Las 50 mejores canciones de cine

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

© & ℗ «2015 Universal Music Spain, S.L.»

Annotation last modified on 2019-08-29 03:56 UTC.

Tracklist

1Digital Media
#TitleArtistRatingLength
1Now We Are Free (from “Gladiator”)
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Jake Jackson (recording engineer) and Nick Wollage
producer:
Klaus Badelt (German score composer) and Hans Zimmer (German score composer)
orchestra:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2000), Dreamworks Productions LLC (in 2000) and Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2000)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Now We Are Free (Gladiator)
lyricist:
Lisa Gerrard
composer:
Klaus Badelt (German score composer), Lisa Gerrard and Hans Zimmer (German score composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SKG Songs and Universal‐MCA Music Publishing (US)
part of:
Gladiator
medley including a cover recording of:
Now We Are Free (Gladiator)
lyricist:
Niloofar Rafiei
is based on:
Now We Are Free (Gladiator)
medley of:
Now We Are Free (Gladiator)
Lisa Gerrard, Gavin Greenaway, The Lyndhurst Orchestra, Hans Zimmer54:14
2Main Title (I Had a Farm in Africa) (from “Out of Africa”)
engineer:
Nicholas Basich and Mike Novitch
producer:
John Barry (English score composer)
mixer:
Dan Wallin
conductor and performer:
John Barry (English score composer)
arranger:
John Barry (English score composer)
phonographic copyright (℗) by:
Geffen Records (in 1985)
recorded at:
The Record Plant, Studio M in Hollywood, Los Angeles, California, United States
recording of:
I Had a Farm in Africa (Out of Africa, main title)
composer:
John Barry (English score composer)
publisher:
MCA Music Ltd.
part of:
Out of Africa (soundtrack of the 1985 film)
John Barry43:11
3Back to the Future (from “Back to the Future”)
producer:
Alan Silvestri (US score composer)
violin:
Jeanne E. Aiken (Session Musician) (from 1985-05-16 until 1985-06-11), Patricia Aiken (from 1985-05-16 until 1985-06-11), Judith Aller (from 1985-05-16 until 1985-06-11), Mark Baranov (Session Musician) (from 1985-05-16 until 1985-06-11) and Jackie Brand (from 1985-05-16 until 1985-06-11)
orchestra:
The Outatime Orchestra (from 1985-05-16 until 1985-06-11)
conductor:
Alan Silvestri (US score composer) (from 1985-05-16 until 1985-06-11)
phonographic copyright (℗) by:
Geffen Records (in 1985)
recorded at:
Eastwood Scoring Stage in Burbank, California, United States (from 1985-05-16 until 1985-06-11)
recording of:
Back to the Future (Theme) (title theme from the 1985 film of the same name) (from 1985-05-16 until 1985-06-11)
composer:
Alan Silvestri (US score composer)
part of:
Back to the Future (original score and soundtrack of the 1985 film of the same name)
The Outatime Orchestra3:17
4The Promise (from “The Piano”)
Michael Nyman4:16
5Dead Already (from “American Beauty”)
recording of:
Dead Already (American Beauty)
orchestrator:
Thomas Pasatieri
composer:
Thomas Newman (American score composer)
part of:
American Beauty (1999)
Thomas Newman3:17
6Mission: Impossible (from “Mission: Impossible ”)
recording of:
Mission: Impossible
composer:
Lalo Schifrin (pianist & composer)
publisher:
Famous Music Corp. (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
Mission: Impossible III (2006 film soundtrack)
Lalo Schifrin2:31
7The Wings (from “Brockeback Mountain”)
recording engineer, programming and mixer:
Anibal Kerpel
associate producer:
Anibal Kerpel
producer:
Gustavo Santaolalla (Argentine score composer)
bass guitar [bass], guitar [guitars] and reed organ [pump organ]:
Gustavo Santaolalla (Argentine score composer)
pedal steel guitar:
Bob Bernstein (pedal steel guitarist)
strings arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
recorded at and mixed at:
La Casa (Los Angeles) in Los Angeles, California, United States
recording of:
The Wings
composer:
Gustavo Santaolalla (Argentine score composer)
Gustavo Santaolalla21:49
8Solace (from “The Sting”)
producer:
Marvin Hamlisch
conductor:
Marvin Hamlisch
arranger:
Marvin Hamlisch
phonographic copyright (℗) by:
Geffen Records (in 1974)
recording of:
Solace
composer:
Scott Joplin (composer and pianist) (in 1909)
publisher:
Chappell and Leeds Music Corp.
