The Great Conductor

~ Release by Giuseppe Sinopoli (see all versions of this release, 1 available)

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1Eine Alpensinfonie op. 64: I. Nacht
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1993-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1993-04)
live recording of:
Eine Alpensinfonie, op. 64: I. Nacht (An Alpine Symphony, op. 64: 1. Night) (in 1993-04)
composer:
Richard Strauss (German composer) (in 1915)
part of:
Eine Alpensinfonie (An Alpine Symphony, op. 64; TrV 233)
Richard Strauss3:12
2Eine Alpensinfonie op. 64: II. Sonnenaufgang
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1993-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1993-04)
live recording of:
Eine Alpensinfonie, op. 64: II. Sonnenaufgang (An Alpine Symphony, op. 64: 2. Sunrise) (in 1993-04)
composer:
Richard Strauss (German composer) (in 1915)
part of:
Eine Alpensinfonie (An Alpine Symphony, op. 64; TrV 233)
Richard Strauss1:35
3Eine Alpensinfonie op. 64: III. Der Anstieg
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1993-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1993-04)
live recording of:
Eine Alpensinfonie, op. 64: III. Der Anstieg (An Alpine Symphony, op. 64: 3. The Ascent) (in 1993-04)
composer:
Richard Strauss (German composer) (in 1915)
part of:
Eine Alpensinfonie (An Alpine Symphony, op. 64; TrV 233)
Richard Strauss2:18
4Eine Alpensinfonie op. 64: IV. Eintritt in den Wald
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1993-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1993-04)
live recording of:
Eine Alpensinfonie, op. 64: IV. Der Eintritt in der Wald (An Alpine Symphony, op. 64: 4. Entering the Forest) (in 1993-04)
composer:
Richard Strauss (German composer) (in 1915)
part of:
Eine Alpensinfonie (An Alpine Symphony, op. 64; TrV 233)
Richard Strauss2:48
5Eine Alpensinfonie op. 64: V. Wanderung neben dem Bache
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1993-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1993-04)
live recording of:
Eine Alpensinfonie, op. 64: V. Wanderung neben dem Bache (An Alpine Symphony, op. 64: 5. Wandering by the Brook) (in 1993-04)
composer:
Richard Strauss (German composer) (in 1915)
part of:
Eine Alpensinfonie (An Alpine Symphony, op. 64; TrV 233)
Richard Strauss3:01
6Eine Alpensinfonie op. 64: VI. Am Wasserfall
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1993-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1993-04)
live recording of:
Eine Alpensinfonie, op. 64: VI. Am Wasserfall (An Alpine Symphony, op. 64: 6. At the Waterfall) (in 1993-04)
composer:
Richard Strauss (German composer) (in 1915)
part of:
Eine Alpensinfonie (An Alpine Symphony, op. 64; TrV 233)
Richard Strauss0:15
7Eine Alpensinfonie op. 64: VII. Erscheinung
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1993-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1993-04)
live recording of:
Eine Alpensinfonie, op. 64: VII. Erscheinung (An Alpine Symphony, op. 64: 7. Apparition) (in 1993-04)
composer:
Richard Strauss (German composer) (in 1915)
part of:
Eine Alpensinfonie (An Alpine Symphony, op. 64; TrV 233)
Richard Strauss0:46
8Eine Alpensinfonie op. 64: VIII. Auf blumige Wiesen
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1993-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1993-04)
live recording of:
Eine Alpensinfonie, op. 64: VIII. Auf blumigen Wiesen (An Alpine Symphony, op. 64: 8. On Flower-Covered Meadows) (in 1993-04)
composer:
Richard Strauss (German composer) (in 1915)
part of:
Eine Alpensinfonie (An Alpine Symphony, op. 64; TrV 233)
Richard Strauss0:57
9Eine Alpensinfonie op. 64: IX. Auf der Alm
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1993-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1993-04)
live recording of:
Eine Alpensinfonie, op. 64: IX. Auf der Alm (An Alpine Symphony, op. 64: 9. On Alpine Pastures) (in 1993-04)
composer:
Richard Strauss (German composer) (in 1915)
part of:
Eine Alpensinfonie (An Alpine Symphony, op. 64; TrV 233)
Richard Strauss2:04
10Eine Alpensinfonie op. 64: X. Durch Dickicht und Gestrüpp auf Irrwegen
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1993-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1993-04)
live recording of:
Eine Alpensinfonie, op. 64: X. Durch Dickicht und Gestrüpp auf Irrwegen (An Alpine Symphony, op. 64: 10. Lost in the Thicket and the Undergrowth) (in 1993-04)
composer:
Richard Strauss (German composer) (in 1915)
part of:
Eine Alpensinfonie (An Alpine Symphony, op. 64; TrV 233)
Richard Strauss1:31
11Eine Alpensinfonie op. 64: XI. Auf dem Gletscher
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1993-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1993-04)
live recording of:
Eine Alpensinfonie, op. 64: XI. Auf dem Gletscher (An Alpine Symphony, op. 64: 11. On the Glacier) (in 1993-04)
composer:
Richard Strauss (German composer) (in 1915)
part of:
Eine Alpensinfonie (An Alpine Symphony, op. 64; TrV 233)
Richard Strauss1:06
12Eine Alpensinfonie op. 64: XII. Gefahrvolle Augenblicke
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1993-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1993-04)
live recording of:
Eine Alpensinfonie, op. 64: XII. Gefahrvolle Augenblicke (An Alpine Symphony, op. 64: 12. Hazardous Moments) (in 1993-04)
composer:
Richard Strauss (German composer) (in 1915)
part of:
Eine Alpensinfonie (An Alpine Symphony, op. 64; TrV 233)
Richard Strauss1:19
13Eine Alpensinfonie op. 64: XIII. Auf dem Gipfel
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1993-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1993-04)
live recording of:
Eine Alpensinfonie, op. 64: XIII. Auf dem Gipfel (An Alpine Symphony, op. 64: 13. On the Summit) (in 1993-04)
composer:
Richard Strauss (German composer) (in 1915)
part of:
Eine Alpensinfonie (An Alpine Symphony, op. 64; TrV 233)
Richard Strauss4:57
14Eine Alpensinfonie op. 64: XIV. Vision
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1993-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1993-04)
live recording of:
Eine Alpensinfonie, op. 64: XIV. Vision (An Alpine Symphony, op. 64: 14. Vision) (in 1993-04)
composer:
Richard Strauss (German composer) (in 1915)
part of:
Eine Alpensinfonie (An Alpine Symphony, op. 64; TrV 233)
Richard Strauss3:20
15Eine Alpensinfonie op. 64: XV. Nebel steigen auf
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1993-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1993-04)
live recording of:
Eine Alpensinfonie, op. 64: XV. Nebel steigen auf (An Alpine Symphony, op. 64: 15. The Mist Rises) (in 1993-04)
composer:
Richard Strauss (German composer) (in 1915)
part of:
Eine Alpensinfonie (An Alpine Symphony, op. 64; TrV 233)
Richard Strauss0:17
