Piano Works, Paraphrases and Transcriptions, Volume 2: Oratorio / Cantata / Occasional Pieces / J.S. Bach / Luis de Milan

~ Release by Camille Saint‐Saëns; Antony Gray (see all versions of this release, 1 available)

Tracklist

1▶Digital Media
2▼Digital Media
#TitleArtistRatingLength
1Fantaisie en ré majeur écrite par Luis Milan de Valence
sound engineer:
Morgan Roberts
producer:
Simon Weir
instruments:
Antony Gray (Australian pianist) (in 2013-08)
recorded at:
The Menuhin Hall in Stoke d'Abernon, Surrey, England, United Kingdom (in 2013-08)
recording of:
Fantaisie en ré majeur écrite par Luis Milan de Valence (for piano, Saint‐Saëns)
composer:
Luis de Milán (Spanish renaissance composer, c. 1500-1561)
arranger:
Camille Saint‐Saëns (composer)
Camille Saint‐Saëns3:32
2Fantaisie en sol mineur écrite par Luis Milan de Valence
sound engineer:
Morgan Roberts
producer:
Simon Weir
instruments:
Antony Gray (Australian pianist) (in 2013-08)
recorded at:
The Menuhin Hall in Stoke d'Abernon, Surrey, England, United Kingdom (in 2013-08)
recording of:
Fantaisie en sol mineur écrite par Luis Milan de Valence (for piano, Saint‐Saëns)
composer:
Luis de Milán (Spanish renaissance composer, c. 1500-1561)
arranger:
Camille Saint‐Saëns (composer)
Camille Saint‐Saëns3:58
3Douze transcriptions pour piano (après J.S. Bach): I. No. 1 Ouverture de la 29e cantate, BWV 29
sound engineer:
Morgan Roberts
producer:
Simon Weir
instruments:
Antony Gray (Australian pianist) (in 2013-08)
recorded at:
The Menuhin Hall in Stoke d'Abernon, Surrey, England, United Kingdom (in 2013-08)
recording of:
Ouverture from Cantata, BWV 29 (for piano solo, Saint-Saëns)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
piano arranger:
Camille Saint‐Saëns (composer)
arrangement of:
Kantate, BWV 29 “Wir danken dir, Gott, wir danken dir”: I. Sinfonia
part of:
Oeuvres de J.-S. Bach, Douze transcriptions pour le piano
Camille Saint‐Saëns4:03
4Douze transcriptions pour piano (après J.S. Bach): II. No. 2 Adagio de la 3e cantate, BWV 3
sound engineer:
Morgan Roberts
producer:
Simon Weir
instruments:
Antony Gray (Australian pianist) (in 2013-08)
recorded at:
The Menuhin Hall in Stoke d'Abernon, Surrey, England, United Kingdom (in 2013-08)
recording of:
Adagio from Cantata, BWV 3 (for piano, Saint-Säens)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Camille Saint‐Saëns (composer)
arrangement of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid": I. Coro "Ach Gott, wie manches Herzeleid"
part of:
Oeuvres de J.-S. Bach, Douze transcriptions pour le piano
Camille Saint‐Saëns5:18
5Douze transcriptions pour piano (après J.S. Bach): III. No. 3 Andantino de la 8e cantata, BWV 8
sound engineer:
Morgan Roberts
producer:
Simon Weir
instruments:
Antony Gray (Australian pianist) (in 2013-08)
recorded at:
The Menuhin Hall in Stoke d'Abernon, Surrey, England, United Kingdom (in 2013-08)
recording of:
Andantino from Cantata, BWV 8 (for piano, Saint-Säens)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Camille Saint‐Saëns (composer)
arrangement of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": I. Coro "Liebster Gott, wenn werd ich sterben?"
