70’s Love Songs

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

℗ & © «2020 Warner Music Group - X5 Music Group»

Countries where available (Spotify + Deezer)

(As of 2020-03-20).

  • Northern America: 🇨🇦 Canada (ca) 🇲🇽 Mexico (mx) 🇺🇸 United States (us)
  • Central America: 🇨🇷 Costa Rica (cr) 🇬🇹 Guatemala (gt) 🇭🇳 Honduras (hn) 🇳🇮 Nicaragua (ni) 🇵🇦 Panama (pa) 🇸🇻 El Salvador (sv)
  • South America: 🇦🇷 Argentina (ar) 🇧🇴 Bolivia (bo) 🇧🇷 Brazil (br) 🇨🇱 Chile (cl) 🇨🇴 Colombia (co) 🇪🇨 Ecuador (ec) 🇵🇪 Peru (pe) 🇵🇾 Paraguay (py) 🇺🇾 Uruguay (uy)
  • Western Europe: 🇦🇹 Austria (at) 🇧🇪 Belgium (be) 🇨🇭 Switzerland (ch) 🇩🇪 Germany (de) 🇫🇷 France (fr) 🇱🇮 Liechtenstein (li) 🇱🇺 Luxembourg (lu) 🇲🇨 Monaco (mc) 🇳🇱 Netherlands (nl)
  • Northern Europe: 🇩🇰 Denmark (dk) 🇪🇪 Estonia (ee) 🇫🇮 Finland (fi) 🇬🇧 United Kingdom (gb) 🇮🇪 Ireland (ie) 🇮🇸 Iceland (is) 🇱🇹 Lithuania (lt) 🇱🇻 Latvia (lv) 🇳🇴 Norway (no) 🇸🇪 Sweden (se)
  • Southern Europe: 🇦🇩 Andorra (ad) 🇨🇾 Cyprus (cy) 🇪🇸 Spain (es) 🇬🇷 Greece (gr) 🇮🇹 Italy (it) 🇲🇹 Malta (mt) 🇵🇹 Portugal (pt)
  • Eastern Europe: 🇧🇬 Bulgaria (bg) 🇨🇿 Czech Republic (cz) 🇭🇺 Hungary (hu) 🇵🇱 Poland (pl) 🇷🇴 Romania (ro) 🇸🇰 Slovakia (sk)
  • Northern Africa: 🇩🇿 Algeria (dz) 🇪🇬 Egypt (eg) 🇲🇦 Morocco (ma) 🇹🇳 Tunisia (tn)
  • Southern Africa: 🇿🇦 South Africa (za)
  • Western Asia: 🇦🇪 United Arab Emirates (ae) 🇮🇱 Israel (il) 🇯🇴 Jordan (jo) 🇰🇼 Kuwait (kw) 🇱🇧 Lebanon (lb) 🇴🇲 Oman (om) 🇵🇸 Palestinian Territory, Occupied (ps) 🇶🇦 Qatar (qa) 🇸🇦 Saudi Arabia (sa) 🇹🇷 Turkey (tr)
  • Eastern Asia: 🇭🇰 Hong Kong (hk) 🇯🇵 Japan (jp) 🇹🇼 Taiwan (tw)
  • South-Eastern Asia: 🇮🇩 Indonesia (id) 🇲🇾 Malaysia (my) 🇵🇭 Philippines (ph) 🇸🇬 Singapore (sg) 🇹🇭 Thailand (th) 🇻🇳 Viet‐Nam (vn)
  • Oceania: 🇦🇺 Australia (au) 🇳🇿 New Zealand (nz)
Annotation last modified on 2020-03-20 16:31 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1She’s Gone
recorded in:
New York, New York, United States (in 1973)
producer:
Arif Mardin
bass:
Steve Gelfand (bassist a/k/a Steve “Fontz” Gelfand) (in 1973)
drums (drum set):
Bernard “Pretty” Purdie (in 1973)
electric guitar, mellotron and synthesizer:
Chris Bond (producer, active circa 1970s) (in 1973)
electric piano:
Daryl Hall (in 1973)
guitar:
John Oates (in 1973)
percussion:
Ralph MacDonald (in 1973)
tenor saxophone:
Joe Farrell (in 1973)
lead vocals:
Daryl Hall (in 1973) and John Oates (in 1973)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1973)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 336)
recording of:
She’s Gone (in 1973)
lyricist and composer:
Daryl Hall and John Oates
publisher:
Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Daryl Hall & John Oates3.655:13
2Could It Be I’m Falling in Love
recording of:
Could It Be I’m Falling in Love
writer:
Melvin Steals and Mervin Steals
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners4:09
3My Eyes Adored You
recording of:
My Eyes Adored You
writer:
Bob Crewe and Kenny Nolan
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music Co., Inc., Sound of Nolan Music, Stone Diamond Music Corporation and TannyBoy Music
