Mass in B minor, BWV 232 / Cantata 'Ich will den Kreuzstab gerne tragen', BWV 56

~ Release by Bach; John Shirley‐Quirk, Margaret Marshall, Dame Janet Baker, Robert Tear, Samuel Ramey, St. Anthony Singers, Academy of St Martin in the Fields, Academy of St. Martin in the Fields Chorus, Sir Neville Marriner (see all versions of this release, 1 available)

Tracklist

1▼CD
#	Title	Artist	Rating	Length
1	Cantata 'Ich will den Kreuzstab gerne tragen': Aria: Ich will den Kreuzstab gerne tragen engineer: Allen Stagg producer: James Burnett (producer) solo baritone vocals: John Shirley‐Quirk (bass-baritone) orchestra: Academy of St Martin in the Fields conductor: Sir Neville Marriner (conductor) recorded at: St. Paul’s Church (Knightsbridge) in London (Greater London), England, United Kingdom recording of: Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": I. Aria "Ich will den Kreuzstab gerne tragen" composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1726) librettist: [anonymous] (special purpose artist) part of: Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"	Johann Sebastian Bach		8:21
2	Cantata 'Ich will den Kreuzstab gerne tragen': Recitative: Mein Wandel auf der Welt engineer: Allen Stagg producer: James Burnett (producer) solo baritone vocals: John Shirley‐Quirk (bass-baritone) orchestra: Academy of St Martin in the Fields conductor: Sir Neville Marriner (conductor) recorded at: St. Paul’s Church (Knightsbridge) in London (Greater London), England, United Kingdom recording of: Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": II. Recitative "Mein Wandel auf der Welt" composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1726) librettist: [anonymous] (special purpose artist) part of: Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"	Johann Sebastian Bach		2:16
3	Cantata 'Ich will den Kreuzstab gerne tragen': Aria: Endlich, endlich wird mein Joch engineer: Allen Stagg producer: James Burnett (producer) solo baritone vocals: John Shirley‐Quirk (bass-baritone) orchestra: Academy of St Martin in the Fields conductor: Sir Neville Marriner (conductor) recorded at: St. Paul’s Church (Knightsbridge) in London (Greater London), England, United Kingdom recording of: Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": III. Aria "Endlich, endlich wird mein Joch" composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1726) librettist: [anonymous] (special purpose artist) part of: Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"	Johann Sebastian Bach		7:42
4	Cantata 'Ich will den Kreuzstab gerne tragen': Recitative: Ich stehe fertig und bereit engineer: Allen Stagg producer: James Burnett (producer) solo baritone vocals: John Shirley‐Quirk (bass-baritone) orchestra: Academy of St Martin in the Fields conductor: Sir Neville Marriner (conductor) recorded at: St. Paul’s Church (Knightsbridge) in London (Greater London), England, United Kingdom recording of: Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": IV. Recitative and Arioso "Ich stehe fertig und bereit" composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1726) librettist: [anonymous] (special purpose artist) part of: Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"	Johann Sebastian Bach		1:49
5	Cantata 'Ich will den Kreuzstab gerne tragen': Chorus: Komm, o Tod, du Schlafes Bruder engineer: Allen Stagg producer: James Burnett (producer) choir vocals: St. Anthony Singers orchestra: Academy of St Martin in the Fields conductor: Sir Neville Marriner (conductor) recorded at: St. Paul’s Church (Knightsbridge) in London (Greater London), England, United Kingdom recording of: Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": V. Chorale "Komm, o Tod, du Schlafes Bruder" composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1726) librettist: John Franck (in 1653) part of: Breitkopf 389 Choralgesänge (number: 72) part of: Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"	Johann Sebastian Bach		1:38
