Complete Recordings on Deutsche Grammophon 2

~ Release by Karl Böhm (see all versions of this release, 5 available)

Tracklist

28▶CD: Mozart: Symphonies nos. 26, 28-30
29▶CD: Mozart: Symphonies nos. 31 “Paris”, 32-34
30▶CD: Mozart: Symphonies nos. 35 “Haffner”, 36 “Linz” & 38 “Prague”
31▶CD: Mozart: Symphonies nos. 39, 40 & 41 “Jupiter”
32▶CD: Mozart: Symphonies nos. 29 & 35 “Haffner” / Maurerische Trauermusik
33▶CD: Mozart: Symphonies nos. 38 “Prague” & 39
34▶CD: Mozart: Symphonies nos. 40 & 41 “Jupiter”
35▶CD: Mozart: Eine kleine Nachtmusik / Sinfonia concertante for Oboe, Clarinet, Horn, Bassoon and Orchestra in E-flat major, K. 297b
36▶CD: Mozart: Sinfonia concertante for Violin, Viola and Orchestra in E-flat major, K. 364 / Sinfonia concertante for Oboe, Clarinet, Horn, Bassoon and Orchestra in E-flat major, K. 297b
37▶CD: Mozart: Serenade in D major “Haffner”
38▶CD: Mozart: Serenade in D major “Posthorn” / Serenata notturna / Schubert: Rosamunde, Fürstin von Zypern, D. 797 (Excerpts)
39▶CD: Mozart: Serenade in B-flat major “Gran Partita”
40▶CD: Mozart: Eine kleine Nachtmusik / Serenata notturna
41▶CD: Mozart: Clarinet Concerto / Bassoon Concerto
42▶CD: Mozart: Flute Concerto no. 1 / Oboe Concerto / Concerto for Flute and Harp
43▶CD: Mozart: Horn Concertos nos. 1-4
44▶CD: Mozart: Piano Concertos nos. 23 & 19
45▶CD: Mozart: Piano Concerto no. 27 / Concerto for 2 Pianos, K. 365
46▶CD: Prokofiev: Peter und der Wolf / Saint-Saëns: Der Karneval der Tiere
47▼CD: Prokofiev: Peter and the Wolf / Saint-Saëns: The Carnival of the Animals
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1Peter and the Wolf, op. 67: 1. Introduction: “I'm going to tell you the story of Peter and the wolf”
producer:
Werner Mayer (classical producer)
spoken vocals [narrator]:
Hermione Gingold (in 1975-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-10)
conductor:
Karl Böhm (Austrian conductor) (in 1974-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-10) and Polydor Studios in London (Greater London), England, United Kingdom (in 1975-05: spoken vocals)
partial recording of:
Peter and the Wolf, op. 67 (from 1974-10 until 1975-05)
composer and librettist:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1936)
premiered at:
Nezlobin Theatre in Moscow, Russia (on 1936-05-02)
part of:
Works of Sergei Prokofiev by opus number (number: op. 67)
adaptations:
פטר והזאב
recording of:
Peter and the Wolf, op. 67: I'm going to tell you the story of Peter and the Wolf (from 1974-10 until 1975-05)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Peter and the Wolf, op. 67
Sergei Prokofiev2:24
2Peter and the Wolf, op. 67: 2. Andantino: “Once upon a time there was a boy called Peter”
producer:
Werner Mayer (classical producer)
spoken vocals [narrator]:
Hermione Gingold (in 1975-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-10)
conductor:
Karl Böhm (Austrian conductor) (in 1974-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-10) and Polydor Studios in London (Greater London), England, United Kingdom (in 1975-05: spoken vocals)
partial recording of:
Peter and the Wolf, op. 67 (from 1974-10 until 1975-05)
composer and librettist:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1936)
premiered at:
Nezlobin Theatre in Moscow, Russia (on 1936-05-02)
part of:
Works of Sergei Prokofiev by opus number (number: op. 67)
adaptations:
פטר והזאב
recording of:
Peter And The Wolf: Andantino (Early One Morning, Peter Opened The Gate) (from 1974-10 until 1975-05)
lyricist:
Claus Greuner
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Peter and the Wolf, op. 67 (catch-all for arrangements)
Sergei Prokofiev5:06
3Peter and the Wolf, op. 67: 3. The Bird: “But then our the corner of his eye”
producer:
Werner Mayer (classical producer)
spoken vocals [narrator]:
Hermione Gingold (in 1975-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-10)
