Oeuvres sacrées

~ Release by Johann Sebastian Bach; Concentus Musicus Wien, Nikolaus Harnoncourt (see all versions of this release, 1 available)

Tracklist

1▶CD: Messe en si mineur (extraits)
2▶CD: Magnificat / Cantates 80 et 130
3▶CD: Passion selon Saint Matthieu (extraits)
4▶CD: Passion selon Saint Jean (extraits)
5▼CD: Oratorio de Noel (extraits)
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1Oratorio de Noel, BWV 248: Coro "Jauchzet, frohlocket"
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts‐Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ (in 1972)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach8:35
2Oratorio de Noel, BWV 248: Aria (Alto) "Bereite dich, Zion"
alto vocals:
Paul Esswood (countertenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ (in 1972)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:58
3Oratorio de Noel, BWV 248: Coro "Wie soll ich dich empfangen"
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, V. Choral „Wie soll ich dich empfangen“ (in 1972)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Wie soll ich dich empfangen
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:11
4Oratorio de Noel, BWV 248: Aria (Basso) "Großer Herr, o starker König"
bass vocals:
Siegmund Nimsgern (bass-baritone) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VIII. Aria (Basso) „Großer Herr, o starker König“ (in 1972)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:31
5Oratorio de Noel, BWV 248: Sinfonia
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (in 1972)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:46
6Oratorio de Noel, BWV 248: Coral "Brich an, o schönes Morgenlicht"
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XII. Choral „Brich an, o schönes Morgenlicht“ (in 1972)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Johann von Rist (in 1641)
part of:
Breitkopf 389 Choralgesänge (number: 80)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:11
7Oratorio de Noel, BWV 248: Aria (Tenore) "Frohe Hirten, eilt"
tenor vocals:
Kurt Equiluz (tenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XV. Aria (Tenore) „Frohe Hirten, eilt, ach eilet“ (in 1972)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:48
8Oratorio de Noel, BWV 248: Choral "Schaut hin, dort liegt im finstern Stall"
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVII. Choral „Schaut hin, dort liegt im finstern Stall“ (in 1972)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 323)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:40
9Oratorio de Noel, BWV 248: Aria (Alto) "Schlafe, mein Liebster"
alto vocals:
Paul Esswood (countertenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIX. Aria (Alto) „Schlafe, mein Liebster“ (in 1972)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach9:28
10Oratorio de Noel, BWV 248: Coro "Herrscher des Himmels, erhöre das Lallen"
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIV. Coro „Herrscher des Himmels, erhöre das Lallen“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:21
11Oratorio de Noel, BWV 248: Duetto (Soprano, Basso) "Herr, dein Mitleid"
bass vocals:
Siegmund Nimsgern (bass-baritone) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIX. Aria duetto (Soprano, Basso) „Herr, dein Mitleid“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach7:55
12Oratorio de Noel, BWV 248: Aria (Soprano, Echo) "Flößt, mein Heiland"
choir vocals:
Soloists of the Wiener Sängerknaben (The Vienna Boys Choir)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXIX. (Soprano) „Flößt, mein Heiland, flößt dein Namen“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach6:20
13Oratorio de Noel, BWV 248: Aria (Tenore) "Ich will nur dir zu Ehren leben"
tenor vocals:
Kurt Equiluz (tenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XLI. Aria (Tenore) „Ich will nur dir zu Ehren leben“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:49
14Oratorio de Noel, BWV 248: Choral "Dein Glanz all Finsternis verzehrt"
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVI. Choral „Dein Glanz all Finsternis verzehrt“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Georg Weissel (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 214)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:52
15Oratorio de Noel, BWV 248: Aria (Basso) "Erleucht auch meine finstren Sinne"
bass vocals:
Siegmund Nimsgern (bass-baritone) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVII. Aria (Basso) „Erleucht auch meine finstre Sinnen“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": VII. Aria (Sopran) "Durch die von Eifer entflammeten Waffen"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:25
16Oratorio de Noel, BWV 248: Choral "Ich steh an deiner Krippe hier"
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LIX. Choral „Ich steh an deiner Krippen hier“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 263)
is based on:
Nun freut euch, lieben Christen g’mein (more 'sostenuto' version)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:07
17Oratorio de Noel, BWV 248: Aria (Tenore) "Nun mögt ihr stolzen Feinde schrecken"
tenor vocals:
Kurt Equiluz (tenor) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXII. Aria (Tenore) „Nun mögt ihr stolzen Feinde schrecken“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:05
18Oratorio de Noel, BWV 248: Choral "Nun seid ihr wohl gerochen"
choir vocals:
Chorus Viennensis (in 1972) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1972)
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
chorus master:
Hans Gillesberger (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIV. Choral „Nun seid ihr wohl gerochen“ (in 1972)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 165)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:37