Public Enemies

~ Release by Elliot Goldenthal (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Ten Million Slaves
engineer:
Matt Sandoski (engineer (Mastering))
producer:
Otis Taylor
banjo [electric Blue Star banjo]:
Otis Taylor
bass and background vocals [back-up vocals]:
Cassie Taylor
vocals:
Otis Taylor
recorded at:
Immersive Studios in Boulder, Colorado, United States
Otis Taylor4:09
2Chicago Shake
The Bruce Fowler Big Band3:10
3Drive to Bohemia
recording engineer and mixer:
Joel Iwataki
additional engineer:
Brandon Mason, Angie Teo and Frank Wolf (engineer at Skyline Recording)
producer:
Teese Gohl
conductor:
Jonathan Sheffer
orchestrator:
Robert Elhai and Elliot Goldenthal (American score composer)
mixed at:
Village Studios (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Drive to Bohemia
composer:
Elliot Goldenthal (American score composer)
Elliot Goldenthal1:12
4Love Me or Leave Me
recording of:
Love Me or Leave Me
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) and Gilbert Keyes Music Company (in 1928, in 1955)
Billie Holiday with Teddy Wilson and His Orchestra3:22
5Billie's Arrest
recording engineer and mixer:
Joel Iwataki
additional engineer:
Brandon Mason, Angie Teo and Frank Wolf (engineer at Skyline Recording)
producer:
Teese Gohl
conductor:
Jonathan Sheffer
orchestrator:
Robert Elhai and Elliot Goldenthal (American score composer)
mixed at:
Village Studios (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Billie's Arrest
composer:
Elliot Goldenthal (American score composer)
Elliot Goldenthal2:21
6Am I Blue?
alto saxophone:
Lester Boone (on 1941-05-09) and Jimmy Powell (Jazz saxophonist, most active 1930s-1950s) (on 1941-05-09)
double bass:
Grachan Moncur II (bassist) (on 1941-05-09)
drums (drum set):
Herbert Cowans (jazz drummer) (on 1941-05-09)
guitar:
Paul Chapman (US jazz guitar player and singer) (on 1941-05-09)
piano:
Eddie Heywood (pianist, composer and bandleader, aka Eddie Heywood Jr.) (on 1941-05-09)
tenor saxophone:
Ernie Powell (on 1941-05-09)
trumpet:
Roy Eldridge (on 1941-05-09)
vocals:
Billie Holiday (on 1941-05-09)
recording of:
Am I Blue? (on 1941-05-09)
lyricist:
Grant Clarke
composer:
Harry Akst
publisher:
EMI Music Publishing (do not use as a release label!), Warner Bros. Music Corp., Warner Bros., Inc. (Warner Bros. Music Division) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
cover recording of:
Am I Blue?
lyricist:
Grant Clarke
composer:
Harry Akst
publisher:
EMI Music Publishing (do not use as a release label!), Warner Bros. Music Corp., Warner Bros., Inc. (Warner Bros. Music Division) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Billie Holiday and Her Orchestra2:52
7Loves in the Dunes
recording engineer and mixer:
Joel Iwataki
additional engineer:
Brandon Mason, Angie Teo and Frank Wolf (engineer at Skyline Recording)
producer:
Teese Gohl
conductor:
Jonathan Sheffer
orchestrator:
Robert Elhai and Elliot Goldenthal (American score composer)
mixed at:
Village Studios (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Loves in the Dunes
composer:
Elliot Goldenthal (American score composer)
Elliot Goldenthal1:50
8Bye Bye Blackbird
Diana Krall3:48
9Phone Call to Billie
recording engineer and mixer:
Joel Iwataki
additional engineer:
Brandon Mason, Angie Teo and Frank Wolf (engineer at Skyline Recording)
producer:
Teese Gohl
conductor:
Jonathan Sheffer
orchestrator:
Robert Elhai and Elliot Goldenthal (American score composer)
mixed at:
Village Studios (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Phone Call to Billie
composer:
Elliot Goldenthal (American score composer)
Elliot Goldenthal1:44
10Nasty Letter
recording engineer and mixer:
Tim Stroh
producer:
Kenny Passarelli (Bass, piano)
cello:
Ben Sollee
classical guitar [Spanish guitar]:
Otis Taylor
vocals:
Otis Taylor
arranger:
Kenny Passarelli (Bass, piano)
recorded at and mixed at:
Stepbridge Studios in Santa Fe, New Mexico, United States
Otis Taylor5:06
11Plane to Chicago
recording engineer and mixer:
Joel Iwataki
additional engineer:
Brandon Mason, Angie Teo and Frank Wolf (engineer at Skyline Recording)
producer:
Teese Gohl
conductor:
Jonathan Sheffer
orchestrator:
Robert Elhai and Elliot Goldenthal (American score composer)
mixed at:
Village Studios (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Plane to Chicago
composer:
Elliot Goldenthal (American score composer)
Elliot Goldenthal3:24
12Guide Me O Thou Great Jehova
Indian Bottom Association of Old Regular Baptists1:37
13Gold Coast Restaurant
recording engineer and mixer:
Joel Iwataki
additional engineer:
Brandon Mason, Angie Teo and Frank Wolf (engineer at Skyline Recording)
producer:
Teese Gohl
conductor:
Jonathan Sheffer
orchestrator:
Robert Elhai and Elliot Goldenthal (American score composer)
mixed at:
Village Studios (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Gold Coast Restaurant
composer:
Elliot Goldenthal (American score composer)
Elliot Goldenthal2:04
14The Man I Love
alto saxophone:
Georgie Auld (on 1946-06-03)
double bass [bass]:
Al McKibbon (double bassist) (on 1946-06-03)
drums (drum set):
J.C. Heard (on 1946-06-03)
electric guitar:
Tiny Grimes (US jazz/R&B guitarist) (on 1946-06-03)
piano:
Ken Kersey (on 1946-06-03)
tenor saxophone:
Illinois Jacquet (on 1946-06-03) and Lester Young (saxophonist) (on 1946-06-03)
trumpet:
Joe Guy (trumpet) (on 1946-06-03)
vocals:
Billie Holiday (on 1946-06-03)
recorded at:
Billie Holiday at Carnegie Hall (1946-06-03)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1946-06-03)
live recording of:
The Man I Love (on 1946-06-03)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (1977 musical film soundtrack)
Billie Holiday43:08
15JD Dies
recording engineer and mixer:
Joel Iwataki
additional engineer:
Brandon Mason, Angie Teo and Frank Wolf (engineer at Skyline Recording)
producer:
Teese Gohl
conductor:
Jonathan Sheffer
orchestrator:
Robert Elhai and Elliot Goldenthal (American score composer)
mixed at:
Village Studios (aka The Village Recorder) in Los Angeles, California, United States
recording of:
JD Dies
composer:
Elliot Goldenthal (American score composer)
Elliot Goldenthal3:57
16Dark Was the Night, Cold Was the Ground
recorded in:
Dallas, Texas, United States (on 1927-12-03)
guitar and other vocals [humming and moaning]:
Blind Willie Johnson (on 1927-12-03)
vocals:
Blind Willie Johnson (on 1927-12-03)
publisher:
Harmony (20s/30s US)
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 1999)
recording of:
Dark Was the Night, Cold Was the Ground (on 1927-12-03)
writer:
[traditional] (special purpose artist)
composer and arranger:
Blind Willie Johnson
Blind Willie Johnson3.753:19