958-02-21)
trombone:
Jack Green (from 1958-02-19 until 1958-02-21), Urbie Green (from 1958-02-19 until 1958-02-21) and J.J. Johnson (jazz/bop trombonist/session leader) (from 1958-02-19 until 1958-02-21)
trumpet:
Billy Butterfield (from 1958-02-19 until 1958-02-21), Mel Davis (US jazz trumpeter) (from 1958-02-19 until 1958-02-21) and Bernie Glow (from 1958-02-19 until 1958-02-21)
viola:
Sidney Brecher (from 1958-02-19 until 1958-02-21) and Richard Dickler (from 1958-02-19 until 1958-02-21)
violin:
Emmanual Green (from 1958-02-19 until 1958-02-21), Harry Hoffman (violinist) (from 1958-02-19 until 1958-02-21), Harry Katzman (from 1958-02-19 until 1958-02-21), Leo Kruczek (from 1958-02-19 until 1958-02-21), Milton Lomask (from 1958-02-19 until 1958-02-21), Harry Melnikoff (from 1958-02-19 until 1958-02-21), George Ockner (from 1958-02-19 until 1958-02-21) and Sam Rand (violinist) (from 1958-02-19 until 1958-02-21)
background vocals:
Elise Bretton (from 1958-02-19 until 1958-02-21) and Miriam Workman (from 1958-02-19 until 1958-02-21)
lead vocals:
Billie Holiday (from 1958-02-19 until 1958-02-21)
orchestra:
Ray Ellis and His Orchestra (from 1958-02-19 until 1958-02-21)
conductor:
Ray Ellis (US producer, arranger and conductor) (from 1958-02-19 until 1958-02-21)
cover recording of:
You’ve Changed (from 1958-02-19 until 1958-02-21)
lyricist:
Bill Carey (US songwriter)
composer:
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Peer International (BMI; Peer Int'l or Peer-International) and Southern Music Publishing Company
Billie Holiday3:21
10It Ain't Necessarily So
producer:
John Hammond (producer)
bass:
Bill Lee (bassist, composer, father of Spike Lee) (on 1960-12-19)
drums (drum set):
Belton Evans (on 1960-12-19)
guitar:
Lord Westbrook (on 1960-12-19)
piano:
Ray Bryant (US jazz pianist, composer, and arranger) (on 1960-12-19)
tenor saxophone:
Warren Luckey (on 1960-12-19)
vocals:
Aretha Franklin (on 1960-12-19)
arranger:
J. Leslie McFarland (composer)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1961)
cover recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements) (on 1960-12-19)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
Aretha Franklin42:56
11Waltz for Debby
recording of:
Waltz for Debby (instrumental)
composer:
Bill Evans (pianist)
publisher:
Acorn Music Corp., Folkways Music Publishers Inc. and Kensington Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
Bill Evans5:14
12Milou
Stéphane Grappelli3:48
13Bluesette
recording of:
Bluesette (Original instrumental version)
composer:
Toots Thielemans
Toots Thielemans4:36
14Girl Talk
Neal Hefti2:54
15Beauty and the Beast
assistant engineer:
Joe Tuzen
engineer:
Rob Fraboni (US record producer & audio engineer)
producer:
Jim Price (horn session musician)
bass guitar:
Jay Graydon (on 1974-09-12)
drums (drum set):
Roberto Silva (Brazilian singer and composer) (on 1974-09-12)
electric piano:
Wagner Tiso (on 1974-09-12)
percussion:
Airto Moreira (percussionist) (on 1974-09-12)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1974-09-12)
soprano saxophone:
Wayne Shorter (US jazz saxophonist and composer) (on 1974-09-12)
recorded at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States (on 1974-09-12)
recording of:
Beauty and the Beast (on 1974-09-12)
composer:
Wayne Shorter (US jazz saxophonist and composer)
Wayne Shorter5:07
16St. Thomas
Sonny Rollins3:59
17I Can't Explain
Triosence feat. Sara Gazarek3:35
18Fly Me to the Moon
producer:
David Lai (from 2004-04-06 until 2004-04-07)
mixer:
Al Schmitt (from 2004-04-06 until 2004-04-07)
double bass [acoustic bass] and electric bass guitar [electric bass]:
John Patitucci (from 2004-04-06 until 2004-04-07)
drums (drum set) and percussion:
Todd Strait (from 2004-04-06 until 2004-04-07)
piano and synthesizer:
Eldar (jazz pianist) (from 2004-04-06 until 2004-04-07)
arranger:
Eldar Djangirov (jazz pianist) (from 2004-04-06 until 2004-04-07)
recorded at:
Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, United States (from 2004-04-06 until 2004-04-07)
instrumental recording of:
Fly Me to the Moon (from 2004-04-06 until 2004-04-07)
lyricist and composer:
Bart Howard (in 1954)
premiered by:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC and TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Eldar3:24
19I Got It Bad (And That Ain't Good)
recorded in:
New York, New York, United States (on 1956-01-27)
alto saxophone:
Otto Hardwick (on 1941-06-26) and Johnny Hodges (on 1941-06-26, on 1956-01-27)
alto saxophone and clarinet:
Russell Procope (on 1956-01-27)
baritone saxophone:
Harry Carney (on 1941-06-26, on 1956-01-27)
clarinet:
Barney Bigard (on 1941-06-26)
clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1956-01-27)
double bass:
Jimmy Woode (on 1956-01-27)
double bass [bass]:
Jimmy Blanton (on 1941-06-26)
drums (drum set):
Sonny Greer (on 1941-06-26) and Sam Woodyard (on 1956-01-27)
guitar:
Fred Guy (on 1941-06-26)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1941-06-26, on 1956-01-27)
tenor saxophone:
Ben Webster (on 1941-06-26) and Paul Gonsalves (on 1956-01-27)
trombone:
Lawrence Brown (jazz trombonist) (on 1941-06-26), Joe "Tricky Sam" Nanton (on 1941-06-26), Juan Tizol (on 1941-06-26), Quentin Jackson (on 1956-01-27) and Britt Woodman (on 1956-01-27)
trumpet:
Wallace Jones (on 1941-06-26), Rex Stewart (on 1941-06-26), Cootie Williams (on 1941-06-26, on 1956-01-27), William “Cat” Anderson (on 1956-01-27), Willie Cook (US jazz trumpeter) (on 1956-01-27) and Ray Nance (on 1956-01-27)
valve trombone:
John Sanders (US jazz trombonist) (on 1956-01-27)
lead vocals:
Rosemary Clooney (on 1956-01-27)
orchestra:
Duke Ellington and His Orchestra (on 1956-01-23)
recording of:
I Got It Bad (and That Ain’t Good) (on 1956-01-27)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, Volume I)
Rosemary Clooney3:10
20In the Mood
recording of:
In the Mood
lyricist:
Andy Razaf
composer:
Wingy Manone
publisher:
Shapiro Bernstein and Co. Limited and Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
is based on:
Tar Paper Stomp
part of:
The Real Book (compilation of jazz standards, Volume I)
Glenn Miller Orchestra43:30