Cantatas

~ Release by Johann Sebastian Bach; Karl Richter, Münchener Bach‐Orchester (see all versions of this release, 1 available)

Tracklist

1▶CD: Advent un Weihnachten
2▶CD: Advent un Weihnachten
3▶CD: Advent un Weihnachten
4▶CD: Advent un Weihnachten
5▶CD: Ostern
6▶CD: Ostern
7▶CD: Ostern
8▶CD: Ostern
9▶CD: Ostern
10▶CD: Himmelfahrt - Pfingsten - Trinitatis
11▶CD: Himmelfahrt - Pfingsten - Trinitatis
12▶CD: Himmelfahrt - Pfingsten - Trinitatis
13▶CD: Himmelfahrt - Pfingsten - Trinitatis
14▶CD: Himmelfahrt - Pfingsten - Trinitatis
15▶CD: Himmelfahrt - Pfingsten - Trinitatis
16▶CD: Sonntage nach Trinitatis I
17▶CD: Sonntage nach Trinitatis I
18▶CD: Sonntage nach Trinitatis I
19▶CD: Sonntage nach Trinitatis I
20▶CD: Sonntage nach Trinitatis I
21▶CD: Sonntage nach Trinitatis I
22▶CD: Sonntage nach Trinitatis II
23▶CD: Sonntage nach Trinitatis II
24▼CD: Sonntage nach Trinitatis II
#TitleArtistRatingLength
1Cantata BWV 115 "Mache dich, mein Geist, bereit": I. Chor: "Mache dich, mein Geist, bereit"
recording engineer:
Hans‐Peter Schweigmann
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
cello:
Fritz Kiskalt (cellist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
flute:
Peter-Lukas Graf (flutist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
oboe d'amore:
Manfred Clement (oboist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
recording of:
Kantate, BWV 115 "Mache dich, mein Geist, bereit": I. Choral "Mache dich, mein Geist, bereit" (in 1978-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 115 "Mache dich, mein Geist, bereit"
Johann Sebastian Bach3:56
2Cantata BWV 115 "Mache dich, mein Geist, bereit": II. Arie (Alt): "Ach schläfrige Seele, wie? ruhest du noch?"
recording engineer:
Hans‐Peter Schweigmann
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
cello:
Fritz Kiskalt (cellist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
flute:
Peter-Lukas Graf (flutist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
oboe d'amore:
Manfred Clement (oboist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
alto vocals:
Trudeliese Schmidt (mezzo-soprano) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
recording of:
Kantate, BWV 115 "Mache dich, mein Geist, bereit": II. Aria (Alt) "Ach schläfrige Seele, wie? ruhest du noch?" (in 1978-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 115 "Mache dich, mein Geist, bereit"
Johann Sebastian Bach9:04
3Cantata BWV 115 "Mache dich, mein Geist, bereit": III. Rezitativ (Baß): "Gott, so vor deine Seele wacht"
recording engineer:
Hans‐Peter Schweigmann
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
cello:
Fritz Kiskalt (cellist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
flute:
Peter-Lukas Graf (flutist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
oboe d'amore:
Manfred Clement (oboist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
recording of:
Kantate, BWV 115 "Mache dich, mein Geist, bereit": III. Recitativo (Bass) "Gott, so vor deine Seele wacht" (in 1978-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 115 "Mache dich, mein Geist, bereit"
Johann Sebastian Bach1:29
4Cantata BWV 115 "Mache dich, mein Geist, bereit": IV. Arie (Sopran): "Bete aber auch dabei"
recording engineer:
Hans‐Peter Schweigmann
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
cello:
Fritz Kiskalt (cellist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
flute:
Peter-Lukas Graf (flutist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
oboe d'amore:
Manfred Clement (oboist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
soprano vocals:
Edith Mathis (soprano) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
recording of:
Kantate, BWV 115 "Mache dich, mein Geist, bereit": IV. Aria (Sopran) "Bete aber auch dabei" (in 1978-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 115 "Mache dich, mein Geist, bereit"
Johann Sebastian Bach7:43
5Cantata BWV 115 "Mache dich, mein Geist, bereit": V. Rezitativ (Tenor): "Er sehnet sich nach unserm Schreien"
recording engineer:
Hans‐Peter Schweigmann
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
cello:
Fritz Kiskalt (cellist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
flute:
Peter-Lukas Graf (flutist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
oboe d'amore:
Manfred Clement (oboist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
recording of:
Kantate, BWV 115 "Mache dich, mein Geist, bereit": V. Recitativo (Tenor) "Er sehnet sich nach unsrem Schreien" (in 1978-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 115 "Mache dich, mein Geist, bereit"
Johann Sebastian Bach1:04
6Cantata BWV 115 "Mache dich, mein Geist, bereit": VI. Choral: "Drum so laßt uns immerdar"
recording engineer:
Hans‐Peter Schweigmann
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
cello:
Fritz Kiskalt (cellist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
flute:
Peter-Lukas Graf (flutist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
oboe d'amore:
Manfred Clement (oboist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
recording of:
Kantate, BWV 115 "Mache dich, mein Geist, bereit": VI. Choral "Drum so laßt uns immerdar" (in 1978-03)
composer:
Johann Burchard Freystein (German lawyer and hymn writer) and Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 312)
part of:
Kantate, BWV 115 "Mache dich, mein Geist, bereit"
Johann Sebastian Bach1:04
7Cantata BWV 139 "Wohl dem, der sich auf seinen Gott": I. Chor: "Wohl dem, der sich auf seinen Gott"
recording engineer:
Hans‐Peter Schweigmann
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1977-10, in 1978-02, in 1978-05)
oboe d'amore [oboe d'amore II]:
Martin Spanner (oboist) (in 1977-10, in 1978-02, in 1978-03)
oboe d'amore [oboe d'amore]:
Manfred Clement (oboist) (in 1978-03) and Martin Spanner (oboist) (in 1978-05)
violin:
Kurt Guntner (violinist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
recording of:
Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott": I. Coro "Wohl dem, der sich auf seinen Gott" (in 1978-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-11-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott"
Johann Sebastian Bach4:51
8Cantata BWV 139 "Wohl dem, der sich auf seinen Gott": II. Arie (Tenor): "Gott ist mein Freund"
recording engineer:
Hans‐Peter Schweigmann
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1977-10, in 1978-02, in 1978-05)
oboe d'amore [oboe d'amore II]:
Martin Spanner (oboist) (in 1977-10, in 1978-02, in 1978-03)
oboe d'amore [oboe d'amore]:
Manfred Clement (oboist) (in 1978-03) and Martin Spanner (oboist) (in 1978-05)
violin:
Kurt Guntner (violinist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
recording of:
Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott": II. Aria (Tenor) "Gott ist mein Freund" (in 1978-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-11-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott"
Johann Sebastian Bach6:36
9Cantata BWV 139 "Wohl dem, der sich auf seinen Gott": III. Rezitativ (Alt): "Der Heiland sendet ja die Seinen"
recording engineer:
Hans‐Peter Schweigmann
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1977-10, in 1978-02, in 1978-05)
oboe d'amore [oboe d'amore II]:
Martin Spanner (oboist) (in 1977-10, in 1978-02, in 1978-03)
oboe d'amore [oboe d'amore]:
Manfred Clement (oboist) (in 1978-03) and Martin Spanner (oboist) (in 1978-05)
violin:
Kurt Guntner (violinist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
alto vocals:
Trudeliese Schmidt (mezzo-soprano) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
recording of:
Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott": III. Recitativo (Alt) "Der Heiland sendet ja die Seinen" (in 1978-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-11-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott"
Johann Sebastian Bach0:52
10Cantata BWV 139 "Wohl dem, der sich auf seinen Gott": IV. Arie (Baß): "Das Unglück schlägt auf allen Seiten"
recording engineer:
Hans‐Peter Schweigmann
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1977-10, in 1978-02, in 1978-05)
oboe d'amore [oboe d'amore II]:
Martin Spanner (oboist) (in 1977-10, in 1978-02, in 1978-03)
oboe d'amore [oboe d'amore]:
Manfred Clement (oboist) (in 1978-03) and Martin Spanner (oboist) (in 1978-05)
violin:
Kurt Guntner (violinist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
recording of:
Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott": IV. Aria (Bass) "Das Unglück schlägt auf allen Seiten" (in 1978-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-11-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott"
Johann Sebastian Bach5:09
11Cantata BWV 139 "Wohl dem, der sich auf seinen Gott": V. Rezitativ (Sopran): "Ja, trag ich gleich den größten Feind in mir"
recording engineer:
Hans‐Peter Schweigmann
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1977-10, in 1978-02, in 1978-05)
oboe d'amore [oboe d'amore II]:
Martin Spanner (oboist) (in 1977-10, in 1978-02, in 1978-03)
oboe d'amore [oboe d'amore]:
Manfred Clement (oboist) (in 1978-03) and Martin Spanner (oboist) (in 1978-05)
violin:
Kurt Guntner (violinist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
soprano vocals:
Edith Mathis (soprano) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
recording of:
Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott": V. Recitativo (Sopran) "Ja, trag ich gleich den größten Feind in mir" (in 1978-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-11-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott"
Johann Sebastian Bach1:06
12Cantata BWV 139 "Wohl dem, der sich auf seinen Gott": VI. Choral: "Dahero Trotz der höllen Heer"
recording engineer:
Hans‐Peter Schweigmann
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1977-10, in 1978-02, in 1978-05)
oboe d'amore [oboe d'amore II]:
Martin Spanner (oboist) (in 1977-10, in 1978-02, in 1978-03)
oboe d'amore [oboe d'amore]:
Manfred Clement (oboist) (in 1978-03) and Martin Spanner (oboist) (in 1978-05)
violin:
Kurt Guntner (violinist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-10, in 1978-02, in 1978-03, in 1978-05)
recording of:
Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott": VI. Choral "Dahero Trotz der Höllen Heer!" (in 1978-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-11-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 238)
part of:
Kantate, BWV 139 "Wohl dem, der sich auf seinen Gott"
Johann Sebastian Bach1:08
13Cantata BWV 60 "O Ewigkeit, du Donnerswort": I. Duett. Alt (Die Furcht) / Tenor (Die Hoffnung): "O Ewigkeit, du Donnerswort" "Herr, ich warte auf dein Heil"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
horn:
Kurt Richter (German horn player) (in 1964-02)
oboe d'amore [oboe d'amore I]:
Edgar Shann (oboist) (in 1964-02)
oboe d'amore [oboe d'amore II]:
Kurt Hausmann (oboist) (in 1964-02)
violin:
Fritz Sonnleitner (in 1964-02)
alto vocals:
Hertha Töpper (mezzo soprano) (in 1964-02)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1964-02)
tenor vocals:
Ernst Haefliger (tenor) (in 1964-02)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1964-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1964-02)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1964-02)
recording of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort": I. Aria (Coro Alto, Tenore) "O Ewigkeit, du Donnerwort" (in 1964-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach4:04
14Cantata BWV 60 "O Ewigkeit, du Donnerswort": II. Rezitativ. Alt (Die Furcht) / Tenor (Die Hoffnung): "O schwerer Gang" "Mein Beistand ist schon da"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
horn:
Kurt Richter (German horn player) (in 1964-02)
oboe d'amore [oboe d'amore I]:
Edgar Shann (oboist) (in 1964-02)
oboe d'amore [oboe d'amore II]:
Kurt Hausmann (oboist) (in 1964-02)
violin:
Fritz Sonnleitner (in 1964-02)
alto vocals:
Hertha Töpper (mezzo soprano) (in 1964-02)
tenor vocals:
Ernst Haefliger (tenor) (in 1964-02)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1964-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1964-02)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1964-02)
recording of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort": II. Recitativo (Alto, Tenore) "O schwerer Gang" (in 1964-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach2:12
15Cantata BWV 60 "O Ewigkeit, du Donnerswort": III. Duett. Alt (Die Furcht) / Tenor (Die Hoffnung): "Mein letztes Lager will mich schrecken" "Mich wird des Heilands Hand bedecken"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
horn:
Kurt Richter (German horn player) (in 1964-02)
oboe d'amore [oboe d'amore I]:
Edgar Shann (oboist) (in 1964-02)
oboe d'amore [oboe d'amore II]:
Kurt Hausmann (oboist) (in 1964-02)
violin:
Fritz Sonnleitner (in 1964-02)
alto vocals:
Hertha Töpper (mezzo soprano) (in 1964-02)
tenor vocals:
Ernst Haefliger (tenor) (in 1964-02)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1964-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1964-02)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1964-02)
recording of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort": III. Aria (Alto, Tenore) "Mein letztes Lager will mich schrecken" (in 1964-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach3:14
16Cantata BWV 60 "O Ewigkeit, du Donnerswort": IV. Rezitativ/Arioso. Alt (Die Furcht) / Baß (Die Stimme des heiligen Geistes): "Der Tod belibt doch der menschlichen Natur verhaßt" / "Selig sind die Toten"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
horn:
Kurt Richter (German horn player) (in 1964-02)
oboe d'amore [oboe d'amore I]:
Edgar Shann (oboist) (in 1964-02)
oboe d'amore [oboe d'amore II]:
Kurt Hausmann (oboist) (in 1964-02)
violin:
Fritz Sonnleitner (in 1964-02)
alto vocals:
Hertha Töpper (mezzo soprano) (in 1964-02)
bass vocals:
Kieth Engen (operatic bass) (in 1964-02)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1964-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1964-02)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1964-02)
recording of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort": IV. Recitativo (Alto, Basso) "Der Tod bleibt doch der menschlichen Natur verhaßt" (in 1964-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach5:05
17Cantata BWV 60 "O Ewigkeit, du Donnerswort": V. Choral: "Es ist genug"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
horn:
Kurt Richter (German horn player) (in 1964-02)
oboe d'amore [oboe d'amore I]:
Edgar Shann (oboist) (in 1964-02)
oboe d'amore [oboe d'amore II]:
Kurt Hausmann (oboist) (in 1964-02)
violin:
Fritz Sonnleitner (in 1964-02)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1964-02)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1964-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1964-02)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1964-02)
recording of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort": V. Choral "Es ist genug; Herr, wenn es dir gefällt" (in 1964-02)
lyricist:
Franz Joachim Burmeister (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 91)
part of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach1:45
18Cantata BWV 26 "Ach wie flüchtig, ach wie nichtig": I. Chor: "Ach wie flüchtig, ach wie nichtig"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
flute:
Paul Meisen (flautist)