6	Mass in B minor, BWV 232: Part I: Missa, Kyrie: I. Coro (a5): Kyrie eleison engineer and producer: Vittorio Negri (conductor) choir vocals: Academy of St Martin in the Fields Chorus (in 1977-11) orchestra: Academy of St Martin in the Fields (in 1977-11) conductor: Sir Neville Marriner (conductor) (in 1977-11) chorus master: László Heltay (British/Hungarian conductor and composer) (in 1977-11) recorded at: St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-11) recording of: h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison (Mass in B minor, BWV 232: Ia. Kyrie: Chorus "Kyrie eleison") (in 1977-11) composed in: Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach		10:21
7	Mass in B minor, BWV 232: Part I: Missa, Kyrie: II. Duetto (Soprano I, II): Christe eleison engineer and producer: Vittorio Negri (conductor) mezzo-soprano vocals and solo alto vocals: Dame Janet Baker (mezzo‐soprano and alto) (in 1977-11) solo soprano vocals and soprano vocals: Margaret Marshall (Scots soprano active in late 20th century) (in 1977-11) orchestra: Academy of St Martin in the Fields (in 1977-11) conductor: Sir Neville Marriner (conductor) (in 1977-11) recorded at: St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-11) recording of: h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (Mass in B minor, BWV 232: Ib. Kyrie: Duet "Christe eleison") (in 1977-11) composed in: Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach		5:18
8	Mass in B minor, BWV 232: Part I: Missa, Kyrie: III. Coro (a4): Kyrie eleison engineer and producer: Vittorio Negri (conductor) choir vocals: Academy of St Martin in the Fields Chorus (in 1977-11) orchestra: Academy of St Martin in the Fields (in 1977-11) conductor: Sir Neville Marriner (conductor) (in 1977-11) chorus master: László Heltay (British/Hungarian conductor and composer) (in 1977-11) recorded at: St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-11) recording of: h-Moll-Messe, BWV 232: I. Missa: III. Kyrie eleison (Mass in B minor, BWV 232: Ic. Kyrie: Chorus "Kyrie eleison") (in 1977-11) composed in: Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach		4:05
9	Mass in B minor, BWV 232: Part I: Missa, Gloria: IV. Coro (a5): Gloria in excelsis Deo engineer and producer: Vittorio Negri (conductor) choir vocals: Academy of St Martin in the Fields Chorus (in 1977-11) orchestra: Academy of St Martin in the Fields (in 1977-11) conductor: Sir Neville Marriner (conductor) (in 1977-11) chorus master: László Heltay (British/Hungarian conductor and composer) (in 1977-11) recorded at: St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-11) recording of: h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo") (in 1977-11) composed in: Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach		1:52
10	Mass in B minor, BWV 232: Part I: Missa, Gloria: V. Coro (a5): Et in terra pax engineer and producer: Vittorio Negri (conductor) choir vocals: Academy of St Martin in the Fields Chorus (in 1977-11) orchestra: Academy of St Martin in the Fields (in 1977-11) conductor: Sir Neville Marriner (conductor) (in 1977-11) chorus master: László Heltay (British/Hungarian conductor and composer) (in 1977-11) recorded at: St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-11) recording of: h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (Mass in B minor, BWV 232: IIb. Gloria: Chorus "Et in terra pax") (in 1977-11) composed in: Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach		4:42
11	Mass in B minor, BWV 232: Part I: Missa, Gloria: VI. Aria (Soprano II): Laudamus te engineer and producer: Vittorio Negri (conductor) mezzo-soprano vocals and solo alto vocals: Dame Janet Baker (mezzo‐soprano and alto) (in 1977-11) orchestra: Academy of St Martin in the Fields (in 1977-11) conductor: Sir Neville Marriner (conductor) (in 1977-11) recorded at: St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-11) recording of: h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (Mass in B minor, BWV 232: IIc. Gloria: Aria "Laudamus te") (in 1977-11) composed in: Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach		4:59
