A Classical Journey from Enigma to Nutcracker

~ Release by André Previn (see all versions of this release, 1 available)

Annotation

Copyright: A Warner Classics release, © 2024 Parlophone Records Limited
A Warner Classics release, ℗ 2024 Parlophone Records Limited

Annotation last modified on 2025-01-09 15:06 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Variations on an Original Theme, op. 36 "Enigma": Theme
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1978-11-27 until 1978-11-28)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1978-11-27 until 1978-11-28)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-11-27 until 1978-11-28)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: Theme (Andante) (from 1978-11-27 until 1978-11-28)
composer:
Edward Elgar (composer) (in 1899)
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:17
2Variations on an Original Theme, op. 36 "Enigma": Variation I. C.A.E.
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1978-11-27 until 1978-11-28)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1978-11-27 until 1978-11-28)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-11-27 until 1978-11-28)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: I. C.A.E. (L’istesso tempo) (from 1978-11-27 until 1978-11-28)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Caroline Alice Elgar (English author, married to Edward Elgar)
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:55
3Variations on an Original Theme, op. 36 "Enigma": Variation II. H.D.S-P.
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1978-11-27 until 1978-11-28)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1978-11-27 until 1978-11-28)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-11-27 until 1978-11-28)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: II. H.D.S-P. (Allegro) (from 1978-11-27 until 1978-11-28)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Hew David Steuart Powell
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar0:47
4Variations on an Original Theme, op. 36 "Enigma": Variation III. R.B.T.
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1978-11-27 until 1978-11-28)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1978-11-27 until 1978-11-28)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-11-27 until 1978-11-28)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: III. R.B.T. (Allegretto) (from 1978-11-27 until 1978-11-28)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Richard Baxter Townshend
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:23
5Variations on an Original Theme, op. 36 "Enigma": Variation IV. W.M.B.
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1978-11-27 until 1978-11-28)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1978-11-27 until 1978-11-28)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-11-27 until 1978-11-28)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IV. W.M.B. (Allegro di molto) (from 1978-11-27 until 1978-11-28)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
William Meath Baker
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar0:31
6Variations on an Original Theme, op. 36 "Enigma": Variation V. R.P.A.
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1978-11-27 until 1978-11-28)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1978-11-27 until 1978-11-28)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-11-27 until 1978-11-28)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: V. R.P.A. (Moderato) (from 1978-11-27 until 1978-11-28)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Richard Penrose Arnold
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar2:01
7Symphony no. 1 in D major, op. 25 "Classical": III. Gavotte
producer:
Suvi Raj Grubb
orchestra:
London Symphony Orchestra (from 1977-12-07 until 1977-12-08, on 1977-12-12)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1977-12-07 until 1977-12-08, on 1977-12-12)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-12-07 until 1977-12-08, on 1977-12-12)
recording of:
Symphony no. 1 in D major, op. 25 “Classical”: III. Gavotta. Non troppo allegro (from 1977-12-07 until 1977-12-12)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1917)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Symphony no. 1 in D major, op. 25 “Classical”
Sergei Prokofiev1:36
8A Midsummer Night's Dream, op. 61, MWV M13: No. 10, Funeral March
producer:
Christopher Bishop (conductor/producer)
choir vocals:
Finchley Children’s Music Group (Finchley Childrens Music Group) (from 1976-12-08 until 1976-12-09)
mezzo-soprano vocals:
Delia Wallis (mezzo-soprano) (from 1976-12-08 until 1976-12-09)
soprano vocals:
Lillian Watson (English soprano) (from 1976-12-08 until 1976-12-09)
orchestra:
London Symphony Orchestra (from 1976-12-08 until 1976-12-09)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1976-12-08 until 1976-12-09)
chorus master:
Colin Howard (chorus master) (from 1976-12-08 until 1976-12-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1976-12-08 until 1976-12-09)
recording of:
Ein Sommernachtstraum, op. 61: 10. Marcia funebre. Andante comodo (from 1976-12-08 until 1976-12-09)
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn1:32
9A Midsummer Night's Dream, op. 61, MWV M13: No. 11, Dance of the Clowns
producer:
Christopher Bishop (conductor/producer)
choir vocals:
Finchley Children’s Music Group (Finchley Childrens Music Group) (from 1976-12-08 until 1976-12-09)
mezzo-soprano vocals:
Delia Wallis (mezzo-soprano) (from 1976-12-08 until 1976-12-09)
soprano vocals:
Lillian Watson (English soprano) (from 1976-12-08 until 1976-12-09)
orchestra:
London Symphony Orchestra (from 1976-12-08 until 1976-12-09)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1976-12-08 until 1976-12-09)
chorus master:
Colin Howard (chorus master) (from 1976-12-08 until 1976-12-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1976-12-08 until 1976-12-09)
recording of:
Ein Sommernachtstraum, op. 61: 11. Ein Tanz von Rüpeln (Bergamasca). Allegro di molto (from 1976-12-08 until 1976-12-09)
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn1:44