horn:
Norbert Hauptmann (horn player)
oboe [oboe I]:
Manfred Clement (oboist)
oboe [oboe II]:
Andreas Schwinn (oboist)
oboe [oboe III]:
Gustav Meyer (oboist)
violin:
Kurt Christian Stier (violist / violinist)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1966-10)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1966-10)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1966-10)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1966-10)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": I. Choral "Ach wie flüchtig, ach wie nichtig" (in 1966-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Michael Franck (German hymn writer)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
Johann Sebastian Bach2:27
19Cantata BWV 26 "Ach wie flüchtig, ach wie nichtig": II. Arie (Tenor): "So schnell ein rauschend Wasser schießt"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
flute:
Paul Meisen (flautist)
horn:
Norbert Hauptmann (horn player)
oboe [oboe I]:
Manfred Clement (oboist)
oboe [oboe II]:
Andreas Schwinn (oboist)
oboe [oboe III]:
Gustav Meyer (oboist)
violin:
Kurt Christian Stier (violist / violinist)
tenor vocals:
Ernst Haefliger (tenor) (in 1966-10)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1966-10)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1966-10)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1966-10)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": II. Aria (Tenore) "So schnell ein rauschend Wasser schießt" (in 1966-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
Johann Sebastian Bach6:08
20Cantata BWV 26 "Ach wie flüchtig, ach wie nichtig": III. Rezitativ (Alt): "Die Freude wird zur Traurigkeit"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
flute:
Paul Meisen (flautist)
horn:
Norbert Hauptmann (horn player)
oboe [oboe I]:
Manfred Clement (oboist)
oboe [oboe II]:
Andreas Schwinn (oboist)
oboe [oboe III]:
Gustav Meyer (oboist)
violin:
Kurt Christian Stier (violist / violinist)
alto vocals:
Hertha Töpper (mezzo soprano) (in 1966-10)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1966-10)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1966-10)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1966-10)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": III. Recitativo (Alto) "Die Freude wird zur Traurigkeit" (in 1966-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
Johann Sebastian Bach1:17
21Cantata BWV 26 "Ach wie flüchtig, ach wie nichtig": IV. Arie (Baß): "An irdische Schätze das Herze zu hängen"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
flute:
Paul Meisen (flautist)
horn:
Norbert Hauptmann (horn player)
oboe [oboe I]:
Manfred Clement (oboist)
oboe [oboe II]:
Andreas Schwinn (oboist)
oboe [oboe III]:
Gustav Meyer (oboist)
violin:
Kurt Christian Stier (violist / violinist)
bass vocals:
Theo Adam (German classical bass-baritone) (in 1966-10)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1966-10)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1966-10)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1966-10)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": IV. Aria (Basso) "An irdische Schätze das Herze zu hängen" (in 1966-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
Johann Sebastian Bach3:40
22Cantata BWV 26 "Ach wie flüchtig, ach wie nichtig": V. Rezitativ (Sopran): "Die höchste Herrlichkeit und Pracht"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
flute:
Paul Meisen (flautist)
horn:
Norbert Hauptmann (horn player)
oboe [oboe I]:
Manfred Clement (oboist)
oboe [oboe II]:
Andreas Schwinn (oboist)
oboe [oboe III]:
Gustav Meyer (oboist)
violin:
Kurt Christian Stier (violist / violinist)
soprano vocals:
Ursula Buckel (soprano) (in 1966-10)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1966-10)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1966-10)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1966-10)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": V. Recitativo (Soprano) "Die höchste Herrlichkeit und Pracht" (in 1966-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
Johann Sebastian Bach0:55
23Cantata BWV 26 "Ach wie flüchtig, ach wie nichtig": VI. Choral: "Ach wie flüchtig, ach wie nichtig"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
flute:
Paul Meisen (flautist)
horn:
Norbert Hauptmann (horn player)
oboe [oboe I]:
Manfred Clement (oboist)
oboe [oboe II]:
Andreas Schwinn (oboist)
oboe [oboe III]:
Gustav Meyer (oboist)
violin:
Kurt Christian Stier (violist / violinist)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1966-10)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1966-10)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1966-10)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1966-10)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": VI. Choral "Ach wie flüchtig, ach wie nichtig" (in 1966-10)
lyricist and librettist:
Michael Franck (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 11)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
Johann Sebastian Bach1:00
25▶CD: Sonntage nach Trinitatis II
26▶CD: Sonntage nach Trinitatis II