part of:
BioShock Infinite (video game soundtrack)
Marvin Hamlisch3:36
9Gortoz a Ran
recording engineer and mixer:
Emmanuel Casals
guest vocals:
Lisa Gerrard
performer:
Lisa Gerrard
music videos:
Gortoz a ran by Lisa Gerrard & Denez Prigent
recording of:
Gortoz a ran
lyricist and composer:
Denez Prigent
Denez Prigent5:49
10Love Theme From Bladerunner (from “Blade Runner”)
engineer:
Philippe Colonna, Frédérick Rousseau and Raine Shine
producer:
Vangelis (Greek composer of electronic, new age and classical)
saxophone:
Dick Morrissey
synthesizer:
Vangelis (Greek composer of electronic, new age and classical)
arranger:
Vangelis (Greek composer of electronic, new age and classical)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1989) and Warner Music UK Ltd. (not for release label use!) (in 1994)
recorded at:
Nemo Studios (Vangelis' Studio) in London (Greater London), England, United Kingdom (in 1982)
recording of:
Love Theme (Blade Runner)
composer:
Vangelis (Greek composer of electronic, new age and classical)
part of:
Blade Runner
Vangelis3.44:54
11The Last Emperor (Theme) (from “The Last Emperor”)
Ryuichi Sakamoto5:52
12The King's Speech
assistant recording engineer and assistant mixer:
John Barrett (engineer)
recording engineer and mixer:
Peter Cobbin (recording engineer at Abbey Road Studios)
producer:
Alexandre Desplat (French score composer) and Maggie Rodford
conductor:
Alexandre Desplat (French score composer)
phonographic copyright (℗) by:
Cutting Edge Music (Holdings) Limited
recording of:
The King’s Speech
orchestrator:
Jean-Pascal Beintus (composer) and Alexandre Desplat (French score composer)
composer:
Alexandre Desplat (French score composer)
medley of:
Opening Title (Part 1) (The King's Speech)
medley of:
Opening Title (Part 2) (The King's Speech)
medley of:
Opening Title (Part 3) (The King's Speech)
Alexandre Desplat3:54
13Dawn (from “Pride & Prejudice”)
assistant engineer:
Olga FitzRoy, Jake Jackson (recording engineer) and Nick Taylor (UK recording engineer)
engineer:
Nick Wollage
producer:
Dario Marianelli (Italian score composer)
editor:
James Bellamy (editor)
piano:
Jean‐Yves Thibaudet (pianist)
orchestra:
English Chamber Orchestra
conductor:
Benjamin Wallfisch (English score composer)
orchestrator:
Benjamin Wallfisch (English score composer)
phonographic copyright (℗) by:
Universal Classics & Jazz (Japanese label division - read the annotation before using!)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Dawn (Pride and Prejudice, 2005)
composer:
Dario Marianelli (Italian score composer)
part of:
Pride and Prejudice
Jean‐Yves Thibaudet52:35
14Chariots of Fire (from “Chariots of Fire”)
engineer:
Raphael Preston, Raine Shine and John Walker (technical)
producer:
Vangelis (Greek composer of electronic, new age and classical)
performer:
Vangelis (Greek composer of electronic, new age and classical)
arranger:
Vangelis (Greek composer of electronic, new age and classical)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1981), Spheric B.V. (in 1981), Warner Bros., Inc. (not for release label use!) (in 1981) and PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1982)
recorded at:
Nemo Studios (Vangelis' Studio) in London (Greater London), England, United Kingdom
recording of:
Chariots of Fire (title theme of the 1981 film)
composer:
Vangelis (Greek composer of electronic, new age and classical)
publisher:
EMI Music Publishing (do not use as a release label!) and WB Music Corp. (1929–2019)
Vangelis3.63:28
15Hymn to Red October (main Title) (from “The Hunt for Red October”)
recording engineer and mixer:
Tim Boyle (recording and mixing engineer)
producer:
Basil Poledouris (American score composer)
editor:
Thomas Milano (soundtrack composer, editor) and Tom Villano
conductor:
Basil Poledouris (American score composer)
orchestrator:
Greig McRitchie
phonographic copyright (℗) by:
Geffen Records (in 2013)
recorded at:
Evergreen Recording Studios in Burbank, California, United States