conductor:
Karl Böhm (Austrian conductor) (in 1974-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-10) and Polydor Studios in London (Greater London), England, United Kingdom (in 1975-05: spoken vocals)
recording of:
Peter and the Wolf, op. 67 (from 1974-10 until 1975-05)
composer and librettist:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1936)
premiered at:
Nezlobin Theatre in Moscow, Russia (on 1936-05-02)
part of:
Works of Sergei Prokofiev by opus number (number: op. 67)
adaptations:
פטר והזאב
recording of:
Peter and the Wolf, op. 67: 3. The Bird (from 1974-10 until 1975-05)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Peter and the Wolf, op. 67
Sergei Prokofiev4:19
4Peter and the Wolf, op. 67: 4. The Duck: “No sooner had Peter and his grandfather disappeared”
producer:
Werner Mayer (classical producer)
spoken vocals [narrator]:
Hermione Gingold (in 1975-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-10)
conductor:
Karl Böhm (Austrian conductor) (in 1974-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-10) and Polydor Studios in London (Greater London), England, United Kingdom (in 1975-05: spoken vocals)
recording of:
Peter and the Wolf, op. 67 (from 1974-10 until 1975-05)
composer and librettist:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1936)
premiered at:
Nezlobin Theatre in Moscow, Russia (on 1936-05-02)
part of:
Works of Sergei Prokofiev by opus number (number: op. 67)
adaptations:
פטר והזאב
recording of:
Peter and the Wolf, op. 67: No sooner had Peter and his grandfather disappeared into the cottage (from 1974-10 until 1975-05)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Peter and the Wolf, op. 67
Sergei Prokofiev3:14
5Peter and the Wolf, op. 67: 5. The Cat: “So this is how it was”
producer:
Werner Mayer (classical producer)
spoken vocals [narrator]:
Hermione Gingold (in 1975-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-10)
conductor:
Karl Böhm (Austrian conductor) (in 1974-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-10) and Polydor Studios in London (Greater London), England, United Kingdom (in 1975-05: spoken vocals)
partial recording of:
Peter and the Wolf, op. 67 (from 1974-10 until 1975-05)
composer and librettist:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1936)
premiered at:
Nezlobin Theatre in Moscow, Russia (on 1936-05-02)
part of:
Works of Sergei Prokofiev by opus number (number: op. 67)
adaptations:
פטר והזאב
recording of:
Peter And The Wolf: The Cat (Suddenly Something Caught Peter's Attention) (from 1974-10 until 1975-05)
lyricist:
Claus Greuner
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Peter and the Wolf, op. 67 (catch-all for arrangements)
Sergei Prokofiev6:23
6Peter and the Wolf, op. 67: 6. The Grandfather: “Just at that moment, out from the forest”
producer:
Werner Mayer (classical producer)
spoken vocals [narrator]:
Hermione Gingold (in 1975-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-10)
conductor:
Karl Böhm (Austrian conductor) (in 1974-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-10) and Polydor Studios in London (Greater London), England, United Kingdom (in 1975-05: spoken vocals)
partial recording of:
Peter and the Wolf, op. 67 (from 1974-10 until 1975-05)
composer and librettist:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1936)
premiered at:
Nezlobin Theatre in Moscow, Russia (on 1936-05-02)
part of:
Works of Sergei Prokofiev by opus number (number: op. 67)
adaptations:
פטר והזאב
recording of:
Peter And The Wolf: The Grandfather (Just then the Hunters Came Out of the Woods) (from 1974-10 until 1975-05)
lyricist:
Claus Greuner
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Peter and the Wolf, op. 67 (catch-all for arrangements)
Sergei Prokofiev2:29
7Peter and the Wolf, op. 67: 7. The Wolf: “Oh, imagine the triumphant procession!”
