Belshazzar

~ Release by Handel; Les Arts Florissants, William Christie (see all versions of this release, 2 available)

Tracklist

1CD
2CD
#TitleArtistRatingLength
1Belshazzar: Act I. Scene 5. 16a. Aria (Belshazzar) "Let festal joy triumphant reign" - 16b. Recitative (Belshazzar, Nitocris) "For you, my friends, the nobles of my court"
art direction:
Martin Sauer (engineer/producer)
engineer:
Jean Chatauret
soprano vocals [Nitocris]:
Rosemary Joshua (soprano)
tenor vocals [Belshazzar]:
Allan Clayton (tenor)
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recorded at:
Conservatoire Maurice Ravel de Levallois-Perret in Levallois-Perret, Hauts-de-Seine, Île-de-France, France (from 2012-12-19 until 2012-12-21)
recording of:
Belshazzar, HWV 61: Act 1, Scene 4, Air "Let festal joy triumphant reign!" (Belshazzar)
composer:
George Frideric Handel (German‐British baroque composer) (in 1744)
librettist:
Charles Jennens
part of:
Belshazzar, HWV 61: Act I
Handel6:45
2Belshazzar: Act I. Scene 5. 17. Aria (Nitocris) "The leafy honours of the field"
art direction:
Martin Sauer (engineer/producer)
engineer:
Jean Chatauret
soprano vocals [Nitocris]:
Rosemary Joshua (soprano)
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recorded at:
Conservatoire Maurice Ravel de Levallois-Perret in Levallois-Perret, Hauts-de-Seine, Île-de-France, France (from 2012-12-19 until 2012-12-21)
recording of:
Belshazzar, HWV 61: Act 1, Scene 4, Air "The leafy honours of the field" (Nitocris)
composer:
George Frideric Handel (German‐British baroque composer) (in 1744)
librettist:
Charles Jennens
part of:
Belshazzar, HWV 61: Act I
Handel7:10
3Belshazzar: Act I. Scene 5. 18a. Recitative (Belshazzar, Nitocris) "It is the custom; I may say, the law"
art direction:
Martin Sauer (engineer/producer)
engineer:
Jean Chatauret
soprano vocals [Nitocris]:
Rosemary Joshua (soprano)
tenor vocals [Belshazzar]:
Allan Clayton (tenor)
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recorded at:
Conservatoire Maurice Ravel de Levallois-Perret in Levallois-Perret, Hauts-de-Seine, Île-de-France, France (from 2012-12-19 until 2012-12-21)
recording of:
Belshazzar, HWV 61: Act 1, Scene 4, Recitativo "It is the custom, I may say, the law" (Belshazzar, Nitocris)
composer:
George Frideric Handel (German‐British baroque composer) (in 1744)
librettist:
Charles Jennens
part of:
Belshazzar, HWV 61: Act I
Handel1:35
4Belshazzar: Act I. Scene 5. 18b. Chorus of Jews "Recall, O king, thy rash command"
art direction:
Martin Sauer (engineer/producer)
engineer:
Jean Chatauret
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recorded at:
Conservatoire Maurice Ravel de Levallois-Perret in Levallois-Perret, Hauts-de-Seine, Île-de-France, France (from 2012-12-19 until 2012-12-21)
Handel2:32
5Belshazzar: Act I. Scene 5. 19a. Recitative (Nitocris, Belshazzar) "They tell you true; nor can you be to learn"
art direction:
Martin Sauer (engineer/producer)
engineer:
Jean Chatauret
soprano vocals [Nitocris]:
Rosemary Joshua (soprano)
tenor vocals [Belshazzar]:
Allan Clayton (tenor)
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recorded at:
Conservatoire Maurice Ravel de Levallois-Perret in Levallois-Perret, Hauts-de-Seine, Île-de-France, France (from 2012-12-19 until 2012-12-21)
recording of:
Belshazzar, HWV 61: Act 1, Scene 4, Recitativo "They tell you true" (Nitocris, Belshazzar)
composer:
George Frideric Handel (German‐British baroque composer) (in 1744)
librettist:
Charles Jennens
part of:
Belshazzar, HWV 61: Act I
Handel1:18
6Belshazzar: Act I. Scene 5. 19b. Duet (Nitocris, Belshazzar) "O dearer than my life, forbear"
art direction:
Martin Sauer (engineer/producer)
engineer:
Jean Chatauret
soprano vocals [Nitocris]:
Rosemary Joshua (soprano)
tenor vocals [Belshazzar]:
Allan Clayton (tenor)
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recorded at:
Conservatoire Maurice Ravel de Levallois-Perret in Levallois-Perret, Hauts-de-Seine, Île-de-France, France (from 2012-12-19 until 2012-12-21)