part of:
Oeuvres de J.-S. Bach, Douze transcriptions pour le piano
Camille Saint‐Saëns5:56
6Douze transcriptions pour piano (après J.S. Bach): IV. No. 4 Bourrée de la 1e Partita, BWV 1002
sound engineer:
Morgan Roberts
producer:
Simon Weir
instruments:
Antony Gray (Australian pianist) (in 2013-08)
recorded at:
The Menuhin Hall in Stoke d'Abernon, Surrey, England, United Kingdom (in 2013-08)
recording of:
Bourrée from Partita no. 1 for Solo Violin, BWV 1002 (for piano, Saint-Säens)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Camille Saint‐Saëns (composer)
arrangement of:
Violin Partita no. 1 in B minor, BWV 1002: VII. Tempo di Borea
part of:
Oeuvres de J.-S. Bach, Douze transcriptions pour le piano
Camille Saint‐Saëns3:35
7Douze transcriptions pour piano (après J.S. Bach): V. No. 5 Andante de la 2e sonate de violon, BWV 1003
sound engineer:
Morgan Roberts
producer:
Simon Weir
instruments:
Antony Gray (Australian pianist) (in 2013-08)
recorded at:
The Menuhin Hall in Stoke d'Abernon, Surrey, England, United Kingdom (in 2013-08)
recording of:
Andante from Sonata no. 2 for Solo Violin, BWV 1003 (for piano, Saint-Säens)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Camille Saint‐Saëns (composer)
arrangement of:
Violin Sonata no. 2 in A minor, BWV 1003: III. Andante
part of:
Oeuvres de J.-S. Bach, Douze transcriptions pour le piano
Camille Saint‐Saëns5:33
8Douze transcriptions pour piano (après J.S. Bach): VI. No. 6 Presto de la 35e cantate, BWV 35
sound engineer:
Morgan Roberts
producer:
Simon Weir
instruments:
Antony Gray (Australian pianist) (in 2013-08)
recorded at:
The Menuhin Hall in Stoke d'Abernon, Surrey, England, United Kingdom (in 2013-08)
recording of:
Presto from Cantata, BWV 35 (for piano, Saint-Säens)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Camille Saint‐Saëns (composer)
arrangement of:
Kantate, BWV 35 "Geist und Seele wird verwirret": Teil II, V. Sinfonia
part of:
Oeuvres de J.-S. Bach, Douze transcriptions pour le piano
Camille Saint‐Saëns3:46
9Douze transcriptions pour piano (après J.S. Bach): VII. No. 7 Introduction et Air de la 15e cantate, BWV 15
sound engineer:
Morgan Roberts
producer:
Simon Weir
instruments:
Antony Gray (Australian pianist) (in 2013-08)
recorded at:
The Menuhin Hall in Stoke d'Abernon, Surrey, England, United Kingdom (in 2013-08)
recording of:
Introduction et Air from Cantata, BWV 15 (for piano, Saint-Säens)
composer:
Johann Ludwig Bach
arranger:
Camille Saint‐Saëns (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Denn du wirst meine Seele nicht in der Hölle lassen, BWV 15: I. Arioso "Denn du wirst meine Seele nicht in der Hölle lassen"
part of:
Oeuvres de J.-S. Bach, Douze transcriptions pour le piano
Camille Saint‐Saëns2:51
10Douze transcriptions pour piano (après J.S. Bach): VIII. No. 8 Fugue de la 3e sonate de violon, BWV 1005
sound engineer:
Morgan Roberts
producer:
Simon Weir
instruments:
Antony Gray (Australian pianist) (in 2013-08)
recorded at:
The Menuhin Hall in Stoke d'Abernon, Surrey, England, United Kingdom (in 2013-08)
recording of:
Fugue from Sonata no. 3 for Solo Violin, BWV 1005 (for piano, Saint-Säens)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Camille Saint‐Saëns (composer)
arrangement of:
Violin Sonata no. 3 in C major, BWV 1005: II. Fuga
part of:
Oeuvres de J.-S. Bach, Douze transcriptions pour le piano
Camille Saint‐Saëns7:39