16Eine Alpensinfonie op. 64: XVI. Die Sonne verdüstert sich allmählich
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1993-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1993-04)
live recording of:
Eine Alpensinfonie, op. 64: XVI. Die Sonne verdüstert sich allmählich (An Alpine Symphony, op. 64: 16. The Sun Gradually Darkens) (in 1993-04)
composer:
Richard Strauss (German composer) (in 1915)
part of:
Eine Alpensinfonie (An Alpine Symphony, op. 64; TrV 233)
Richard Strauss0:44
17Eine Alpensinfonie op. 64: XVII. Elegie
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1993-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1993-04)
live recording of:
Eine Alpensinfonie, op. 64: XVII. Elegie (An Alpine Symphony, op. 64: 17. Elegy) (in 1993-04)
composer:
Richard Strauss (German composer) (in 1915)
part of:
Eine Alpensinfonie (An Alpine Symphony, op. 64; TrV 233)
Richard Strauss1:54
18Eine Alpensinfonie op. 64: XVIII. Stille vor dem Sturm
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1993-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1993-04)
live recording of:
Eine Alpensinfonie, op. 64: XVIII. Stille vor dem Sturm (An Alpine Symphony, op. 64: 18. The Calm Before the Storm) (in 1993-04)
composer:
Richard Strauss (German composer) (in 1915)
part of:
Eine Alpensinfonie (An Alpine Symphony, op. 64; TrV 233)
Richard Strauss2:50
19Eine Alpensinfonie op. 64: XIX. Gewitter und Sturm, Abstieg
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1993-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1993-04)
live recording of:
Eine Alpensinfonie, op. 64: XIX. Gewitter und Sturm, Abstieg (An Alpine Symphony, op. 64: 19. Thunderstorm, Descent) (in 1993-04)
composer:
Richard Strauss (German composer) (in 1915)
part of:
Eine Alpensinfonie (An Alpine Symphony, op. 64; TrV 233)
Richard Strauss3:48
20Eine Alpensinfonie op. 64: XX. Sonnenuntergang
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1993-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1993-04)
live recording of:
Eine Alpensinfonie, op. 64: XX. Sonnenuntergang (An Alpine Symphony, op. 64: 20. Sunset) (in 1993-04)
composer:
Richard Strauss (German composer) (in 1915)
part of:
Eine Alpensinfonie (An Alpine Symphony, op. 64; TrV 233)
Richard Strauss2:44
21Eine Alpensinfonie op. 64: XXI. Ausklang
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1993-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1993-04)
live recording of:
Eine Alpensinfonie, op. 64: XXI. Ausklang (An Alpine Symphony, op. 64: 21. Conclusion) (in 1993-04)
composer:
Richard Strauss (German composer) (in 1915)
part of:
Eine Alpensinfonie (An Alpine Symphony, op. 64; TrV 233)
Richard Strauss6:28
22Eine Alpensinfonie op. 64: XXII. Nacht
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1993-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1993-04)
live recording of:
Eine Alpensinfonie, op. 64: XXII. Nacht (An Alpine Symphony, op. 64: 22. Night) (in 1993-04)
composer:
Richard Strauss (German composer) (in 1915)
part of:
Eine Alpensinfonie (An Alpine Symphony, op. 64; TrV 233)
Richard Strauss2:24
23Enigma Variations, op. 36: Enigma: Andante
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1987-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1987-04)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1987-04)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1987-04)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: Theme (Andante) (in 1987-04)
composer:
Edward Elgar (composer) (in 1899)
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:33
24Enigma Variations, op. 36: I. (C.A.E): L'istesso tempo
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1987-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1987-04)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1987-04)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1987-04)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: I. C.A.E. (L’istesso tempo) (in 1987-04)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Caroline Alice Elgar (English author, married to Edward Elgar)
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:58
25Enigma Variations, op. 36: II. (H.D.S.-P.): Allegro
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1987-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1987-04)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1987-04)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1987-04)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: II. H.D.S-P. (Allegro) (in 1987-04)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Hew David Steuart Powell
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar0:52
26Enigma Variations, op. 36: III. (R.B.T.): Allegretto
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1987-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1987-04)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1987-04)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1987-04)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: III. R.B.T. (Allegretto) (in 1987-04)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Richard Baxter Townshend
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:46
27Enigma Variations, op. 36: IV. (W.M.T.): Allegro di molto
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1987-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1987-04)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1987-04)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1987-04)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IV. W.M.B. (Allegro di molto) (in 1987-04)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
William Meath Baker
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar0:31
28Enigma Variations, op. 36: V. (R.P.A.): Moderato
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1987-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1987-04)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1987-04)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1987-04)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: V. R.P.A. (Moderato) (in 1987-04)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Richard Penrose Arnold
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar2:28
29Enigma Variations, op. 36: VI. (Ysobel): Andantino
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1987-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1987-04)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1987-04)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1987-04)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: VI. Ysobel (Andantino) (in 1987-04)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Isabel Fitton
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:25
