Tracklist

1CD: 1933 - 1940
2CD: 1941 - 1950
3CD: 1951 - 1960
4CD: 1961 - 1976
5CD: 1977 - 1984
6CD: 1984 - 1992
#TitleArtistRatingLength
1Beverly Hills Cop: Axel F
producer:
Harold Faltermeyer
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) and Geffen Records (in 1984)
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 70)
recording of:
Axel F (Beverly Hills Cop)
composer:
Harold Faltermeyer
Harold Faltermeyer4.153:05
2This Is Spinal Tap: Stonehenge
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1984)
recording of:
Stonehenge
composer:
Christopher Guest, Michael McKean (actor), Rob Reiner (American actor and filmmaker) and Harry Shearer
publisher:
EMI Music Publishing (do not use as a release label!)
Spinal Tap4:41
3Back to the Future: Main Theme
producer:
Alan Silvestri (US score composer)
violin:
Jeanne E. Aiken (Session Musician) (from 1985-05-16 until 1985-06-11), Patricia Aiken (from 1985-05-16 until 1985-06-11), Judith Aller (from 1985-05-16 until 1985-06-11), Mark Baranov (Session Musician) (from 1985-05-16 until 1985-06-11) and Jackie Brand (from 1985-05-16 until 1985-06-11)
orchestra:
The Outatime Orchestra (from 1985-05-16 until 1985-06-11)
conductor:
Alan Silvestri (US score composer) (from 1985-05-16 until 1985-06-11)
phonographic copyright (℗) by:
Geffen Records (in 1985)
recorded at:
Eastwood Scoring Stage in Burbank, California, United States (from 1985-05-16 until 1985-06-11)
recording of:
Back to the Future (Theme) (title theme from the 1985 film of the same name) (from 1985-05-16 until 1985-06-11)
composer:
Alan Silvestri (US score composer)
part of:
Back to the Future (original score and soundtrack of the 1985 film of the same name)
Alan Silvestri3:21
4Out of Africa: Main Title (I Had a Farm in Africa)
engineer:
Nicholas Basich and Mike Novitch
producer:
John Barry (English score composer)
mixer:
Dan Wallin
conductor and performer:
John Barry (English score composer)
arranger:
John Barry (English score composer)
phonographic copyright (℗) by:
Geffen Records (in 1985)
recorded at:
The Record Plant, Studio M in Hollywood, Los Angeles, California, United States
recording of:
I Had a Farm in Africa (Out of Africa, main title)
composer:
John Barry (English score composer)
publisher:
MCA Music Ltd.
part of:
Out of Africa (soundtrack of the 1985 film)
John Barry43:15
5Hannah and Her Sisters: Harpsichord concerto in F minor, BWV 1056: II. Largo
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1980-11)
orchestra:
The English Concert (in 1980-11)
conductor and concertmaster:
Trevor Pinnock (conductor / harpsichord) (in 1980-11)
balance engineer:
Karl-August Naegler (balance engineer) and Hans‐Peter Schweigmann
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1981)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1980-11, in 1981-02)
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo (in 1980-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
Johann Sebastian Bach2:55
6A Room With a View: “O mio babbino caro” From “Gianni Schicchi”
soprano vocals and soprano vocals [Lauretta]:
Kiri Te Kanawa (soprano)
orchestra:
London Symphony Orchestra
conductor:
Stephen Barlow (British conductor)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1994)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd. (UK division)
part of:
Gianni Schicchi
Giacomo Puccini2:31
7Platoon: Adagio for Strings
engineer:
Simon Eadon (classical music engineer)
producer:
Chris Hazell
orchestra:
Baltimore Symphony Orchestra (from 1991-09-30 until 1991-10-01)
conductor:
David Zinman (conductor) (from 1991-09-30 until 1991-10-01)
balance engineer:
Simon Eadon (classical music engineer) (from 1991-09-30 until 1991-10-01)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1992) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1992)
recorded at:
Joseph Meyerhoff Symphony Hall (Meyerhoff Symphony Hall) in Baltimore, Maryland, United States (from 1991-09-30 until 1991-10-01)
recording of:
Adagio for Strings (from 1991-09-30 until 1991-10-01)
orchestrator:
Samuel Barber (American composer) (in 1938)
composer:
Samuel Barber (American composer) (in 1936)
premiered by:
NBC Symphony Orchestra (on 1938-11-05) and Arturo Toscanini (conductor) (on 1938-11-05)
premiered at:
[radio broadcast] (1938-11-05)
publisher:
Chappell (Warner/Chappell Music, Inc.) and G. Schirmer Inc.
