Time in a Bottle: Great Original Hits of the '70s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▶CD: All-Time Favorites
2▶CD: No. 1 Hits / Lite 'n' Easy
3▼CD: The Great Singer/Songwriter / Super Groups of the '70s
#TitoloArtistaValutazioneDurata
1Hello, It's Me
tecnico di registrazione e tecnico di missaggio:
Billy Sherwood
produttore:
Bob Kulick e Billy Sherwood
chitarra :
Edgar Winter
chitarra [rhythm guitar] :
Bob Kulick
chitarra basso , membranofono , percussione e voce di accompagnamento:
Billy Sherwood
voce:
Todd Rundgren
voce principale:
Todd Rundgren
registrata presso e mixata presso:
Office Studios in Van Nuys, California, Stati Uniti
registrazione di:
Hello, It’s Me
paroliere e compositore:
Todd Rundgren
editore:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Todd Rundgren44:22
2Sunshine (Go Away Today)
registrazione di:
Sunshine
paroliere e compositore:
Jonathan Edwards (American singer-songwriter/musician)
Jonathan Edwards2:17
3Maggie May
produttore:
Rod Stewart
celesta :
Pete Sears (nel 1971)
chitarra a 12 corde , chitarra basso e chitarra elettrica :
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) (nel 1971)
chitarra acustica :
Martin Quittenton (guitarist for Steamhammer) (nel 1971)
mandolino :
Ray Jackson (nel 1971) e David Lindley (nel 1971)
membranofono e piatti :
Micky Waller (nel 1971)
organo Hammond :
Ian McLagan (nel 1971)
voce principale:
Rod Stewart (nel 1971)
diritti fonografici (℗) detenuti da:
Mercury Records Inc. (copyrights use only) (nel 1971), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1971), The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1971) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1971)
registrazione di:
Maggie May (nel 1971)
editore:
Rod Stewart
autore:
Mike Peters, Martin Quittenton (guitarist for Steamhammer) e Rod Stewart
editore:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label’s publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell e Warner Chappell Music (publisher as Warner/Chappell Music)
Rod Stewart4.25:16
4Vincent
tecnico:
Tom Flye
produttore:
Ed Freeman (producer, arranger, musician, and photographer)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1971-05 al 1971-06)
registrazione di:
Vincent (Starry Starry Night)
paroliere e compositore:
Don McLean
editore:
Benny Bird Co. Inc. (BMI-affiliated), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI) e Universal/MCA Music Ltd. (not for release label use!)
versione tradotta di:
Wim
Don McLean4.44:02
5Cat’s in the Cradle
produttore:
Paul Leka
arrangiatore:
Paul Leka
diritti fonografici (℗) detenuti da:
Elektra Records (not for release label use! please use its imprint “Elektra” instead), Elektra/Asylum/Nonesuch Records (not for release label use! a division of Warner Communications Inc.) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1974)
registrata presso:
Connecticut Recording Studios in Connecticut, Stati Uniti
registrazione di:
Cat’s in the Cradle
autore:
Sandra Campbell Chapin e Harry F Chapin
editore:
Neue Welt Musikverlag GmbH & Co. KG (– 2017), Story Songs, Ltd, Warner Bros., Inc. (not for release label use!), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music, Inc., Warner/Chappell Music Australia Pty. Ltd. e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Harry Chapin3.83:47
6Morning Has Broken
produttore:
Paul Samwell-Smith
archi :
Del Newman (British conductor, orchestrator, arranger) (nel 1971-03)
basso e congas :
Larry Steele (British bassist, percussionist, guitarist & vocalist) (nel 1971-03)
batteria :
Harvey Burns (nel 1971-03) e Gerry Conway (nel 1971-03)
bouzouki :
Angelos Hatzipavli (nel 1971-03) e Ανδρέας Τουμαζής (Andreas Toumazis) (nel 1971-03)