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Frankie Valli3:33
4Love, Love, Love
Donny Hathaway3:24
5Tonight’s the Night (Gonna Be Alright)
producer:
Tom Dowd
lead vocals:
Rod Stewart
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1976)
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States
recording of:
Tonight’s the Night (Gonna Be Alright)
lyricist and composer:
Rod Stewart
publisher:
Intersong USA, Inc. (publisher)
Rod Stewart3:33
6Sailing
assistant engineer:
Stuart Gitlin
engineer and mixer:
Chet Himes
producer:
Michael Omartian
acoustic guitar, electric guitar, background vocals and lead vocals:
Christopher Cross (US singer‐songwriter)
bass guitar:
Andy Salmon
drums (drum set):
Tommy Taylor (US drummer)
electric piano and synthesizer:
Rob Meurer
percussion:
Victor Feldman (jazz musician)
piano:
Michael Omartian
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer and Michael Omartian
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979, in 1981, in 2001)
produced for:
Free Flow Productions
recorded at:
Pecan Street Studios in Austin, Texas, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Sailing
lyricist and composer:
Christopher Cross (US singer‐songwriter)
publisher:
BMG Songs, Inc., Pop ’n’ Roll Music (US work publisher), Universal Music Corp. (USA, affiliated with ASCAP) and Universal Music–MGB Songs
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Christopher Cross4.14:16
7A Warm Summer Night
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1979)
Chic6:05
8Just When I Needed You Most
producer:
Del Newman (British conductor, orchestrator, arranger)
phonographic copyright (℗) by:
Bearsville Records Inc. (in 1979) and Rhino Records, Inc. (company credits only; not for release label use!) (in 1979)
recording of:
Just When I Needed You Most
lyricist and composer:
Randy VanWarmer
publisher:
Fourth Floor Music Inc. (US publisher), Terraform Music (publisher), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Randy VanWarmer4:02
9Baby What a Big Surprise
assistant recording engineer and recording engineer:
Armin Steiner (strings)
assistant engineer:
Tom Likes
engineer:
Wayne Tarnowski
producer:
James William Guercio
acoustic guitar and bass:
James William Guercio (in 1977)
additional background vocals:
Tim Cetera (in 1977) and Carl Wilson (Beach Boys) (in 1977)
orchestrator:
Peter Cetera, Dominic Frontiere and James William Guercio
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977, in 1978), Chicago Records Inc. (in 1977) and Rhino Entertainment Company (not for release label use!) (in 2002, in 2007)
recorded at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States and Sound Labs, Inc. in Hollywood, Los Angeles, California, United States (strings)
mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States
recording of:
Baby, What a Big Surprise (in 1977)
orchestrator:
Dominic Frontiere
lyricist and composer:
Peter Cetera (in 1977)
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Island Music Ltd. and Universal Music Publishing MGB Ltd.
