The Great Operas

~ Release by Giuseppe Verdi (see all versions of this release, 1 available)

Annotation

Nabucco is remasterised in 1998, Macbeth in 1999, Rigoletto in 1997, Simon Boccanegra in 2000, un ballo in maschera in 1997 and Don Carlo in 2000. The others are originals.

Annotation last modified on 2017-02-04 16:36 UTC.

Tracklist

1▶CD: Nabucco CD 1 (Muti, 1977-78)
2▶CD: Nabucco CD 2 (Muti, 1977-78)
3▶CD: Ernani CD 1 (Muti, 1982)
4▶CD: Ernani CD 2 (Muti, 1982)
5▶CD: Giovanna d'Arco CD 1 (Levine, 1972)
6▶CD: Giovanna d'Arco CD 2 (Levine, 1972)
7▶CD: Attila, CD 1 (Muti, 1989)
8▶CD: Attila, CD 2 (Muti, 1989)
9▶CD: Macbeth, CD 1 (Muti, 1976)
10▶CD: Macbeth, CD 2 (Muti, 1976)
11▶CD: Rigoletto, CD 1 (Serafin, 1955)
12▶CD: Rigoletto, CD 2 (Serafin, 1955)
13▶CD: Il Trovatore CD 1 (Pappano, 2001)
14▶CD: Il Trovatore CD 2 (Pappano, 2001)
15▶CD: La traviata, CD 1 (Muti, 1980)
16▶CD: La traviata, CD 2 (Muti, 1980)
17▶CD: I Vespri Siciliani, CD 1 (Muti, 1989-90)
18▶CD: I Vespri Siciliani, CD 2 (Muti, 1989-90)
19▶CD: I Vespri Siciliani, CD 3 (Muti, 1989-90)
20▶CD: Simon Boccanegra, CD 1 (Santini, 1957)
21▶CD: Simon Boccanegra, CD 2 (Santini, 1957)
22▶CD: Un ballo in maschera, CD 1 (Muti, 1975)
23▶CD: Un ballo in maschera, CD 2 (Muti, 1975)
24▶CD: La forza del destino, CD 1 (Muti, 1986)
25▶CD: La forza del destino, CD 2 (Muti, 1986)
26▶CD: La forza del destino, CD 3 (Muti, 1986)
27▶CD: Don Carlo, CD 1 (Giulini, 1970)
28▶CD: Don Carlo, CD 2 (Giulini, 1970)
29▶CD: Don Carlo, CD 3 (Giulini, 1970)
30▶CD: Aida, CD 1 (Mehta, 1967)
31▶CD: Aida, CD 2 (Mehta, 1967)
32▶CD: Othello, CD 1
33▶CD: Othello, CD 2
34▼CD: Falstaff, CD 1
#TitleRatingLength
1Falstaff, Act I, Scene One: Falstaff! Olà! (Dr.Caio/Falstaff/Bardolfo/Pistola)
baritone vocals [Falstaff]:
Tito Gobbi (baritone) (from 1956-06-18 until 1956-06-29)
bass vocals [Pistola]:
Nicola Zaccaria (operatic bass) (from 1956-06-18 until 1956-06-29)
tenor vocals [Bardolfo]:
Renato Ercolani (tenor) (from 1956-06-18 until 1956-06-29)
tenor vocals [Cajus]:
Tomaso Spataro (tenor) (from 1956-06-18 until 1956-06-29)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-06-18 until 1956-06-29)
conductor:
Herbert von Karajan (conductor) (from 1956-06-18 until 1956-06-29)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-06-18 until 1956-06-29)
recording of:
Falstaff: Atto I, scena 1. “Falstaff!“ - “Olà!“ (Dr Cajus, Falstaff, Bardolfo, Pistola) (from 1956-06-18 until 1956-06-29)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto I
?:??
2Falstaff, Act I, Scene One: So che se andiam la notte
baritone vocals [Falstaff]:
Tito Gobbi (baritone) (from 1956-06-18 until 1956-06-29)
bass vocals [Pistola]:
Nicola Zaccaria (operatic bass) (from 1956-06-18 until 1956-06-29)
tenor vocals [Bardolfo]:
Renato Ercolani (tenor) (from 1956-06-18 until 1956-06-29)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-06-18 until 1956-06-29)
conductor:
Herbert von Karajan (conductor) (from 1956-06-18 until 1956-06-29)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-06-18 until 1956-06-29)
recording of:
Falstaff: Atto I, scena 1. “So che se andiam, la notte” (Falstaff, Pistola, Bardolfo) (from 1956-06-18 until 1956-06-29)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto I
?:??
3Falstaff, Act I, Scene One: Ma è tempo d'assottigliar l'ingegno...(Falstaff/Pistola/Bardolfo)
baritone vocals [Falstaff]:
Tito Gobbi (baritone) (from 1956-06-18 until 1956-06-29)
bass vocals [Pistola]:
Nicola Zaccaria (operatic bass) (from 1956-06-18 until 1956-06-29)
tenor vocals [Bardolfo]:
Renato Ercolani (tenor) (from 1956-06-18 until 1956-06-29)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-06-18 until 1956-06-29)
conductor:
Herbert von Karajan (conductor) (from 1956-06-18 until 1956-06-29)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-06-18 until 1956-06-29)