30Enigma Variations, op. 36: VII. (Troyte): Presto
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1987-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1987-04)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1987-04)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1987-04)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: VII. Troyte (Presto) (in 1987-04)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Arthur Troyte Griffith
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:00
31Enigma Variations, op. 36: VIII. (W.N.): Allegretto
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1987-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1987-04)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1987-04)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1987-04)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: VIII. W.N. (Allegretto) (in 1987-04)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Winifred Norbury
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar2:25
32Enigma Variations, op. 36: IX. (Nimrod): Adagio
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1987-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1987-04)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1987-04)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1987-04)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio) (in 1987-04)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Augustus J. Jaeger
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar3:58
33Enigma Variations, op. 36: X. Intermezzo (Dorabella): Allegretto
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1987-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1987-04)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1987-04)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1987-04)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: X. Intermezzo: Dorabella (Allegretto) (in 1987-04)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Dora Penny
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar2:31
34Enigma Variations, op. 36: XI. (G.R.S.): Allegro di molto
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1987-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1987-04)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1987-04)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1987-04)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XI. G.R.S. (Allegro di molto) (in 1987-04)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
George Robertson Sinclair
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar0:58
35Enigma Variations, op. 36: XII. (B.G.N.): Andante
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1987-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1987-04)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1987-04)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1987-04)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XII. B.G.N. (Andante) (in 1987-04)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Basil George Nevinson
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar3:18
36Enigma Variations, op. 36: XIII. Romanza (***): Moderato
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1987-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1987-04)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1987-04)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1987-04)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XIII. Romanza (Moderato) (in 1987-04)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Lady Mary Lygon
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar3:22
37Enigma Variations, op. 36: XIV. Finale(E.D.U.): Allegro
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1987-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1987-04)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1987-04)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1987-04)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XIV. Finale: E.D.U. (Allegro) (in 1987-04)
composer:
Edward Elgar (composer) (in 1899)
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar6:15
38Also sprach Zarathustra: Einleitung (Introduction / Introduzione)
producer:
Wolfgang Stengel
orchestra:
New York Philharmonic (in 1987-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1987-05)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1987-05) and Wolfgang Mitlehner (in 1987-05)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1987-05)
recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang) (in 1987-05)
composer:
Richard Strauss (German composer) (in 1896)
publisher:
Peters Edition Ltd.
Richard Strauss1:56
39Also sprach Zarathustra: Von den Hinterweltlern (Of the Backworldsmen / De ceux des mondes de derrière / Degli uomini che sono dietro di noi)
producer:
Wolfgang Stengel
orchestra:
New York Philharmonic (in 1987-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1987-05)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1987-05) and Wolfgang Mitlehner (in 1987-05)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1987-05)
recording of:
Also sprach Zarathustra, op. 30: II. Von den Hinterweltlern (in 1987-05)
composer:
Richard Strauss (German composer) (in 1896)
Richard Strauss4:07
40Also sprach Zarathustra: Von der großen Sehnsucht (Of the Great Longing / De l'aspiration suprême / Del grande desiderio)
producer:
Wolfgang Stengel
orchestra:
New York Philharmonic (in 1987-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1987-05)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1987-05) and Wolfgang Mitlehner (in 1987-05)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1987-05)
recording of:
Also sprach Zarathustra, op. 30: III. Von der großen Sehnsucht (in 1987-05)
composer:
Richard Strauss (German composer) (in 1896)
Richard Strauss2:05
41Also sprach Zarathustra: Von den Freuden und Leidenschaften (Of Joys and passions / Des joies et des passions / Delle gioie e delle passioni)
producer:
Wolfgang Stengel
orchestra:
New York Philharmonic (in 1987-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1987-05)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1987-05) and Wolfgang Mitlehner (in 1987-05)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1987-05)
recording of:
Also sprach Zarathustra, op. 30: IV. Von den Freuden und Leidenschaften (in 1987-05)
composer:
Richard Strauss (German composer) (in 1896)
Richard Strauss2:27
42Also sprach Zarathustra: Das Grablied (The Song of the Grave / Le chant du tombeau / Il canto funebre)
producer:
Wolfgang Stengel
solo violin:
Glenn Dicterow (violinist) (in 1987-05)
orchestra:
New York Philharmonic (in 1987-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1987-05)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1987-05) and Wolfgang Mitlehner (in 1987-05)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1987-05)