Chicago33:06
10How Sweet It Is (to Be Loved by You)
engineer and mixer:
Lee Herschberg
producer:
Russ Titelman and Lenny Waronker
bass:
Lee Sklar (bassist, session musician)
drums (drum set) [drums]:
Jim Keltner and Russ Kunkel (session drummer)
electric guitar:
Danny Kortchmar (Danny Kootch)
piano and Rhodes piano [Fender Rhodes]:
Clarence McDonald
tambourine:
Russ Kunkel (session drummer)
background vocals [vocal harmonies]:
Carly Simon
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975)
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
cover recording of:
How Sweet It Is (to Be Loved by You)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), EMI Music Publishing Ltd. (PRS‐affiliated), Stone Agate Music, Stone Agate Music Division and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
James Taylor3.83:34
11You’re All I Need to Get By
recording engineer and engineer:
Gene Paul
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
mixer:
Arif Mardin
strings arranger:
Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1971) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
cover recording of:
You’re All I Need to Get By
writer:
Nickolas Ashford and Valerie Simpson
publisher:
Jobete Music (UK) Ltd., Jobete Music Co., Inc. and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Aretha Franklin3.53:35
12Do You Want to Dance
recording engineer:
Lew Hahn
producer:
Joel Dorn
double bass [bass]:
Ron Carter (US jazz double-bassist) (on 1972-01-19)
drums (drum set):
Ray Lucas (on 1972-01-19)
percussion:
Ralph MacDonald (on 1972-01-19)
piano:
Barry Manilow (on 1972-01-19)
background vocals:
Cissy Houston (on 1972-01-19), Beverly McKenzie (on 1972-01-19), Renelle Broxton (on 1972-01-19), Tender Loving Care (on 1972-01-19) and Deidre Tuck (on 1972-01-19)
lead vocals:
Bette Midler (on 1972-01-19)
remixer:
Bob Liftin
brass [horns] arranger and strings arranger:
Thom Bell (keyboards, songwriter, producer)
arranger:
Barry Manilow
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1972)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1972-01-19)
remixed at:
Regent Sound Studios in New York, New York, United States
cover recording of:
Do You Want to Dance (on 1972-01-19)
lyricist and composer:
Bobby Freeman
publisher:
Bobby Freeman Music, Clockus Music Co., Clockus Music, Inc., Robert Mellin Music Publishing Corp., Sherwin Music (publisher), ミュージカル・ライツ・東京 (Musical Lights Tokyo), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
Bette Midler32:44
13Please Don’t Go
producer:
Harry Wayne Casey and Richard Finch
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979)
recording of:
Please Don’t Go
writer:
Harry Wayne Casey and Richard Finch
publisher:
EMI Music Publishing (do not use as a release label!), EMI Songs and EMI Songs Ltd.
KC and the Sunshine Band43:50
14I’d Really Love to See You Tonight
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1976)
recording of:
I’d Really Love to See You Tonight
lyricist and composer:
Parker McGee
publisher:
Clearbox Rights LLC, Dawnbreaker Music, Faizilu Publishing and Sutjujo Music
England Dan & John Ford Coley52:39
15Goodbye Girl
acoustic guitar, bass guitar and piano:
David Gates (singer/songwriter, lead singer of Bread)
drums (drum set):
Mike Botts
electric guitar:
Dean Parks (American session guitarist)
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1977)
recording of:
Goodbye Girl
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
David Gates2:49
16Supernatural Thing, Pt. 1
Ben E. King44:12
17Magic
producer:
Alan Parsons (of The Alan Parsons Project)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974, in 1975, in 2003)
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 41)
recording of:
Magic
writer:
Billy Lyall and David Paton (of Pilot)
publisher:
Beechwood Music Corp., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) and Robbins Music Corp. Ltd.
Pilot4.753:06
18Love Ballad
producer:
Tommy LiPuma
bass:
Robert Popwell
clavinet, piano [acoustic piano] and Wurlitzer electric piano:
Jorge Dalto
drums (drum set):
Steve Gadd (drummer)
electric piano [Yamaha CP 30] and Moog [mini-moog, polymoog]:
Ronnie Foster
guitar:
George Benson (jazz guitarist/singer)
guitar [rhythm guitar]:
Phil Upchurch
percussion:
Ralph MacDonald
Rhodes piano [Fender Rhodes]:
Jorge Dalto and Ronnie Foster
vocals:
George Benson (jazz guitarist/singer)
conductor:
Mike Mainieri
orchestrator:
Mike Mainieri
cover recording of:
Love Ballad
lyricist and composer:
Skip Scarborough
publisher:
Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
George Benson4:17
19Make It With You
bass guitar, guitar, strings, background vocals and lead vocals:
David Gates (singer/songwriter, lead singer of Bread)
drums (drum set):
Michael Botts
phonographic copyright (℗) by:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1970) and Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 13)
recording of:
Make It With You
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music (do not use as release label! this is a music publisher), Screen Gems–EMI Music Ltd., Sony/ATV Tunes LLC (ASCAP) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bread53:12
20Let’s Stay Together
cover recording of:
Let’s Stay Together
writer:
Al Jackson, Jr. (Booker T & The MGs drummer), Al Green (US soul singer, songwriter, pastor and record producer) and Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
publisher:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music, Burlington Music Co., Ltd. and Irving Music, Inc.
