The Ultimate Lady Jazz

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1I Wish You Well
engineer:
Hank Cicalo
bass:
Chuck Berghofer (Jazz bassist) (from 1976-05-03 until 1976-05-12)
drums (drum set):
Harvey Mason (jazz drummer) (from 1976-05-03 until 1976-05-12)
keyboard:
Joe Sample (from 1976-05-03 until 1976-05-12)
percussion:
Larry Bunker (from 1976-05-03 until 1976-05-12)
saxophone:
Pete Christlieb (from 1976-05-03 until 1976-05-12), Don Menza (from 1976-05-03 until 1976-05-12), Jack Nimitz (American saxophonist and clarinet player) (from 1976-05-03 until 1976-05-12), Jerome Richardson (from 1976-05-03 until 1976-05-12) and Ernie Watts (Ernest James Watts, jazz and blues saxophonist) (from 1976-05-03 until 1976-05-12)
trombone:
George Bohanon (from 1976-05-03 until 1976-05-12), Grover Mitchell (trombone) (from 1976-05-03 until 1976-05-12), Maurice Spears (from 1976-05-03 until 1976-05-12) and Ernie Tack (from 1976-05-03 until 1976-05-12)
trumpet:
Oscar Brashear (from 1976-05-03 until 1976-05-12), Blue Mitchell (American trumpet player) (from 1976-05-03 until 1976-05-12), Bobby Shew (from 1976-05-03 until 1976-05-12) and Snooky Young (from 1976-05-03 until 1976-05-12)
vocals:
Carmen McRae (from 1976-05-03 until 1976-05-12)
arranger:
Thad Jones (American jazz trumpeter)
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States (from 1976-05-03 until 1976-05-12)
cover recording of:
I Wish You Well (from 1976-05-03 until 1976-05-12)
lyricist and composer:
Bill Withers
Carmen McRae3:17
2Feel Like Making Love
assistant engineer:
Michael Bronstein
engineer:
Phil Shier
producer:
Benard Ighner
mixer:
Joan DeCola
vocals:
Marlena Shaw
cover recording of:
Feel Like Makin’ Love
lyricist and composer:
Eugene McDaniels
publisher:
Skyforest Music Co., Inc. and 日音 Synch事業部 (NICHION, INC. Synch Division)
Marlena Shaw5:01
3Love for Sale
Eartha Kitt3:06
4Havin’ Myself a Time
cover recording of:
Havin’ Myself a Time (in 1993)
writer:
Ralph Rainger and Leo Robin (US composer, lyricist & songwriter)
Lena Horne2:58
5Cry Me a River
engineer:
John Kraus (1950s US engineer) (in 1955-08)
producer:
Bobby Troup
double bass [bass]:
Ray Leatherwood
guitar:
Barney Kessel
vocals:
Julie London (in 1955-08)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1957)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
part of:
Dave Marsh: The Best of the Top 40 Singles: 1955 (number: 15)
recording of:
Cry Me a River (in 1955-08)
lyricist and composer:
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) and Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Julie London4.652:53
6After You’ve Gone
alto saxophone:
Bill Green (woodwind) (on 1962-08-15) and Paul Horn (on 1962-08-15)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (on 1962-08-15)
bass:
Joe Comfort (on 1962-08-15)
bass trombone:
George Roberts (american bass trombone) (on 1962-08-15)
drums (drum set):
Earl Palmer (on 1962-08-15)
guitar:
Ulysses Livingston (on 1962-08-15)
piano:
Jimmy Rowles (on 1962-08-15)
tenor saxophone:
Buddy Collette (on 1962-08-15) and Plas Johnson (on 1962-08-15)
trombone:
Lou Blackburn (on 1962-08-15), Ed Kusby (on 1962-08-15) and Tommy Shepard (trombonist) (on 1962-08-15)
trumpet:
Don Fagerquist (on 1962-08-15), Carmell Jones (on 1962-08-15), Al Porcino (on 1962-08-15) and Shorty Sherock (on 1962-08-15)
tuba:
Red Callender (on 1962-08-15)
vocals:
Sarah Vaughan (on 1962-08-15)
conductor:
Benny Carter (on 1962-08-15)
arranger:
Benny Carter
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1962-08-15)
cover recording of:
After You’ve Gone (on 1962-08-15)
lyricist:
Henry Creamer (Lyricist) (in 1918)
composer:
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. and Morley Music Corp.
part of:
For Me and My Gal (1942 movie)
Sarah Vaughan2:39
7Skyliner
producer:
Bill Miller (US producer at Capitol Records)
alto saxophone:
Bud Shank (on 1962-11-19)
baritone saxophone:
Jack Nimitz (American saxophonist and clarinet player) (on 1962-11-19)
bass:
Joe Mondragon (on 1962-11-19)
bass trombone:
Ken Shroyer (trombonist) (on 1962-11-19)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1962-11-19)
piano:
Jimmy Rowles (on 1962-11-19)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1962-11-19) and Bill Perkins (jazz saxophonist) (on 1962-11-19)
trombone:
John Halliburton (on 1962-11-19), Lew McCreary (on 1962-11-19) and Dick Nash (on 1962-11-19)
trumpet:
Conte Candoli (on 1962-11-19), Lee Katzman (on 1962-11-19), Al Porcino (on 1962-11-19) and Ray Triscari (on 1962-11-19)
remixer:
Ron McMaster (US mastering & cutting engineer)
arranger:
Bill Holman
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1962-11-19)
June Christy3:01
8What a Little Moonlight Can Do
cover recording of:
What a Little Moonlight Can Do
lyricist and composer:
Harry M. Woods (American 1920/30s songwriter)
publisher:
Connelly Basart, Warner Bros. Music (publisher; do NOT use as release label) and Warner Brothers Music Inc.
