The Collection (The Collector Series)

~ Release by Jerry Lee Lewis (see all versions of this release, 1 available)

Annotation

Title variant: The Jerry Lee Lewis Collection.

Annotation last modified on 2012-10-09 18:24 UTC.

Tracklist

1▼CD
#TitleRatingLength
1Be-Bop-A-Lula
producer:
Scotty Moore (American guitarist and recording engineer) and Sam Phillips (founder of Sun Records)
bass guitar:
Jay W. Brown (1960s US R&B, single “That’s How Much / Don’t Push Me Around”) (on 1962-06-14)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (on 1962-06-14)
guitar:
Roland Janes (on 1962-06-14) and Scotty Moore (American guitarist and recording engineer) (on 1962-06-14)
organ:
Shirley Sisk (on 1962-06-14)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1962-06-14)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1962-06-14)
phonographic copyright (℗) by:
Sun Record Company (in 1971)
remix of:
Be‐Bop‐A‐Lula (stereo) by Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
cover recording of:
Be‐Bop‐a‐Lula (on 1962-06-14)
writer:
Bill “Tex” Davis and Gene Vincent
publisher:
Lowery Music Co. Inc.
2:29
2Dixie (instrumental)
producer:
Jack Clement and Sam Phillips (founder of Sun Records)
drums (drum set):
Jimmy Van Eaton (from 1956-11 until 1956-12)
guitar:
Roland Janes (from 1956-11 until 1956-12)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1956-11 until 1956-12)
phonographic copyright (℗) by:
Sun Record Company (in 1974)
instrumental cover recording of:
Dixie (from 1956-11 until 1956-12)
lyricist and composer:
Daniel Decatur Emmett (19th century songwriter)
writer:
[traditional] (special purpose artist)
publisher:
Klezmer Corp (publisher, ASCAP)
1:34
3Goodnight Irene
producer:
Jack Clement and Sam Phillips (founder of Sun Records)
drums (drum set):
Jimmy Van Eaton (from 1956-11 until 1956-12)
guitar:
Roland Janes (from 1956-11 until 1956-12)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1956-11 until 1956-12)
background vocals and choir vocals:
Ed Bruce (American country music songwriter, singer and actor) (on 1958-04-04), Vernon Drane (on 1958-04-04), Lee Holt (on 1958-04-04), Charlie Rich (US country singer) (on 1958-04-04), Alice Rumple (on 1958-04-04), Bob Strong (on 1958-04-04) and Bobby Thompson (1950s country singer) (on 1958-04-04)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1956-11 until 1956-12)
phonographic copyright (℗) by:
Sun Record Company (from 1958 to present, in 1958)
remix of:
Goodnight Irene (undubbed master) by Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1958-04-04)
recording of:
Goodnight Irene (on 1958-04-04)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Ledbetter and John A. Lomax
publisher:
Lodlow Music, Spencer Music Corp., TRO-Ludlow Music, Inc. and Tyler Music Ltd.
part of:
Roud Folk Song Index (number: 11681)
translated version of:
Godnatt Irene
2:53
4Great Balls of Fire
producer:
Jerry Bruckheimer, Jack Clement, Don Simpson (American film producer, screenwriter, and actor) and Sam Phillips (founder of Sun Records) (in 1957)
bass guitar:
Sidney Stokes
drums (drum set):
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1957-10)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1957-10)
phonographic copyright (℗) by:
Sun Record Company (in 1957)
recorded at:
Sun Studio in Memphis, Tennessee, United States (on 1957-10-08)
edit of:
Great Balls of Fire (chat & master) by Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 96) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 242)
recording of:
Great Balls of Fire (in 1957-10)
writer:
Otis Blackwell (American pianist, singer and songwriter) and Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
publisher:
Carlin Music Corporation, Hill & Range Songs, Inc. (publisher) and Warner Chappell Music (publisher as Warner/Chappell Music)
cover recording of:
Great Balls of Fire
writer:
Otis Blackwell (American pianist, singer and songwriter) and Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
publisher:
Carlin Music Corporation, Hill & Range Songs, Inc. (publisher) and Warner Chappell Music (publisher as Warner/Chappell Music)
4.351:54
5High School Confidential
producer:
Jack Clement and Sam Phillips (founder of Sun Records)
bass guitar:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1958-03)
drums (drum set):
Jimmy Van Eaton (in 1958-03)
guitar:
Roland Janes (in 1958-03) and Billy Lee Riley (in 1958-03)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1958-03)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1958-03)
phonographic copyright (℗) by:
Sun Record Company (in 1983)
recording of:
High School Confidential (in 1958-03)
writer:
Ron Hargrave (from 1958-01 until 1958-01-28) and Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1958-01 until 1958-01-28)
publisher:
Carlin Music Corporation, Hill & Range Songs, Inc. (publisher), Penron Music and Penron Music Publishing
2:30
6Lewis Boogie
producer:
Jack Clement and Sam Phillips (founder of Sun Records)
bass guitar:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1957-06)
drums (drum set):
Jimmy Van Eaton (in 1957-06)
guitar:
Roland Janes (in 1957-06)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1957-06)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1957-06)
phonographic copyright (℗) by:
Sun Record Company (from 1958 to present, in 1958)
recording of:
Lewis Boogie (in 1957-06)
lyricist and composer:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
publisher:
Knox Music, Inc.
2:08
7Matchbox
producer:
Jack Clement and Sam Phillips (founder of Sun Records)
bass guitar:
Jay W. Brown (1960s US R&B, single “That’s How Much / Don’t Push Me Around”) (from 1958-02 until 1958-03)
drums (drum set):
Jimmy Van Eaton (from 1958-02 until 1958-03)
guitar:
Roland Janes (from 1958-02 until 1958-03)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1958-02 until 1958-03)
background vocals and choir vocals:
Ed Bruce (American country music songwriter, singer and actor) (on 1958-04-04), Vernon Drane (on 1958-04-04), Lee Holt (on 1958-04-04), Charlie Rich (US country singer) (on 1958-04-04), Alice Rumple (on 1958-04-04), Bob Strong (on 1958-04-04) and Bobby Thompson (1950s country singer) (on 1958-04-04)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1958-02 until 1958-03)
phonographic copyright (℗) by:
Sun Record Company (in 1958)
remix of:
Matchbox (undubbed master) by Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1958-04-04)
cover recording of:
Matchbox (on 1958-04-04)
lyricist and composer:
Carl Perkins (American pioneer of rockabilly music)
publisher:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., Knox Music, Inc., MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), Unichappell Music and Wren Music Co.
version of:
Match Box Blues
1:45
8Money
edit of:
Money (extended) by Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
cover recording of:
Money (That’s What I Want)
writer:
Janie Bradford and Berry Gordy
publisher:
EMI United Partnership Ltd., Jobete Music (UK), Jobete Music Co., Inc., Stone Agate Music Division and United Partnership Ltd.
2:37
9Sixty Minute Man
producer:
Jack Clement and Sam Phillips (founder of Sun Records)
bass guitar:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1957-06)
drums (drum set):
Jimmy Van Eaton (in 1957-06)
guitar:
Roland Janes (in 1957-06)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1957-06)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1957-06)
phonographic copyright (℗) by:
Sun Record Company (in 1983)
cover recording of:
Sixty Minute Man (in 1957-06)
lyricist and composer:
Rose Marks (until 1951) and Billy Ward (US r&b/soul vocalist) (until 1951)
1:50
10Ubangi Stomp
producer:
Jack Clement and Sam Phillips (founder of Sun Records)
bass guitar:
Jay W. Brown (1960s US R&B, single “That’s How Much / Don’t Push Me Around”) (from 1958-02 until 1958-03)
drums (drum set):
Jimmy Van Eaton (from 1958-02 until 1958-03)
guitar:
Roland Janes (from 1958-02 until 1958-03)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1958-02 until 1958-03)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1958-02 until 1958-03)
phonographic copyright (℗) by:
Sun Record Company (in 1958)
cover recording of:
Ubangi Stomp (from 1958-02 until 1958-03)
lyricist and composer:
Charles Underwood
publisher:
Artemis Muziekuitgeverij B V, Jason Clement Music, Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Hi Lo Music (from 1956 to present)
1:48
11Whole Lotta Shakin' Goin' On
producer:
Jack Clement and Sam Phillips (founder of Sun Records) (in 1957)
drums (drum set):
Jimmy Van Eaton (on 1957-02-05)
guitar:
Roland Janes (on 1957-02-05)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1957-02-05)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1957-02-05)
phonographic copyright (℗) by:
Sun (US label founded in 1952) (in 1957), Sun Record Company (in 1957) and Charly Records (from 2008 to present)
recorded at:
Sun Studio in Memphis, Tennessee, United States (on 1957-02-05)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 1) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 61)
cover recording of:
Whole Lotta Shakin’ Goin’ On (on 1957-02-05)
writer:
Roy Hall (US rockabilly pianist & songwriter) and Dave “Curly” Williams
