Famous Cantatas

~ Release by Johann Sebastian Bach; Karl Richter (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Herz und Mund und Tat und Leben BWV 147: I. Coro "Herz und Mund und Tat und Leben"
producer:
Prof. Dr. Hans Hickmann
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-07)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern (Bavaria), Germany (in 1961-07)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, I. Coro „Herz und Mund und Tat und Leben“ (in 1961-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach4:08
2Herz und Mund und Tat und Leben BWV 147: II. Recitativo (Tenore) "Gebenedeiter Mund!"
producer:
Prof. Dr. Hans Hickmann
tenor vocals:
John van Kesteren (tenor) (in 1961-07)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern (Bavaria), Germany (in 1961-07)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, II. Recitativo (Tenore) „Gebenedeiter Mund!“ (in 1961-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach2:07
3Herz und Mund und Tat und Leben BWV 147: III. Aria (Alto) "Schäme dich, o Seele, nicht"
producer:
Prof. Dr. Hans Hickmann
alto vocals:
Hertha Töpper (mezzo soprano) (in 1961-07)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern (Bavaria), Germany (in 1961-07)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, III. Aria (Alto) „Schäme dich, o Seele, nicht“ (in 1961-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach4:08
4Herz und Mund und Tat und Leben BWV 147: IV. Recitativo (Basso) "Verstockung kann Gewaltige verblenden"
producer:
Prof. Dr. Hans Hickmann
bass vocals:
Kieth Engen (operatic bass) (in 1961-07)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern (Bavaria), Germany (in 1961-07)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, IV. Recitativo (Basso) „Verstockung kann Gewaltige verblenden“ (in 1961-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach2:15
5Herz und Mund und Tat und Leben BWV 147: V. Aria (Soprano) "Bereite dir, Jesu, noch itzo die Bahn"
producer:
Prof. Dr. Hans Hickmann
soprano vocals:
Ursula Buckel (soprano) (in 1961-07)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern (Bavaria), Germany (in 1961-07)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, V. Aria (Soprano) „Bereite dir, Jesu, noch itzo die Bahn“ (in 1961-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach4:28
6Herz und Mund und Tat und Leben BWV 147: VI. Choral "Wohl mir, dass ich Jesum habe"
producer:
Prof. Dr. Hans Hickmann
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-07)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern (Bavaria), Germany (in 1961-07)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, VI. Choral „Wohl mir, dass ich Jesum habe“ (in 1961-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:33
7Herz und Mund und Tat und Leben BWV 147: VII. Aria (Tenore) "Hilf, Jesu, hilf, dass ich auch dich bekenne"
producer:
Prof. Dr. Hans Hickmann
tenor vocals:
John van Kesteren (tenor) (in 1961-07)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern (Bavaria), Germany (in 1961-07)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, VII. Aria (Tenore) „Hilf, Jesu, hilf, dass ich auch dich bekenne“ (in 1961-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:36
8Herz und Mund und Tat und Leben BWV 147: VIII. Recitativo (Alto) "Der höchsten Allmacht Wunderhand"
producer:
Prof. Dr. Hans Hickmann
alto vocals:
Hertha Töpper (mezzo soprano) (in 1961-07)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern (Bavaria), Germany (in 1961-07)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, VIII. Recitativo (Alto) „Der höchsten Allmacht Wunderhand“ (in 1961-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach2:47
9Herz und Mund und Tat und Leben BWV 147: IX. Aria (Basso) "Ich will von Jesu Wundern singen"
producer:
Prof. Dr. Hans Hickmann
bass vocals:
Kieth Engen (operatic bass) (in 1961-07)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern (Bavaria), Germany (in 1961-07)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, IX. Aria (Basso) „Ich will von Jesu Wundern singen“ (in 1961-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach2:36
10Herz und Mund und Tat und Leben BWV 147: X. Choral "Jesus bleibet meine Freude"
producer:
Prof. Dr. Hans Hickmann
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-07)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern (Bavaria), Germany (in 1961-07)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (in 1961-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:40
11Christ lag in Todesbanden BWV 4: I. Sinfonia
executive producer:
Wolfgang Werner
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (in 1968-07)
cello:
Fritz Kiskalt (cellist) (in 1968-07)
double bass:
Herbert Duft (double bass player) (in 1968-07)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1968-07) and Elmar Schloter (organist) (in 1968-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1968-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1968-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1969)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1968-07)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": I. Sinfonia (in 1968-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
Johann Sebastian Bach1:38
12Christ lag in Todesbanden BWV 4: II. Coro Versus I "Christ Lag in Todes Banden"
executive producer:
Wolfgang Werner
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (in 1968-07)
cello:
Fritz Kiskalt (cellist) (in 1968-07)
double bass:
Herbert Duft (double bass player) (in 1968-07)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1968-07) and Elmar Schloter (organist) (in 1968-07)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1968-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1968-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1968-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1969)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1968-07)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": II. Coro Versus I "Christ Lag in Todes Banden" (in 1968-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
Johann Sebastian Bach4:23
13Christ lag in Todesbanden BWV 4: III. Duetto (Soprano, Alto) Versus II "Den Tod niemand zwingen kunnt"