10A Midsummer Night's Dream, op. 61, MWV M13: No. 12, Allegro vivace
producer:
Christopher Bishop (conductor/producer)
choir vocals:
Finchley Children’s Music Group (Finchley Childrens Music Group) (from 1976-12-08 until 1976-12-09)
mezzo-soprano vocals:
Delia Wallis (mezzo-soprano) (from 1976-12-08 until 1976-12-09)
soprano vocals:
Lillian Watson (English soprano) (from 1976-12-08 until 1976-12-09)
orchestra:
London Symphony Orchestra (from 1976-12-08 until 1976-12-09)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1976-12-08 until 1976-12-09)
chorus master:
Colin Howard (chorus master) (from 1976-12-08 until 1976-12-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1976-12-08 until 1976-12-09)
recording of:
Ein Sommernachtstraum, op. 61: 9. Hochzeitsmarsch. Allegro vivace (A Midsummer Night’s Dream, op. 61: no. 9. Wedding March: Allegro vivace) (from 1976-12-08 until 1976-12-09)
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn0:58
11A Midsummer Night's Dream, op. 61, MWV M13: No. 13, Finale. "Tro' This House Give Glim'ring Light"
producer:
Christopher Bishop (conductor/producer)
choir vocals:
Finchley Children’s Music Group (Finchley Childrens Music Group) (from 1976-12-08 until 1976-12-09)
mezzo-soprano vocals:
Delia Wallis (mezzo-soprano) (from 1976-12-08 until 1976-12-09)
soprano vocals:
Lillian Watson (English soprano) (from 1976-12-08 until 1976-12-09)
orchestra:
London Symphony Orchestra (from 1976-12-08 until 1976-12-09)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1976-12-08 until 1976-12-09)
chorus master:
Colin Howard (chorus master) (from 1976-12-08 until 1976-12-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1976-12-08 until 1976-12-09)
recording of:
Ein Sommernachtstraum, op. 61: Finale. Allegro di molto (from 1976-12-08 until 1976-12-09)
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn5:08
12Swan Lake, op. 20: Act 2: No. 10, Scene
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1976-05-26 until 1976-05-28, from 1976-06-08 until 1976-06-10)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1976-05-26 until 1976-05-28, from 1976-06-08 until 1976-06-10)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1976-05-26 until 1976-05-28, from 1976-06-08 until 1976-06-10)
recording of:
Swan Lake, op. 20: Act II, no. 10: Scene: Moderato (from 1976-05-26 until 1976-06-10)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
Swan Lake, op. 20: Act II
part of:
Swan Lake, op. 20: Act II (ed. Drigo)
Pyotr Ilyich Tchaikovsky2:46
13Valses nobles et sentimentales, M. 61: No. 2, Assez lent, avec une expression intense
producer:
John Fraser (UK producer)
orchestra:
Royal Philharmonic Orchestra (on 1985-11-30, on 1985-12-04)
conductor:
André Previn (pianist, conductor, composer, arranger) (on 1985-11-30, on 1985-12-04)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1985-11-30, on 1985-12-04)
recording of:
Valses nobles et sentimentales: II. Assez lent (for orchestra)
orchestrator:
Maurice Ravel (French composer) (in 1912)
composer:
Maurice Ravel (French composer) (from 1906 until 1911)
orchestration of:
Valses nobles et sentimentales: II. Assez lent (for piano)
part of:
Valses nobles et sentimentales (for orchestra)
Maurice Ravel3:08
14The Nutcracker, op. 71: Miniature Overture
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1972-05-01 until 1972-05-04)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1972-05-01 until 1972-05-04)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1972-05-01 until 1972-05-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-05-01 until 1972-05-04)
recording of:
Щелкунчик, op. 71: Увертюра (The Nutcracker, op. 71: Overture, Nutcracker Overture) (from 1972-05-01 until 1972-05-04)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71 (The Nutcracker, op. 71, The Nutcracker)
Pyotr Ilyich Tchaikovsky3:26
15Concerto for 2 Pianos no. 10 in E-flat major, K. 365: III. Rondo. Allegro
producer:
Christopher Bishop (conductor/producer)
piano:
Radu Lupu (Romanian concert pianist) (on 1975-12-08) and André Previn (pianist, conductor, composer, arranger) (on 1975-12-08)
orchestra:
London Symphony Orchestra (on 1975-12-08)
conductor:
André Previn (pianist, conductor, composer, arranger) (on 1975-12-08)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1975-12-08)
recording of:
Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365: III. Rondo. Allegro (on 1975-12-08)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365
Wolfgang Amadeus Mozart6:51
16The Planets, op. 32: IV. Jupiter, the Bringer of Jollity
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1973-09-28 until 1973-09-29)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1973-09-28 until 1973-09-29)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1973-09-28 until 1973-09-29)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-09-28 until 1973-09-29)
recording of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (from 1973-09-28 until 1973-09-29)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst7:41
17Variations on an Original Theme, op. 36 "Enigma": Variation VI. Ysobel
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1978-11-27 until 1978-11-28)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1978-11-27 until 1978-11-28)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-11-27 until 1978-11-28)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: VI. Ysobel (Andantino) (from 1978-11-27 until 1978-11-28)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Isabel Fitton
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:23
18Variations on an Original Theme, op. 36 "Enigma": Variation VII. Troyte
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1978-11-27 until 1978-11-28)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1978-11-27 until 1978-11-28)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-11-27 until 1978-11-28)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: VII. Troyte (Presto) (from 1978-11-27 until 1978-11-28)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Arthur Troyte Griffith
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar0:59
19Variations on an Original Theme, op. 36 "Enigma": Variation VIII. W.N.