arrangement of:
String Quartet, op. 11: II. Molto adagio
Georges Delerue8:47
8Good Morning Vietnam: What a Wonderful World
recorded in:
New York, United States (on 1967-08-16)
engineer:
Eddie Brackett and Bob Simpson (US jazz engineer/producer)
producer:
Bob Thiele (producer & songwriter)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
baritone saxophone:
Raymond Stanfield (on 1967-08-16)
clarinet:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Jerome Richardson (on 1967-08-16)
double bass:
Russ Savakus (on 1967-08-16)
drums (drum set):
Grady Tate (on 1967-08-16)
flute:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16), Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
guitar:
Allen Hanlon (jazz guitarist) (on 1967-08-16), Art Ryerson (on 1967-08-16) and Willard Suyker (on 1967-08-16)
percussion:
Warren Hard (on 1967-08-16)
piano:
Hank Jones (piano) (on 1967-08-16)
tenor saxophone:
Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
trombone:
Urbie Green (on 1967-08-16) and J.J. Johnson (jazz/bop trombonist/session leader) (on 1967-08-16)
trumpet:
Louis Armstrong (on 1967-08-16), Clark Terry (American swing trumpeter) (on 1967-08-16) and Joe Wilder (on 1967-08-16)
lead vocals:
Louis Armstrong (on 1967-08-16)
orchestra:
Louis Armstrong’s Orchestra and Chorus (on 1967-08-16)
conductor and chorus master:
Tommy Goodman (pianist, arranger for Benny Goodman and Duke Ellington) (on 1967-08-16)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 171) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 283)
recording of:
What a Wonderful World (on 1967-08-16)
writer:
George Douglas (producer & songwriter) and George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. and Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
part of:
12 Monkeys Soundtrack
part of:
Freaky Friday (2003)
Louis Armstrong42:20
9Moonstruck: That's Amore
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.) (in 1989)
recording of:
That’s Amore
lyricist:
Jack Brooks (English–American lyricist)
composer:
Harry Warren (US composer and lyricist)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Four Jays Music Co., Paramount Music Corp., Peermusic Pty. Ltd. (Australia) and Universal Songs (publisher)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!) and BMG Unisongs Music Publishers BV
part of:
The 26th Academy Award for Best Original Song (number: 2)
part of:
The Real Book (compilation of jazz standards, Volume I)
Harry Warren & Jack Brooks3:11
10The Untouchables: The Untouchables
conductor:
Ennio Morricone (Italian classical and score composer)
phonographic copyright (℗) by:
A&M Records (in 1987)
recording of:
The Untouchables
composer:
Ennio Morricone (Italian classical and score composer)
Ennio Morricone3:15
11Cinema Paradiso: Cinema Paradiso
orchestra:
Prague Philharmonia
conductor:
Nick Ingman
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1999)
recording of:
Nuovo Cinema Paradiso (Main theme)
orchestrator and composer:
Ennio Morricone (Italian classical and score composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and EMI Music Publishing (do not use as a release label!)