Margie Joseph3:27
21Love Is Alive
recorded at and mixed at:
Sound Labs, Inc. in Hollywood, Los Angeles, California, United States
recording of:
Love Is Alive
lyricist and composer:
Gary Wright (US singer/keyboardist)
publisher:
High Wave Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal-MCA Publishing (US) and WB Music Corp.
Gary Wright53:50
22Hello It’s Me (single version)
recording engineer and mixer:
Billy Sherwood
producer:
Bob Kulick and Billy Sherwood
bass guitar, membranophone, percussion and background vocals:
Billy Sherwood
guitar:
Edgar Winter
guitar [rhythm guitar]:
Bob Kulick
lead vocals:
Todd Rundgren
vocals:
Todd Rundgren
recorded at and mixed at:
Office Studios in Van Nuys, California, United States
recording of:
Hello, It’s Me
lyricist and composer:
Todd Rundgren
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Todd Rundgren44:20
23Then Came You
guest vocals:
Dionne Warwick
performer:
The Spinners (The Detroit Spinners, US R&B/soul group, aka The Detroit Spinners)
cover recording of:
Then Came You
writer:
Sherman Marshall and Philip Pugh
publisher:
Mijac Double Diamond Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners4.54:01
24You Belong to Me
producer:
Ted Templeman
guest background vocals:
Rosemary Butler
recording of:
You Belong to Me (Carly Simon/Michael McDonald song)
writer:
Michael McDonald (R&B & soul singer) and Carly Simon
publisher:
C’est Music, Kobalt Music Publishing Ltd. (UK), Snug Music and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Doobie Brothers3.53:05
25I’d Love You to Want Me
recording of:
I’d Love You to Want Me
lyricist and composer:
Kent LaVoie (American singer-songwriter Roland Kent LaVoie)
publisher:
Famous Music Corp. (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Lobo2.54:04
26Who Loves You
Frankie Valli & The Four Seasons4:12
27I Need You
engineer:
Ken Scott (UK record producer & engineer)
additional producer:
America (US folk/soft rock band) and Jeff Dexter
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) and Ian Samwell
12 string guitar:
Dan Peek
acoustic guitar:
Dewey Bunnell
bass guitar and piano and lead vocals:
Gerry Beckley
drums (drum set):
Dave Atwood
remixer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972) and Rhino Entertainment Company (not for release label use!) (in 2011)
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom
recording of:
I Need You
lyricist and composer:
Gerry Beckley
live recording of:
I Need You
lyricist and composer:
Gerry Beckley
America3.553:03
28I’m About Loving You
Al Hudson42:55
29It’s the Falling in Love
recording of:
It’s the Falling in Love
writer:
Carole Bayer Sager and David Foster (Canadian music producer, arranger and composer)
publisher:
Begonia Melodies Inc., Foster Frees Music Inc. and Irving Music (BMI)
Carole Bayer Sager feat. Michael McDonald3:56
30Never Let Her Slip Away
assistant engineer:
George Ybara
engineer:
Dennis Kirk and Greg Ladanyi
producer:
Andrew Gold and Brock Walsh (singer, producer, songwriter)
percussion:
Andrew Gold (in 1978) and Brock Walsh (singer, producer, songwriter) (in 1978)
saxophone:
Ernie Watts (Ernest James Watts, jazz and blues saxophonist) (in 1978)
synthesizer:
Andrew Gold (in 1978)
background vocals:
Andrew Gold (in 1978), John David Souther (in 1978) and Brock Walsh (singer, producer, songwriter) (in 1978)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978)
recorded at and mixed at:
Sound Factory (1969–1980) in Los Angeles, California, United States (in 1978)
recording of:
Never Let Her Slip Away (in 1978)
lyricist and composer:
Andrew Gold
publisher:
Luckyu Music