producer:
Werner Mayer (classical producer)
spoken vocals [narrator]:
Hermione Gingold (in 1975-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-10)
conductor:
Karl Böhm (Austrian conductor) (in 1974-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-10) and Polydor Studios in London (Greater London), England, United Kingdom (in 1975-05: spoken vocals)
partial recording of:
Peter and the Wolf, op. 67 (from 1974-10 until 1975-05)
composer and librettist:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1936)
premiered at:
Nezlobin Theatre in Moscow, Russia (on 1936-05-02)
part of:
Works of Sergei Prokofiev by opus number (number: op. 67)
adaptations:
פטר והזאב
recording of:
Peter And The Wolf: The Wolf (And There, Imagine The Triumphant Procession!) (from 1974-10 until 1975-05)
lyricist:
Claus Greuner
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Peter and the Wolf, op. 67 (catch-all for arrangements)
Sergei Prokofiev4:43
8The Carnival of the Animals: 1. Introduction and the Lion's Royal March: “Camille Saint-Saëns was wracked with pains”
producer:
Werner Mayer (classical producer)
piano:
Alfons Kontarsky (pianist) (in 1974-10) and Aloys Kontarsky (pianist) (in 1974-10)
spoken vocals [narrator]:
Hermione Gingold (in 1975-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-10)
conductor:
Karl Böhm (Austrian conductor) (in 1974-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-10) and Polydor Studios in London (Greater London), England, United Kingdom (in 1975-05: spoken vocals)
recording of:
Le Carnaval des animaux : I. Introduction et marche royale du lion (The Carnival of the Animals: I. Introduction and Royal March of the Lion) (from 1974-10 until 1975-05)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:41
9The Carnival of the Animals: 2. Hens and Roosters: “The rooster is a roistering hoodlum”
producer:
Werner Mayer (classical producer)
piano:
Alfons Kontarsky (pianist) (in 1974-10) and Aloys Kontarsky (pianist) (in 1974-10)
spoken vocals [narrator]:
Hermione Gingold (in 1975-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-10)
conductor:
Karl Böhm (Austrian conductor) (in 1974-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-10) and Polydor Studios in London (Greater London), England, United Kingdom (in 1975-05: spoken vocals)
recording of:
Le Carnaval des animaux : II. Poules et coqs (from 1974-10 until 1975-05)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns0:56
10The Carnival of the Animals: 3. Wild Jackass (Swift Animals): “Have ever you harked to the leaves of myrtle”
producer:
Werner Mayer (classical producer)
piano:
Alfons Kontarsky (pianist) (in 1974-10) and Aloys Kontarsky (pianist) (in 1974-10)
spoken vocals [narrator]:
Hermione Gingold (in 1975-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-10)
conductor:
Karl Böhm (Austrian conductor) (in 1974-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-10) and Polydor Studios in London (Greater London), England, United Kingdom (in 1975-05: spoken vocals)
recording of:
Le Carnaval des animaux : III. Hèmiones (Animaux véloces) (from 1974-10 until 1975-05)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:04
11The Carnival of the Animals: 4. Tortoises: “Come crown my brow with leaves of myrtle”
producer:
Werner Mayer (classical producer)
piano:
Alfons Kontarsky (pianist) (in 1974-10) and Aloys Kontarsky (pianist) (in 1974-10)
spoken vocals [narrator]:
Hermione Gingold (in 1975-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-10)
conductor:
Karl Böhm (Austrian conductor) (in 1974-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-10) and Polydor Studios in London (Greater London), England, United Kingdom (in 1975-05: spoken vocals)
recording of:
Le Carnaval des animaux : IV. Tortues (from 1974-10 until 1975-05)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:03
12The Carnival of the Animals: 5. The Elephant: “Elephants are useful friends”
producer:
Werner Mayer (classical producer)
piano:
Alfons Kontarsky (pianist) (in 1974-10) and Aloys Kontarsky (pianist) (in 1974-10)
spoken vocals [narrator]:
Hermione Gingold (in 1975-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-10)
conductor:
Karl Böhm (Austrian conductor) (in 1974-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-10) and Polydor Studios in London (Greater London), England, United Kingdom (in 1975-05: spoken vocals)
recording of:
Le Carnaval des animaux : V. L'Éléphant (The Carnival of the Animals: V. The Elephant) (from 1974-10 until 1975-05)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:35
13The Carnival of the Animals: 6. Kangaroos: “Kangaroo can jump incredible”
producer:
Werner Mayer (classical producer)
piano:
Alfons Kontarsky (pianist) (in 1974-10) and Aloys Kontarsky (pianist) (in 1974-10)
spoken vocals [narrator]:
Hermione Gingold (in 1975-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-10)
conductor:
Karl Böhm (Austrian conductor) (in 1974-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-10) and Polydor Studios in London (Greater London), England, United Kingdom (in 1975-05: spoken vocals)
recording of:
Le Carnaval des animaux : VI. Kangourous (from 1974-10 until 1975-05)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns0:59
14The Carnival of the Animals: 7. Aquarium: “Some fish are minnows”
producer:
Werner Mayer (classical producer)
piano:
Alfons Kontarsky (pianist) (in 1974-10) and Aloys Kontarsky (pianist) (in 1974-10)
spoken vocals [narrator]:
Hermione Gingold (in 1975-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-10)
conductor:
Karl Böhm (Austrian conductor) (in 1974-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-10) and Polydor Studios in London (Greater London), England, United Kingdom (in 1975-05: spoken vocals)