12	Mass in B minor, BWV 232: Part I: Missa, Gloria: VII. Coro (a4): Gratias agimus engineer and producer: Vittorio Negri (conductor) choir vocals: Academy of St Martin in the Fields Chorus (in 1977-11) orchestra: Academy of St Martin in the Fields (in 1977-11) conductor: Sir Neville Marriner (conductor) (in 1977-11) chorus master: László Heltay (British/Hungarian conductor and composer) (in 1977-11) recorded at: St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-11) recording of: h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (Mass in B minor, BWV 232: IId. Gloria: Chorus "Gratias agimus tibi") (in 1977-11) composed in: Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir" part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach		2:48
13	Mass in B minor, BWV 232: Part I: Missa, Gloria: VIII. Duetto (Soprano I, Tenor): Domine Deus engineer and producer: Vittorio Negri (conductor) solo soprano vocals and soprano vocals: Margaret Marshall (Scots soprano active in late 20th century) (in 1977-11) solo tenor vocals and tenor vocals: Robert Tear (tenor) (in 1977-11) orchestra: Academy of St Martin in the Fields (in 1977-11) conductor: Sir Neville Marriner (conductor) (in 1977-11) recorded at: St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-11) recording of: h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (Mass in B minor, BWV 232: IIe. Gloria: Duet "Domine Deus") (in 1977-11) composed in: Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach		5:44
14	Mass in B minor, BWV 232: Part I: Missa, Gloria: IX. Coro (a4): Qui tollis peccata mundi engineer and producer: Vittorio Negri (conductor) choir vocals: Academy of St Martin in the Fields Chorus (in 1977-11) orchestra: Academy of St Martin in the Fields (in 1977-11) conductor: Sir Neville Marriner (conductor) (in 1977-11) chorus master: László Heltay (British/Hungarian conductor and composer) (in 1977-11) recorded at: St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-11) recording of: h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (Mass in B minor, BWV 232: IIf. Gloria: Chorus "Qui tollis peccata mundi") (in 1977-11) composed in: Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei" part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach		3:26
15	Mass in B minor, BWV 232: Part I: Missa, Gloria: X. Aria (Alto): Qui sedes engineer and producer: Vittorio Negri (conductor) mezzo-soprano vocals and solo alto vocals: Dame Janet Baker (mezzo‐soprano and alto) (in 1977-11) orchestra: Academy of St Martin in the Fields (in 1977-11) conductor: Sir Neville Marriner (conductor) (in 1977-11) recorded at: St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-11) recording of: h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (Mass in B minor, BWV 232: IIg. Gloria: Aria "Qui sedes ad dextram Patris") (in 1977-11) composed in: Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach		5:07
16	Mass in B minor, BWV 232: Part I: Missa, Gloria: XI. Aria (Bass): Quoniam tu solus sanctus engineer and producer: Vittorio Negri (conductor) solo bass vocals: Samuel Ramey (bass-baritone) (in 1977-11) orchestra: Academy of St Martin in the Fields (in 1977-11) conductor: Sir Neville Marriner (conductor) (in 1977-11) recorded at: St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-11) recording of: h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (Mass in B minor, BWV 232: IIh. Gloria: Aria "Quoniam tu solus Sanctus") (in 1977-11) composed in: Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach		5:47
17	Mass in B minor, BWV 232: Part I: Missa, Gloria: XII. Coro (a5): Cum sancto spiritu engineer and producer: Vittorio Negri (conductor) choir vocals: Academy of St Martin in the Fields Chorus (in 1977-11) orchestra: Academy of St Martin in the Fields (in 1977-11) conductor: Sir Neville Marriner (conductor) (in 1977-11) chorus master: László Heltay (British/Hungarian conductor and composer) (in 1977-11) recorded at: St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-11) recording of: h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu") (in 1977-11) composed in: Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach		3:57

2▶CD

Credits

Release

part of:	Eloquence (Deutsche Grammophon/Decca/Philips Classics, et al.; classical series established in 1999) (order: 297)

ASIN:	US: B004OYCUYW [info]
purchase for mail-order:	http://www.arkivmusic.com/classical/album.jsp?album_id=568531 [info]
discography entry:	https://eloquenceclassics.com/releases/bach-mass-in-b-minor-cantata-bwv-56/ [info]