recording of:
Also sprach Zarathustra, op. 30: V. Das Grablied (in 1987-05)
composer:
Richard Strauss (German composer) (in 1896)
Richard Strauss2:54
43Also sprach Zarathustra: Von der Wissenschaft (Of Science and Learning / De la science / Della scienza)
producer:
Wolfgang Stengel
orchestra:
New York Philharmonic (in 1987-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1987-05)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1987-05) and Wolfgang Mitlehner (in 1987-05)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1987-05)
recording of:
Also sprach Zarathustra, op. 30: VI. Von der Wissenschaft (in 1987-05)
composer:
Richard Strauss (German composer) (in 1896)
part of:
Also sprach Zarathustra, op. 30 (TrV 176)
Richard Strauss4:27
44Also sprach Zarathustra: Der Genesende (The Convalescent / Le convalescent / Il convalescente)
producer:
Wolfgang Stengel
orchestra:
New York Philharmonic (in 1987-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1987-05)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1987-05) and Wolfgang Mitlehner (in 1987-05)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1987-05)
recording of:
Also sprach Zarathustra, op. 30: VII. Der Genesende (in 1987-05)
composer:
Richard Strauss (German composer) (in 1896)
Richard Strauss5:25
45Also sprach Zarathustra: Das Tanzlied (The Dance-Song / Le chant de la danse / La canzone a ballo)
producer:
Wolfgang Stengel
orchestra:
New York Philharmonic (in 1987-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1987-05)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1987-05) and Wolfgang Mitlehner (in 1987-05)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1987-05)
recording of:
Also sprach Zarathustra, op. 30: VIII. Das Tanzlied (in 1987-05)
composer:
Richard Strauss (German composer) (in 1896)
Richard Strauss8:22
46Also sprach Zarathustra: Nachtwandlerlied (Song of the Night Wanderer / Chant du somnambule / Canto del sonnambulo)
producer:
Wolfgang Stengel
orchestra:
New York Philharmonic (in 1987-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1987-05)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1987-05) and Wolfgang Mitlehner (in 1987-05)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1987-05)
recording of:
Also sprach Zarathustra, op. 30: IX. Nachtwandlerlied (in 1987-05)
composer:
Richard Strauss (German composer) (in 1896)
Richard Strauss5:19
47"Pomp And Circumstance," Op.39: March, no.1 In D
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1991-02)
conductor:
Giuseppe Sinopoli (conductor) (in 1991-02)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1991-02)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1991-02)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 1 in D major (in 1991-02)
premiered in:
Liverpool, Merseyside, England, United Kingdom (on 1901-10-19)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1901)
publisher:
Boosey & Co. Ltd. (music publisher founded in the 1760s, forebear of Boosey & Hawkes)
part of:
Pomp and Circumstance Military Marches, op. 39
Edward Elgar6:32
48"Pomp And Circumstance," Op.39: March, no.4 In G
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1991-02)
conductor:
Giuseppe Sinopoli (conductor) (in 1991-02)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1991-02)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1991-02)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 4 in G major (in 1991-02)
composer:
Edward Elgar (composer) (in 1907)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1907-08-24)
part of:
Pomp and Circumstance Military Marches, op. 39
Edward Elgar5:22
49Pictures at an Exhibition: Promenade
orchestra:
New York Philharmonic (in 1989-12)
conductor:
Giuseppe Sinopoli (conductor) (in 1989-12)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1989-12)
recording of:
Tableaux d’une exposition: Promenade (Pictures at an Exhibition: Promenade. Allegro giusto, nel modo russico – Senza allegrezza, ma poco sostenuto, orchestrated by Ravel, 1st promenade) (in 1989-12)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: Promenade (1st) (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky1:53
50Pictures at an Exhibition: I. Gnomus
orchestra:
New York Philharmonic (in 1989-12)
conductor:
Giuseppe Sinopoli (conductor) (in 1989-12)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1989-12)
recording of:
Tableaux d’une exposition: I. Gnomus (Pictures at an Exhibition: I. Gnomus, orchestrated by Ravel) (in 1989-12)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 1 “Gnomus” (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky2:50
51Pictures at an Exhibition: Promenade
orchestra:
New York Philharmonic (in 1989-12)
conductor:
Giuseppe Sinopoli (conductor) (in 1989-12)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1989-12)
recording of:
Tableaux d’une exposition: Promenade (Pictures at an Exhibition: Promenade. Moderato comodo e con delicatezza, orchestrated by Ravel, 2nd promenade) (in 1989-12)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: [Untitled] (Interlude, Promenade theme, 1st) (original piano version, often called Promenade 2)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky1:04
52Pictures at an Exhibition: II. Il vecchio castello
orchestra:
New York Philharmonic (in 1989-12)
conductor:
Giuseppe Sinopoli (conductor) (in 1989-12)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1989-12)
recording of:
Tableaux d’une exposition: II. Il vecchio castello (Pictures at an Exhibition: II. Il vecchio castello, orchestrated by Ravel) (in 1989-12)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 2 “Il vecchio castello” (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky5:27
53Pictures at an Exhibition: Promenade
orchestra:
New York Philharmonic (in 1989-12)
conductor:
Giuseppe Sinopoli (conductor) (in 1989-12)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1989-12)
recording of:
Tableaux d’une exposition: Promenade (Pictures at an Exhibition: Promenade. Moderato non tanto, pesante, orchestrated by Ravel, 3rd promenade) (in 1989-12)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: [Untitled] (Interlude, Promenade theme, 2nd) (original piano version, often called Promenade 3)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky0:34
54Pictures at an Exhibition: III. Tuileries
orchestra:
New York Philharmonic (in 1989-12)
conductor:
Giuseppe Sinopoli (conductor) (in 1989-12)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1989-12)
recording of:
Tableaux d’une exposition: III. Tuileries (Pictures at an Exhibition: III. Tuileries, orchestrated by Ravel) (in 1989-12)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 3 “Tuileries” (Dispute d’enfants après jeux) (Pictures at an Exhibition: Tuileries (Children Quarreling at Play), original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky1:02