Andrew Gold53:22
31Until You Come Back to Me (That’s What I Am Going to Do)
engineer:
Lew Hahn
producer:
Aretha Franklin, Arif Mardin and Jerry Wexler
mixer:
Arif Mardin
bass:
Chuck Rainey (American bassist) (on 1973-09-07)
drums (drum set):
Bernard “Pretty” Purdie (on 1973-09-07)
electric piano:
Donny Hathaway (on 1973-09-07)
guitar:
Hugh McCracken (on 1973-09-07)
organ:
Richard Tee (on 1973-09-07)
piano and lead vocals:
Aretha Franklin (on 1973-09-07)
solo flute:
Joe Farrell (on 1973-09-07)
synthesizer:
Ken Bichel (keyboardist) (on 1973-09-07)
background vocals:
Margaret Branch (on 1973-09-07), Ann S. Clark (on 1973-09-07) and Pat Smith (soul vocalist) (on 1973-09-07)
arranger:
Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1973-09-07)
recording of:
Until You Come Back to Me (That’s What I’m Gonna Do) (on 1973-09-07)
writer:
Morris Broadnax (Soul and R&B music songwriter), Clarence Paul and Stevie Wonder
publisher:
Blackbull Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Sawandi Music, Solo Copyright Bureau and Stone Agate Music
Aretha Franklin4.353:26
32Love Hurts
engineer and mixer:
Hugh Davies (US recording engineer)
producer:
Gram Parsons
acoustic guitar and lead vocals:
Gram Parsons (from 1973-05 until 1973-09)
bass:
Emory Gordy (from 1973-05 until 1973-09)
drums (drum set):
Ron Tutt (drummer) (from 1973-05 until 1973-09)
electric guitar:
James Burton (guitarist) (from 1973-05 until 1973-09)
guitar [rhythm guitar]:
Herb Pedersen (in 1973)
pedal steel guitar:
Al Perkins (Texas born guitarist esp. steel guitar) (from 1973-05 until 1973-09)
piano:
Glen D. Hardin (from 1973-05 until 1973-09)
vocals:
Emmylou Harris (from 1973-05 until 1973-09)
cover recording of:
Love Hurts (in 1973)
lyricist and composer:
Boudleaux Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing (UK) Ltd. and Acuff-Rose Publications, Inc. (BMI) (on 1960-08-30)
sub-publisher:
Acuff-Rose Music Limited (UK), Neue Welt Musikverlag GmbH & Co. KG (– 2017) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Gram Parsons53:39
33Move Me No Mountain
producer:
Jerry Ragovoy
arranger:
Jerry Ragovoy
cover recording of:
Move Me No Mountain (on 1974-11-30)
writer:
Jerry Ragovoy and Aaron Schroeder (1950s~1960s US songwriter)
publisher:
Dandy Dittys Unlimited
Dionne Warwick5:03
34You’re in My Heart (The Final Acclaim)
producer:
Tom Dowd
acoustic guitar:
Fred Tackett
bass guitar:
Phil Chen (Chinese-Jamaican bassist)
drums (drum set):
Carmine Appice
guitar:
Jim Cregan (producer & member of Family)
piano:
John Jarvis
synthesizer:
Nicky Hopkins (pianist and organist)
violin:
Richard Greene (US fiddler)
background vocals:
Carmine Appice and Jim Cregan (producer & member of Family)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 37)
recording of:
You’re in My Heart (The Final Acclaim)
lyricist and composer:
Rod Stewart
Rod Stewart3.84:31
35Wishing on a Star
recording of:
Wishing on a Star
lyricist and composer:
Billie Calvin (Billie Rae Calvin)
publisher:
Warner/Chappell North America
Rose Royce54:53
36Get Closer
engineer:
Joe Bogan (Recording- and mixing engineer)
producer:
Louie Shelton
background vocals:
Carol Carmichael, Donnie Shelton, Shirley Matthews (Canadian pop singer), Merna Matthews and Carolyn Willis
solo soprano vocals:
Carolyn Willis
performer:
Seals & Crofts
strings arranger:
David Paich
arranger:
Gene Page
recording of:
Get Closer (in 1976)
writer:
Dash Crofts and Jim Seals
Seals & Crofts53:58
37Natural High
recorded in:
London (Greater London), England, United Kingdom
recording of:
Natural High
lyricist and composer:
Charles McCormick
publisher:
IQ Music Ltd.
