Donizetti

~ Release by Pavarotti (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Ah! mes amis...Pour mon âme
recording engineer:
James Lock (James Locke, engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals:
Eric Garrett (English Bass)
choir vocals:
Chorus of the Royal Opera House, Covent Garden
tenor vocals [Tonio]:
Luciano Pavarotti (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Richard Bonynge (conductor and pianist)
chorus master:
Douglas Robinson (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-07)
recording of:
La Fille du régiment : Acte I, Scène 11. Final: Cavatina “Ah ! mes amis” (Tonio)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
La Fille du régiment : Acte I
Gaetano Donizetti6:58
2Pour me rapprocher de Marie
recording engineer:
James Lock (James Locke, engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
tenor vocals [Tonio]:
Luciano Pavarotti (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Richard Bonynge (conductor and pianist)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-07)
recording of:
La Fille du régiment : Acte II, Scène 11. “Écoutez-moi de grâce ” – Romance “Pour me rapprocher de Marie” (Tonio)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
La Fille du régiment : Acte II
Gaetano Donizetti3:45
3Quanto è bella
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor)
orchestra:
English Chamber Orchestra
conductor:
Richard Bonynge (conductor and pianist)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. “Quanto è bella, quanto è cara” (Nemorino, Giannetta, Coro)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti2:31
4Una furtiva lagrima
recording engineer and engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
tenor vocals:
Luciano Pavarotti (tenor) (from 1971-06-28 until 1971-07-16)
orchestra:
English Chamber Orchestra (from 1971-06-28 until 1971-07-16)
conductor:
Richard Bonynge (conductor and pianist) (from 1971-06-28 until 1971-07-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06, from 1971-06-28 until 1971-07-16)
recording of:
L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino) (from 1971-06-28 until 1971-07-16)
composer:
Gaetano Donizetti (Italian opera composer) (in 1832)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti4:50
5Una vergine, un'angel di Dio
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Michael Woolcock (producer)
producer:
Christopher Raeburn (producer)
bass vocals:
Nicolaï Ghiaurov (operatic bass)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Orchestra del Teatro Comunale di Bologna
conductor:
Richard Bonynge (conductor and pianist)
recorded at:
Teatro Comunale di Bologna in Bologna, Bologna, Emilia-Romagna, Italy (in 1974-08)
recording of:
La favorita: Atto I, Scena 2. “Parla, figlio! Una vergine, un angel di Dio” (Fernando, Baldassarre)
composer:
Gaetano Donizetti (Italian opera composer)
translated version of:
La Favorite: Acte I, scène 2. Romance « Parle, mon fils » - « Un ange, une femme inconnue » (Balthazar, Fernand)
part of:
La favorita: Atto I
Gaetano Donizetti3:51
6Si, che un solo accento
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Michael Woolcock (producer)
producer:
Christopher Raeburn (producer)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Orchestra del Teatro Comunale di Bologna
conductor:
Richard Bonynge (conductor and pianist)
recorded at:
Teatro Comunale di Bologna in Bologna, Bologna, Emilia-Romagna, Italy (in 1974-08)
recording of:
La favorita: Atto I, Scena 7. “Sì, che un tuo solo accento” (Fernando)
composer:
Gaetano Donizetti (Italian opera composer)
translated version of:
La Favorite: Acte I, scène 8. Air « Oui, ta voix m’inspire » (Fernand)
part of:
La favorita: Atto I
Gaetano Donizetti3:14
7Favorita del re!..Spirto gentil
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Michael Woolcock (producer)
producer:
Christopher Raeburn (producer)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Orchestra del Teatro Comunale di Bologna
conductor:
Richard Bonynge (conductor and pianist)
recorded at:
Teatro Comunale di Bologna in Bologna, Bologna, Emilia-Romagna, Italy (in 1974-08)
