The Masterworks

~ Release by Bach (see all versions of this release, 1 available)

Annotation

Cardboard box with 40 CDs in thin cardboard sleeves.

The discs have individual barcodes and catalog numbers:

CD 01: barcode 5028421239118, catalog number 92391/1
CD 02: barcode 5028421239125, catalog number 92391/2
CD 03: barcode 5028421239132, catalog number 92391/3
CD 04: barcode 5028421239149, catalog number 92391/4
CD 05: barcode 5028421239156, catalog number 92391/5
CD 06: barcode 5028421239163, catalog number 92391/6
CD 07: barcode 5028421239170, catalog number 92391/7
CD 08: barcode 5028421239187, catalog number 92391/8
CD 09: barcode 5028421239194, catalog number 92391/9
CD 10: barcode 5028421391106, catalog number 92391/10
CD 11: barcode 5028421391113, catalog number 92391/11
CD 12: barcode 5028421391120, catalog number 92391/12
CD 13: barcode 5028421391137, catalog number 92391/13
CD 14: barcode 5028421391144, catalog number 92391/14
CD 15: barcode 5028421391151, catalog number 92391/15
CD 16: barcode 5028421391168, catalog number 92391/16
CD 17: barcode 5028421391175, catalog number 92391/17
CD 18: barcode 5028421391182, catalog number 92391/18
CD 19: barcode 5028421391199, catalog number 92391/19
CD 20: barcode 5028421391205, catalog number 92391/20
CD 21: barcode 5028421391212, catalog number 92391/21
CD 22: barcode 5028421391229, catalog number 92391/22
CD 23: barcode 5028421391236, catalog number 92391/23
CD 24: barcode 5028421391243, catalog number 92391/24
CD 25: barcode 5028421391250, catalog number 92391/25
CD 26: barcode 5028421391267, catalog number 92391/26
CD 27: barcode 5028421391274, catalog number 92391/27
CD 28: barcode 5028421391281, catalog number 92391/28
CD 29: barcode 5028421391298, catalog number 92391/29
CD 30: barcode 5028421391304, catalog number 92391/30
CD 31: barcode 5028421391311, catalog number 92391/31
CD 32: barcode 5028421391328, catalog number 92391/32
CD 33: barcode 5028421391335, catalog number 92391/33
CD 34: barcode 5028421391342, catalog number 92391/34
CD 35: barcode 5028421391359, catalog number 92391/35
CD 36: barcode 5028421391366, catalog number 92391/36
CD 37: barcode 5028421391373, catalog number 92391/37
CD 38: barcode 5028421391380, catalog number 92391/38
CD 39: barcode 5028421391397, catalog number 92391/39
CD 40: barcode 5028421391403, catalog number 92391/40

Annotation last modified on 2019-07-08 12:30 UTC.

