NOW That’s What I Call Halloween

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1▶Digital Media
2▶Digital Media
3▼Digital Media
#TitleArtistRatingLength
1Poison
recording engineer:
Sir Arthur Payson (from 1988 until 1989)
synthesizer programming:
Steve Deutsch
assistant engineer:
George Cowan (US engineer), Ben Fowler, Lolly Grodner, Robert Hart (engineer), John Herman (engineer), Don Peterkofsky, Duane Seykora, Brian Sterber and Mark Tanzer
producer:
Desmond Child
mixer:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) and Steve Thompson (producer)
additional keyboard:
Paul Chiten (songwriter and producer) (from 1988 until 1989) and Gregg Mangiafico (from 1988 until 1989)
additional other instruments [special effects]:
Gregg Mangiafico (from 1988 until 1989)
bass guitar:
Hugh McDonald (bassist) (from 1988 until 1989)
drums (drum set):
Bobby Chouinard (from 1988 until 1989)
guitar:
John McCurry (from 1988 until 1989)
keyboard:
Alan St. John (from 1988 until 1989)
background vocals:
Alan St. John (from 1988 until 1989), Michael Anthony (US bassist, formerly of Van Halen) (from 1988 until 1989), Desmond Child (from 1988 until 1989), Diana Grasselli (from 1988 until 1989), Jango (backing vocalist on “Trash” by Alice Cooper) (from 1988 until 1989), Louie Merlino (from 1988 until 1989), Hugh McDonald (bassist) (from 1988 until 1989), Jamie Sever (from 1988 until 1989), Bernie Shanahan (from 1988 until 1989), Stiv Bator (from 1988 until 1989), Tom Teeley (from 1988 until 1989), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (from 1988 until 1989), Myriam Valle (from 1988 until 1989) and Maria Vidal (American singer-songwriter) (from 1988 until 1989)
lead vocals:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974) (from 1988 until 1989)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1989), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1989), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1989) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1989)
recorded at:
Bearsville Studios in Bearsville, New York, United States (from 1988 until 1989), Blue Jay Recording Studios in Carlisle, Massachusetts, United States (from 1988 until 1989), Grog Kill Studio in Woodstock, New York, United States (from 1988 until 1989), Mediasound Studios in New York, New York, United States (from 1988 until 1989), Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1988 until 1989), Right Track Recording in Manhattan, New York, New York, United States (from 1988 until 1989), Sigma Sound Studios (New York) in New York, New York, United States (from 1988 until 1989), The Complex Studios in Los Angeles, California, United States (from 1988 until 1989), The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (from 1988 until 1989) and The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States (from 1988 until 1989)
recording of:
Poison (from 1988 until 1989)
writer:
Desmond Child, Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974) and John McCurry
publisher:
Desmobile Inc., Desmobile Music Co., Inc. (publisher), EMI April Music Inc., EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Songs Ltd., Ezra Music, Kat and Mouse Music (, from 1989 to present), MCA Music Ltd., Primary Wave Music Publishing, SBK April Music Inc. (, from 1989 to ????), SBK Songs Ltd., Songs of Universal, Inc. (BMI), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Music Publishing Scandinavia, Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Group, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, Universal/MCA Music Publishing Scandinavia AB (Universal MCA Music Scandinavia AB), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Ezra Music Corp. (from 1989 to present)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.454:27
2(Don’t Fear) The Reaper
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1976) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976, in 1978)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 397) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 449)
recording of:
(Don’t Fear) The Reaper
lyricist and composer:
Donald Roeser
publisher:
Blue Oyster Cult Songs, Inc., Carlin Music Corporation, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC and Sony/ATV Tunes LLC (ASCAP) (in 1976)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Blue Öyster Cult4.43:48
3Black Night
drums (drum set):
Ian Paice (in 1970-05)
electric bass guitar:
Roger Glover (in 1970-05)
electric guitar:
Ritchie Blackmore (in 1970-05)
Hammond organ:
Jon Lord (in 1970-05)
lead vocals:
Ian Gillan (in 1970-05)
recorded at:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, United Kingdom (in 1970-05)
recording of:
Black Night (in 1970-05)
writer:
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord and Ian Paice
publisher:
EMI Music Publishing (do not use as a release label!), Glenwood Music Corp., HEC Music and Henrees Music co.
