Arturo Toscanini Collection, Volume 57: Falstaff

~ Release by Verdi; Arturo Toscanini, NBC Symphony Orchestra, Valdengo, Nelli, Merriman, Elmo, Guarrera, Stich-Randall (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Falstaff: Act I, Scene I. "Falstaff!"
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
recording of:
Falstaff: Atto I, scena 1. “Falstaff!“ - “Olà!“ (Dr Cajus, Falstaff, Bardolfo, Pistola) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto I
Giuseppe Verdi5:07
2Falstaff: Act I, Scene I. "Ssss. Sei polli: sei scellini"
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
recording of:
Falstaff: Atto I, scena 1. “Sei polli: Sei scellini” (Falstaff, Bardolfo) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto I
Giuseppe Verdi1:02
3Falstaff: Act I, Scene I. "So che se andiam"
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
recording of:
Falstaff: Atto I, scena 1. “So che se andiam, la notte” (Falstaff, Pistola, Bardolfo) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto I
Giuseppe Verdi1:51
4Falstaff: Act I, Scene I. "V'è noto un tal"
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
recording of:
Falstaff: Atto I, scena 1. “Ma è tempo d'assottigliar l'ingegno” (Falstaff, Pistola, Bardolfo) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto I
Giuseppe Verdi3:40
5Falstaff: Act I, Scene I. "L'Onore! Ladri!"
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
partial recording of:
Falstaff: Atto I, scena 1. “Ehi! Paggio!” - “L’onore! Ladri!” - “Io stesso, sì, io, io” (Falstaff) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer) and Francesco Maria Piave
part of:
Falstaff: Atto I
Giuseppe Verdi3:12
6Falstaff: Act I, Scene I. "Ma, per tornare a voi"
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
partial recording of:
Falstaff: Atto I, scena 1. “Ehi! Paggio!” - “L’onore! Ladri!” - “Io stesso, sì, io, io” (Falstaff) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer) and Francesco Maria Piave
part of:
Falstaff: Atto I
Giuseppe Verdi0:47
7Falstaff: Act I, Scene II. "Alice" - "Meg"
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
recording of:
Falstaff: Atto I, scena 2. “Alice!” - “Meg!“ - “Nannetta!“ (Meg, Alice, Quickly, Nannetta) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto I
Giuseppe Verdi1:21
8Falstaff: Act I, Scene II. "Fulgida Alice! Amor t'offro"
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
recording of:
Falstaff: Atto I, scena 1. “Fulgida Alice! amor t'offro” (Meg, Alice, Quickly, Nannetta, Cajus, Bardolfo, Fenton, Pistola, Ford) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto I
Giuseppe Verdi2:37
9Falstaff: Act I, Scene II. "Quell'otre! quel tino!"
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
partial recording of:
Falstaff: Atto I, scena 2. “Ripeti” - “In due parole” – “È un ribaldo, un furbo, un ladro” (Meg, Alice, Quickly, Nannetta, Cajus, Bardolfo, Fenton, Pistola, Ford) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto I
Giuseppe Verdi0:42
10Falstaff: Act I, Scene II. "È un ribaldo, un furbo, un ladro"
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
partial recording of:
Falstaff: Atto I, scena 2. “Ripeti” - “In due parole” – “È un ribaldo, un furbo, un ladro” (Meg, Alice, Quickly, Nannetta, Cajus, Bardolfo, Fenton, Pistola, Ford) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto I
Giuseppe Verdi2:03
11Falstaff: Act I, Scene II. "Pst, pst, Nannetta"
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
recording of:
Falstaff: Atto I, scena 2. “Pst, pst, Nannetta!” - “Vien qua” - “Labbra di foco!” (Fenton, Nannetta) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto I
Giuseppe Verdi1:39
12Falstaff: Act I, Scene II. "Falstaff m'ha canzonata"
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
recording of:
Falstaff: Atto I, scena 2. “Falstaff m'ha canzonata” (Alice, Meg, Nannetta, Quickly) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto I
Giuseppe Verdi1:28
13Falstaff: Act I, Scene II. "Torno all'assalto"
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
recording of:
Falstaff: Atto I, scena 2. “Torno all'assalto” - “Torna alla gara” (Fenton, Nannetta) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto I
Giuseppe Verdi2:17
14Falstaff: Act I, Scene II. "Udrai quanta egli sfoggia"
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
recording of:
Falstaff: Atto I, scena 2. “Udrai quanta egli sfoggia magniloquenza altera” (Bardolfo, Ford, Pistola) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto I
Giuseppe Verdi0:48
15Falstaff: Act I, Scene II. "Del tuo barbaro diagnostico"
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