executive producer:
Wolfgang Werner
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (in 1968-07)
cello:
Fritz Kiskalt (cellist) (in 1968-07)
double bass:
Herbert Duft (double bass player) (in 1968-07)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1968-07) and Elmar Schloter (organist) (in 1968-07)
alto vocals, choir vocals and soprano vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1968-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1968-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1968-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1969)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1968-07)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": III. Duetto (Soprano, Alto) Versus II "Den Tod niemand zwingen kunnt" (in 1968-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
Johann Sebastian Bach4:00
14Christ lag in Todesbanden BWV 4: IV. Aria (Tenore) Versus III "Jesus Christus, Gottes Sohn"
executive producer:
Wolfgang Werner
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (in 1968-07)
cello:
Fritz Kiskalt (cellist) (in 1968-07)
double bass:
Herbert Duft (double bass player) (in 1968-07)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1968-07) and Elmar Schloter (organist) (in 1968-07)
choir vocals and tenor vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1968-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1968-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1968-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1969)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1968-07)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": IV. Aria (Tenore) Versus III "Jesus Christus, Gottes Sohn" (in 1968-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
Johann Sebastian Bach1:56
15Christ lag in Todesbanden BWV 4: V. Coro Versus IV "Es war ein wunderlicher Krieg"
executive producer:
Wolfgang Werner
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (in 1968-07)
cello:
Fritz Kiskalt (cellist) (in 1968-07)
double bass:
Herbert Duft (double bass player) (in 1968-07)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1968-07) and Elmar Schloter (organist) (in 1968-07)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1968-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1968-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1968-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1969)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1968-07)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": V. Coro Versus IV "Es war ein wunderlicher Krieg" (in 1968-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
Johann Sebastian Bach2:13
16Christ lag in Todesbanden BWV 4: VI. Aria (Basso) Versus V "Hier ist das rechte Osterlamm"
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (in 1968-07)
cello:
Fritz Kiskalt (cellist) (in 1968-07)
double bass:
Herbert Duft (double bass player) (in 1968-07)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1968-07) and Elmar Schloter (organist) (in 1968-07)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1968-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1968-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1968-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1969)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1968-07)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": VI. Aria (Basso) Versus V "Hier ist das rechte Osterlamm" (in 1968-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
Johann Sebastian Bach4:36
17Christ lag in Todesbanden BWV 4: VII. Duetto (Soprano, Tenore) Versus VI "So feiern wir das hohe Fest"
executive producer:
Wolfgang Werner
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (in 1968-07)
cello:
Fritz Kiskalt (cellist) (in 1968-07)
double bass:
Herbert Duft (double bass player) (in 1968-07)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1968-07) and Elmar Schloter (organist) (in 1968-07)
choir vocals, soprano vocals and tenor vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1968-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1968-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1968-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1969)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1968-07)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": VII. Duetto (Soprano, Tenore) Versus VI "So feiern wir das hohe Fest" (in 1968-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
Johann Sebastian Bach2:02
18Christ lag in Todesbanden BWV 4: VIII. Choral Versus VII "Wir essen und leben wohl"
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (in 1968-07)
cello:
Fritz Kiskalt (cellist) (in 1968-07)
double bass:
Herbert Duft (double bass player) (in 1968-07)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1968-07) and Elmar Schloter (organist) (in 1968-07)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1968-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1968-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1968-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1969)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1968-07)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": VIII. Choral Versus VII "Wir essen und leben wohl" (in 1968-07)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 41)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
Johann Sebastian Bach1:24
19Weichet nur, betrübte Schatten BWV 202: I. Aria "Weichet nur, betrübte Schatten"
recording engineer:
Walter Alfred Wettler
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
bassoon:
Fritz Henker (bassoonist) (in 1959-08)
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1959-08)
oboe:
Kurt Hausmann (oboist) (in 1959-08)
violin:
Otto Büchner (violinist) (in 1959-08)
soprano vocals:
Maria Stader (soprano) (in 1959-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1959-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1959-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1959-08)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": I. Aria "Weichet nur, betrübte Schatten" (in 1959-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach6:54