55Pictures at an Exhibition: IV. Bydlo
orchestra:
New York Philharmonic (in 1989-12)
conductor:
Giuseppe Sinopoli (conductor) (in 1989-12)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1989-12)
recording of:
Tableaux d’une exposition: IV. Bydlo (Pictures at an Exhibition: IV. Bydło, orchestrated by Ravel) (in 1989-12)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 4 “Bydło” (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky2:55
56Pictures at an Exhibition: Promenade
orchestra:
New York Philharmonic (in 1989-12)
conductor:
Giuseppe Sinopoli (conductor) (in 1989-12)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1989-12)
recording of:
Tableaux d’une exposition: Promenade (Pictures at an Exhibition: Promenade. Tranquillo, orchestrated by Ravel, 4th promenade) (in 1989-12)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: [Untitled] (Interlude, Promenade theme, 3rd) (original piano version, often called Promenade 4)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky0:49
57Pictures at an Exhibition: V. Ballet des poussins dans leurs coques
orchestra:
New York Philharmonic (in 1989-12)
conductor:
Giuseppe Sinopoli (conductor) (in 1989-12)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1989-12)
recording of:
Tableaux d’une exposition: V. Ballet des poussins dans leurs coques (Pictures at an Exhibition: V. Ballet of the Unhatched Chicks, orchestrated by Ravel) (in 1989-12)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 5 “Балетъ невылупившихся птенцовъ” [Balet nevylupivshikhsya ptentsov] (Pictures at an Exhibition: IX. No. 5 "Ballet of the Unhatched Chicks", original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky1:14
58Pictures at an Exhibition: VI. Samuel Goldenberg und Schmuyle
orchestra:
New York Philharmonic (in 1989-12)
conductor:
Giuseppe Sinopoli (conductor) (in 1989-12)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1989-12)
recording of:
Tableaux d’une exposition: VI. Samuel Goldenberg und Schmuyle (Pictures at an Exhibition: VI. Samuel Goldenberg and Schmuyle, orchestrated by Ravel) (in 1989-12)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 6 “Samuel” Goldenberg und “Schmuÿle” (Pictures at an Exhibition: Samual Goldenberg and Schmuÿle, original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky2:33
59Pictures at an Exhibition: VII. Limoges - Le Marché
orchestra:
New York Philharmonic (in 1989-12)
conductor:
Giuseppe Sinopoli (conductor) (in 1989-12)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1989-12)
recording of:
Tableaux d’une exposition: VII. Limoges – le marché (Pictures at an Exhibition: VII. Limoges – le marché, orchestrated by Ravel) (in 1989-12)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 7 “Limoges”, le marché (La grande nouvelle) (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky1:20
60Pictures at an Exhibition: VIII. Catacombae: Sepulchrum Romanum
orchestra:
New York Philharmonic (in 1989-12)
conductor:
Giuseppe Sinopoli (conductor) (in 1989-12)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1989-12)
recording of:
Tableaux d’une exposition: VIII. Catacombae (Sepulchrum romanum) (Pictures at an Exhibition: VIII. Catacombae (Sepulchrum romanum), orchestrated by Ravel) (in 1989-12)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 8 “Catacombæ” (Sepulcrum romanum) and “Cum mortuis in lingua mortua” (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky2:09
61Pictures at an Exhibition: Cum mortuis in lingua mortua
orchestra:
New York Philharmonic (in 1989-12)
conductor:
Giuseppe Sinopoli (conductor) (in 1989-12)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1989-12)
recording of:
Tableaux d’une exposition: Cum Mortuis in lingua mortua (Pictures at an Exhibition: Cum Mortuis in lingua mortua, orchestrated by Ravel) (in 1989-12)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 8 “Catacombæ” (Sepulcrum romanum) and “Cum mortuis in lingua mortua” (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky2:33
62Pictures at an Exhibition: X. La Grande Porte de Kiev
orchestra:
New York Philharmonic (in 1989-12)
conductor:
Giuseppe Sinopoli (conductor) (in 1989-12)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1989-12)
recording of:
Tableaux d’une exposition: X. La grande porte de Kiev (Pictures at an Exhibition: X. The Great Gate of Kiev, orchestrated by Ravel) (in 1989-12)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 10 “Богатырскія ворота” (Въ стольномъ городѣ Кіевѣ) (Pictures at an Exhibition: The great gate at Kiev, original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky6:24
63Valses nobles et sentimentales: I. Modéré
orchestra:
New York Philharmonic (in 1989-12)
conductor:
Giuseppe Sinopoli (conductor) (in 1989-12)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1989-12)
recording of:
Valses nobles et sentimentales: I. Modéré (for orchestra) (in 1989-12)
orchestrator:
Maurice Ravel (French composer) (in 1912)
composer:
Maurice Ravel (French composer) (from 1906 until 1911)
orchestration of:
Valses nobles et sentimentales: I. Modéré - Très franc (for piano)
part of:
Valses nobles et sentimentales (for orchestra)
Maurice Ravel1:21
64Valses nobles et sentimentales: II. Assez lent
orchestra:
New York Philharmonic (in 1989-12)
conductor:
Giuseppe Sinopoli (conductor) (in 1989-12)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1989-12)
recording of:
Valses nobles et sentimentales: II. Assez lent (for orchestra) (in 1989-12)
orchestrator:
Maurice Ravel (French composer) (in 1912)
composer:
Maurice Ravel (French composer) (from 1906 until 1911)
orchestration of:
Valses nobles et sentimentales: II. Assez lent (for piano)
part of:
Valses nobles et sentimentales (for orchestra)
Maurice Ravel3:07
65Valses nobles et sentimentales: III. Modéré
orchestra:
New York Philharmonic (in 1989-12)
conductor:
Giuseppe Sinopoli (conductor) (in 1989-12)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1989-12)
recording of:
Valses nobles et sentimentales: III. Modéré (for orchestra) (in 1989-12)
orchestrator:
Maurice Ravel (French composer) (in 1912)
composer:
Maurice Ravel (French composer) (from 1906 until 1911)
orchestration of:
Valses nobles et sentimentales: III. Modéré (for piano)
part of:
Valses nobles et sentimentales (for orchestra)
Maurice Ravel1:53
66Valses nobles et sentimentales: IV. Assez animé
orchestra:
New York Philharmonic (in 1989-12)
conductor:
Giuseppe Sinopoli (conductor) (in 1989-12)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1989-12)
recording of:
Valses nobles et sentimentales: IV. Animé (for orchestra) (in 1989-12)