recording of:
Falstaff: Atto I, scena 1. “Ma è tempo d'assottigliar l'ingegno” (Falstaff, Pistola, Bardolfo) (from 1956-06-18 until 1956-06-29)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto I
?:??
4Falstaff, Act I, Scene One: L'Onore! Ladri!...Io stesso, sì, io, io (Falstaff)
baritone vocals [Falstaff]:
Tito Gobbi (baritone) (from 1956-06-18 until 1956-06-29)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1956-06-18 until 1956-06-29)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-06-18 until 1956-06-29)
conductor:
Herbert von Karajan (conductor) (from 1956-06-18 until 1956-06-29)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-06-18 until 1956-06-29)
recording of:
Falstaff: Atto I, scena 1. “Ehi! Paggio!” - “L’onore! Ladri!” - “Io stesso, sì, io, io” (Falstaff) (from 1956-06-18 until 1956-06-29)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer) and Francesco Maria Piave
part of:
Falstaff: Atto I
?:??
5Falstaff, Act I, Scene Two: Alice...Meg...Nannetta (Meg/Alice/Quickly/Nannetta)
mezzo-soprano vocals [Meg]:
Nan Merriman (mezzo-soprano) (from 1956-06-18 until 1956-06-29)
mezzo-soprano vocals [Quickly]:
Fedora Barbieri (mezzo-soprano) (from 1956-06-18 until 1956-06-29)
soprano vocals [Alice]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-06-18 until 1956-06-29)
soprano vocals [Nannetta]:
Anna Moffo (soprano) (from 1956-06-18 until 1956-06-29)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-06-18 until 1956-06-29)
conductor:
Herbert von Karajan (conductor) (from 1956-06-18 until 1956-06-29)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-06-18 until 1956-06-29)
recording of:
Falstaff: Atto I, scena 2. “Alice!” - “Meg!“ - “Nannetta!“ (Meg, Alice, Quickly, Nannetta) (from 1956-06-18 until 1956-06-29)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto I
?:??
6Falstaff, Act I, Scene Two: Fulgida Alice! amor t'offro
baritone vocals [Ford]:
Rolando Panerai (baritone) (from 1956-06-18 until 1956-06-29)
bass vocals [Pistola]:
Nicola Zaccaria (operatic bass) (from 1956-06-18 until 1956-06-29)
mezzo-soprano vocals [Meg]:
Nan Merriman (mezzo-soprano) (from 1956-06-18 until 1956-06-29)
mezzo-soprano vocals [Quickly]:
Fedora Barbieri (mezzo-soprano) (from 1956-06-18 until 1956-06-29)
soprano vocals [Alice]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-06-18 until 1956-06-29)
soprano vocals [Nannetta]:
Anna Moffo (soprano) (from 1956-06-18 until 1956-06-29)
tenor vocals [Bardolfo]:
Renato Ercolani (tenor) (from 1956-06-18 until 1956-06-29)
tenor vocals [Cajus]:
Tomaso Spataro (tenor) (from 1956-06-18 until 1956-06-29)
tenor vocals [Fenton]:
Luigi Alva (tenor) (from 1956-06-18 until 1956-06-29)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-06-18 until 1956-06-29)
conductor:
Herbert von Karajan (conductor) (from 1956-06-18 until 1956-06-29)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-06-18 until 1956-06-29)
recording of:
Falstaff: Atto I, scena 1. “Fulgida Alice! amor t'offro” (Meg, Alice, Quickly, Nannetta, Cajus, Bardolfo, Fenton, Pistola, Ford) (from 1956-06-18 until 1956-06-29)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto I
?:??
7Falstaff, Act I, Scene Two: Ripeti
baritone vocals [Ford]:
Rolando Panerai (baritone) (from 1956-06-18 until 1956-06-29)
bass vocals [Pistola]:
Nicola Zaccaria (operatic bass) (from 1956-06-18 until 1956-06-29)
mezzo-soprano vocals [Meg]:
Nan Merriman (mezzo-soprano) (from 1956-06-18 until 1956-06-29)
mezzo-soprano vocals [Quickly]:
Fedora Barbieri (mezzo-soprano) (from 1956-06-18 until 1956-06-29)
soprano vocals [Alice]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-06-18 until 1956-06-29)
soprano vocals [Nannetta]:
Anna Moffo (soprano) (from 1956-06-18 until 1956-06-29)