recording of:
Hymn to Red October (The Hunt for Red October)
composer:
Basil Poledouris (American score composer)
Basil Poledouris55:06
16Midnight Cowboy (from “Midnight Cowboy”)
engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
orchestra:
Royal Philharmonic Orchestra
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1972-09-18)
recording of:
Midnight Cowboy
composer:
John Barry (English score composer)
publisher:
EMI United Partnership Ltd.
John Barry3:44
17A Kaleidoscope of Mathematics (from “A Beautiful Mind”)
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistant engineer:
David Marquette
producer:
James Horner (American score composer) and Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistant editor:
Barbara McDermott
editor:
Jim Henrikson
conductor:
James Horner (American score composer)
orchestrator:
James Horner (American score composer) and Randy Kerber
recorded at and mixed at:
Todd Scoring Stage in Studio City, Los Angeles, California, United States
recording of:
A Kaleidoscope of Mathematics
composer:
James Horner (American score composer)
James Horner34:54
18Pelagia's Song (from “Captain Corelli's Mandolin”)
recording engineer and mixer:
Chris Dibble (engineer)
producer:
Stephen Warbeck
editor:
Andy Glen
solo guitar:
Dario Rossetti-Bonell
solo mandolin:
Giovanni Parricelli
conductor:
Nick Ingman
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2001)
instrumental recording of:
Ricordo ancor (Il mandolino del capitano Corelli - “Pelagia’s Song”)
orchestrator and composer:
Stephen Warbeck
lyricist:
Paco Reconti
Orchestra & Nick Ingman4:03
19Reunited (from “Van Helsing”)
recording engineer and mixer:
Dennis Sands (American sound engineer)
producer:
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) and Alan Silvestri (US score composer)
assistant editor:
Jacqueline Tager (editor)
editor:
Kenneth Karman
conductor:
Alan Silvestri (US score composer)
orchestrator:
Mark McKenzie (US film composer/orchestrator)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recorded at:
Sony Pictures Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
Reunited
composer:
Alan Silvestri (US score composer)
Alan Silvestri4:24
20Love Is All Around (from “Four Weddings and a Funeral”)
co-producer:
Graeme Duffin
conductor:
Fiachra Trench
strings arranger:
Fiachra Trench
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1994) and Phonogram Ltd. (London) (company name, NOT a label!) (in 1994)
music videos:
Love Is All Around by Wet Wet Wet
cover recording of:
Love Is All Around
lyricist and composer:
Reg Presley
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc. and Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
recording of:
Love Is All Around
lyricist and composer:
Reg Presley
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc. and Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Wet Wet Wet3.63:59
21Out of Reach (from “Bridget Jones's Diary”)
lead vocals:
Gabrielle (British singer-songwriter)
orchestra:
The London Session Orchestra
phonographic copyright (℗) by:
Go! Beat (subsidiary of Go! Discs; folded into UMG) (in 2001)
music videos:
Out of Reach by Gabrielle (British singer-songwriter)
recording of:
Out of Reach (in 2001)
writer:
Louise Gabrielle Bobb (British singer-songwriter) and Jonathan Shorten
publisher:
Perfect Songs (UK publisher, affiliated with BMI)
Gabrielle3.753:18
22Hallelujah
producer:
Patrick Leonard (producer, songwriter and pianist)
cover recording of:
Hallelujah
lyricist and composer:
Leonard Cohen (Canadian singer‐songwriter and poet)
publisher:
Bad Monk Publishing, Leonard Cohen Stranger Music Inc., SM Publishing Argentina S.R.L., Sony/ATV Music LLC, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs (SOCAN), Sony/ATV Songs LLC and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
sub-publisher:
Sony/ATV Music Publishing (Hong Kong)
Rufus Wainwright4.054:09
23Calling You (from “Bagdad Cafe”)
producer:
Levi Seacer, Jr.