recording of:
Belshazzar, HWV 61: Act 1, Scene 4, Duet "Oh dearer than my life, forbear!" (Nitocris, Belshazzar)
composer:
George Frideric Handel (German‐British baroque composer) (in 1744)
librettist:
Charles Jennens
part of:
Belshazzar, HWV 61: Act I
Handel4:45
7Belshazzar: Act I. Scene 5. 20. Chorus of Jews "By slow degrees the wrath of God to its meridian height ascends"
art direction:
Martin Sauer (engineer/producer)
engineer:
Jean Chatauret
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recorded at:
Conservatoire Maurice Ravel de Levallois-Perret in Levallois-Perret, Hauts-de-Seine, Île-de-France, France (from 2012-12-19 until 2012-12-21)
recording of:
Belshazzar, HWV 61: Act 1, Scene 4, Chorus "By slow degrees the wrath of God" (Jews)
composer:
George Frideric Handel (German‐British baroque composer) (in 1744)
librettist:
Charles Jennens
part of:
Belshazzar, HWV 61: Act I
Handel6:08
8Belshazzar: Act II. Scene 1. 21. Chorus "See, from his post Euphrates flies!" - 22. Semichorus "Why faithless river dost thou leave" - 23. Semichorus "Euphrates hath his task fulfil'd" - 24. Chorus "Of things on earth, proud man must own"
art direction:
Martin Sauer (engineer/producer)
engineer:
Jean Chatauret
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recorded at:
Conservatoire Maurice Ravel de Levallois-Perret in Levallois-Perret, Hauts-de-Seine, Île-de-France, France (from 2012-12-19 until 2012-12-21)
recording of:
Belshazzar, HWV 61: Act 2, Scene 1, Chorus "See, from his post Euphrates flies!"
composer:
George Frideric Handel (German‐British baroque composer) (in 1744)
librettist:
Charles Jennens
part of:
Belshazzar, HWV 61: Act II
Handel6:33
9Belshazzar: Act II. Scene 1. 25a. Recitative (Cyrus) "You, see my friends, a path into the city" - 25b. Aria (Cyrus) "Amaz'd to find the foe so near" - 26. Chorus of Persians "To arms, to arms, no more delay"
art direction:
Martin Sauer (engineer/producer)
engineer:
Jean Chatauret
mezzo-soprano vocals [Cyrus]:
Caitlin Hulcup (mezzo-soprano)
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recorded at:
Conservatoire Maurice Ravel de Levallois-Perret in Levallois-Perret, Hauts-de-Seine, Île-de-France, France (from 2012-12-19 until 2012-12-21)
recording of:
Belshazzar, HWV 61: Act 2, Scene 1, Chorus "To arms, to arms! no more delay!" (Persians)
composer:
George Frideric Handel (German‐British baroque composer) (in 1744)
librettist:
Charles Jennens
part of:
Belshazzar, HWV 61: Act II
Handel6:07
10Belshazzar: Act II. Scene 2. 27. Chorus "Ye tutelar gods of our empire, look down"
art direction:
Martin Sauer (engineer/producer)
engineer:
Jean Chatauret
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recorded at:
Conservatoire Maurice Ravel de Levallois-Perret in Levallois-Perret, Hauts-de-Seine, Île-de-France, France (from 2012-12-19 until 2012-12-21)
recording of:
Belshazzar, HWV 61: Act 2, Scene 2, Chorus "Ye tutelar gods of our empire"
composer:
George Frideric Handel (German‐British baroque composer) (in 1744)
librettist:
Charles Jennens
part of:
Belshazzar, HWV 61: Act II
Handel2:52
11Belshazzar: Act II. Scene 2. 28. Aria (Belshazzar) "Let the deep bowl thy praise confess"
art direction:
Martin Sauer (engineer/producer)
engineer:
Jean Chatauret
tenor vocals [Belshazzar]:
Allan Clayton (tenor)
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recorded at:
Conservatoire Maurice Ravel de Levallois-Perret in Levallois-Perret, Hauts-de-Seine, Île-de-France, France (from 2012-12-19 until 2012-12-21)
recording of:
Belshazzar, HWV 61: Act 2, Scene 2, Air "Let the deep bowl thy praise confess" (Belshazzar)
composer:
George Frideric Handel (German‐British baroque composer) (in 1744)
librettist:
Charles Jennens
part of:
Belshazzar, HWV 61: Act II
Handel2:35
12Belshazzar: Act II. Scene 2. 29a. Accompagnato and Chorus (Belshazzar) "Where is the God of Judah's boasted pow'r?"