tenor vocals [Bardolfo]:
Renato Ercolani (tenor) (from 1956-06-18 until 1956-06-29)
tenor vocals [Cajus]:
Tomaso Spataro (tenor) (from 1956-06-18 until 1956-06-29)
tenor vocals [Fenton]:
Luigi Alva (tenor) (from 1956-06-18 until 1956-06-29)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-06-18 until 1956-06-29)
conductor:
Herbert von Karajan (conductor) (from 1956-06-18 until 1956-06-29)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-06-18 until 1956-06-29)
recording of:
Falstaff: Atto I, scena 2. “Ripeti” - “In due parole” – “È un ribaldo, un furbo, un ladro” (Meg, Alice, Quickly, Nannetta, Cajus, Bardolfo, Fenton, Pistola, Ford) (from 1956-06-18 until 1956-06-29)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto I
?:??
8Falstaff, Act I, Scene Two: Pst, pst
soprano vocals [Nannetta]:
Anna Moffo (soprano) (from 1956-06-18 until 1956-06-29)
tenor vocals [Fenton]:
Luigi Alva (tenor) (from 1956-06-18 until 1956-06-29)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-06-18 until 1956-06-29)
conductor:
Herbert von Karajan (conductor) (from 1956-06-18 until 1956-06-29)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-06-18 until 1956-06-29)
recording of:
Falstaff: Atto I, scena 2. “Pst, pst, Nannetta!” - “Vien qua” - “Labbra di foco!” (Fenton, Nannetta) (from 1956-06-18 until 1956-06-29)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto I
?:??
9Falstaff, Act I, Scene Two: Falstaff m'ha canzonata (Alice/Meg/Nannetta/Quickly)
mezzo-soprano vocals [Meg]:
Nan Merriman (mezzo-soprano) (from 1956-06-18 until 1956-06-29)
mezzo-soprano vocals [Quickly]:
Fedora Barbieri (mezzo-soprano) (from 1956-06-18 until 1956-06-29)
soprano vocals [Alice]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-06-18 until 1956-06-29)
soprano vocals [Nannetta]:
Anna Moffo (soprano) (from 1956-06-18 until 1956-06-29)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-06-18 until 1956-06-29)
conductor:
Herbert von Karajan (conductor) (from 1956-06-18 until 1956-06-29)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-06-18 until 1956-06-29)
recording of:
Falstaff: Atto I, scena 2. “Falstaff m'ha canzonata” (Alice, Meg, Nannetta, Quickly) (from 1956-06-18 until 1956-06-29)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto I
?:??
10Falstaff, Act I, Scene Two: Torno all'assalto...Torno alla gara (Fenton/Nannetta)
soprano vocals [Nannetta]:
Anna Moffo (soprano) (from 1956-06-18 until 1956-06-29)
tenor vocals [Fenton]:
Luigi Alva (tenor) (from 1956-06-18 until 1956-06-29)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-06-18 until 1956-06-29)
conductor:
Herbert von Karajan (conductor) (from 1956-06-18 until 1956-06-29)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-06-18 until 1956-06-29)
recording of:
Falstaff: Atto I, scena 2. “Torno all'assalto” - “Torna alla gara” (Fenton, Nannetta) (from 1956-06-18 until 1956-06-29)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto I
?:??
11Falstaff, Act I, Scene Two: Udrai quanta egli sfoggia magniloquenza altera (Bardolfo/Ford/Pistola)
baritone vocals [Ford]:
Rolando Panerai (baritone) (from 1956-06-18 until 1956-06-29)
bass vocals [Pistola]:
Nicola Zaccaria (operatic bass) (from 1956-06-18 until 1956-06-29)
tenor vocals [Bardolfo]:
Renato Ercolani (tenor) (from 1956-06-18 until 1956-06-29)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-06-18 until 1956-06-29)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-06-18 until 1956-06-29)
recording of:
Falstaff: Atto I, scena 2. “Udrai quanta egli sfoggia magniloquenza altera” (Bardolfo, Ford, Pistola) (from 1956-06-18 until 1956-06-29)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto I
?:??
12Falstaff, Act I, Scene Two: Del tuo barbaro diagnostico (Caio/Alice/Nannetta/Quickly/Meg/Uomini)