Bloodstone4:09
38You Are the Woman
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1976)
recording of:
You Are the Woman
writer:
Rick Roberts (member of Firefall & The Flying Burrito Brothers)
Firefall2.52:46
39I Was Made to Love Him
engineer:
James Douglass (engineer)
producer:
Arif Mardin
brass arranger, strings arranger and woodwind arranger:
Arif Mardin
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
cover recording of:
I Was Made to Love Her
writer:
Henry Cosby, Lula Mae Hardaway (songwriter), Sylvia Moy and Stevie Wonder
publisher:
Black Bull Music, Inc., EMI Blackwood Music Inc., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Sawandi Music, Stone Agate Music and 大洋音楽 (Taiyō Music)
Chaka Khan3:24
40Love the One You’re With
engineer:
Andy Johns
producer:
Bill Halverson and Stephen Stills
bass:
Calvin Samuels (in 1970-03)
congas:
Jeff Whittaker (in 1970-03)
guitar, organ, percussion and lead vocals:
Stephen Stills (in 1970-03)
steelpan:
Stephen Stills
background vocals:
Rita Coolidge (in 1970-03), David Crosby (in 1970-03), Graham Nash (in 1970-03), Priscilla Jones (American folk, rock and pop singer) (in 1970-03) and John Sebastian (in 1970-03)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1970)
recorded at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (in 1970-03)
recording of:
Love the One You’re With (in 1970-03)
lyricist and composer:
Stephen Stills
publisher:
Sony/ATV Music Publishing LLC (1995–2020), Warner Chappell, ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and Gold Hill Music, Inc. (in 1970)
sub-publisher:
EMI Music Publishing Scandinavia AB (in 1997)
Stephen Stills3.53:06
41(Where Do I Begin) Love Story
producer:
Johnny Harris (Scottish composer, conductor)
vocals:
Shirley Bassey (Welsh singer)
conductor:
Johnny Harris (Scottish composer, conductor)
arranger:
Johnny Harris (Scottish composer, conductor)
recording of:
(Where Do I Begin?) Love Story (Love Story)
lyricist:
Carl Sigman
composer:
Francis Lai (French composer)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13), Melodie der Welt (publisher), Music Sales Corporation (American copyright holder in both popular and classical music), Sony/ATV Harmony, Sony/ATV Music Publishing LLC (1995–2020), Windswept Music (London) Limited, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
version of:
Theme From Love Story (Instrumental)
Shirley Bassey3:17
42Lotta Love
engineer:
Donn Landee
producer:
Ted Templeman
acoustic guitar:
Herb Pedersen
bass:
Bob Glaub
drums (drum set):
Rick Schlosser (drummer)
flute:
Plas Johnson
guitar:
Dave Kalish
keyboard:
Mark T. Jordan
saxophone:
Andrew Love
tambourine:
Nicolette Larson
background vocals:
Nicolette Larson and Ted Templeman
conductor:
Jimmie Haskell
strings arranger:
Jimmie Haskell
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
cover recording of:
Lotta Love
lyricist:
Neil Young (Canadian singer, songwriter & musician)
composer:
Frank Sampedro and Neil Young (Canadian singer, songwriter & musician)
publisher:
Silver Fiddle Music
recording of:
Lotta Love
lyricist:
Neil Young (Canadian singer, songwriter & musician)
composer:
Frank Sampedro and Neil Young (Canadian singer, songwriter & musician)
publisher:
Silver Fiddle Music
Nicolette Larson53:06
43Love Won’t Let Me Wait
recorded in:
Philadelphia, Pennsylvania, United States (in 1974)
producer:
Bobby Eli
bass guitar [bass]:
Ronnie Baker (in 1974)
brass [horns] and strings:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1974)
drums (drum set) [drums]:
Earl Young (in 1974)
guitar:
Bobby Eli (in 1974)
keyboard:
Ron Kersey (in 1974)
vibraphone [vibes]:
Vince Montana (in 1974)
vocals:
Major Harris (in 1974)
brass [horns] arranger and strings arranger:
Don Renaldo
arranger:
Bobby Eli
recording of:
Love Won’t Let Me Wait (in 1974)
writer:
Vinnie Barrett and Bobby Eli
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Mighty Three Music, Prestige Music Co. (US, affiliated with BMI), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Winot Music
Major Harris5:33
44A Little Bit More (re‐recorded version)
cover recording of:
A Little Bit More
lyricist and composer:
Bobby Gosh (pianist, songwriter, and producer)
publisher:
Bygosh Music Corp., Intersong Music Ltd., Sunbury Music Ltd., Warner Chappell and Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
Dr. Hook3:24