part of:
Nuovo Cinema Paradiso (soundtrack)
Ennio Morricone3:13
12Batman: The Batman Theme
orchestra:
Sinfonia of London Orchestra (John Wilson’s session orchestra)
conductor:
Shirley Walker
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1989)
recording of:
Main Theme (Batman, 1989)
orchestrator:
Steve Bartek
composer:
Danny Elfman (American singer and score composer)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
Batman (1989)
Danny Elfman2:42
13Dances With Wolves: John Dunbar Theme
recorded in:
Culver City, California, United States (in 1991-02)
engineer:
Joel Moss (in 1991-02)
producer:
Michael Gore (producer)
orchestra:
Hollywood Bowl Orchestra (in 1991-02)
conductor:
John Mauceri (conductor) (in 1991-02)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1991) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1991)
recording of:
John Dunbar Theme (Dances With Wolves) (in 1991-02)
composer:
John Barry (English score composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!) and EMI Virgin Music Publishing
part of:
Dances With Wolves
John Barry2:32
14Silence of the Lambs: Goldberg Variations: Aria
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) and Stefan Flock
sound engineer:
Andrew Wedman (producer and engineer)
producer:
Dr. Peter Czornyj and Werner Mayer (classical producer)
editor:
Mark Buecker (engineer of classical recordings)
piano:
Андрей Гаврилов (Andrei Gavrilov, pianist) (in 1992-09)
solo piano:
Andrei Gavrilov (pianist) (in 1992-09)
balance engineer:
Andrew Wedman (producer and engineer) (in 1992-09)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Friedrich-von-Thiersch-Saal in Wiesbaden, Hessen (Hesse), Germany (in 1992-09)
recording of:
Goldberg-Variationen, BWV 988: Aria (FIRST movement) (in 1992-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
recording of:
Goldberg-Variationen, BWV 988: Aria da capo (LAST movement) (in 1992-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Howard Shore4:51
15The Crying Game: The Crying Game
programming:
Pete Gleadall
engineer:
Pete Schwier (producer, mixing and recording engineer)
producer:
Pet Shop Boys
vocals and performer:
Boy George
phonographic copyright (℗) by:
Spaghetti Recordings Ltd. (in 1992)
cover recording of:
The Crying Game
lyricist and composer:
Geoff Stephens
publisher:
Peermusic (UK) Limited and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
recording of:
The Crying Game
lyricist and composer:
Geoff Stephens
publisher:
Peermusic (UK) Limited and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Boy George23:25
16Strictly Ballroom: Love Is in the Air (Ballroom mix)
phonographic copyright (℗) by:
Albert Productions (in 1992)
recording of:
Love Is in the Air
writer:
Harry Vanda (Australian musician) and George Young (Australian musician and producer)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd. and Warner/Chappell Music Ltd. (1996–2019)
David Hirschfelder3:31
17Reservoir Dogs: Stuck in the Middle With You
recording engineer:
Geoff Emerick (British recording engineer) (in 1972) and John Mills (recording/mix engineer) (in 1972)
producer:
Jerry Leiber and Mike Stoller
drums (drum set):
Rod Coombes (in 1972)
electric bass guitar:
Tony Williams (bass) (in 1972)
guitar:
Paul Pilnick (in 1972) and Gerry Rafferty (in 1972)
keyboard:
Joe Egan (Scottish singer-songwriter) (in 1972)
vocals:
Joe Egan (Scottish singer-songwriter) (in 1972) and Gerry Rafferty (in 1972)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1972) and A&M Records, Ltd. (in 1972)
music videos:
Stuck in the Middle With You by Stealers Wheel
recording of:
Stuck in the Middle With You (in 1972)
lyricist and composer:
Gerald Rafferty and Joe Egan (Scottish singer-songwriter)
publisher:
Baby Bun Music Ltd, Mushroom Music Pty. Ltd., Polygram Music, PolyGram Music Publishing Ltd. and Universal Music Publishing (use ONLY if no country‐specific information is available)
Stealers Wheel43:27
7CD: 1993 - 2002

Credits

Release

manufactured in:Australia
art direction:Oxygen Design Pty. Ltd.
executive producer:John Derry
Cyrus Meher‐Homji
compiler:Matthew Cowling
John Derry
Cyrus Meher‐Homji
David Wood (compiler)
copyrighted (©) by and phonographic copyright (℗) by:Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22) (in 2004)
licensed from:BMG Australia Limited (not for release label use!)
marketed by:Universal Classics & Jazz (Japanese label division - read the annotation before using!)
Discogs:https://www.discogs.com/release/14430778 [info]
ASIN:UK: B0001VWPCE [info]