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1978-11-27 until 1978-11-28)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1978-11-27 until 1978-11-28)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-11-27 until 1978-11-28)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: VIII. W.N. (Allegretto) (from 1978-11-27 until 1978-11-28)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Winifred Norbury
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:59
20Variations on an Original Theme, op. 36 "Enigma": Variation IX. Nimrod
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1978-11-27 until 1978-11-28)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1978-11-27 until 1978-11-28)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-11-27 until 1978-11-28)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio) (from 1978-11-27 until 1978-11-28)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Augustus J. Jaeger
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar4:35
21A Midsummer Night's Dream, op. 61, MWV M13: No. 9, Wedding March
producer:
Christopher Bishop (conductor/producer)
choir vocals:
Finchley Children’s Music Group (Finchley Childrens Music Group) (from 1976-12-08 until 1976-12-09)
mezzo-soprano vocals:
Delia Wallis (mezzo-soprano) (from 1976-12-08 until 1976-12-09)
soprano vocals:
Lillian Watson (English soprano) (from 1976-12-08 until 1976-12-09)
orchestra:
London Symphony Orchestra (from 1976-12-08 until 1976-12-09)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1976-12-08 until 1976-12-09)
chorus master:
Colin Howard (chorus master) (from 1976-12-08 until 1976-12-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1976-12-08 until 1976-12-09)
recording of:
Ein Sommernachtstraum, op. 61: 9. Hochzeitsmarsch. Allegro vivace (A Midsummer Night’s Dream, op. 61: no. 9. Wedding March: Allegro vivace) (from 1976-12-08 until 1976-12-09)
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn5:09
22Dvořák: Slavonic Dances, op. 72, B. 147: No. 1 in B major, Odzemek
sound engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1975-05-19 until 1975-05-20)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1975-05-19 until 1975-05-20)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1975-05-19 until 1975-05-20)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1975-05-19 until 1975-05-20)
recording of:
Slavonic Dances, op. 72: No. 1 in B major: Molto vivace (for orchestra) (from 1975-05-19 until 1975-05-20)
composer:
Antonín Dvořák (composer) (from 1886-11 until 1887-01-05)
premiered at:
[concert] (1887-01-06)
part of:
Slawische Tänze, op. 72, B. 147 (Slavonic Dances, op. 72, B. 147, for orchestra)
Antonín Dvořák4:22
23Candide: Overture
sound engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
producer:
Christopher Bishop (conductor/producer) (on 1971-11-30)
orchestra:
London Symphony Orchestra (on 1971-11-30)
conductor:
André Previn (pianist, conductor, composer, arranger) (on 1971-11-30)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (on 1971-11-30)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1971-11-30)
recording of:
Candide: Overture (on 1971-11-30)
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
Candide
Leonard Bernstein4:20
24Fantasia on Greensleeves
sound engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
producer:
Christopher Bishop (conductor/producer) (on 1971-11-30)
orchestra:
London Symphony Orchestra (on 1971-11-30)
conductor:
André Previn (pianist, conductor, composer, arranger) (on 1971-11-30)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (on 1971-11-30)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1971-11-30)
recording of:
Fantasia on “Greensleeves” (on 1971-11-30)
composer:
Ralph Vaughan Williams (English composer) (from 1924 until 1928)
arranger:
Ralph Greaves (in 1934)
publisher:
Oxford University Press (in 1936)
is based on:
Greensleeves (generic entry for traditional and unknown arrangements)
is based on:
Lovely Joan (traditional English folk song)
is based on:
Sir John in Love
Ralph Vaughan Williams4:41
25Images pour orchestre, CD 118, L. 122, Pt. 2 "Iberia": No. 3, Le matin d'un jour de fête
producer:
Suvi Raj Grubb
orchestra:
London Symphony Orchestra (from 1979-07-02 until 1979-07-03)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1979-07-02 until 1979-07-03)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-07-02 until 1979-07-03)
recording of:
Images pour orchestre, L 122: IIc. Ibéria - Le Matin d'un jour de fête (from 1979-07-02 until 1979-07-03)
composer:
Claude Debussy (French composer) (from 1905 until 1908)
part of:
Images pour orchestre, L. 122, CD 118: II. Ibéria
Claude Debussy4:59
26Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1973-01-10 until 1973-01-11)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1973-01-10 until 1973-01-11)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-01-10 until 1973-01-11)
recording of:
Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro (from 1973-01-10 until 1973-01-11)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven5:25
27Symphony no. 4 in A major, op. 90, MWV N16 "Italian": II. Andante con moto
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (on 1978-07-13)
conductor:
André Previn (pianist, conductor, composer, arranger) (on 1978-07-13)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1978-07-13)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1978-07-13)
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: II. Andante con moto (on 1978-07-13)
composer:
Felix Mendelssohn (composer) (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian”
Felix Mendelssohn6:12
28Pavane pour une infante défunte, M. 19 (orchestral Version)
producer:
Christopher Bishop (conductor/producer)
horn:
David Cripps (hornist / conductor) (on 1978-07-14)