orchestrator:
Maurice Ravel (French composer) (in 1912)
composer:
Maurice Ravel (French composer) (from 1906 until 1911)
orchestration of:
Valses nobles et sentimentales: IV. Assez animé (for piano)
part of:
Valses nobles et sentimentales (for orchestra)
Maurice Ravel1:44
67Valses nobles et sentimentales: V. Presque lent
orchestra:
New York Philharmonic (in 1989-12)
conductor:
Giuseppe Sinopoli (conductor) (in 1989-12)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1989-12)
recording of:
Valses nobles et sentimentales: V. Presque lent (for orchestra) (in 1989-12)
orchestrator:
Maurice Ravel (French composer) (in 1912)
composer:
Maurice Ravel (French composer) (from 1906 until 1911)
orchestration of:
Valses nobles et sentimentales: V. Presque lent (for piano)
part of:
Valses nobles et sentimentales (for orchestra)
Maurice Ravel1:23
68Valses nobles et sentimentales: VI. Assez vif
orchestra:
New York Philharmonic (in 1989-12)
conductor:
Giuseppe Sinopoli (conductor) (in 1989-12)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1989-12)
recording of:
Valses nobles et sentimentales: VI. Assez vif (for orchestra) (in 1989-12)
orchestrator:
Maurice Ravel (French composer) (in 1912)
composer:
Maurice Ravel (French composer) (from 1906 until 1911)
orchestration of:
Valses nobles et sentimentales: VI. Vif (for piano)
part of:
Valses nobles et sentimentales (for orchestra)
Maurice Ravel1:01
69Valses nobles et sentimentales: VII. Moins vif
orchestra:
New York Philharmonic (in 1989-12)
conductor:
Giuseppe Sinopoli (conductor) (in 1989-12)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1989-12)
recording of:
Valses nobles et sentimentales: VII. Moins vif (for orchestra) (in 1989-12)
orchestrator:
Maurice Ravel (French composer) (in 1912)
composer:
Maurice Ravel (French composer) (from 1906 until 1911)
orchestration of:
Valses nobles et sentimentales: VII. Moins vif (for piano)
part of:
Valses nobles et sentimentales (for orchestra)
Maurice Ravel3:31
70Valses nobles et sentimentales: VIII. Epilogue: Lent
orchestra:
New York Philharmonic (in 1989-12)
conductor:
Giuseppe Sinopoli (conductor) (in 1989-12)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1989-12)
recording of:
Valses nobles et sentimentales: VIII. Epilogue. Lent (for orchestra) (in 1989-12)
orchestrator:
Maurice Ravel (French composer) (in 1912)
composer:
Maurice Ravel (French composer) (from 1906 until 1911)
orchestration of:
Valses nobles et sentimentales: VIII. Epilogue. Lent (for piano)
part of:
Valses nobles et sentimentales (for orchestra)
Maurice Ravel4:57
71Symphony no. 1 in B‐flat major, op. 38 “Spring”: I. Andante un poco maestoso – Allegro molto vivace
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1993-06)
conductor:
Giuseppe Sinopoli (conductor) (in 1993-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1993-06)
recording of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”: I. Andante un poco maestoso - Allegro molto vivace (in 1993-06)
composer:
Robert Schumann (German classical composer) (from 1841-01-23 until 1841-02-20)
part of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”
Robert Schumann11:29
72Symphony no. 1 in B‐flat major, op. 38 “Spring”: II. Larghetto – attacca
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1993-06)
conductor:
Giuseppe Sinopoli (conductor) (in 1993-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1993-06)
recording of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”: II. Larghetto - (attacca:) (in 1993-06)
composer:
Robert Schumann (German classical composer) (from 1841-01-23 until 1841-02-20)
part of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”
Robert Schumann7:06
73Symphony no. 1 in B‐flat major, op. 38 “Spring”: III. Scherzo. Molto vivace – Trio I/II
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1993-06)
conductor:
Giuseppe Sinopoli (conductor) (in 1993-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1993-06)
recording of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”: III. Scherzo: Molto vivace (in 1993-06)
composer:
Robert Schumann (German classical composer) (from 1841-01-23 until 1841-02-20)
part of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”
Robert Schumann6:12
74Symphony no. 1 in B‐flat major, op. 38 “Spring”: IV. Allegro animato e grazioso
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1993-06)
conductor:
Giuseppe Sinopoli (conductor) (in 1993-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1993-06)
recording of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”: IV. Allegro animato e grazioso (in 1993-06)
composer:
Robert Schumann (German classical composer) (from 1841-01-23 until 1841-02-20)
part of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”
Robert Schumann8:44
75Symphony no. 2 in C major, op. 61: I. Sostenuto assai – Allegro, ma non troppo
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1993-10)
conductor:
Giuseppe Sinopoli (conductor) (in 1993-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Semperoper in Dresden, Sachsen (Saxony), Germany (in 1993-10)
live recording of:
Symphony no. 2 in C major, op. 61: I. Sostenuto assai - Un poco più vivace - Allegro ma non troppo - Con fuoco (in 1993-10)
composer:
Robert Schumann (German classical composer) (from 1845-12 until 1846-10)
part of:
Symphony no. 2 in C major, op. 61
Robert Schumann12:15
76Symphony no. 2 in C major, op. 61: II. Scherzo. Allegro vivace
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1993-10)
conductor:
Giuseppe Sinopoli (conductor) (in 1993-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Semperoper in Dresden, Sachsen (Saxony), Germany (in 1993-10)
live recording of:
Symphony no. 2 in C major, op. 61: II. Scherzo. Allegro vivace (in 1993-10)
composer:
Robert Schumann (German classical composer) (from 1845-12 until 1846-10)
part of:
Symphony no. 2 in C major, op. 61
Robert Schumann6:44
77Symphony no. 2 in C major, op. 61: III. Adagio espressivo
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1993-10)
conductor:
Giuseppe Sinopoli (conductor) (in 1993-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Semperoper in Dresden, Sachsen (Saxony), Germany (in 1993-10)
live recording of:
Symphony no. 2 in C major, op. 61: III. Adagio espressivo (in 1993-10)
composer:
Robert Schumann (German classical composer) (from 1845-12 until 1846-10)
part of:
Symphony no. 2 in C major, op. 61
Robert Schumann10:35
78Symphony no. 2 in C major, op. 61: IV. Allegro molto vivace
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1993-10)
conductor:
Giuseppe Sinopoli (conductor) (in 1993-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Semperoper in Dresden, Sachsen (Saxony), Germany (in 1993-10)
live recording of:
Symphony no. 2 in C major, op. 61: IV. Allegro molto vivace (in 1993-10)