partial recording of:
Falstaff: Atto I, scena 2. “Del tuo barbaro diagnostico” (Cajus, Pistola, Bardolfo, Alice, Meg, Nannetta, Quickly, Fenton, Ford) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Falstaff: Atto I
Giuseppe Verdi0:45
16Falstaff: Act I, Scene II. "Qui più non si vagoli"
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
partial recording of:
Falstaff: Atto I, scena 2. “Del tuo barbaro diagnostico” (Cajus, Pistola, Bardolfo, Alice, Meg, Nannetta, Quickly, Fenton, Ford) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Falstaff: Atto I
Giuseppe Verdi1:40
17Falstaff: Act II, Scene I. "Siam pentiti e contriti"
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
recording of:
Falstaff: Atto II, scena 1. “Siam pentiti e contriti” (Bardolfo, Pistola, Falstaff) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
Giuseppe Verdi6:18
18Falstaff: Act II, Scene I. "Alice è mia!"
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
partial recording of:
Falstaff: Atto II, scena 1. “Alice è mia!” – “Va, vecchio John” (Falstaff, Bardolfo) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
Giuseppe Verdi1:12
19Falstaff: Act II, Scene I. "Padron; di là c'è un certo Mastro Fontana"
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
partial recording of:
Falstaff: Atto II, scena 1. “Alice è mia!” – “Va, vecchio John” (Falstaff, Bardolfo) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
Giuseppe Verdi0:35
20Falstaff: Act II, Scene I. "Signore, v'assista il cielo!"
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
recording of:
Falstaff: Atto II, scena 1. “Signore, v'assista il cielo!” (Ford, Falstaff, Bardolfo, Pistola) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
Giuseppe Verdi3:09
21Falstaff: Act II, Scene I. "Io l'amo e lei non m'ama"
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
recording of:
Falstaff: Atto II, scena 1. “Ve lo dirò - C'è a Windsor una dama” (Ford, Falstaff) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
Giuseppe Verdi5:06
22Falstaff: Act II, Scene I. "Il diavolo se lo porti all'inferno"
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
recording of:
Falstaff: Atto II, scena 1. “Lo conoscete?” - “Il diavolo se lo porti all'inferno” (Ford, Falstaff) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Falstaff: Atto II
Giuseppe Verdi1:21
23Falstaff: Act II, Scene I. "È sogno? o realtà?"
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
recording of:
Falstaff: Atto II, scena 1. “È sogno? o realtà?” (Ford) (Ford's monologue) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
Giuseppe Verdi4:08
24Falstaff: Act II, Scene I. "Eccomi qua"
baritone vocals:
Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08) and Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:
Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:
Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08) and Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:
Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08) and Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:
Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08), Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08) and John Carmen Rossi (from 1950-04-01 until 1950-04-08)
orchestra:
NBC Symphony Orchestra (from 1950-04-01 until 1950-04-08)
conductor:
Arturo Toscanini (conductor) (from 1950-04-01 until 1950-04-08)
chorus master:
Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
recorded at:
NBC Studios: Studio 8H in Midtown Manhattan, New York, New York, United States (from 1950-04-01 until 1950-04-08)
recording of:
Falstaff: Atto II, scena 1. “Eccomi qua. Son pronto” (Falstaff, Ford) (from 1950-04-01 until 1950-04-08)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Falstaff: Atto II
Giuseppe Verdi1:38
2▶CD

Credits

Release

chorus master:Robert Shaw (conductor) (from 1950-04-01 until 1950-04-08)
baritone vocals:Frank Guarrera (baritone) (from 1950-04-01 until 1950-04-08)
Giuseppe Valdengo (baritone) (from 1950-04-01 until 1950-04-08)
bass vocals:Norman Scott (operatic bass) (from 1950-04-01 until 1950-04-08)
choir vocals:Robert Shaw Chorale (from 1950-04-01 until 1950-04-08)
mezzo-soprano vocals:Cloë Elmo (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
Nan Merriman (mezzo-soprano) (from 1950-04-01 until 1950-04-08)
soprano vocals:Herva Nelli (soprano) (from 1950-04-01 until 1950-04-08)
Teresa Stich‐Randall (soprano) (from 1950-04-01 until 1950-04-08)
tenor vocals:Gabor Carelli (operatic tenor) (from 1950-04-01 until 1950-04-08)
Antonio Madasi (tenor) (from 1950-04-01 until 1950-04-08)
John Carmen Rossi (from 1950-04-01 until 1950-04-08)
ASIN:US: B000003EWJ [info]