orchestra:
London Symphony Orchestra (on 1978-07-14)
conductor:
André Previn (pianist, conductor, composer, arranger) (on 1978-07-14)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1978-07-14)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1978-07-14)
recording of:
Pavane pour une infante défunte (orchestrated version) (on 1978-07-14)
orchestrator:
Maurice Ravel (French composer) (in 1910)
composer:
Maurice Ravel (French composer) (in 1899)
publisher:
Editions Max Eschig
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 19a)
orchestration of:
Pavane pour une infante défunte (original version for solo piano)
Maurice Ravel6:41
29Piano Concerto no. 17 in G major, K. 453: III. Allegretto
producer:
Christopher Bishop (conductor/producer)
piano:
André Previn (pianist, conductor, composer, arranger) (on 1973-09-20, on 1973-09-22, on 1973-09-27)
orchestra:
London Symphony Orchestra (on 1973-09-20, on 1973-09-22, on 1973-09-27)
conductor:
Sir Adrian Boult (conductor) (on 1973-09-20, on 1973-09-22, on 1973-09-27)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1973-09-20, on 1973-09-22, on 1973-09-27)
recording of:
Concerto for Piano no. 17 in G major, K. 453 "Second Ployer": III. Allegretto & Finale. Presto (from 1973-09-20 until 1973-09-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1784)
part of:
Concerto for Piano no. 17 in G major, K. 453 "Second Ployer"
Wolfgang Amadeus Mozart7:35
30Symphony no. 7 in A major, op. 92: III. Presto
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (on 1974-01-17)
conductor:
André Previn (pianist, conductor, composer, arranger) (on 1974-01-17)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1974-01-17)
recording of:
Symphony no. 7 in A major, op. 92: III. Presto
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
Ludwig van Beethoven8:28
31L'Apprenti sorcier
sound engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1975-05-19 until 1975-05-20)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1975-05-19 until 1975-05-20)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1975-05-19 until 1975-05-20)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1975-05-19 until 1975-05-20)
recording of:
L’Apprenti sorcier (The Sorcerer's Apprentice) (from 1975-05-19 until 1975-05-20)
composer:
Paul Dukas (French composer) (from 1896 until 1897)
part of:
Fantasia (Disney soundtrack)
Paul Dukas11:23
32Symphony no. 94 in G major, Hob. I:94 "Surprise": IV. Finale. Allegro di molto
producer:
Suvi Raj Grubb
orchestra:
Pittsburgh Symphony Orchestra (from 1978-05-13 until 1978-05-15)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1978-05-13 until 1978-05-15)
balance engineer:
Michael Sheady (engineer)
recorded at:
Heinz Hall for the Performing Arts in Pittsburgh, Pennsylvania, United States (from 1978-05-13 until 1978-05-15)
recording of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”: IV. Finale. Allegro di molto
composer:
Joseph Haydn (composer) (in 1791)
part of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”
Joseph Haydn4:01
33Symphony no. 1 in D major, op. 25 "Classical": I. Allegro
producer:
Suvi Raj Grubb
orchestra:
London Symphony Orchestra (from 1977-12-07 until 1977-12-08, on 1977-12-12)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1977-12-07 until 1977-12-08, on 1977-12-12)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-12-07 until 1977-12-08, on 1977-12-12)
recording of:
Symphony no. 1 in D major, op. 25 “Classical”: I. Allegro (from 1977-12-07 until 1977-12-12)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1917)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Symphony no. 1 in D major, op. 25 “Classical”
Sergei Prokofiev4:12
34Cinderella, op. 87: Act 1: No. 19, Cinderella's Departure for the Ball
producer:
Suvi Raj Grubb
orchestra:
London Symphony Orchestra (from 1983-04-06 until 1983-04-18)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1983-04-06 until 1983-04-18)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1983-04-06 until 1983-04-18)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-04-06 until 1983-04-18)
recording of:
Cinderella, op. 87: Act I. No. 19. Cinderella's Departure for the Ball (from 1983-04-06 until 1983-04-18)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Cinderella, op. 87: Act I
Sergei Prokofiev2:18
35Four Sea Interludes from Peter Grimes, op. 33a: No. 1, Dawn
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1974-10-27 until 1974-10-28)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1974-10-27 until 1974-10-28)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1974-10-27 until 1974-10-28)
recorded at:
No. 1 Studio, Abbey Road in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1974-10-27 until 1974-10-28)
recording of:
Four Sea Interludes from 'Peter Grimes', op. 33a: I. Dawn: Lento e tranquillo (from 1974-10-27 until 1974-10-28)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1945)
part of:
Four Sea Interludes from 'Peter Grimes', op. 33a
Benjamin Britten3:45
36Four Sea Interludes from Peter Grimes, op. 33a: No. 2, Sunday Morning
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1974-10-27 until 1974-10-28)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1974-10-27 until 1974-10-28)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1974-10-27 until 1974-10-28)
recorded at:
No. 1 Studio, Abbey Road in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1974-10-27 until 1974-10-28)
recording of:
Four Sea Interludes from 'Peter Grimes', op. 33a: II. Sunday Morning: Allegro spiritoso (from 1974-10-27 until 1974-10-28)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1945)
part of:
Four Sea Interludes from 'Peter Grimes', op. 33a
Benjamin Britten3:52
37Four Sea Interludes from Peter Grimes, op. 33a: No. 3, Moonlight
