Jazz Standards on Blue Note

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Label: Blue Note/EMI - Catalog #: ?
Additional:
Possibly assembled for the asian market, this is somewhat rare.

Label: Blue Note/EMI - Catalog #: ?
Additional:
Possibly assembled for the asian market, this is somewhat rare.

Annotation last modified on 2006-05-30 06:11 UTC.

Tracklist

1▼Medium
#TitleArtistRatingLength
1Stompin' at the Savoy
recording of:
Stompin’ at the Savoy
lyricist:
Andy Razaf
composer:
Benny Goodman (clarinetist and bandleader), Edgar Sampson and Chick Webb
publisher:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Benny Goodman3:17
2Cherokee
Dianne Reeves3:25
3Recado Bossa Nova
recording engineer:
Rudy van Gelder (on 1965-06-18)
producer:
Alfred Lion
bass:
Larry Ridley (on 1965-06-18)
drums (drum set):
Billy Higgins (US jazz drummer) (on 1965-06-18)
piano:
Harold Mabern (American jazz pianist) (on 1965-06-18)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1965-06-18)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1965-06-18)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1965-06-18)
cover recording of:
Recado
lyricist:
Luiz Antônio (Brazilian composer and lyricist)
composer:
Djalma Ferreira
Hank Mobley8:15
4'Round Midnight
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
alto saxophone:
Edmond Gregory (American jazz musician) (on 1947-11-21)
double bass:
Robert Paige (jazz bassist) (on 1947-11-21)
drums (drum set):
Art Blakey (on 1947-11-21)
piano:
Thelonious Monk (on 1947-11-21)
trumpet:
George Taitt (on 1947-11-21)
recorded at:
WOR Studios in New York, New York, United States (on 1947-11-21)
instrumental recording of:
’Round Midnight (on 1947-11-21)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
Thelonious Monk3:13
5It Could Happen to You
Clifford Brown4:48
6I Remember Clifford
recording engineer:
Rudy van Gelder (on 1957-03-24)
producer:
Alfred Lion
alto saxophone and flute:
Gigi Gryce (on 1957-03-24)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1957-03-24)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1957-03-24)
piano:
Wynton Kelly (on 1957-03-24)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (on 1957-03-24)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1957-03-24)
arranger:
Benny Golson (American jazz saxophonist and composer)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-03-24)
recording of:
I Remember Clifford (on 1957-03-24)
lyricist:
Jon Hendricks
composer:
Benny Golson (American jazz saxophonist and composer)
version of:
I Remember Clifford (instrumental original)
Lee Morgan7:10
7Dear Old Stockholm
recorded in:
New York, New York, United States (on 1952-05-09)
producer:
Alfred Lion
alto saxophone:
Jackie McLean (jazz saxophonist) (on 1952-05-09)
double bass:
Oscar Pettiford (on 1952-05-09)
drums (drum set):
Kenny Clarke (on 1952-05-09)
piano:
Gil Coggins (US jazz pianist) (on 1952-05-09)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1952-05-09)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1952-05-09)
recorded at:
WOR Studios in New York, New York, United States (on 1952-05-09)
recording of:
Dear Old Stockholm (on 1952-05-09)
writer:
[traditional] (special purpose artist)
arranger:
Stan Getz
version of:
Ack, Värmeland, du sköna (Fryxell version)
cover recording of:
Dear Old Stockholm
writer:
[traditional] (special purpose artist)
arranger:
Stan Getz
version of:
Ack, Värmeland, du sköna (Fryxell version)
Miles Davis4:14
8What's New
alto saxophone:
Jackie McLean (jazz saxophonist) (on 1959-10-20)
bass:
Jimmy Garrison (on 1959-10-20)
drums (drum set):
Art Taylor (on 1959-10-20)
piano:
Walter Bishop, Jr. (American jazz pianist) (on 1959-10-20)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1959-10-20)
Jackie McLean5:19
9Autumn Leaves
engineer:
Rudy van Gelder
producer:
Alfred Lion
alto saxophone:
Julian “Cannonball” Adderley (on 1958-03-09)
double bass:
Sam Jones (US jazz bassist) (on 1958-03-09)
drums (drum set):
Art Blakey (on 1958-03-09)
piano:
Hank Jones (piano) (on 1958-03-09)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-03-09)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1999, in 2012), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1999), Mastercorp Pty Ltd (in 2011) and Count Records (in 2013)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-03-09)
instrumental cover recording of:
Autumn Leaves (jazz standard, english lyrics) (on 1958-03-09)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
translated version of:
Les Feuilles mortes (Autumn Leaves)
Cannonball Adderley511:01
10Stardust
recording engineer:
Rudy van Gelder (on 1967-01-20)
producer:
Alfred Lion
arranger:
Duke Pearson
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1967-01-20)
cover recording of:
Stardust (the jazz standard)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
American Splendor
Lou Donaldson3:41
11Softly as in a Morning Sunrise
Sonny Rollins6:41
12Since I Fell for You
Stanley Turrentine8:51
2▶Medium