Fidelio

~ Release by Ludwig van Beethoven, Martha Mödl, Wolfgang Windgassen, Sena Jurinac, Gottlob Frick, Wiener Philharmoniker & Wilhelm Furtwängler (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Fidelio, Op. 72: Overture
producer:
Lawrance Collingwood
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Overture (1814 version, sometimes op. 72b or op. 72c) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72 (1814 version)
revision of:
Fidelio/Leonore Overture op. 72/72a/72b/72c/138 (catch-all for unknown version)
Ludwig van Beethoven6:36
2Fidelio, Op. 72: Act I, Scene I, No. 1. Duet "Jetzt, Schätzchen, jetzt sind wir allein" (Jaquino, Marzelline)
producer:
Lawrance Collingwood
soprano vocals [Marzelline]:
Sena Jurinac (soprano) (from 1953-10-13 until 1953-10-19)
tenor vocals [Jaquino]:
Rudolf Schock (tenor) (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 1a. Duet “Jetzt, Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven5:10
3Fidelio, Op. 72: Act I, Scene I, No. 2. Aria "O wär' ich schon mit dir vereint" (Marzelline)
producer:
Lawrance Collingwood
soprano vocals [Marzelline]:
Sena Jurinac (soprano) (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 2a. Aria "O wär' ich schon mit dir vereint" (Marzelline) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly and Joseph Sonnleithner
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:40
4Fidelio, Op. 72: Act I, Scene I, No. 3. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino)
producer:
Lawrance Collingwood
bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1953-10-13 until 1953-10-19)
soprano vocals [Leonore]:
Martha Mödl (German soprano) (from 1953-10-13 until 1953-10-19)
soprano vocals [Marzelline]:
Sena Jurinac (soprano) (from 1953-10-13 until 1953-10-19)
tenor vocals [Jaquino]:
Rudolf Schock (tenor) (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 3a. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1805)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
revised by:
Ludwig van Beethoven (German composer) (in 1814)
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:44
5Fidelio, Op. 72: Act I, Scene I, No. 4. Aria "Hat man nicht auch Gold beineben" (Rocco)
producer:
Lawrance Collingwood
bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1953-10-13 until 1953-10-19)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 4a. Aria "Hat man nicht auch Gold beineben" (Rocco) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven2:57
6Fidelio, Op. 72: Act I, Scene I, No. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline)
producer:
Lawrance Collingwood
bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1953-10-13 until 1953-10-19)
soprano vocals [Leonore]:
Martha Mödl (German soprano) (from 1953-10-13 until 1953-10-19)
soprano vocals [Marzelline]:
Sena Jurinac (soprano) (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven7:21
7Fidelio, Op. 72: Act I, Scene II, No. 6. March
producer:
Lawrance Collingwood
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 6a. Marsch (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven2:15
8Fidelio, Op. 72: Act I, Scene II, No. 7. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus)
producer:
Lawrance Collingwood
baritone vocals [Pizarro]:
Otto Edelmann (austrian bass-baritone) (from 1953-10-13 until 1953-10-19)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 7a. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven3:22
9Fidelio, Op. 72: Act I, Scene II, No. 8. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco)
producer:
Lawrance Collingwood
baritone vocals [Pizarro]:
Otto Edelmann (austrian bass-baritone) (from 1953-10-13 until 1953-10-19)
bass vocals:
Gottlob Frick (operatic bass) (from 1953-10-13 until 1953-10-19)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 8. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:58
10Fidelio, Op. 72: Act I, Scene II, No. 9. Recitative "Abscheulicher!" - Aria "Komm, Hoffnung" (Leonore)
producer:
Lawrance Collingwood
soprano vocals [Leonore]:
Martha Mödl (German soprano) (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 9a. Recitative "Abscheulicher! Wo eilst du hin? " - Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven7:57
11Fidelio, Op. 72: Act I, Scene II, No. 10a. Prisoner's Chorus "O welche Lust"
producer:
Lawrance Collingwood
baritone vocals and bass vocals [Second Prisoner]:
Franz Bierbach (operatic bass) (from 1953-10-13 until 1953-10-19)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1953-10-13 until 1953-10-19)
tenor vocals:
Alwin Hendricks (from 1953-10-13 until 1953-10-19) and Wolfgang Windgassen (tenor) (from 1953-10-13 until 1953-10-19)
tenor vocals [First Prisoner]:
Alwin Hendricks (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus „O welche Lust, in freier Luft“ (Chor, 1st Prisoner, 2nd Prisoner) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1805, in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven7:25
12Fidelio, Op. 72: Act I, Scene II, No. 10b. Recitative "Nun sprecht, wie ging's?" (Leonore, Rocco)
producer:
Lawrance Collingwood
bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1953-10-13 until 1953-10-19)
soprano vocals [Leonore]:
Martha Mödl (German soprano) (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10b. Recitative "Nun sprecht, wie ging's?" - "Noch heute" (Leonore, Rocco) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven6:00
13Fidelio, Op. 72: Act I, Scene II, No. 10e. Quintet "Ach, Vater, eilt!" (Marzelline, Rocco, Jaquino, Leonore, Pizarro)
producer:
Lawrance Collingwood
baritone vocals [Pizarro]:
Otto Edelmann (austrian bass-baritone) (from 1953-10-13 until 1953-10-19)
bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1953-10-13 until 1953-10-19)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1953-10-13 until 1953-10-19)
soprano vocals [Leonore]:
Martha Mödl (German soprano) (from 1953-10-13 until 1953-10-19)
soprano vocals [Marzelline]:
Sena Jurinac (soprano) (from 1953-10-13 until 1953-10-19)
tenor vocals [Jaquino]:
Rudolf Schock (tenor) (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (conductor) (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10c. Quintet "Ach, Vater, Vater, eilt!" (Marzelline, Rocco, Jaquino, Leonore, Pizarro) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven7:29
2▶CD

Credits

Release

ASIN:UK: B00000DOBY [info]