harmonica:
Bruce Kurnow
vocals:
Jevetta Steele
arranger:
Levi Seacer, Jr.
recording of:
Calling You (in 1988)
lyricist and composer:
Bob Telson (composer, songwriter and pianist)
publisher:
Boodle Music (in 1987)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 61st Academy Award for Best Original Song (number: 2)
Jevetta Steele35:21
24Unchained Melody (from “Ghost”)
engineer:
Larry Levine
producer:
Phil Spector
solo lead vocals:
Bobby Hatfield (in 1965-03)
arranger:
Jack Nitzsche (American musician and score composer)
phonographic copyright (℗) by:
Spectrum Music (Universal Music Group budget label), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965, in 1968) and Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1966)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (in 1965-03)
part of:
The Co-Op: Top 10 British Funeral Songs (number: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 269) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 366)
cover recording of:
Unchained Melody (in 1965-03)
publisher:
Hy Zaret
lyricist:
Hy Zaret
composer:
Alex North (US composer)
publisher:
Frank Music Corp. (ended), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH, North Melody Publishing and Unchained Melody Publishing, LLC
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
part of:
The 28th Academy Award for Best Original Song (number: 2)
The Righteous Brothers33:36
25Show Me Heaven (from “Days of Thunder”)
recording of:
Show Me Heaven
writer:
Eric Rackin (Production music composer), Maria McKee and Jay Rifkin
publisher:
BMG Music Publishing (Malaysia) Sdn. Bhd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) and Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13)
Maria McKee33:48
26Slave to Love
additional engineer:
Bob Clearmountain, Neil Dorfsman, Femi Jiya, Andy Lyden, Dominick Maita and Bryan McGee (sound engineer)
assistant engineer:
Benji Armbrister, Steve Churchyard, Randy Ezratty (engineer), Dave Greenberg (US engineer Sonopod/Boomtown), Julian Wheatley (Engineer), Carb Kanelle, Kevin Killen, Mike Krowiak, Bruce Lampcov, John Levell, Heff Moraes, Peter Revill, Kendal Stubbs and Nigel Walker (UK producer/engineer/guitarist)
engineer:
Rhett Davies
producer:
Rhett Davies and Bryan Ferry
mixer:
Bob Clearmountain
lead vocals:
Bryan Ferry
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1985) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985, in 1999, in 2004)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom, Compass Point Studios in Nassau, Bahamas, Effanel Music in New York, United States, RPM Studios in New York, New York, United States, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom and The White House in Nashville, Tennessee, United States
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
recording of:
Slave to Love
lyricist and composer:
Bryan Ferry
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Mushroom Music Pty. Ltd., Virgin Songs, Inc., E.G. Music Inc. (in 1985), E.G. Music Ltd. (publisher) (in 1985), E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1985) and Virgin EG Records Ltd. (in 1985)
Bryan Ferry3.854:24
27Turn Back Time
producer and mixer:
Delgado (Karsten Rene Dahlgaard), Johnny Jam, Claus Norreen and Søren Rasted
arranger:
Delgado (Karsten Rene Dahlgaard), Johnny Jam, Claus Norreen and Søren Rasted
phonographic copyright (℗) by:
Universal Music A/S (not for release label use! Danish subsidiary of Universal Music Group)
recording of:
Turn Back Time
writer:
Claus Norreen and Søren Rasted
publisher:
MCA Music Scandinavia AB and Warner/Chappell Music Denmark, A/S (KODA)
Aqua3.554:05
28California Dreamin' (from “Forrest Gump”)
engineer:
Bones Howe
producer:
Lou Adler
guitar:
P.F. Sloan (in 1965)
solo alto flute:
Bud Shank (in 1965)
phonographic copyright (℗) by:
Geffen Records and Dunhill Records (in 1966)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (in 1965)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 52), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 89) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 420)