composer:
Robert Schumann (German classical composer) (from 1845-12 until 1846-10)
part of:
Symphony no. 2 in C major, op. 61
Robert Schumann8:34
79Symphony no. 3 in E‐flat major, op. 97 “Rhenish”: I. Lebhaft
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1992-12)
conductor:
Giuseppe Sinopoli (conductor) (in 1992-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1992-12)
recording of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”: I. Lebhaft (in 1992-12)
composer:
Robert Schumann (German classical composer) (from 1850-11-02 until 1850-12-09)
part of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”
Robert Schumann9:58
80Symphony no. 3 in E‐flat major, op. 97 “Rhenish”: II. Scherzo. Sehr mäßig
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1992-12)
conductor:
Giuseppe Sinopoli (conductor) (in 1992-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1992-12)
recording of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”: II. Scherzo. Sehr mäßig (in 1992-12)
composer:
Robert Schumann (German classical composer) (from 1850-11-02 until 1850-12-09)
part of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”
Robert Schumann6:36
81Symphony no. 3 in E‐flat major, op. 97 “Rhenish”: III. Nicht schnell
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1992-12)
conductor:
Giuseppe Sinopoli (conductor) (in 1992-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1992-12)
recording of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”: III. Nicht schnell (in 1992-12)
composer:
Robert Schumann (German classical composer) (from 1850-11-02 until 1850-12-09)
part of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”
Robert Schumann5:24
82Symphony no. 3 in E‐flat major, op. 97 “Rhenish”: IV. Feierlich
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1992-12)
conductor:
Giuseppe Sinopoli (conductor) (in 1992-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1992-12)
recording of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”: IV. Feierlich (in 1992-12)
composer:
Robert Schumann (German classical composer) (from 1850-11-02 until 1850-12-09)
part of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”
Robert Schumann5:46
83Symphony no. 3 in E‐flat major, op. 97 “Rhenish”: V. Lebhaft
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1992-12)
conductor:
Giuseppe Sinopoli (conductor) (in 1992-12)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1992-12)
recording of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”: V. Lebhaft (in 1992-12)
composer:
Robert Schumann (German classical composer) (from 1850-11-02 until 1850-12-09)
part of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”
Robert Schumann5:40
84Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam – Lebhaft – attacca
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1993-01)
conductor:
Giuseppe Sinopoli (conductor) (in 1993-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1993-01)
recording of:
Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft (1851 revision) (in 1993-01)
composer:
Robert Schumann (German classical composer) (in 1841)
revised by:
Robert Schumann (German classical composer) (in 1851)
part of:
Symphony no. 4 in D minor, op. 120 (1851 revision)
revision of:
Symphony no. 4 in D minor, op. 120: I. Andante con moto - Allegro di molto (1841 version)
Robert Schumann11:34
85Symphony no. 4 in D minor, op. 120: II. Romanze. Ziemlich langsam – attacca
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1993-01)
conductor:
Giuseppe Sinopoli (conductor) (in 1993-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1993-01)
recording of:
Symphony no. 4 in D minor, op. 120: II. Romanze. Ziemlich langsam (1851 revision) (in 1993-01)
composer:
Robert Schumann (German classical composer) (in 1841)
revised by:
Robert Schumann (German classical composer) (in 1851)
part of:
Symphony no. 4 in D minor, op. 120 (1851 revision)
revision of:
Symphony no. 4 in D minor, op. 120: II. Romanza: Andante (1841 original version)
Robert Schumann3:45
86Symphony no. 4 in D minor, op. 120: III. Scherzo. Lebhaft – Trio – attacca
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1993-01)
conductor:
Giuseppe Sinopoli (conductor) (in 1993-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1993-01)
recording of:
Symphony no. 4 in D minor, op. 120: III. Scherzo: Presto (1841 original version) (in 1993-01)
composer:
Robert Schumann (German classical composer) (from 1841-09 until 1841-12)
part of:
Symphony no. 4 in D minor, op. 120 (1841 original version)
Robert Schumann5:45
87Symphony no. 4 in D minor, op. 120: IV. Langsam – Lebhaft – Schneller – Presto
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1993-01)
conductor:
Giuseppe Sinopoli (conductor) (in 1993-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1993-01)
recording of:
Symphony no. 4 in D minor, op. 120: IV. Langsam, Lebhaft (1851 revision) (in 1993-01)
composer:
Robert Schumann (German classical composer) (in 1841)
revised by:
Robert Schumann (German classical composer) (in 1851)
part of:
Symphony no. 4 in D minor, op. 120 (1851 revision)
revision of:
Symphony no. 4 in D minor, op. 120: IV. Largo - Finale: Allegro vivace (1841 original version)
Robert Schumann9:13
88Overture, Scherzo and Finale in E major, op. 52: I. Overture. Andante con moto – Allegro
recording engineer:
Wolf‐Dieter Karwatky and Oliver Rogalla
producer:
Wolfgang Stengel
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1993-08)
conductor:
Giuseppe Sinopoli (conductor) (in 1993-08)
balance engineer:
Klaus Hiemann (engineer/producer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Semperoper in Dresden, Sachsen (Saxony), Germany (in 1993-08)
recording of:
Overture, Scherzo and Finale, op. 52: I. Overture. Andante con moto - Allegro (in 1993-08)
composer:
Robert Schumann (German classical composer) (in 1841)
part of:
Overture, Scherzo and Finale, op. 52
Robert Schumann6:27
89Overture, Scherzo and Finale in E major, op. 52: II. Scherzo. Vivo
recording engineer:
Wolf‐Dieter Karwatky and Oliver Rogalla
producer:
Wolfgang Stengel
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1993-08)
conductor:
Giuseppe Sinopoli (conductor) (in 1993-08)
balance engineer:
Klaus Hiemann (engineer/producer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Semperoper in Dresden, Sachsen (Saxony), Germany (in 1993-08)
recording of:
Overture, Scherzo and Finale, op. 52: II. Scherzo. Vivo (in 1993-08)
composer:
Robert Schumann (German classical composer) (in 1841)
part of:
Overture, Scherzo and Finale, op. 52
Robert Schumann4:20
90Overture, Scherzo and Finale in E major, op. 52: III. Finale. Allegro molto vivace
recording engineer:
Wolf‐Dieter Karwatky and Oliver Rogalla
producer:
Wolfgang Stengel