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1974-10-27 until 1974-10-28)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1974-10-27 until 1974-10-28)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1974-10-27 until 1974-10-28)
recorded at:
No. 1 Studio, Abbey Road in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1974-10-27 until 1974-10-28)
recording of:
Four Sea Interludes from 'Peter Grimes', op. 33a: III. Moonlight: Andante comodo e rubato (from 1974-10-27 until 1974-10-28)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1945)
part of:
Four Sea Interludes from 'Peter Grimes', op. 33a
Benjamin Britten4:24
38Four Sea Interludes from Peter Grimes, op. 33a: No. 4, Storm
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1974-10-27 until 1974-10-28)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1974-10-27 until 1974-10-28)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1974-10-27 until 1974-10-28)
recorded at:
No. 1 Studio, Abbey Road in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1974-10-27 until 1974-10-28)
recording of:
Four Sea Interludes from 'Peter Grimes', op. 33a: IV. Storm: Presto con fuoco (from 1974-10-27 until 1974-10-28)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1945)
part of:
Four Sea Interludes from 'Peter Grimes', op. 33a
Benjamin Britten4:35
39Symphonie fantastique, op. 14, H 48: IV. Marche au supplice. Allegretto non troppo
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (on 1975-05-19, on 1976-12-14)
conductor:
André Previn (pianist, conductor, composer, arranger) (on 1975-05-19, on 1976-12-14)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1975-05-19) and Kingsway Hall in London (Greater London), England, United Kingdom (on 1976-12-14)
recording of:
Symphonie fantastique, op. 14: IV. Marche au supplice (from 1975-05-19 until 1976-12-14)
composer:
Hector Berlioz (French composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz5:29
40Nocturnes, CD 98, L. 91: No. 2, Fêtes
producer:
Suvi Raj Grubb
orchestra:
London Symphony Orchestra (on 1983-04-12, on 1983-04-15)
conductor:
André Previn (pianist, conductor, composer, arranger) (on 1983-04-12, on 1983-04-15)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1973-04-15, on 1983-04-12)
recording of:
Nocturnes, L. 91, CD 98 : II. Fêtes (on 1983-04-12)
composer:
Claude Debussy (French composer) (from 1897-12 until 1899-12)
premiered at:
[concert] (1900-12-09)
part of:
Nocturnes, L. 91, CD 98 (for orchestra)
Claude Debussy6:44
41Ein deutsches Requiem, op. 45: V. Ihr habt nun Traurigkeit
producer:
Helmut Mühle
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1986-07)
soprano vocals:
Margaret Price (soprano) (in 1986-07)
orchestra:
Royal Philharmonic Orchestra (in 1986-07)
conductor:
André Previn (pianist, conductor, composer, arranger) (in 1986-07)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1986-07)
balance engineer:
Tony Faulkner (recording engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1986-07)
recording of:
Ein deutsches Requiem, op. 45: V. “Ihr habt nun Traurigkeit” (Chor, Sopran) (in 1986-07)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms7:28
42Piano Concerto no. 20 in D minor, K. 466: III. Rondo. Allegro assai (cadenza by Previn)
producer:
Christopher Bishop (conductor/producer)
piano:
André Previn (pianist, conductor, composer, arranger) (on 1976-07-06)
orchestra:
London Symphony Orchestra (on 1976-07-06)
conductor:
André Previn (pianist, conductor, composer, arranger) (on 1976-07-06)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1976-07-06)
recording of:
Concerto for Piano no. 20 in D minor, K. 466: III. Rondo. Allegro assai (on 1976-07-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1785)
part of:
Concerto for Piano no. 20 in D minor, K. 466
Wolfgang Amadeus Mozart7:34
435 Lieder, op. 106: No. 1, Ständchen
producer:
Suvi Raj Grubb
piano:
André Previn (pianist, conductor, composer, arranger) (from 1977-10-30 until 1977-10-31, from 1977-11-07 until 1977-11-08)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1977-10-30 until 1977-10-31, from 1977-11-07 until 1977-11-08)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-10-30 until 1977-10-31, from 1977-11-07 until 1977-11-08)
recording of:
5 Lieder, op. 106: Nr. 1. Ständchen (from 1977-10-30 until 1977-11-08)
lyricist:
Franz Theodor Kugler
composer:
Johannes Brahms (German composer)
part of:
5 Lieder, op. 106
Johannes Brahms1:39
44Regenlied, WoO 23
producer:
Suvi Raj Grubb
piano:
André Previn (pianist, conductor, composer, arranger) (from 1977-10-30 until 1977-10-31, from 1977-11-07 until 1977-11-08)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1977-10-30 until 1977-10-31, from 1977-11-07 until 1977-11-08)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-10-30 until 1977-10-31, from 1977-11-07 until 1977-11-08)
recording of:
Regenlied, WoO 23 (from 1977-10-30 until 1977-11-08)
lyricist:
Klaus Groth
composer:
Johannes Brahms (German composer)
part of:
Johannes Brahms. Thematisch-Bibliographisches Werkverzeichnis (number: WoO 23)
Johannes Brahms1:45
45Romeo and Juliet, op. 64: Act 1, Scene 2: Balcony Scene
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 19. Balcony scene (from 1973-06-08 until 1973-06-09)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev1:29
46Ruslan and Lyudmila: Overture
sound engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Suvi Raj Grubb
orchestra:
London Symphony Orchestra (from 1976-12-15 until 1976-12-16)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1976-12-15 until 1976-12-16)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1976-12-15 until 1976-12-16)
recorded at:
No. 1 Studio, Abbey Road in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1976-12-15 until 1976-12-16)
recording of:
Руслан и Людмила: Увертюра (Ruslan and Lyudmila: Overture) (from 1976-12-15 until 1976-12-16)
composer:
Mikhail Glinka (Russian composer) (from 1837 until 1842)
part of:
Руслан и Людмила (Ruslan and Lyudmila)
Mikhail Glinka5:08
47A Midsummer Night's Dream, op. 61, MWV M13: No. 1, Scherzo
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1976-12-08 until 1976-12-09)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1976-12-08 until 1976-12-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1976-12-08 until 1976-12-09)
recording of:
Ein Sommernachtstraum, op. 61: 1. Scherzo. Allegro vivace (from 1976-12-08 until 1976-12-09)
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn4:52
48The Creatures of Prometheus, op. 43: Overture
Ludwig van Beethoven5:13
49Symphonie fantastique, op. 14, H 48: II. Un bal. Valse. Allegro non troppo
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (on 1975-05-19, on 1976-12-14)
conductor:
André Previn (pianist, conductor, composer, arranger) (on 1975-05-19, on 1976-12-14)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1975-05-19) and Kingsway Hall in London (Greater London), England, United Kingdom (on 1976-12-14)
recording of:
Symphonie fantastique, op. 14: II. Un bal (from 1975-05-19 until 1976-12-14)
composer:
Hector Berlioz (French composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz6:31
50Variations on an Original Theme, op. 36 "Enigma": Variation X. Dorabella
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1978-11-27 until 1978-11-28)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1978-11-27 until 1978-11-28)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-11-27 until 1978-11-28)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: X. Intermezzo: Dorabella (Allegretto) (from 1978-11-27 until 1978-11-28)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Dora Penny
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar2:42
51Variations on an Original Theme, op. 36 "Enigma": Variation XI. G.R.S.
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1978-11-27 until 1978-11-28)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1978-11-27 until 1978-11-28)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-11-27 until 1978-11-28)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XI. G.R.S. (Allegro di molto) (from 1978-11-27 until 1978-11-28)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
George Robertson Sinclair
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar0:58
52Variations on an Original Theme, op. 36 "Enigma": Variation XII. B.G.N.
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1978-11-27 until 1978-11-28)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1978-11-27 until 1978-11-28)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-11-27 until 1978-11-28)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XII. B.G.N. (Andante) (from 1978-11-27 until 1978-11-28)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Basil George Nevinson
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar2:50
53Variations on an Original Theme, op. 36 "Enigma": Variation XIII. Romanza. ***
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1978-11-27 until 1978-11-28)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1978-11-27 until 1978-11-28)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-11-27 until 1978-11-28)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XIII. Romanza (Moderato) (from 1978-11-27 until 1978-11-28)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Lady Mary Lygon
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar2:46
54Variations on an Original Theme, op. 36 "Enigma": Variation XIV. Finale. E.D.U.
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1978-11-27 until 1978-11-28)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1978-11-27 until 1978-11-28)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-11-27 until 1978-11-28)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XIV. Finale: E.D.U. (Allegro) (from 1978-11-27 until 1978-11-28)
composer:
Edward Elgar (composer) (in 1899)
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar5:08
556 Lieder, op. 86: No. 1, Therese
producer:
Suvi Raj Grubb
piano:
André Previn (pianist, conductor, composer, arranger) (from 1977-10-30 until 1977-10-31, from 1977-11-07 until 1977-11-08)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1977-10-30 until 1977-10-31, from 1977-11-07 until 1977-11-08)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-10-30 until 1977-10-31, from 1977-11-07 until 1977-11-08)
recording of:
6 Lieder, op. 86: Nr. 1. Therese (from 1977-10-30 until 1977-11-08)
lyricist:
Gottfried Keller (Swiss writer, † 1890)
composer:
Johannes Brahms (German composer)
part of:
6 Lieder, op. 86
Johannes Brahms1:38
56Swan Lake, op. 20, Act 3: No. 16, Dance of the Guests and the Dwarfs
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1976-05-26 until 1976-05-28, from 1976-06-08 until 1976-06-10)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1976-05-26 until 1976-05-28, from 1976-06-08 until 1976-06-10)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1976-05-26 until 1976-05-28, from 1976-06-08 until 1976-06-10)
recording of:
Swan Lake, op. 20: Act III, no. 16: Danses du corps de ballet et des nains: Moderato assai - Allegro vivo (from 1976-05-26 until 1976-06-10)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Swan Lake, op. 20: Act III
Pyotr Ilyich Tchaikovsky2:43
57Symphony no. 2 in E minor, op. 27: II. Scherzo. Allegro molto
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1973-01-03 until 1973-01-04)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1973-01-03 until 1973-01-04)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1973-01-03 until 1973-01-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-01-03 until 1973-01-04)
recording of:
Symphony no. 2 in E minor, op. 27: II. Allegro molto (from 1973-01-03 until 1973-01-04)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (from 1906 until 1907)