Tracklist

1▶CD: Brandenburg Concertos 1, 2, 3
2▶CD: Brandenburg Concertos 4, 5, 6
3▶CD: Orchestral Suites 1 & 2
4▶CD: Orchestral Suites 3 & 4
5▶CD: Violin Concertos
6▶CD: Double Concertos
7▶CD: The Well-Tempered Clavier, Book I no. 1 - 12
8▶CD: The Well-Tempered Clavier, Book I no. 13 - 24
9▶CD: The Well-Tempered Clavier, Book II no. 1 - 12
10▶CD: The Well-Tempered Clavier, Book II no. 13 - 24
11▶CD: Partitas 1, 2, 6
12▶CD: Partitas 3, 4, 5
13▶CD: Italian Concerto / French Overture / Chromatic Fantasy & Fugue
14▶CD: Goldberg Variations
15▶CD: English Suites 1, 2, 3
16▶CD: English Suites 4, 5, 6
17▶CD: Organ Works 1
18▶CD: Organ Works 2
19▶CD: Organ Works 3
20▶CD: Sonate e Partite per Violino Solo I
21▶CD: Sonate e Partite per Violino Solo II
22▶CD: Cello Suites 1, 3, 5
23▶CD: Cello Suites 2, 4, 6
24▶CD: Musikalisches Opfer
25▶CD: Violin Sonatas: BWV 1014 - 1016
26▶CD: Violin Sonatas: BWV 1017 - 1019
27▶CD: Motets
28▶CD: Easter Oratorio
29▶CD: Matthäus-Passion (1)
30▼CD: Matthäus-Passion (2)
#TitleArtistRatingLength
1Matthäus-Passion, BWV 244: Teil II, XXX. Coro "Wo ist denn dein Freund hingegangen"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Michael Chance (British countertenor)
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, XXX. Arie (Alt) und Chor "Ach! nun ist mein Jesus hin" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:40
2Matthäus-Passion, BWV 244: Teil II, XXXI. "Die aber Jesum gegriffen hatten" (Evangelista)
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXI. Rezitativ (Evangelist) "Die aber Jesum gegriffen hatten" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:05
3Matthäus-Passion, BWV 244: Teil II, XXXII. Corale "Mir hat die Welt trüglich gericht'"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXII. Choral "Mir hat die Welt trüglich gericht'" (in 1994)
lyricist:
Adam Reusner
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 213)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:40
4Matthäus-Passion, BWV 244: Teil II, XXXIII. "Und wiewohl viel falsche Zeugen herzutraten" (Evangelista, Testis I/II, Pontifex)
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIII. Rezitativ (Evangelist, 2 Zeugen, Hohepriester) "Und wiewohl viel falsche Zeugen herzutraten" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:12
5Matthäus-Passion, BWV 244: Teil II, XXXIV. Recitativo (Tenore) "Mein Jesus schweigt zu falschen Lügen stille"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals:
Martyn Hill (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIV. Accompagnato-Rezitativ (Tenor) "Mein Jesus schweigt zu falschen Lügen stille" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:05
6Matthäus-Passion, BWV 244: Teil II, XXXV. Aria (Tenore) "Geduld! Wenn mich falsche Zungen stechen"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals:
Martyn Hill (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXV. Arie (Tenor) "Geduld! Wenn mich falsche Zungen stechen" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:29
7Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus)
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals [Jesus]:
Michael George (operatic bass)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
Johann Sebastian Bach1:18
8Matthäus-Passion, BWV 244: Teil II, XXXVIb. Cori "Er ist des Todes schuldig"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIb. "Er ist des Todes schuldig" (Chori) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
Johann Sebastian Bach0:12
9Matthäus-Passion, BWV 244: Teil II, XXXVIc. "Da speieten sie aus" (Evangelista)
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIc. "Da speieten sie aus" (Evangelista) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
Johann Sebastian Bach0:15
10Matthäus-Passion, BWV 244: Teil II, XXXVId. Cori "Weissage uns, Christe"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVId. "Weissage uns, Christe" (Chori) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
Johann Sebastian Bach0:23
11Matthäus-Passion, BWV 244: Teil II, XXXVII. Corale "Wer hat dich so geschlagen"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVII. Choral "Wer hat dich so geschlagen" (in 1994)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 292)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:45
12Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber sass draussen im Palast" (Evangelista, Ancilla I/II, Petrus)
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draußen im Palast" (Evangelista, Ancilla I & II, Petrus) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
Johann Sebastian Bach0:58
13Matthäus-Passion, BWV 244: Teil II, XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIb. "Wahrlich, du bist auch einer von denen" (Chorus) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
Johann Sebastian Bach0:12
14Matthäus-Passion, BWV 244: Teil II, XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
Johann Sebastian Bach1:17
15Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Michael Chance (British countertenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (in 1994)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:01
16Matthäus-Passion, BWV 244: Teil II, XL. Corale "Bin ich gleich von dir gewichen"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, XL. Choral "Bin ich gleich von dir gewichen" (in 1994)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 361)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:56
17Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas)
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II)
Johann Sebastian Bach1:03
18Matthäus-Passion, BWV 244: Teil II, XLIb. Cori "Was gehet uns das an?"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIb. "Was gehet uns das an" (Chori) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II)
Johann Sebastian Bach0:09
19Matthäus-Passion, BWV 244: Teil II, XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II)
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I & II) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II)
Johann Sebastian Bach0:45
20Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
David Thomas (British operatic bass)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:58
21Matthäus-Passion, BWV 244: Teil II, XLIII. "Sie hielten aber einen Rat" (Evangelista, Pilatus, Jesus)
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals [Jesus]:
Michael George (operatic bass)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIII. "Sie hielten aber einen Rat" (Evangelista, Pilatus, Jesus) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:14
22Matthäus-Passion, BWV 244: Teil II, XLIV. Corale "Befiehl du deine Wege"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIV. Choral "Befiehl du deine Wege" (in 1994)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 159)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:56
23Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori)
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Choir of King’s College, Cambridge
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Chori) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori) - XLVb. Cori "Lass ihn kreuzigen"
Johann Sebastian Bach2:07
24Matthäus-Passion, BWV 244: Teil II, XLVb. Cori "Lass ihn kreuzigen"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVb. "Laß ihn kreuzigen" (Chori) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori) - XLVb. Cori "Lass ihn kreuzigen"
Johann Sebastian Bach0:22
25Matthäus-Passion, BWV 244: Teil II, XLVI. Corale "Wie wunderbarlich ist doch diese Strafe"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVI. Choral "Wie wunderbarlich ist doch diese Strafe" (in 1994)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 167)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:41
26Matthäus-Passion, BWV 244: Teil II, XLVII. "Der Landpfleger sagte" (Evangelista, Pilatus)
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVII. "Der Landpfleger sagte" (Evangelista, Pilatus) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:17
27Matthäus-Passion, BWV 244: Teil II, XLVIII. Recitativo (Soprano) "Er hat uns allen wohlgetan"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Emma Kirkby (soprano)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVIII. Recitativo (Soprano) "Er hat uns allen wohlgetan" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:05
28Matthäus-Passion, BWV 244: Teil II, XLIX. Aria (Soprano) "Aus Liebe will mein Heiland sterben"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Emma Kirkby (soprano)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIX. Aria (Soprano) "Aus Liebe will mein Heiland sterben" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach4:48
31▶CD: Matthäus-Passion (3)
32▶CD: Johannes-Passion (1)
33▶CD: Johannes-Passion (2)
34▶CD: Cantatas: BWV 80, 82 & 61
35▶CD: Cantatas: BWV 106, 199 & 161
36▶CD: Cantatas: BWV 149, 69 & 169
37▶CD: Cantatas: BWV 6, 163 & 96
38▶CD: Cantatas: BWV 60, 78 & 151
39▶CD: Cantatas: BWV 195, 1 & 63
40▶CD: Cantatas: BWV 147, 181 & 66