art direction:
Martin Sauer (engineer/producer)
engineer:
Jean Chatauret
tenor vocals [Belshazzar]:
Allan Clayton (tenor)
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recorded at:
Conservatoire Maurice Ravel de Levallois-Perret in Levallois-Perret, Hauts-de-Seine, Île-de-France, France (from 2012-12-19 until 2012-12-21)
recording of:
Belshazzar, HWV 61: Act 2, Scene 2, Accompagnato "Where is the God of Judah's boasted pow'r?" (Belshazzar, Chorus)
composer:
George Frideric Handel (German‐British baroque composer) (in 1744)
librettist:
Charles Jennens
part of:
Belshazzar, HWV 61: Act II
Handel2:41
13Belshazzar: Act II. Scene 2. 29b. Recitative (Belshazzar) "Call all our Wiseman, sorcerers, Chaldeans" - 30. Symphonie
art direction:
Martin Sauer (engineer/producer)
engineer:
Jean Chatauret
tenor vocals [Belshazzar]:
Allan Clayton (tenor)
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recorded at:
Conservatoire Maurice Ravel de Levallois-Perret in Levallois-Perret, Hauts-de-Seine, Île-de-France, France (from 2012-12-19 until 2012-12-21)
recording of:
Belshazzar, HWV 61: Act 2, Scene 2, Recitativo "Call all my Wise Men" (Belshazzar)
composer:
George Frideric Handel (German‐British baroque composer) (in 1744)
librettist:
Charles Jennens
part of:
Belshazzar, HWV 61: Act II
Handel1:45
14Belshazzar: Act II. Scene 2. 31a. Recitative (Belshazzar) "Ye sages, welcome always to your king" - 31b. Trio (Wisemen) "Alas! too hard a task the king imposes" - 32a. Chorus "O misery! O terror! hopeless grief!"
art direction:
Martin Sauer (engineer/producer)
engineer:
Jean Chatauret
bass vocals [Wiseman]:
Damian Whiteley (Australian bass)
tenor vocals [Belshazzar]:
Allan Clayton (tenor)
tenor vocals [Wiseman]:
Thibaut Lenaerts (Belgian tenor vocalist, conductor) and Michael-Loughlin Smith
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recorded at:
Conservatoire Maurice Ravel de Levallois-Perret in Levallois-Perret, Hauts-de-Seine, Île-de-France, France (from 2012-12-19 until 2012-12-21)
recording of:
Belshazzar, HWV 61: Act 2, Scene 2, Recitativo "Ye sages! welcome always to your king" (Belshazzar)
composer:
George Frideric Handel (German‐British baroque composer) (in 1744)
librettist:
Charles Jennens
part of:
Belshazzar, HWV 61: Act II
Handel2:12
15Belshazzar: Act II. Scene 2. 32b. Recitative (Nitocris, Belshazzar) "O king, live for ever!" - 32c. Recitative (Belshazzar) "Art thou that Daniel, of the Jewish captives?" - 33. Aria (Daniel) "No: to thyself thy trifles be"
art direction:
Martin Sauer (engineer/producer)
engineer:
Jean Chatauret
countertenor vocals [Daniel]:
Iestyn Davies (countertenor)
soprano vocals [Nitocris]:
Rosemary Joshua (soprano)
tenor vocals [Belshazzar]:
Allan Clayton (tenor)
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recorded at:
Conservatoire Maurice Ravel de Levallois-Perret in Levallois-Perret, Hauts-de-Seine, Île-de-France, France (from 2012-12-19 until 2012-12-21)
recording of:
Belshazzar, HWV 61: Act 2, Scene 2, Air "No! to thyself thy trifles be" (Daniel)
composer:
George Frideric Handel (German‐British baroque composer) (in 1744)
librettist:
Charles Jennens
part of:
Belshazzar, HWV 61: Act II
Handel2:58
16Belshazzar: Act II. Scene 2. 34. Accompagnato (Daniel) "Yet to obey his dread command" - 35. Accompagnato (Daniel) "Thou, O King, hast lifted up thyself" - 36. Recitative (Nitocris) "O sentence too severe! and yet too sure!"
art direction:
Martin Sauer (engineer/producer)
engineer:
Jean Chatauret
countertenor vocals [Daniel]:
Iestyn Davies (countertenor)
soprano vocals [Nitocris]:
Rosemary Joshua (soprano)
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recorded at:
Conservatoire Maurice Ravel de Levallois-Perret in Levallois-Perret, Hauts-de-Seine, Île-de-France, France (from 2012-12-19 until 2012-12-21)
recording of:
Belshazzar, HWV 61: Act 2, Scene 2, Accompagnato "Yet, to obey his dread command" (Daniel)
composer:
George Frideric Handel (German‐British baroque composer) (in 1744)
librettist:
Charles Jennens
part of:
Belshazzar, HWV 61: Act II
Handel3:54
17Belshazzar: Act II. Scene 2. 37. Aria (Nitocris) "Regard, O son, my flowing tears"
art direction:
Martin Sauer (engineer/producer)
engineer:
Jean Chatauret
countertenor vocals [Daniel]:
Iestyn Davies (countertenor)
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recorded at:
Conservatoire Maurice Ravel de Levallois-Perret in Levallois-Perret, Hauts-de-Seine, Île-de-France, France (from 2012-12-19 until 2012-12-21)
recording of:
Belshazzar, HWV 61: Act 2, Scene 2, Air "Regard, oh son, my flowing tears" (Nitocris)
composer:
George Frideric Handel (German‐British baroque composer) (in 1744)
librettist:
Charles Jennens
part of:
Belshazzar, HWV 61: Act II
Handel6:22
3CD