publisher:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Marlyn Music Publishing Inc., Marlyn Music Publishing Ltd., Ni'Mani Entertainment Co. (ASCAP-affiliated) and Whole Lotta Shakin' Music
recording of:
Whole Lotta Shakin’ Goin’ On
writer:
Roy Hall (US rockabilly pianist & songwriter) and Dave “Curly” Williams
publisher:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Marlyn Music Publishing Inc., Marlyn Music Publishing Ltd., Ni'Mani Entertainment Co. (ASCAP-affiliated) and Whole Lotta Shakin' Music
4.652:54
12Wine Drinkin' Spo-Dee-O-Dee
producer:
Jack Clement and Sam Phillips (founder of Sun Records)
drums (drum set):
Jimmy Van Eaton (on 1957-02-05)
guitar:
Roland Janes (on 1957-02-05)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1957-02-05)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1957-02-05)
phonographic copyright (℗) by:
Sun Record Company (in 1971)
cover recording of:
Drinkin’ Wine, Spo‐Dee‐O‐Dee (on 1957-02-05)
writer:
Stick McGhee and J. Mayo ‘Ink’ Williams
2:36
13C.C. Rider
edit of:
C. C. Rider (version 1 extended stereo) by Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
recording of:
C. C. Rider (Jerry Lee Lewis version) (in 1960-06)
arranger:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
version of:
See See Rider Blues
2:37
14Good Golly Miss Molly
producer:
Billy Sherrill (US songwriter/producer/arranger)
bass guitar:
Floyd Chance (on 1962-09-11)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (on 1962-09-11)
guitar:
Fred Carter (on 1962-09-11) and Kelton ‘Kelso’ Herston (on 1962-09-11)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1962-09-11)
background vocals and choir vocals:
Helen Chance (on 1962-09-11), Neal Matthews (on 1962-09-11), Gordon Stoker (US pianist, tenor vocalist and music publisher) (on 1962-09-11), Ray Walker (US bass singer, Jordanaires member) (on 1962-09-11) and Marijohn Wilkin (on 1962-09-11)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1962-09-11)
phonographic copyright (℗) by:
Sun Record Company (in 1962)
remix of:
Good Golly Miss Molly (master stereo) by Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
cover recording of:
Good Golly Miss Molly (on 1962-09-11)
writer:
Robert “Bumps” Blackwell and John Marascalco
publisher:
Cedos Music, Jondora Music, PeerMusic AB, Prestige Music ltd. and Robin Hood Music Co.
2:18
15Good Rockin' Tonight
producer:
Jack Clement and Sam Phillips (founder of Sun Records)
bass guitar and drums (drum set):
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1958-02-14)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1958-02-14)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1958-02-14)
phonographic copyright (℗) by:
Sun Record Company (in 1983)
cover recording of:
Good Rockin’ Tonight (on 1958-02-14)
lyricist and composer:
Roy Brown (blues musician) (in 1947-07)
publisher:
Brown Angel Music Publishing (BMI-affiliated), Carlin Music Corporation, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Knox Music, Inc., Lark Music Ltd., Lois Music Publishing Co., Trio Music (publisher), Trio Music Co., Inc. and Wixen Music UK Ltd.
2:42
16Hang Up My Rock & Roll Shoes
producer:
Sam Phillips (founder of Sun Records)
bass guitar:
Leo Lodner (in 1960-06)
drums (drum set):
Jimmy Van Eaton (in 1960-06)
guitar:
Roland Janes (in 1960-06)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1960-06)
saxophone:
Martin Willis (US saxophonist) (in 1960-06)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1960-06)
phonographic copyright (℗) by:
Sun Record Company (in 1969)
cover recording of:
Hang Up My Rock and Roll Shoes (in 1960-06)
lyricist and composer:
Chuck Willis
publisher:
Tideland Music Publishing Corporation and Unichappell Music, Inc.
2:35
17Johnny B. Goode
producer:
Jack Clement and Bill Justis
bass guitar:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1958-07-11 until 1958-07-19)
drums (drum set):
Jimmy Van Eaton (from 1958-07-11 until 1958-07-19)
guitar:
Roland Janes (from 1958-07-11 until 1958-07-19)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1958-07-11 until 1958-07-19)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1958-07-11 until 1958-07-19)
phonographic copyright (℗) by:
Sun Record Company (in 1969)
cover recording of:
Johnny B. Goode (from 1958-07-11 until 1958-07-19)
lyricist and composer:
Chuck Berry (in 1955)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and ロックンロール ミュージック (Rock ’n’ Roll Music)
part of:
Back to the Future: the Musical
2:42
18Long Gone Lonesome Blues
producer:
Jack Clement and Sam Phillips (founder of Sun Records)
drums (drum set):
Jimmy Van Eaton (on 1957-02-05)
guitar:
Roland Janes (on 1957-02-05)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1957-02-05)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1957-02-05)
phonographic copyright (℗) by:
Sun Record Company (in 1974)
cover recording of:
Long Gone Lonesome Blues (on 1957-02-05)
lyricist and composer:
Hank Williams (country music legend)
publisher:
Acuff-Rose Publications, Inc. (BMI) (on 1950-03-01)
2:05
19Mean Woman Blues
producer:
Jack Clement and Sam Phillips (founder of Sun Records)
bass guitar:
Sid Manker (on 1957-09-10)
drums (drum set):
Otis Jett (on 1957-09-10)
guitar:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1957-09-10)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1957-09-10)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1957-09-10)
phonographic copyright (℗) by:
Sun Record Company (in 1957)
cover recording of:
Mean Woman Blues (on 1957-09-10)
lyricist and composer:
Claude Demetrius
publisher:
Carlin Music Corporation, Gladys Music, Gladys Music Inc. and Williamson Music Company
2:25
20Pumpin' Piano Rock
producer:
Jack Clement and Sam Phillips (founder of Sun Records)
bass guitar:
J.W. Brown (1960s US R&B, single “That’s How Much / Don’t Push Me Around”) (on 1957-05-30)
drums (drum set):
Russell Smith (US 1950s drummer) (on 1957-05-30)
guitar:
Roland Janes (on 1957-05-30)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1957-05-30)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1957-05-30)
phonographic copyright (℗) by:
Sun Record Company (in 1974)
recording of:
Pumpin' Piano Rock (on 1957-05-30)
lyricist and composer:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
2:05
21Sweet Little Sixteen
edit of:
Sweet Little Sixteen (version 2: slate & take 1 stereo) by Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
cover recording of:
Sweet Little Sixteen
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Fermata do Brasil, Isalee Music Publishing Co. (Chuck Berry’s music publishing company), Isalee Music Publishing Company and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
2:30
22What'd I Say
producer:
Billy Sherrill (US songwriter/producer/arranger)
bass guitar:
Bob Moore (U.S. bassist and bandleader) (on 1961-02-09)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (on 1961-02-09)
guitar:
Hank Garland (on 1961-02-09) and Kelton ‘Kelso’ Herston (on 1961-02-09)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1961-02-09)
background vocals and choir vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1961-02-09)
phonographic copyright (℗) by:
Sun Record Company (in 1961)
remix of:
What’d I Say (master stereo) by Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
cover recording of:
What’d I Say (on 1961-02-09)
lyricist and composer:
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Mijac Music, MUAC Music, Progressive Music (publisher), Unichappell Music, Inc. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
2:28
23Will the Circle Be Unbroken
producer:
Ernie Barton
bass guitar:
Leo Lodner (from 1959-06-25 until 1959-06-26)
drums (drum set):
Russell Smith (US 1950s drummer) (from 1959-06-25 until 1959-06-26)
guitar:
Roland Janes (from 1959-06-25 until 1959-06-26) and Billy Lee Riley (from 1959-06-25 until 1959-06-26)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1959-06-25 until 1959-06-26)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (from 1959-06-25 until 1959-06-26)
phonographic copyright (℗) by:
Sun Record Company (in 1970)
cover recording of:
Can the Circle Be Unbroken (By and By) (from 1959-06-25 until 1959-06-26)
publisher:
Charles M. Alexander, Chicago, Illinois (gospel) (on 1907-04-30)
additional lyricist and additional composer:
A.P. Carter
lyricist:
Ada Ruth Habershon (in 1907)
composer:
Charles Hutchinson Gabriel (in 1907)
publisher:
Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (on 1935-06-22)
version of:
Will the Circle Be Unbroken?
2:25
24Let the Good Times Roll
producer:
Jack Clement and Sam Phillips (founder of Sun Records)
bass guitar:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1958-03)
drums (drum set):
Jimmy Van Eaton (in 1958-03)
guitar:
Roland Janes (in 1958-03) and Billy Lee Riley (in 1958-03)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1958-03)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1958-03)
phonographic copyright (℗) by:
Sun Record Company (in 1974)
cover recording of:
Let the Good Times Roll (in 1958-03)
writer:
Fleecie Moore (in 1946) and Sam Theard (in 1946)
publisher:
Rytvoc, Inc. (ASCAP), Theard Swanson Publishing and Warock Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
2:10

Credits

Release group

part of:The Collector Series (Castle Communications) (order: 8)