20Weichet nur, betrübte Schatten BWV 202: II. Recitativo "Die Welt wird wieder neu"
recording engineer:
Walter Alfred Wettler
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
bassoon:
Fritz Henker (bassoonist) (in 1959-08)
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1959-08)
oboe:
Kurt Hausmann (oboist) (in 1959-08)
violin:
Otto Büchner (violinist) (in 1959-08)
soprano vocals:
Maria Stader (soprano) (in 1959-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1959-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1959-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1959-08)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": II. Recitativo "Die Welt wird wieder neu" (in 1959-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach0:29
21Weichet nur, betrübte Schatten BWV 202: III. Aria "Phoebus eilt mit schnellen Pferden"
recording engineer:
Walter Alfred Wettler
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
bassoon:
Fritz Henker (bassoonist) (in 1959-08)
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1959-08)
oboe:
Kurt Hausmann (oboist) (in 1959-08)
violin:
Otto Büchner (violinist) (in 1959-08)
soprano vocals:
Maria Stader (soprano) (in 1959-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1959-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1959-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1959-08)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": III. Aria "Phoebus eilt mit schnellen Pferden" (in 1959-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach3:20
22Weichet nur, betrübte Schatten BWV 202: IV. Recitativo "Drum sucht auch Amor sein Vergnügen"
recording engineer:
Walter Alfred Wettler
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
bassoon:
Fritz Henker (bassoonist) (in 1959-08)
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1959-08)
oboe:
Kurt Hausmann (oboist) (in 1959-08)
violin:
Otto Büchner (violinist) (in 1959-08)
soprano vocals:
Maria Stader (soprano) (in 1959-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1959-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1959-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1959-08)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": IV. Recitativo "Drum sucht auch Amor sein Vergnügen" (in 1959-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach0:46
23Weichet nur, betrübte Schatten BWV 202: V. Aria "Wenn die Frühlingslüfte streichen"
recording engineer:
Walter Alfred Wettler
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
bassoon:
Fritz Henker (bassoonist) (in 1959-08)
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1959-08)
oboe:
Kurt Hausmann (oboist) (in 1959-08)
violin:
Otto Büchner (violinist) (in 1959-08)
soprano vocals:
Maria Stader (soprano) (in 1959-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1959-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1959-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1959-08)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": V. Aria "Wenn die Frühlingslüfte streichen" (in 1959-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach2:46
24Weichet nur, betrübte Schatten BWV 202: VI. Recitativo "Und dieses ist das Glücke"
recording engineer:
Walter Alfred Wettler
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
bassoon:
Fritz Henker (bassoonist) (in 1959-08)
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1959-08)
oboe:
Kurt Hausmann (oboist) (in 1959-08)
violin:
Otto Büchner (violinist) (in 1959-08)
soprano vocals:
Maria Stader (soprano) (in 1959-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1959-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1959-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1959-08)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": VI. Recitativo "Und dieses ist das Glücke" (in 1959-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach0:45
25Weichet nur, betrübte Schatten BWV 202: VII. Aria "Sich üben im Lieben"
recording engineer:
Walter Alfred Wettler
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
bassoon:
Fritz Henker (bassoonist) (in 1959-08)
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1959-08)
oboe:
Kurt Hausmann (oboist) (in 1959-08)
violin:
Otto Büchner (violinist) (in 1959-08)
soprano vocals:
Maria Stader (soprano) (in 1959-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1959-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1959-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1959)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1959-08)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": VII. Aria "Sich üben im Lieben" (in 1959-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach4:27
26Weichet nur, betrübte Schatten BWV 202: VIII. Recitativo "So sei das Band der keuschen Liebe"
recording engineer:
Walter Alfred Wettler
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
bassoon:
Fritz Henker (bassoonist) (in 1959-08)
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1959-08)
oboe:
Kurt Hausmann (oboist) (in 1959-08)
violin:
Otto Büchner (violinist) (in 1959-08)
soprano vocals:
Maria Stader (soprano) (in 1959-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1959-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1959-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1959-08)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": VIII. Recitativo "So sei das Band der keuschen Liebe" (in 1959-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach0:29
27Weichet nur, betrübte Schatten BWV 202: IX. Gavotte "Sehet in Zufriedenheit"
recording engineer:
Walter Alfred Wettler
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
bassoon:
Fritz Henker (bassoonist) (in 1959-08)
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1959-08)
oboe:
Kurt Hausmann (oboist) (in 1959-08)
violin:
Otto Büchner (violinist) (in 1959-08)
soprano vocals:
Maria Stader (soprano) (in 1959-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1959-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1959-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1959-08)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": IX. Gavotte "Sehet in Zufriedenheit" (in 1959-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach1:46