| # | Title | Artist | Rating | Length |
|---|
| 1 | Mass in B minor, BWV 232: Credo in unum Deum | Johann Sebastian Bach | | 2:03 |
| 2 | Mass in B minor, BWV 232: Patrem omnipotentum- choir vocals:
- Eric Ericsons Kammarkör
- orchestra:
- Drottningholms Barockensemble
- conductor:
- Eric Ericson
- recorded at:
- Berwaldhallen in Stockholm, Stockholms län , Sweden
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (in 1992-11)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 2:02 |
| 3 | Mass in B minor, BWV 232: Et in unum Dominum | Johann Sebastian Bach | | 4:17 |
| 4 | Mass in B minor, BWV 232: Et incarnatus est | Johann Sebastian Bach | | 2:35 |
| 5 | Mass in B minor, BWV 232: Crucifixus- choir vocals:
- Eric Ericsons Kammarkör
- orchestra:
- Drottningholms Barockensemble
- conductor:
- Eric Ericson
- recorded at:
- Berwaldhallen in Stockholm, Stockholms län , Sweden
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (in 1992-11)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 2:43 |
| 6 | Mass in B minor, BWV 232: Et resurrexit | Johann Sebastian Bach | | 3:58 |
| 7 | Mass in B minor, BWV 232: Et in Spiritum Sanctum Dominum | Johann Sebastian Bach | | 5:02 |
| 8 | Mass in B minor, BWV 232: Confiteor | Johann Sebastian Bach | | 3:47 |
| 9 | Mass in B minor, BWV 232: Et expecto | Johann Sebastian Bach | | 2:11 |
| 10 | Mass in B minor, BWV 232: Sanctus | Johann Sebastian Bach | | 5:12 |
| 11 | Mass in B minor, BWV 232: Osanna in excelsis- choir vocals:
- Eric Ericsons Kammarkör
- orchestra:
- Drottningholms Barockensemble
- conductor:
- Eric Ericson
- recorded at:
- Berwaldhallen in Stockholm, Stockholms län , Sweden
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (in 1992-11)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 2:35 |
| 12 | Mass in B minor, BWV 232: Benedictus | Johann Sebastian Bach | | 5:17 |
| 13 | Mass in B minor, BWV 232: Osanna in excelsis- choir vocals:
- Eric Ericsons Kammarkör
- orchestra:
- Drottningholms Barockensemble
- conductor:
- Eric Ericson
- recorded at:
- Berwaldhallen in Stockholm, Stockholms län , Sweden
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (in 1992-11)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 2:41 |
| 14 | Mass in B minor, BWV 232: Agnus Dei | Johann Sebastian Bach | | 4:57 |
| 15 | Mass in B minor, BWV 232: Dona nobis pacem | Johann Sebastian Bach | | 3:12 |
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