recording of:
Le Carnaval des animaux : VII. Aquarium (The Carnival of the Animals: VII. Aquarium) (from 1974-10 until 1975-05)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:28
15The Carnival of the Animals: 8. Personages with Long Ears: “In the world of mules”
producer:
Werner Mayer (classical producer)
piano:
Alfons Kontarsky (pianist) (in 1974-10) and Aloys Kontarsky (pianist) (in 1974-10)
spoken vocals [narrator]:
Hermione Gingold (in 1975-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-10)
conductor:
Karl Böhm (Austrian conductor) (in 1974-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-10) and Polydor Studios in London (Greater London), England, United Kingdom (in 1975-05: spoken vocals)
recording of:
Le Carnaval des animaux : VIII. Personnages à longues oreilles (from 1974-10 until 1975-05)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns0:40
16The Carnival of the Animals: 9. The Cuckoo in the Deep Woods: “Cuckoos lead bohemian lives”
producer:
Werner Mayer (classical producer)
piano:
Alfons Kontarsky (pianist) (in 1974-10) and Aloys Kontarsky (pianist) (in 1974-10)
spoken vocals [narrator]:
Hermione Gingold (in 1974-10, in 1975-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-10)
conductor:
Karl Böhm (Austrian conductor) (in 1974-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-10) and Polydor Studios in London (Greater London), England, United Kingdom (in 1975-05: spoken vocals)
recording of:
Le Carnaval des animaux : IX. Le Coucou au fond des bois (from 1974-10 until 1975-05)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:27
17The Carnival of the Animals: 10. Aviary: “Puccini was Latin, and Wagner Teutonic”
producer:
Werner Mayer (classical producer)
piano:
Alfons Kontarsky (pianist) (in 1974-10) and Aloys Kontarsky (pianist) (in 1974-10)
spoken vocals [narrator]:
Hermione Gingold (in 1975-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-10)
conductor:
Karl Böhm (Austrian conductor) (in 1974-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-10) and Polydor Studios in London (Greater London), England, United Kingdom (in 1975-05: spoken vocals)
recording of:
Le Carnaval des animaux : X. Volière (from 1974-10 until 1975-05)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:50
18The Carnival of the Animals: 11. Pianists: “Some claim that pianists are human”
producer:
Werner Mayer (classical producer)
piano:
Alfons Kontarsky (pianist) (in 1974-10) and Aloys Kontarsky (pianist) (in 1974-10)
spoken vocals [narrator]:
Hermione Gingold (in 1974-10, in 1975-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-10)
conductor:
Karl Böhm (Austrian conductor) (in 1974-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-10) and Polydor Studios in London (Greater London), England, United Kingdom (in 1975-05: spoken vocals)
recording of:
Le Carnaval des animaux : XI. Pianistes (from 1974-10 until 1975-05)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:22
19The Carnival of the Animals: 12. Fossils: “At midnight in the museum hall”
producer:
Werner Mayer (classical producer)
piano:
Alfons Kontarsky (pianist) (in 1974-10) and Aloys Kontarsky (pianist) (in 1974-10)
spoken vocals [narrator]:
Hermione Gingold (in 1975-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-10)
conductor:
Karl Böhm (Austrian conductor) (in 1974-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-10) and Polydor Studios in London (Greater London), England, United Kingdom (in 1975-05: spoken vocals)
recording of:
Le Carnaval des animaux : XII. Fossiles (from 1974-10 until 1975-05)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:56
20The Carnival of the Animals: 13. The Swan: “The swan can swim while sitting down”
producer:
Werner Mayer (classical producer)
piano:
Alfons Kontarsky (pianist) (in 1974-10) and Aloys Kontarsky (pianist) (in 1974-10)
solo cello:
Wolfgang Herzer (in 1974-10)
spoken vocals [narrator]:
Hermione Gingold (in 1975-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-10)
conductor:
Karl Böhm (Austrian conductor) (in 1974-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-10) and Polydor Studios in London (Greater London), England, United Kingdom (in 1975-05: spoken vocals)
recording of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, part of orig. Carnival of the Animals, for cello and dual piano) (from 1974-10 until 1975-05)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
arranger:
Pege Aladár
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns3:01
21The Carnival of the Animals: 14. Finale: “Now we reach the grand finale”
producer:
Werner Mayer (classical producer)
piano:
Alfons Kontarsky (pianist) (in 1974-10) and Aloys Kontarsky (pianist) (in 1974-10)
spoken vocals [narrator]:
Hermione Gingold (in 1975-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-10)
conductor:
Karl Böhm (Austrian conductor) (in 1974-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-10) and Polydor Studios in London (Greater London), England, United Kingdom (in 1975-05: spoken vocals)
recording of:
Le Carnaval des animaux : XIV. Finale (The Carnival of the Animals: XIV. Finale) (from 1974-10 until 1975-05)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:23
48▶CD: Schubert: Symphonies nos. 1 & 2
49▶CD: Schubert: Symphonies nos. 3 & 4 “Tragic”
50▶CD: Schubert: Symphonies nos. 5 & 6
51▶CD: Schubert: Symphonies nos. 8 “Unfinished” & 9 “Great”
52▶CD: Schubert: Symphony no. 8 “Unfinished” / Dvořák: Symphony no. 9 “From the New World”
53▶CD: Schubert: Symphony no. 9 “Great”
54▶CD: Schumann: Symphony no. 4 / Schubert: Symphony no. 5