recording of:
California Dreamin’ (in 1965)
writer:
John Phillips (The Mamas & The Papas) and Michelle Phillips
publisher:
American Broadcasting Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. (USA, affiliated with ASCAP) and Universal/MCA Music Publishing GmbH
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Mamas & the Papas4.452:39
29Little Green Bag (from “Reservoir Dogs”)
producer:
George Baker (Dutch singer/songwriter)
phonographic copyright (℗) by:
EMI Records Holland Ltd. (in 1962)
recording of:
Little Green Bag
writer:
Hans Bouwens and Jan Visser (Dutch Gospel singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
George Baker Selection3.93:15
30Nowhere to Run (from “Good Morning Vietnam”)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 359)
recording of:
Nowhere to Run
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
writer:
Holland–Dozier–Holland
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Martha Reeves & the Vandellas4.652:51
31Do You Love Me (from “Dirty Dancing”)
recording of:
Do You Love Me
lyricist and composer:
Berry Gordy
publisher:
Jobete Music (UK) Ltd. and Jobete Music Co., Inc.
The Contours2:36
32Got to Give It Up, Pt. 1
producer:
Art Stewart
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1967)
recording of:
Got to Give It Up
lyricist and composer:
Marvin Gaye
publisher:
Jobete Music (UK) Ltd. and Jobete Music Publishing
recording of:
Got to Give It Up - Pt.1
writer:
Marvin Gaye
Marvin Gaye4.154:08
33Heaven Must Be Missing an Angel, Pt. 1
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.) (in 1976)
edit of:
Heaven Must Be Missing an Angel by Tavares (US R&B, funk and soul music)
recording of:
Heaven Must Be Missing an Angel
writer:
Freddie Perren and Keni St. Lewis
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing International Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Tavares43:31
34If I Can't Have You (from “Saturday Night Fever”)
producer:
Freddie Perren
bass:
Scott Edwards (bassist)
drums (drum set):
James Gadson (American drummer)
guitar:
Bob Bowles
keyboard and synthesizer:
Freddie Perren
percussion:
Bob Zimmitti, Paulinho da Costa (Brazilian percussionist) and Freddie Perren
piano:
Sonny Burke (soul/jazz/funk keyboardist)
background vocals [additional background vocals] and lead vocals:
Yvonne Elliman
background vocals [girl-group background vocals]:
Marti McCall (session vocalist), Julia Waters and Maxine Waters
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1977) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1977)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 19) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 343)
recording of:
If I Can’t Have You
written in:
France
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
BMG Music, Careers Music, Inc., Crompton Songs, Gibb Brothers Music, Universal Music Publishing International MGB Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Stigwood Music, Inc. (in 1978) and Unichappell Music (in 1978)
Yvonne Elliman4.252:58
35Hot Stuff
recording of:
Hot Stuff
writer:
Pete Bellotte (English lyricist and producer), Harold Faltermeyer and Keith Forsey (drummer, producer and songwriter)
publisher:
Warner Chappell, WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Donna Summer3.95:16
36Shout to the Top
producer:
Paul Weller (English singer‐songwriter and musician) and Peter Wilson (UK Producer)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1984)
recording of:
Shout to the Top
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Stylist Music Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
The Style Council34:14
37You Never Can Tell (from “Pulp Fiction”)
spoken vocals [Ed Sullivan]:
Jerome Patrick Hoban
spoken vocals [Mia Wallace]:
Uma Thurman (actress)
medley including a recording of:
Jack Rabbit Slims Twist Contest
writer:
Quentin Tarantino
publisher:
Horny Guy Music
medley including a recording of:
You Never Can Tell
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Tristan Music Ltd. and Isalee Music (in 1994)
Chuck Berry33:13
38Tubular Bells (from “The Exorcist”)
recording of:
Tubular Bells
composer:
Mike Oldfield
quotes music from:
Dies Irae (plainchant)
part of:
Tubular Bells, Part One
Mike Oldfield4.254:17
39Symphony No.5 in C Sharp Minor: 4. Adagietto (Sehr Langsam) (from “Morte a Venezia”)
engineer:
Gordon Parry (engineer)
producer:
David Harvey (producer)
orchestra:
Chicago Symphony Orchestra (in 1970-04)
conductor:
Sir Georg Solti (conductor) (in 1970-04)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1970)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1970-04)
recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (in 1970-04)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Chicago Symphony Orchestra, Sir Georg Solti9:52
40Cavalleria Rusticana: Intermezzo Sinfonico (from “The Godfather III”)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Giuseppe Sinopoli (conductor) (in 1990)
recording of:
Cavalleria rusticana: Intermezzo (in 1990)
composer:
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
part of:
Cavalleria rusticana
part of:
Cavalleria rusticana (German lyrics)
Philharmonia Orchestra, Giuseppe Sinopoli4:17
41Adagio for Strings, Op.11 (from “Platoon”)
engineer:
Simon Eadon (classical music engineer) and Stanley Goodall (engineer)
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (in 1976-10)
conductor:
Sir Neville Marriner (conductor) (in 1976-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1976-10)
recording of:
Adagio for Strings (in 1976-10)
orchestrator:
Samuel Barber (American composer) (in 1938)
composer:
Samuel Barber (American composer) (in 1936)
premiered by:
NBC Symphony Orchestra (on 1938-11-05) and Arturo Toscanini (conductor) (on 1938-11-05)
premiered at:
[radio broadcast] (1938-11-05)
publisher:
Chappell (Warner/Chappell Music, Inc.) and G. Schirmer Inc.
arrangement of:
String Quartet, op. 11: II. Molto adagio
Academy of St Martin in the Fields, Sir Neville Marriner8:40
42Aria Mit 30 Veränderungen, BWV 988 "Goldberg Variations": Aria (from “The Silence of the Lambs”)
engineer:
Simon Eadon (classical music engineer)
producer:
Michael Haas (classical music producer)
piano:
András Schiff (pianist) (from 1982-04-13 until 1982-04-15)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1983)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-04-13 until 1982-04-15)
recording of:
Goldberg-Variationen, BWV 988: Aria (FIRST movement) (from 1982-04-13 until 1982-04-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
András Schiff3:47
43Piano Sonata No. 14 in C-Sharp Minor, Op. 27, No. 2 "Moonlight": 1. Adagio Sostenuto (from “Immortal Beloved”)
producer:
Wolfgang Lohse (in 1965-01)
piano:
Wilhelm Kempff (pianist) (in 1965-01)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1965-01)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1965-01)
recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (in 1965-01)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”
Wilhelm Kempff46:00
44Lakmé / Act 1: "Viens, Mallika,... Dôme Épais" (from “The Hunger”)
engineer:
Michael Mailes (engineer) (on 1967-10-12) and Kenneth Wilkinson (engineer) (on 1967-10-12)
producer:
John Mordler (producer)
mezzo-soprano vocals [Mallika]:
Jane Berbié (mezzo-soprano) (on 1967-10-12)
soprano vocals [Lakmé]:
Joan Sutherland (soprano) (on 1967-10-12)
orchestra:
Orchestre National de lʼOpéra de Monte‐Carlo (Monte-Carlo Philharmonic Orchestra) (on 1967-10-12)
conductor:
Richard Bonynge (conductor and pianist) (on 1967-10-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1968)
recorded at:
Salle Alcazar in Monte-Carlo (Monte Carlo), Monaco (on 1967-10-12)
recording of:
Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs » … « Dôme épais le jasmin » (Lakmé, Mallika) (on 1967-10-12)
composer:
Léo Delibes (French composer)
librettist:
Philippe Gille and Edmond Gondinet
publisher:
Jenkinsongs Ltd.