baritone vocals [Ford]:
Rolando Panerai (baritone) (from 1956-06-18 until 1956-06-29)
bass vocals [Pistola]:
Nicola Zaccaria (operatic bass) (from 1956-06-18 until 1956-06-29)
mezzo-soprano vocals [Meg]:
Nan Merriman (mezzo-soprano) (from 1956-06-18 until 1956-06-29)
mezzo-soprano vocals [Quickly]:
Fedora Barbieri (mezzo-soprano) (from 1956-06-18 until 1956-06-29)
soprano vocals [Alice]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-06-18 until 1956-06-29)
soprano vocals [Nannetta]:
Anna Moffo (soprano) (from 1956-06-18 until 1956-06-29)
tenor vocals [Bardolfo]:
Renato Ercolani (tenor) (from 1956-06-18 until 1956-06-29)
tenor vocals [Cajus]:
Tomaso Spataro (tenor) (from 1956-06-18 until 1956-06-29)
tenor vocals [Fenton]:
Luigi Alva (tenor) (from 1956-06-18 until 1956-06-29)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-06-18 until 1956-06-29)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-06-18 until 1956-06-29)
recording of:
Falstaff: Atto I, scena 2. “Del tuo barbaro diagnostico” (Cajus, Pistola, Bardolfo, Alice, Meg, Nannetta, Quickly, Fenton, Ford) (from 1956-06-18 until 1956-06-29)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Falstaff: Atto I
?:??
13Falstaff, Act II, Scene One: Siam pentiti e contriti (Bardolfo/Pistola/Falstaff)
baritone vocals [Falstaff]:
Tito Gobbi (baritone) (from 1956-06-18 until 1956-06-29)
bass vocals [Pistola]:
Nicola Zaccaria (operatic bass) (from 1956-06-18 until 1956-06-29)
tenor vocals [Bardolfo]:
Renato Ercolani (tenor) (from 1956-06-18 until 1956-06-29)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-06-18 until 1956-06-29)
conductor:
Herbert von Karajan (conductor) (from 1956-06-18 until 1956-06-29)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-06-18 until 1956-06-29)
recording of:
Falstaff: Atto II, scena 1. “Siam pentiti e contriti” (Bardolfo, Pistola, Falstaff) (from 1956-06-18 until 1956-06-29)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
?:??
14Falstaff, Act II, Scene One: Reverenza! (Quickly/Falstaff)
baritone vocals [Falstaff]:
Tito Gobbi (baritone) (from 1956-06-18 until 1956-06-29)
mezzo-soprano vocals [Quickly]:
Fedora Barbieri (mezzo-soprano) (from 1956-06-18 until 1956-06-29)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-06-18 until 1956-06-29)
conductor:
Herbert von Karajan (conductor) (from 1956-06-18 until 1956-06-29)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-06-18 until 1956-06-29)
recording of:
Falstaff: Atto II, scena 1. “Reverenza!” (Quickly, Falstaff) (from 1956-06-18 until 1956-06-29)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
?:??
15Falstaff, Act II, Scene One: Va...vecchio John, va (Falstaff/Bardolfo)
baritone vocals [Falstaff]:
Tito Gobbi (baritone) (from 1956-06-18 until 1956-06-29)
tenor vocals [Bardolfo]:
Renato Ercolani (tenor) (from 1956-06-18 until 1956-06-29)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-06-18 until 1956-06-29)
conductor:
Herbert von Karajan (conductor) (from 1956-06-18 until 1956-06-29)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-06-18 until 1956-06-29)
recording of:
Falstaff: Atto II, scena 1. “Alice è mia!” – “Va, vecchio John” (Falstaff, Bardolfo) (from 1956-06-18 until 1956-06-29)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
?:??
16Falstaff, Act II, Scene One: Signore, v'assista il cielo! (Ford/Falstaff/Bardolfo/Pistola)
baritone vocals [Falstaff]:
Tito Gobbi (baritone) (from 1956-06-18 until 1956-06-29)
baritone vocals [Ford]:
Rolando Panerai (baritone) (from 1956-06-18 until 1956-06-29)
bass vocals [Pistola]:
Nicola Zaccaria (operatic bass) (from 1956-06-18 until 1956-06-29)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1956-06-18 until 1956-06-29)
tenor vocals [Bardolfo]:
Renato Ercolani (tenor) (from 1956-06-18 until 1956-06-29)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-06-18 until 1956-06-29)
conductor:
Herbert von Karajan (conductor) (from 1956-06-18 until 1956-06-29)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-06-18 until 1956-06-29)
recording of:
Falstaff: Atto II, scena 1. “Signore, v'assista il cielo!” (Ford, Falstaff, Bardolfo, Pistola) (from 1956-06-18 until 1956-06-29)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
?:??
17Falstaff, Act II, Scene One: Ve lo dirò...C'è a Windsor una dama
baritone vocals [Falstaff]:
Tito Gobbi (baritone) (from 1956-06-18 until 1956-06-29)
baritone vocals [Ford]:
Rolando Panerai (baritone) (from 1956-06-18 until 1956-06-29)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-06-18 until 1956-06-29)
conductor:
Herbert von Karajan (conductor) (from 1956-06-18 until 1956-06-29)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-06-18 until 1956-06-29)
recording of:
Falstaff: Atto II, scena 1. “Ve lo dirò - C'è a Windsor una dama” (Ford, Falstaff) (from 1956-06-18 until 1956-06-29)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
?:??
18Falstaff, Act II, Scene One: Lo conoscete? Il diavolo se lo porti all'inferno (Ford/Falstaff)
baritone vocals [Falstaff]:
Tito Gobbi (baritone) (from 1956-06-18 until 1956-06-29)
baritone vocals [Ford]:
Rolando Panerai (baritone) (from 1956-06-18 until 1956-06-29)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-06-18 until 1956-06-29)
conductor:
Herbert von Karajan (conductor) (from 1956-06-18 until 1956-06-29)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-06-18 until 1956-06-29)
recording of:
Falstaff: Atto II, scena 1. “Lo conoscete?” - “Il diavolo se lo porti all'inferno” (Ford, Falstaff) (from 1956-06-18 until 1956-06-29)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Falstaff: Atto II
?:??
19Falstaff, Act II, Scene One: E sogno? O realtà...(Ford)
baritone vocals [Ford]:
Rolando Panerai (baritone) (from 1956-06-18 until 1956-06-29)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-06-18 until 1956-06-29)
conductor:
Herbert von Karajan (conductor) (from 1956-06-18 until 1956-06-29)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-06-18 until 1956-06-29)
recording of:
Falstaff: Atto II, scena 1. “È sogno? o realtà?” (Ford) (Ford's monologue) (from 1956-06-18 until 1956-06-29)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
?:??
20Falstaff, Act II, Scene One: Eccomi qua, son pronto (Falstaff/Ford)
baritone vocals [Falstaff]:
Tito Gobbi (baritone) (from 1956-06-18 until 1956-06-29)
baritone vocals [Ford]:
Rolando Panerai (baritone) (from 1956-06-18 until 1956-06-29)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-06-18 until 1956-06-29)
conductor:
Herbert von Karajan (conductor) (from 1956-06-18 until 1956-06-29)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-06-18 until 1956-06-29)
recording of:
Falstaff: Atto II, scena 1. “Eccomi qua. Son pronto” (Falstaff, Ford) (from 1956-06-18 until 1956-06-29)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Falstaff: Atto II
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35▶CD: Falstaff, CD 2

Credits

Release group

includes:Il trovatore (2001 studio cast) by Giuseppe Verdi (Italian opera composer); Roberto Alagna (tenor), Angela Gheorghiu (Romanian soprano), Thomas Hampson (baritone), Larissa Diadkova (mezzo-soprano), Ildebrando d’Arcangelo (operatic bass), London Voices, London Symphony Orchestra, Antonio Pappano (conductor and pianist)
Nabucco (1977–78 studio cast) by Giuseppe Verdi (Italian opera composer); Matteo Manuguerra (baritone), Renata Scotto (operatic soprano), Nicolaï Ghiaurov (operatic bass), Elena Obraztsova (mezzo-soprano), Veriano Luchetti (tenor), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Riccardo Muti (conductor)