11Douze transcriptions pour piano (après J.S. Bach): IX. No. 9a Largo de la 3e sonate de violon, BWV 1005
sound engineer:
Morgan Roberts
producer:
Simon Weir
instruments:
Antony Gray (Australian pianist) (in 2013-08)
recorded at:
The Menuhin Hall in Stoke d'Abernon, Surrey, England, United Kingdom (in 2013-08)
recording of:
Largo from Sonata no. 3 for Solo Violin, BWV 1005 (for piano, Saint-Säens)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Camille Saint‐Saëns (composer)
arrangement of:
Violin Sonata no. 3 in C major, BWV 1005: III. Largo
part of:
Oeuvres de J.-S. Bach, Douze transcriptions pour le piano
Camille Saint‐Saëns3:24
12Douze transcriptions pour piano (après J.S. Bach): X. No. 9b Récitatif et Air de la 30e cantate, BWV 30
sound engineer:
Morgan Roberts
producer:
Simon Weir
instruments:
Antony Gray (Australian pianist) (in 2013-08)
recorded at:
The Menuhin Hall in Stoke d'Abernon, Surrey, England, United Kingdom (in 2013-08)
recording of:
Récitatif et Air from Cantata, BWV 30 (for piano, Saint-Säens)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Camille Saint‐Saëns (composer)
arrangement of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar": Teil I, IV. Recitativo (Alto) "Der Herold kömmt und meldt den König an"
arrangement of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar": Teil I, V. Aria (Alto) "Kommt, ihr angefochtnen Sünder"
part of:
Oeuvres de J.-S. Bach, Douze transcriptions pour le piano
Camille Saint‐Saëns2:21
13Douze transcriptions pour piano (après J.S. Bach): XI. No. 10 Gavotte de lat 3e Partita, BWV 1006
sound engineer:
Morgan Roberts
producer:
Simon Weir
instruments:
Antony Gray (Australian pianist) (in 2013-08)
recorded at:
The Menuhin Hall in Stoke d'Abernon, Surrey, England, United Kingdom (in 2013-08)
recording of:
Gavotte from Partita no. 3 for Solo Violin, BWV 1006 (for piano, Saint-Säens)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Camille Saint‐Saëns (composer)
arrangement of:
Violin Partita no. 3 in E major, BWV 1006.1/1006: III. Gavotte en rondeau
part of:
Oeuvres de J.-S. Bach, Douze transcriptions pour le piano
Camille Saint‐Saëns3:08
14Douze transcriptions pour piano (après J.S. Bach): XII. No. 11 Air de la 36e cantate, BWV 36
sound engineer:
Morgan Roberts
producer:
Simon Weir
instruments:
Antony Gray (Australian pianist) (in 2013-08)
recorded at:
The Menuhin Hall in Stoke d'Abernon, Surrey, England, United Kingdom (in 2013-08)
recording of:
Air from Cantata, BWV 36 (for piano, Saint-Säens)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Camille Saint‐Saëns (composer)
arrangement of:
Kantate, BWV 36 "Schwingt freudig euch empor": VII. Aria (Soprano) "Auch mit gedämpften, schwachen Stimmen"
part of:
Oeuvres de J.-S. Bach, Douze transcriptions pour le piano
Camille Saint‐Saëns2:58
15Douze transcriptions pour piano (après J.S. Bach): XIII. No. 12 Choeur de la 30e cantate, BWV 30
sound engineer:
Morgan Roberts
producer:
Simon Weir
instruments:
Antony Gray (Australian pianist) (in 2013-08)
recorded at:
The Menuhin Hall in Stoke d'Abernon, Surrey, England, United Kingdom (in 2013-08)
recording of:
Chœur from Cantata, BWV 30 (for piano, Saint-Säens)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Camille Saint‐Saëns (composer)
arrangement of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar": Teil II, XII. Coro "Freude dich, geheilgte Schar"
part of:
Oeuvres de J.-S. Bach, Douze transcriptions pour le piano
Camille Saint‐Saëns2:38