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Japan C.F. division (until 2021-06-30), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Deep Purple4.453:25
4People Are Strange
producer:
Ray Manzarek
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1987), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1987) and Warner Music H.K. Ltd. (in 1997)
cover recording of:
People Are Strange (in 1987)
writer:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek and Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company, Nipper Music and Rondor Music (London) Ltd.
Echo & the Bunnymen4.653:37
5Frankenstein
producer:
Rick Derringer
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1972)
edit of:
Frankenstein by The Edgar Winter Group
recording of:
Frankenstein
composer:
Edgar Winter
publisher:
Longitude Music (ended), EMI Longitude Music, EMI Music Publishing Ltd. (PRS‐affiliated), EMI Virgin Songs, Inc., Hierophant Music, Longitude Music Co., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
The Edgar Winter Group3:25
6Hell Raiser
producer:
Phil Wainman
recording of:
Hell Raiser
lyricist:
Nicky Chinn
composer:
Mike Chapman (Australian producer and songwriter)
The Sweet3.753:17
7(Waiting for the) Ghost Train
recording of:
(Waiting for) The Ghost Train
writer:
Graham McPherson
Madness23:42
8Pet Sematary
additional recording engineer:
Martin Bisi
assistant recording engineer:
Judy Kirschner and Robbie Norris
recording engineer:
Martin Bisi and Robert Musso (musician, producer and engineer)
assistant engineer:
Oz Fritz (sound engineer) and Robbie Norris
engineer:
Judy Kirschner and Robert Musso (musician, producer and engineer)
producer:
Jean Beauvoir and Daniel Rey
assistant mixer:
Oz Fritz (sound engineer)
mixer:
Jason Corsaro (U.S. music engineer, and record producer) and Robert Musso (musician, producer and engineer)
bass guitar:
Dee Dee Ramone
drums (drum set):
Marky Ramone (Marc Bell)
guitar:
Johnny Ramone
lead vocals:
Joey Ramone
additionally recorded at:
B.C. Studios in Brooklyn, New York, New York, United States
recorded at:
Sorcerer Sound in New York, New York, United States
mixed at:
Platinum Island Studios in New York, New York, United States
recording of:
Pet Sematary
writer:
Dee Dee Ramone and Daniel Rey
publisher:
Taco Tunes Inc. and Warner/Chappell Music (Warner/Chappell Music, Inc.)
Ramones4.23:28
9Dance With the Devil
producer:
Mickie Most (English record producer)
recording of:
Dance With the Devil
composer:
Phil Dennys and Michael Hayes
publisher:
RAK Publishing Ltd.
Cozy Powell23:32
10The Witch
recording of:
The Witch
lyricist and composer:
Herbert Hildebrandt
The Rattles2:28
11Wild Thing
cover recording of:
Wild Thing
lyricist and composer:
Chip Taylor (US singer/songwriter)
publisher:
EMI Blackwood Music Inc., EMI Songs, EMI Songs Australia Pty. Ltd., EMI Songs Musikverlag GmbH and April Music (in 1981)
The Troggs2:25
12Evil Woman
engineer:
Jimmy Iovine and Reinhold Mack (German rock producer/engineer Reinhold Mack)
producer:
Jeff Lynne
bass:
Kelly Groucutt (from 1975-05 until 1975-06)
cello:
Melvyn Gale (from 1975-05 until 1975-06) and Hugh McDowell (from 1975-05 until 1975-06)
clavinet, Moog and piano:
Richard Tandy (keyboardist for Electric Light Orchestra) (from 1975-05 until 1975-06)
drums (drum set) and percussion:
Bev Bevan (English rock drummer) (from 1975-05 until 1975-06)
guitar:
Jeff Lynne (from 1975-05 until 1975-06) and Richard Tandy (keyboardist for Electric Light Orchestra) (from 1975-05 until 1975-06)
violin:
Mik Kaminski (from 1975-05 until 1975-06)
background vocals:
Susan Collins (from 1975-05 until 1975-06), Ellie Greenwich (from 1975-05 until 1975-06), Nancy O'Neill (from 1975-05 until 1975-06) and Margaret Raymond (from 1975-05 until 1975-06)
lead vocals:
Jeff Lynne (from 1975-05 until 1975-06)
conductor:
Louis Clark
arranger:
Louis Clark, Jeff Lynne and Richard Tandy (keyboardist for Electric Light Orchestra)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975, in 2005) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1975)
recorded at:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, United Kingdom (from 1975-05 until 1975-06), Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany (from 1975-05 until 1975-06) and The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1975-05 until 1975-06: background vocals)
mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
recording of:
Evil Woman (from 1975-05 until 1975-06)
lyricist and composer:
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Australia Pty. Ltd. and Polygon Publishing Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Electric Light Orchestra4.14:10
13(Ghost) Riders in the Sky
producer:
Brian Ahern
banjo [banjo-lute] and mandocello:
Bob Johnson (American banjo player from Chattanooga, Tennessee) (from 1979-02 until 1979-04)
drums (drum set):
W.S. Holland (from 1979-02 until 1979-04)
electric bass guitar:
Marshall Grant (from 1979-02 until 1979-04)
electric guitar:
Bob Wootton (from 1979-02 until 1979-04)
fiddle:
Ricky Skaggs (from 1979-02 until 1979-04)
French horn:
Jack Hale (trombone) (from 1979-02 until 1979-04) and Bob Lewin (from 1979-02 until 1979-04)
guitar:
Johnny Cash (country music legend) (from 1979-02 until 1979-04), Jack Clement (from 1979-02 until 1979-04), Jerry Hensley (from 1979-02 until 1979-04) and Jack Routh (from 1979-02 until 1979-04)
hammered dulcimer:
Alisa Jones (US hammered dulcimer player) (from 1979-02 until 1979-04)
percussion:
Mark Morris (drummer & percussionist) (from 1979-02 until 1979-04)
piano:
Earl Poole Ball (US country pianist) (from 1979-02 until 1979-04)
trumpet:
Jack Hale (trombone) (from 1979-02 until 1979-04), Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1979-02 until 1979-04) and Bob Lewin (from 1979-02 until 1979-04)
vocals:
The Carter Family (later generations of the family after 1943) (from 1979-02 until 1979-04), Johnny Cash (country music legend) (from 1979-02 until 1979-04) and Jan Howard (from 1979-02 until 1979-04)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1979)
cover recording of:
(Ghost) Riders in the Sky: A Cowboy Legend (from 1979-02 until 1979-04)
lyricist and composer:
Stan Jones (US songwriter and actor “(Ghost) Riders in the Sky”) (on 1948-06-05)
publisher:
Prophecies Publishing, Revega Music and WB Music Corp. (1929–2019)
version of:
Spookrijder in de nacht
Johnny Cash4.253:44
14Black Magic Woman
producer:
Fred Catero and Carlos Santana
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1970-07-04)
congas:
Michael Carabello (on 1970-07-04) and Jose Chepito Áreas (on 1970-07-04)
guitar:
Carlos Santana (on 1970-07-04)
keyboard:
Gregg Rolie (on 1970-07-04)
membranophone:
Michael Shrieve (on 1970-07-04)
timbales:
Jose Chepito Áreas (on 1970-07-04)
vocals:
Gregg Rolie (on 1970-07-04) and Carlos Santana (on 1970-07-04)
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1970), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1970) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970, in 1974)
recorded at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, United States (on 1970-07-04)
cover recording of:
Black Magic Woman (on 1970-07-04)
lyricist and composer:
Peter Green (former member of Fleetwood Mac)
publisher:
Bourne Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), King Music Publ. Co. Ltd. and Murbo Music Publishers, Inc.
recording of:
Black Magic Woman
lyricist and composer:
Peter Green (former member of Fleetwood Mac)
publisher:
Bourne Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), King Music Publ. Co. Ltd. and Murbo Music Publishers, Inc.
Santana3.753:13
15Shakin’ All Over
recording of:
Shakin’ All Over
lyricist and composer:
Johnny Kidd
publisher:
Belwin Mills Music Ltd.
Johnny Kidd and the Pirates3.52:20
16(You’re the) Devil in Disguise
bass:
Bob Moore (U.S. bassist and bandleader) (from 1963-05-26 until 1963-05-27)
drums (drum set):
D.J. Fontana (from 1963-05-26 until 1963-05-27) and Buddy Harman (Session drummer and songwriter) (from 1963-05-26 until 1963-05-27)
guitar:
Harold Bradley (from 1963-05-26 until 1963-05-27), Jerry Kennedy (from 1963-05-26 until 1963-05-27), Grady Martin (country/rockabilly guitarist) (from 1963-05-26 until 1963-05-27) and Scotty Moore (American guitarist and recording engineer) (from 1963-05-26 until 1963-05-27)
piano:
Floyd Cramer (from 1963-05-26 until 1963-05-27)
saxophone, shakers and vibraphone [vibes]:
Boots Randolph (from 1963-05-26 until 1963-05-27)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1963-05-26)
vocals:
The Jordanaires (southern gospel group) (from 1963-05-26 until 1963-05-27) and Millie Kirkham (from 1963-05-26 until 1963-05-27)
phonographic copyright (℗) by:
BMG Entertainment (in 1963), BMG Music (in 1963) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States (from 1963-05-26 until 1963-05-27)
cover recording of:
(You’re the) Devil in Disguise (from 1963-05-26 until 1963-05-27)
writer:
Bernie Baum, Bill Giant (Bill (Harvey) Zimmerman) and Florence Kaye
publisher:
Carlin Music Corporation and R&H Music
Elvis Presley2.652:17
17Bad Things
recording of:
Bad Things
lyricist and composer:
Jace Everett
Jace Everett2:42
18Touch of Evil
recording of:
Touch of Evil
composer:
Henry Mancini (US composer, conductor & arranger)
The Henry Mancini Orchestra2:46
19I Put a Spell on You
vocals:
Screamin’ Jay Hawkins
part of:
Pitchfork: The Story of Goth in 33 Songs, Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 299) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 313)
recording of:
I Put a Spell on You (on 1956-09-12)
lyricist and composer:
Screamin’ Jay Hawkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SBK Unart Catalog Inc., EMI Unart Catalog Inc. (in 1956) and EMI United Partnership Ltd. (in 1956)
Screamin’ Jay Hawkins3.92:25
20Psycho: Murder Sequence
London Philharmonic Orchestra3:40

Credits

Release

ASIN:UK: B07HJB219B [info]

Release group

part of:Now That’s What I Call…... (UK compilations outside the main numbered series or subseries) (order: 92)