part of:
Symphony no. 2 in E minor, op. 27
Sergei Rachmaninoff10:08
5814 Romances, op. 34: No. 14, Vocalise (instrumental version)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1975-10-12 until 1975-10-13)
conductor and performer:
André Previn (pianist, conductor, composer, arranger) (from 1975-10-12 until 1975-10-13)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1975-10-12 until 1975-10-13)
recording of:
Vocalise, op. 34 no. 14 (arr. by composer for orchestra) (from 1975-10-12 until 1975-10-13)
orchestrator:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1919)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1912)
orchestration of:
14 Romances, op. 34 no. 14: Vocalise (Vocalise, for voice and piano, original version)
recording of:
Vocalise, op. 34 no. 14 (for violin and piano, Press)
composer:
Sergei Rachmaninoff (Russian composer) (in 1912)
arranger:
Michel Press (Michael Press, Russian-American violinist, conductor and music educator)
arrangement of:
14 Romances, op. 34 no. 14: Vocalise (Vocalise, for voice and piano, original version)
Sergei Rachmaninoff6:34
59The Planets, op. 32: III. Mercury, the Winged Messenger
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1973-09-28 until 1973-09-29)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1973-09-28 until 1973-09-29)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1973-09-28 until 1973-09-29)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-09-28 until 1973-09-29)
recording of:
The Planets, op. 32: III. Mercury, the Winged Messenger (from 1973-09-28 until 1973-09-29)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: III. Mercury, the Winged Messenger (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst3:51
60Symphony no. 7 in A major, op. 92: II. Allegretto
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (on 1974-01-17)
conductor:
André Previn (pianist, conductor, composer, arranger) (on 1974-01-17)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1974-01-17)
recording of:
Symphony no. 7 in A major, op. 92: II. Allegretto
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
Ludwig van Beethoven9:27
61Symphony no. 7 in A major, op. 92: IV. Allegro
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (on 1974-01-17)
conductor:
André Previn (pianist, conductor, composer, arranger) (on 1974-01-17)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1974-01-17)
recording of:
Symphony no. 7 in A major, op. 92: IV. Allegro con brio
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
Ludwig van Beethoven7:44
62Improvisations on an Impromptu of Benjamin: II. Vivo - Più animato poco a poco
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (on 1972-05-16)
conductor:
André Previn (pianist, conductor, composer, arranger) (on 1972-05-16)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1972-05-16)
recorded at:
No. 1 Studio, Abbey Road in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1972-05-16)
partial recording of:
Improvisations on an Impromptu of Benjamin Britten (on 1972-05-16)
composer:
William Walton (British composer and conductor) (in 1969)
is based on:
Concerto for Piano, op. 13: III. Impromptu
William Walton2:54
63Improvisations on an Impromptu of Benjamin: IV. Scherzando - Giocoso
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (on 1972-05-16)
conductor:
André Previn (pianist, conductor, composer, arranger) (on 1972-05-16)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1972-05-16)
recorded at:
No. 1 Studio, Abbey Road in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1972-05-16)
partial recording of:
Improvisations on an Impromptu of Benjamin Britten (on 1972-05-16)
composer:
William Walton (British composer and conductor) (in 1969)
is based on:
Concerto for Piano, op. 13: III. Impromptu
William Walton3:30
64Symphony no. 88 in G major, Hob. I:88 "The Letter V": IV. Finale. Allegro con spirito
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (on 1975-12-09)
conductor:
André Previn (pianist, conductor, composer, arranger) (on 1975-12-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1975-12-09)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1975-12-09)
recording of:
Symphony no. 88 in G major, Hob. I:88: IV. Finale. Allegro con spirito (on 1975-12-09)
composer:
Joseph Haydn (composer) (in 1787)
part of:
Symphony no. 88 in G major, Hob. I:88
Joseph Haydn3:42
65Prélude à l’après-midi d’un faune, CD 87, L. 86
sound engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Suvi Raj Grubb
flute:
William Bennett (flautist) (from 1976-12-15 until 1976-12-16)
orchestra:
London Symphony Orchestra (from 1976-12-15 until 1976-12-16)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1976-12-15 until 1976-12-16)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1976-12-15 until 1976-12-16)
recorded at:
No. 1 Studio, Abbey Road in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1976-12-15 until 1976-12-16)
recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra) (from 1976-12-15 until 1976-12-16)
composer:
Claude Debussy (French composer) (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Classic 100: Music of France (2012) (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
Claude Debussy10:02
66Piano Concerto no. 24 in C minor, K. 491: II. Larghetto
producer:
Christopher Bishop (conductor/producer)
piano:
André Previn (pianist, conductor, composer, arranger) (on 1973-09-20, on 1973-09-22, on 1973-09-27)
orchestra:
London Symphony Orchestra (on 1973-09-20, on 1973-09-22, on 1973-09-27)
conductor:
Sir Adrian Boult (conductor) (on 1973-09-20, on 1973-09-22, on 1973-09-27)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1973)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1973-09-20, on 1973-09-22, on 1973-09-27)