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1993-08)
conductor:
Giuseppe Sinopoli (conductor) (in 1993-08)
balance engineer:
Klaus Hiemann (engineer/producer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Semperoper in Dresden, Sachsen (Saxony), Germany (in 1993-08)
recording of:
Overture, Scherzo and Finale, op. 52: III. Finale. Allegro molto vivace (in 1993-08)
composer:
Robert Schumann (German classical composer) (in 1841)
part of:
Overture, Scherzo and Finale, op. 52
Robert Schumann7:14
91Salome's Dance Of The Seven Veils
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Giuseppe Sinopoli (conductor)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1990-12)
recording of:
Salome: Vierte Szene. Tanz der sieben Schleier
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss9:32
92Das klagende Lied: I. Waldmärchen
producer:
Wolfgang Stengel
tenor vocals:
Reiner Goldberg (tenor) (in 1990-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1990-11)
conductor:
Giuseppe Sinopoli (conductor) (in 1990-11)
balance engineer:
Hiroshi Senuma (in 1990-11)
recorded at:
東京芸術劇場 (Tokyo Metropolitan Theatre, complex; use ONLY if no more specific venue info is available!) in Nishi-ikebukuro, Toshima (Toshima-ku), Tokyo, Japan (in 1990-11)
live recording of:
Das klagende Lied: I. Waldmärchen (1880 original) (in 1990-11)
lyricist:
Gustav Mahler (composer)
composer:
Gustav Mahler (composer) (from 1879 until 1880-11-01)
premiered at:
[concert] (1934)
publisher:
Belwin-Mills Publishing Corp. (in 1969)
part of:
Das klagende Lied (1880 original, in 3 parts)
Gustav Mahler27:40
93Das klagende Lied: II. Der Spielmann
producer:
Wolfgang Stengel
tenor vocals:
Reiner Goldberg (tenor) (in 1990-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1990-11)
conductor:
Giuseppe Sinopoli (conductor) (in 1990-11)
balance engineer:
Hiroshi Senuma (in 1990-11)
recorded at:
東京芸術劇場 (Tokyo Metropolitan Theatre, complex; use ONLY if no more specific venue info is available!) in Nishi-ikebukuro, Toshima (Toshima-ku), Tokyo, Japan (in 1990-11)
live recording of:
Das klagende Lied: Part I (1898 revision) (in 1990-11)
composer:
Gustav Mahler (composer) (from 1879 until 1880-11-01)
revised by:
Gustav Mahler (composer) (in 1893, from 1898-09 until 1898-12)
part of:
Das klagende Lied (1898 revision, in 2 parts)
Gustav Mahler17:42
94Das klagende Lied: III. Hochzeitsstück
producer:
Wolfgang Stengel
tenor vocals:
Reiner Goldberg (tenor) (in 1990-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1990-11)
conductor:
Giuseppe Sinopoli (conductor) (in 1990-11)
balance engineer:
Hiroshi Senuma (in 1990-11)
recorded at:
東京芸術劇場 (Tokyo Metropolitan Theatre, complex; use ONLY if no more specific venue info is available!) in Nishi-ikebukuro, Toshima (Toshima-ku), Tokyo, Japan (in 1990-11)
live recording of:
Das klagende Lied: Part II (1898 revision) (in 1990-11)
composer:
Gustav Mahler (composer) (from 1879 until 1880-11-01)
revised by:
Gustav Mahler (composer) (in 1893, from 1898-09 until 1898-12)
part of:
Das klagende Lied (1898 revision, in 2 parts)
Gustav Mahler19:42
95Symphony no. 1: I. Langsam. Schleppend. Wie ein Naturlaut – Im Anfang sehr gemächlich
recording engineer:
Hans‐Rudolf Müller
executive producer:
Wolfgang Stengel
producer:
Wolfgang Stengel
editor:
Oliver Rogalla
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1989-02)
conductor:
Giuseppe Sinopoli (conductor) (in 1989-02)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1989-02)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1990)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1989-02)
recording of:
Symphony no. 1 in D major “Titan”: I. Langsam. Schleppend (in 1989-02)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler16:30
96Symphony no. 1: II. Kräftig bewegt, doch nicht zu schnell – Trio. Recht gemächlich
recording engineer:
Hans‐Rudolf Müller
executive producer:
Wolfgang Stengel
producer:
Wolfgang Stengel
editor:
Oliver Rogalla
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1989-02)
conductor:
Giuseppe Sinopoli (conductor) (in 1989-02)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1989-02)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1990)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1989-02)
recording of:
Symphony no. 1 in D major “Titan”: II. Kräftig bewegt (in 1989-02)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler8:10
97Symphony no. 1: III. Feierlich und gemessen, ohne zu schleppen
recording engineer:
Hans‐Rudolf Müller
executive producer:
Wolfgang Stengel
producer:
Wolfgang Stengel
editor:
Oliver Rogalla
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1989-02)
conductor:
Giuseppe Sinopoli (conductor) (in 1989-02)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1989-02)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1990)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1989-02)
recording of:
Symphony no. 1 in D major “Titan”: III. Feierlich und gemessen, ohne zu schleppen (in 1989-02)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
quotes music from:
Frère Jacques
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler11:57
98Symphony no. 1: IV. Stürmisch bewegt
recording engineer:
Hans‐Rudolf Müller
executive producer:
Wolfgang Stengel
producer:
Wolfgang Stengel
editor:
Oliver Rogalla
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1989-02)
conductor:
Giuseppe Sinopoli (conductor) (in 1989-02)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1989-02)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1990)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1989-02)
recording of:
Symphony no. 1 in D major “Titan”: IV. Stürmisch bewegt (in 1989-02)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler20:31
99Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1985-09)
conductor:
Giuseppe Sinopoli (conductor) (in 1985-09)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1985-09)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1985-09)
recording of:
Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso (Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso) (in 1985-09)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
version of:
Totenfeier (Funeral Rites)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler21:45
100Symphony no. 2 in C minor “Resurrection”: II. Andante moderato
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1985-09)
conductor:
Giuseppe Sinopoli (conductor) (in 1985-09)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1985-09)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1985-09)
recording of:
Symphony no. 2 in C minor "Resurrection": II. Andante moderato (in 1985-09)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler9:20
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