part of:
Lakmé : Acte I
Dame Joan Sutherland, Jane Berbié, Orchestre National de l’Opéra de Monte‐Carlo, Richard Bonynge6:01
45Les Contes d’Hoffmann : Acte II. « Belle Nuit, ô nuit d’amour » (La vita è bella)
producer:
John Mordler (producer) and Michael Woolcock (producer)
choir vocals:
Chœur de la Radio Suisse Romande, Chœur Pro Arte de Lausanne (in 1972-06) and Chorale du Brassus (in 1972-06)
mezzo-soprano vocals:
Huguette Tourangeau (mezzo-soprano) (in 1972-06)
soprano vocals:
Joan Sutherland (soprano) (in 1972-06)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1972-06)
conductor:
Richard Bonynge (conductor and pianist) (in 1972-06)
balance engineer:
James Lock (James Locke, engineer)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1972-06)
recording of:
Les Contes d’Hoffmann : Acte IV. No. 17 Barcarolle « Belle nuit, ô nuit d’amour » (Nicklausse, Giulietta, les invités) (in 1972-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
recording of:
Les Contes d'Hoffmann: Acte III. Entracte (Orchestre) - "Belle nuit, ô nuit d'amour" (Barcarolle) (une voix, Giulietta, Chœur)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
recording of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
librettist:
Jules Barbier
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Dame Joan Sutherland4:10
46Requiem in D Minor, K.626: 3. Sequentia: VI. Lacrimosa (from “Amadeus”)
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon) and Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
organ:
Hans Haselböck (organist) (in 1971-04)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1971-04)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1971-04)
conductor:
Karl Böhm (Austrian conductor) (in 1971-04)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (in 1971-04)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1971-04)
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (Süßmayr Edition; choir) (in 1971-04)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer) and Franz Xaver Süßmayr (from 1791 until 1792)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wiener Philharmoniker, Karl Böhm, Vienna State Opera Chorus54:13
47Zadok the Priest (Coronation Anthem No.1, HWV 258) (from “The Madness of King George”)
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch
organ:
Trevor Pinnock (conductor / harpsichord) (in 1981-10)
choir vocals:
Choir of Westminster Abbey (in 1981-10)
orchestra:
The English Concert (in 1981-10)
conductor:
Simon Preston (organist, conductor, composer) (in 1981-10)
balance engineer:
Hans‐Peter Schweigmann
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1982)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1981-10)
recording of:
The Four Coronation Anthems: “Zadok the Priest”, HWV 258 (in 1981-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1727)
premiered at:
Westminster Abbey in London (Greater London), England, United Kingdom (on 1727-10-11)
part of:
Händel-Werke-Verzeichnis (number: HWV 258)
part of:
The Four Coronation Anthems
Trevor Pinnock, The English Concert, Simon Preston, The Choir of Westminster Abbey5:16
48Die Walküre / Act 3: Ride of the Valkyries (from “Apocalypse Now”)
Birgit Nilsson, Berit Lindholm, Brigitte Fassbaender, Claudia Hellmann, Helen Watts, Helga Dernesch, Marilyn Tyler, Vera Schlosser, Wiener Philharmoniker, Sir Georg Solti6:21
49Götterdämmerung (concert version) / Dritter Aufzug: Siegfried's Funeral March (from “Excalibur”)
Wiener Philharmoniker, Hans Knappertsbusch7:27
50Serenade in G Major, K. 525 "Eine Kleine Nachtmusik": 1. Allegro (from “Alien”)
producer:
Werner Mayer (classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-10)
conductor:
Karl Böhm (Austrian conductor) (in 1974-10)
balance engineer:
Günter Hermanns (producer/engineer) (in 1974-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-10)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro) (in 1974-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wiener Philharmoniker, Karl Böhm6:11