| # | Title | Artist | Rating | Length |
|---|
| 1 | Feels Like We Only Go Backwards | Tame Impala | 4.15 | 3:13 |
| 2 | Ships | Wallners | | 3:37 |
| 3 | Mushaboom | Feist | 3.8 | 3:45 |
| 4 | Train | Mike Vallas | | 2:52 |
| 5 | She Moves in Her Own Way | The Kooks | 3.9 | 2:49 |
| 6 | Somebody Like You | Mike Vallas | | 2:19 |
| 7 | Golden Hour- assistant recording engineer:
- Zack Pancoast and Alberto Vaz
- recording engineer:
- Craig Alvin
- producer:
- Ian Fitchuk, Kacey Musgraves and Daniel Tashian
- assistant mixer:
- Ivan Wayman
- mixer:
- Shawn Everett
- editor:
- Jordan Lehning
- acoustic guitar:
- Todd Lombardo and Kacey Musgraves
- baritone guitar:
- Todd Lombardo and Daniel Tashian
- bass and background vocals:
- Daniel Tashian
- drums (drum set), keyboard and piano:
- Ian Fitchuk
- electric guitar:
- Todd Lombardo
- pedal steel guitar:
- Russ Pahl
- lead vocals:
- Kacey Musgraves
- phonographic copyright (℗) by:
- UMG Recordings, Inc. (in 2018)
- recorded at:
- Big Green Barn in Nashville, Tennessee, United States, House of Blues Studios in Nashville, Tennessee, United States, Royal Plum in Nashville, Tennessee, United States, Sound Emporium Studios in Nashville, Tennessee, United States and The Great Gazoo Reading Room in Nashville, Tennessee, United States
- mixed at:
- Subtle McNugget in Los Angeles, California, United States
- recording of:
- Golden Hour
- writer:
- Ian Fitchuk, Kacey Musgraves and Daniel Tashian
| Kacey Musgraves | 3.5 | 3:18 |
| 8 | Where You Are | Cesár Sampson | | 2:47 |
| 9 | Mountain to Move | Nick Mulvey | | 3:56 |
| 10 | Box | zalagasper | | 3:23 |
| 11 | Sunrise- recording engineer and mixer:
- Jay Newland
- artist & repertoire support:
- Chris Cofoni and Eli Wolf
- assistant engineer:
- Matthew Cullen , Dick Kondas, Steve Mazur and Aya Takemura
- producer:
- Norah Jones and Arif Mardin
- creative direction:
- Gordon H Jee
- acoustic guitar and banjolin:
- Kevin Breit (from 2003 until 2004)
- double bass [bass]:
- Lee Alexander (from 2003 until 2004)
- piano and lead vocals [vocal]:
- Norah Jones (from 2003 until 2004)
- slit drum:
- Andrew Borger (from 2003 until 2004)
- background vocals [backup vocal]:
- Adam Levy (from 2003 until 2004) and Daru Oda (from 2003 until 2004)
- phonographic copyright (℗) by:
- Blue Note Records (in 2004)
- recorded at:
- Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios in Hell's Kitchen, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
- mixed at:
- Sear Sound in New York, New York, United States
- recording of:
- Sunrise (from 2003 until 2004)
- writer:
- Lee Alexander and Norah Jones
- dedicated to:
- Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
- publisher:
- EMI Blackwood Music Inc., Fumblethumbs Music and Muthajones Music
| Norah Jones | 3.85 | 3:21 |
| 12 | in my mind | Wallners | | 3:02 |
| 13 | Ticket to Ride | KAWALA | | 3:02 |
| 14 | Wedding Ring | Mike Vallas | | 2:58 |
| 15 | Stone Cold | Cesár Sampson | | 3:47 |
| 16 | Young Folks | Peter Bjorn and John | 3.8 | 4:37 |
| 17 | My heart | Pænda | | 3:39 |
| 18 | 1234 (radio edit) | Feist | 4.1 | 3:10 |
| 19 | A Thousand Miles | Vanessa Carlton | 3.7 | 3:57 |
| 20 | Dracula | Wallners | | 3:09 |
| 21 | Heaven Up There | Palace | 2 | 7:19 |
| 22 | Hold Back the River | James Bay | 3.8 | 3:59 |
| 23 | Like 1999 | Valley | | 2:25 |
| 24 | 1994 | Bunny Lake | | 4:40 |
| 25 | Limits | Pænda | | 3:25 |
| 26 | The Blackest Coffee | Violetta Parisini | | 2:27 |
| 27 | Love & Hate (alternative radio mix) | Michael Kiwanuka | | 3:34 |
| 28 | Hazey | zalagasper | | 3:15 |
| 29 | Howl (acoustic) | OUTLYA | | 4:00 |
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