recording of:
La favorita: Atto IV, Scena 3. “Spirto gentil” (Fernando)
composer:
Gaetano Donizetti (Italian opera composer)
translated version of:
La Favorite: Acte IV, Scène 3. « La maîtresse du roi ? « ... « Ange si pur “ (Balthazar, Fernand)
part of:
La favorita: Atto IV
Gaetano Donizetti4:46
8Inosservato, penetrava..Angelo casto e bel
recording engineer:
James Brown (Decca engineer, 1960s) and James Lock (James Locke, engineer)
producer:
Christopher Raeburn (producer)
tenor vocals [Marcello]:
Luciano Pavarotti (tenor) (in 1968-06)
orchestra:
Wiener Opernorchester (Vienna State Opera Orchestra) (in 1968-06)
conductor:
Sir Edward Downes (conductor) (in 1968-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1968-06)
recording of:
Il duca d'Alba: Atto IV. "Inosservato, penetrava in questo sacro recesso" ... "Angelo casto e bel" (Marcello) (in 1968-06)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Charles Duveyrier and Eugène Scribe
translator:
Angelo Zanardini
part of:
Il duca d'Alba
Gaetano Donizetti7:12
9Deserto in terra
recording engineer:
James Brown (Decca engineer, 1960s) and James Lock (James Locke, engineer)
producer:
Christopher Raeburn (producer)
tenor vocals [Dom Sébastien]:
Luciano Pavarotti (tenor) (in 1968-06)
orchestra:
Wiener Opernorchester (Vienna State Opera Orchestra) (in 1968-06)
conductor:
Sir Edward Downes (conductor) (in 1968-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1968-06)
recording of:
Don Sebastiano: "Deserto in terra" (in 1968-06)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Eugène Scribe
Gaetano Donizetti5:57
10Com'è gentil
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Leone Magiera (conductor, pianist)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1969-09 until 1971-01)
recording of:
Don Pasquale: Atto III. Serenata “Com’è gentil la notte a mezzo april!” (Ernesto, Coro)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Gaetano Donizetti (Italian opera composer) and Giovanni Ruffini (librettist)
part of:
Don Pasquale: Atto III
Gaetano Donizetti3:40
11Ah! rimiro il bel sembiante
recording engineer:
James Lock (James Locke, engineer) and Colin Moorfoot (engineer)
producer:
Michael Woolcock (producer)
bass-baritone vocals:
Roger Soyer (French operatic bass-baritone)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Orchestra del Teatro Comunale di Bologna
conductor:
Richard Bonynge (conductor and pianist)
recorded at:
Teatro Comunale di Bologna in Bologna, Bologna, Emilia-Romagna, Italy (from 1974-09 until 1975-07)
partial recording of:
Maria Stuarda: Atto I, no. 4. Cavatina "Questa imago, questo foglio" … “Ah! rimiro il bel sembiante” (Talbot, Leicester)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Maria Stuarda: Atto I.
Gaetano Donizetti5:31
12Tombe degli avi miei
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Richard Bonynge (conductor and pianist)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1971-06 until 1971-07)
recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Tombe degli avi miei” (Edgardo)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti7:06
13Tu che a Dio spiegasti l'ali
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
engineer:
James Lock (James Locke, engineer) (from 1971-06 until 1971-07) and Kenneth Wilkinson (engineer) (from 1971-06 until 1971-07)
producer:
Christopher Raeburn (producer) (from 1971-06 until 1971-07)
bass vocals [Raimondo]:
Nicolaï Ghiaurov (operatic bass) (from 1971-06 until 1971-07)
choir vocals:
Chorus of the Royal Opera House, Covent Garden (from 1971-06 until 1971-07)
tenor vocals [Edgardo]:
Luciano Pavarotti (tenor) (from 1971-06 until 1971-07)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1971-06 until 1971-07)
conductor:
Richard Bonynge (conductor and pianist) (from 1971-06 until 1971-07)
chorus master:
Douglas Robinson (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1971-06 until 1971-07)
recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Tu che a Dio spiegasti l'ali” (Edgardo, Raimondo, Coro) (from 1971-06 until 1971-07)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti4:56