recording of:
Concerto for Piano no. 24 in C minor, K. 491: II. Larghetto (from 1973-09-20 until 1973-09-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1786-03-24)
part of:
Concerto for Piano no. 24 in C minor, K. 491
Wolfgang Amadeus Mozart7:39
67La Mer, CD 111, L. 109: II. Jeux de vagues
producer:
Suvi Raj Grubb
orchestra:
London Symphony Orchestra (on 1983-04-12, on 1983-04-15)
conductor:
André Previn (pianist, conductor, composer, arranger) (on 1983-04-12, on 1983-04-15)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1973-04-15, on 1983-04-12)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: II. “Jeux de vagues” (on 1983-04-12)
composer:
Claude Debussy (French composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Claude Debussy7:06
68Cinderella, op. 87: Act 1: No. 12, Spring Fairy
producer:
Suvi Raj Grubb
orchestra:
London Symphony Orchestra (from 1983-04-06 until 1983-04-18)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1983-04-06 until 1983-04-18)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1983-04-06 until 1983-04-18)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-04-06 until 1983-04-18)
recording of:
Cinderella, op. 87: Act I. No. 12. Spring Fairy (from 1983-04-06 until 1983-04-18)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Cinderella, op. 87: Act I
Sergei Prokofiev1:25
69Le Tombeau de Couperin, M. 68a: IV. Rigaudon
producer:
John Fraser (UK producer)
orchestra:
Royal Philharmonic Orchestra (on 1985-11-30, on 1985-12-04)
conductor:
André Previn (pianist, conductor, composer, arranger) (on 1985-11-30, on 1985-12-04)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1985-11-30, on 1985-12-04)
recording of:
Le Tombeau de Couperin: IV. Rigaudon. Assez vif (for orchestra)
orchestrator:
Maurice Ravel (French composer) (in 1919)
composer:
Maurice Ravel (French composer) (from 1914 until 1917)
orchestration of:
Le tombeau de Couperin: IV. Rigaudon (for solo piano)
part of:
Le Tombeau de Couperin (for orchestra)
Maurice Ravel3:12
70Romeo and Juliet, op. 64: Act 1: Dance of the Knights
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 13. Dance of the Knights (from 1973-06-08 until 1973-06-09)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev5:42
71Romeo and Juliet, op. 64: Act 1, Scene 2: Juliet's Variation
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-06-08 until 1973-06-09, from 1973-06-13 until 1973-06-14)
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 14. Juliet’s variation (from 1973-06-08 until 1973-06-09)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev2:35
72Alexander Nevsky, op. 78: I. Russia Beneath the Yoke of the Mongols
producer:
Christopher Bishop (conductor/producer)
additional choir vocals:
London Symphony Chorus
orchestra:
London Symphony Orchestra (on 1971-11-01)
conductor:
André Previn (pianist, conductor, composer, arranger) (on 1971-11-01)
chorus master:
Arthur Oldham (chorus master)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1971-11-01)
recording of:
Alexander Nevsky, op. 78: I. Russia Under the Mongolian Yoke (on 1971-11-01)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (from 1938 until 1939)
part of:
Alexander Nevsky, op. 78
Sergei Prokofiev3:41
73Alexander Nevsky, op. 78: IV. Arise, Ye Russian People
producer:
Christopher Bishop (conductor/producer)
choir vocals:
London Symphony Chorus (on 1971-11-01)
orchestra:
London Symphony Orchestra (on 1971-11-01)
conductor:
André Previn (pianist, conductor, composer, arranger) (on 1971-11-01)
chorus master:
Arthur Oldham (chorus master) (on 1971-11-01)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1971-11-01)
recording of:
Alexander Nevsky, op. 78: IV. Arise, Ye Russian People (on 1971-11-01)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (from 1938 until 1939)
part of:
Alexander Nevsky, op. 78
Sergei Prokofiev2:34
74Le Carnaval romain, op. 9, H 95
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1974-10-28 until 1974-10-29)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1974-10-28 until 1974-10-29)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1974-10-28 until 1974-10-29)
recording of:
Le Carnaval romain, ouverture pour orchestre, op. 9 (The Roman Carnival Overture for Orchestra, op. 9) (from 1974-10-28 until 1974-10-29)
composer:
Hector Berlioz (French composer) (in 1843)
part of:
Catalogue of the Works of Hector Berlioz (number: H. 95)
Hector Berlioz8:05
75Piano Concerto in F major: III. Allegro agitato
producer:
Christopher Bishop (conductor/producer)
piano:
André Previn (pianist, conductor, composer, arranger) (on 1971-06-04, on 1971-06-06)
orchestra:
London Symphony Orchestra (on 1971-06-04, on 1971-06-06)
conductor:
André Previn (pianist, conductor, composer, arranger) (on 1971-06-04, on 1971-06-06)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1971-06-04, on 1971-06-06)
recording of:
Concerto for Piano and Orchestra in F major: III. Allegro agitato (on 1971-06-04)
composer:
George Gershwin (composer) (in 1925)
publisher:
Chappell Music Ltd.
part of:
Concerto for Piano and Orchestra in F major
George Gershwin6:38
76Piano Quintet in F minor, op. 34a: III. Scherzo. Allegro
producer:
Suvi Raj Grubb
cello:
Aldo Parisot (cellist) (on 1972-08-23)
piano:
André Previn (pianist, conductor, composer, arranger) (in 1973)
string quartet:
The Yale Quartet (on 1972-08-23)
viola:
Walter Trampler (violist) (on 1972-08-23)
violin:
Syoko Aki (violinist) (on 1972-08-23) and Broadus Earl (violinist) (on 1972-08-23)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (on 1972-08-23)
recording of:
Quintet for Piano, 2 Violins, Viola, and Cello in F minor, op. 34: III. Scherzo. Allegro (on 1972-08-23)
composer:
Johannes Brahms (German composer) (from 1862 until 1864)
part of:
Quintet for Piano, 2 Violins, Viola, and Cello in F minor, op. 34
Johannes Brahms7:19