Nancy Wilson2:24
9It Don’t Mean a Thing (If It Ain’t Got That Swing)
Annie Ross with Gerry Mulligan Quartet2:10
10Anything Goes
vocals:
Dakota Staton (from 1958-02-02 until 1958-02-09)
conductor:
Sid Feller (from 1958-02-02 until 1958-02-09)
arranger:
Sid Feller
recorded at:
Capitol Studios (New York City) in New York, New York, United States (from 1958-02-02 until 1958-02-09)
cover recording of:
Anything Goes (from 1958-02-02 until 1958-02-09)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd. and Warner Bros., Inc. (not for release label use!)
part of:
Anything Goes
Dakota Staton2:28
11Fine Brown Frame
Thad Jones and Mel Lewis feat. Ruth Brown3:13
12All of Me
Carol Sloane3:59
13Jazz in My Soul
Dodo Greene2:37
14Hum Drum Blues
recording of:
Hum-Drum Blues
composer:
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
Sheila Jordan2:13
15This Can’t Be Love
engineer:
John Kraus (1950s US engineer)
producer:
Russell Keith
cover recording of:
This Can’t Be Love
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.)
Abbey Lincoln2:22
16On Green Dolphin Street (medley)
cover recording of:
On Green Dolphin Street
lyricist:
Ned Washington (in 1947)
composer:
Bronisław Kaper (in 1947)
publisher:
Catharine Hinen Music, Leo Feist Inc. and Patti Washington Music
Ella Fitzgerald7:04
17What Is This Thing Called Love?
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
Keely Smith1:52
18Children Go Where I Send You
recording engineer:
Rudy van Gelder (in 1959-04)
producer:
Hecky Krasnow
piano and lead vocals:
Nina Simone (in 1959-04)
arranger:
Robert Mersey
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1960)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (in 1959-04)
cover recording of:
Children Go Where I Send Thee (in 1959-04)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 133)
Nina Simone42:52
19On a Slow Boat to China
recording of:
On a Slow Boat to China
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp., MPL UK Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Kay Starr1:52
20Night and Day
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
Frances Faye2:11
21Quiet Nights of Quiet Stars (Corcovado)
engineer:
John Kraus (1950s US engineer) and Joe Polito (Engineer)
producer:
Dave Cavanaugh and Michael Cuscuna
vocals:
Blossom Dearie (from 1964-02-13 until 1964-02-15)
conductor:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (from 1964-02-13 until 1964-02-15)
arranger:
Jack Marshall (US jazz guitarist, composer, arranger & record producer)
recorded at:
Capitol Studios, Studio A in Hollywood, Los Angeles, California, United States (from 1964-02-13 until 1964-02-15)
Blossom Dearie2:52
22Someday My Prince Will Come
Ernestine Anderson3:46
23Red Sails in the Sunset
vocals:
Dinah Washington
cover recording of:
Red Sails in the Sunset
lyricist:
James B. Kennedy (Irish songwriter)
composer:
Hugh Williams (aka Hugh Williams)
publisher:
Peter Maurice Music Co. Ltd., Redwood Music Ltd. (Carlin) and Shapiro, Bernstein & Co., Inc.
Dinah Washington2:32
24Detour Ahead
guitar:
Tiny Grimes (US jazz/R&B guitarist) (on 1951-04-29)
piano:
Bobby Tucker (on 1951-04-29)
saxophone:
Haywood Henry (US jazz saxophonist) (on 1951-04-29)
vocals:
Billie Holiday (on 1951-04-29)
recording of:
Detour Ahead (on 1951-04-29)
composer:
Lou Carter (in 1947), Herb Ellis (jazz guitarist) (in 1947) and Johnny Frigo (US jazz musician) (in 1947)
publisher:
Woodrow Music
Billie Holiday3:03
25My Favourite Things
recording engineer:
Bill Schwartau (in 1964-04)
producer:
Alan Douglas (American record producer)
double bass [bass]:
Bob Cranshaw (in 1964-04)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (in 1964-04)
piano:
Harold Mabern (American jazz pianist) (in 1964-04)
vocals:
Betty Carter (in 1964-04)
recorded at:
Sound Makers in New York, New York, United States (in 1964-04)
recording of:
My Favorite Things (The Sound of Music) (in 1964-04)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
American Splendor
part of:
The Sound of Music (Rodgers & Hammerstein musical)
Betty Carter1:36
26The Beat Goes On (live)
live recording of:
The Beat Goes On (arr. Rogers - Buddy Rich version)
writer:
Sonny Bono
arranger:
Shorty Rogers (trumpet)
arrangement of:
The Beat Goes On
The Buddy Rich Big Band5:36