chitarra :
Alun Davies (nel 1971-03) e Cat Stevens (now known as Yusuf Islam) (nel 1971-03)
pianoforte :
Rick Wakeman (nel 1971-03)
tastiera e voce principale:
Cat Stevens (now known as Yusuf Islam) (nel 1971-03)
diritti fonografici (℗) detenuti da:
Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (nel 1970) e Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (nel 1971)
registrata presso:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito (nel 1971-03)
registrazione di:
Morning Has Broken (nel 1971-03)
paroliere:
Eleanor Farjeon
compositore:
[traditional] (special purpose artist)
editore:
Cat Music Ltd., EMI Music (do not use as release label! this is a music publisher), Freshwater Music Ltd., Irving Music, Inc., Island Music Ltd. e Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG)
si basa su:
Bunessan (Scottish hymn tune)
registrazione cover di:
Morning Has Broken
paroliere:
Eleanor Farjeon
compositore:
[traditional] (special purpose artist)
editore:
Cat Music Ltd., EMI Music (do not use as release label! this is a music publisher), Freshwater Music Ltd., Irving Music, Inc., Island Music Ltd. e Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG)
si basa su:
Bunessan (Scottish hymn tune)
registrazione di:
Morning Has Broken (Cat Stevens arrangement)
paroliere:
Eleanor Farjeon
compositore:
[traditional] (special purpose artist)
arrangiatore:
Cat Stevens (now known as Yusuf Islam)
arrangiamento di:
Morning Has Broken
Cat Stevens4.253:17
7Me and You and a Dog Named Boo
registrazione di:
Me and You and a Dog Named Boo
paroliere e compositore:
Lobo (American singer-songwriter Roland Kent LaVoie)
Lobo4.52:59
8Sometimes When We Touch
registrazione di:
Sometimes When We Touch
paroliere:
Dan Hill (Canadian singer/songwriter)
compositore:
Barry Mann
editore:
Anthem Entertainment A (work publisher), Dyad Music Ltd., Mann and Weil Songs, Inc., McCauley Music Ltd., Ole Media Management LP II, Sony/ATV Music Publishing Australia Pty Ltd., Sony/ATV Songs LLC, Sony/ATV Tunes LLC (ASCAP), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e フジパシフィックミュージック (Fujipacific Music, Inc.)
Dan Hill3:33
9I'll Have to Say I Love You in a Song
basso :
Joe Macho
batteria :
Gary Chester (studio drummer and educator)
chitarra [rhythm guitar] :
Jim Croce
chitarra acustica [lead acoustic guitar] :
Maury Muehleisen
percussione :
George Devens
pianoforte elettrico :
Tommy West
voce:
Jim Croce (il 1973-06-07)
voce di accompagnamento:
Marty Nelson e Tommy West
direttore d'orchestra:
Terence Minogue
arrangiatore:
Terence Minogue
diritti fonografici (℗) detenuti da:
BMG Rights Management (US) LLC (file releases under its imprint “BMG (2008–present)” if the release has an imprint) (nel 1973) e Lastrada Entertainment Co., Ltd. (nel 1973)
registrata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti (il 1973-06-07)
registrazione di:
I’ll Have to Say I Love You in a Song (il 1973-06-07)
paroliere e compositore:
Jim Croce
editore:
Blendingwell Music, Inc., DenJac Music Company e MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Jim Croce4.82:34
10Could It Be I’m Falling in Love
tecnico di registrazione:
Joe Tarsia (engineer)
produttore:
Thom Bell (keyboards, songwriter, producer)
basso :
Ron Baker (nel 1973)
batteria :
Earl Young (nel 1973)
percussione [vibraphone, marimba] :
Vince Montana (nel 1973)
pianoforte :
Thom Bell (keyboards, songwriter, producer) (nel 1973)
voce di accompagnamento:
Yvette Benson (nel 1973), Carla Benton (nel 1973) e Barbara Ingram (nel 1973)
voce di baritono:
Henry Fambrough (nel 1973)
voce di basso:
Pervis Jackson (nel 1973)
voce di tenore:
Billy Henderson (founding member of The Spinners) (nel 1973), Bobbie Smith (US R&B lead singer for The Spinners) (nel 1973) e Philippé Wynne (nel 1973)
direttore d'orchestra:
Thom Bell (keyboards, songwriter, producer) (nel 1973)
remixer:
Joe Tarsia (engineer)
arrangiatore:
Thom Bell (keyboards, songwriter, producer)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1973)
mixata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 221)
registrazione di:
Could It Be I’m Falling in Love (nel 1973)
autore:
Melvin Steals e Mervin Steals
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners54:15
11Black Water
tecnico di registrazione:
Donn Landee
tecnico di registrazione aggiunto:
Lee Herschberg
supporto a vario titolo:
Benita Brazier (incarico: production coordinator)
produttore:
Ted Templeman
autoharp :
Arlo Guthrie (American folk singer-songwriter)
chitarra pedal steel :
Jeff “Skunk” Baxter
congas e timbales :
Eddie Guzman
marimba , tabla e tamburo a cornice [pandeiro] :
Milt Holland
tastiera :
Bill Payne
viola :
Novi
arrangiatore:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns), Andrew Love e The Memphis Horns
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (, nel 1974)
registrazione di:
Black Water
paroliere, autore e compositore:
Patrick Simmons
editore:
Lansdowne Music Publishers, WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers4.24:15
12Rock and Roll Music
tecnico:
Stephen Moffitt
produttore:
Brian Wilson (Beach Boys co‐founder)
autoharp :
Carol Lee Miller
batteria :
Dennis Wilson (Beach Boys)
chitarra :
Ed Carter e Billy Hinsche
clarinetto e sassofono :
Mike Altschol, Dennis Dreith, John J. Kelson, Jr. e Jack Nimitz (American saxophonist and clarinet player)
moog, organo, pianoforte e sintetizzatore :
Brian Wilson (Beach Boys co‐founder)
percussione :
Gene Estes
sassofono :
Steve Douglas (American saxophonist, flautist and clarinetist)
voce di accompagnamento:
Al Jardine, Brian Wilson (Beach Boys co‐founder), Carl Wilson (Beach Boys), Dennis Wilson (Beach Boys) e Marilyn Wilson
voce di accompagnamento e voce principale:
Mike Love (Beach Boys)
arrangiatore:
Brian Wilson (Beach Boys co‐founder)
registrazione cover di:
Rock and Roll Music
paroliere e compositore:
Chuck Berry
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Campbell Connelly, Isalee Music Publishing Company e Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
registrazione di:
Rock and Roll Music
paroliere e compositore:
Chuck Berry
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Campbell Connelly, Isalee Music Publishing Company e Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
The Beach Boys32:32
13My Best Friend’s Girl
assistente tecnico:
Nigel Walker (UK producer/engineer/guitarist)
tecnico:
Geoff Workman
produttore:
Roy Thomas Baker (producer), Jay Faires e Tricia Holloway
diritti fonografici (℗) detenuti da:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1978) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1978, nel 1979)
registrata presso e mixata presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito (nel 1978-02)
registrazione di:
My Best Friend’s Girl (nel 1978-02)
paroliere e compositore:
Ric Ocasek
editore:
Lido Music, Inc., Universal/MCA Music Publishing Pty Ltd e Lido Music (not for release label use!) (nel 1978)
The Cars4.353:47
14If You Leave Me Now
tecnico di registrazione:
Armin Steiner (dal 1976-03 al 1976-04: archi)
assistente tecnico:
Tom Likes
tecnico:
Wayne Tarnowski
produttore:
James William Guercio
basso e chitarra acustica :
James William Guercio (dal 1976-03 al 1976-04)
voce principale:
Peter Cetera (dal 1976-03 al 1976-04)
arrangiatore archi e arrangiatore corno francese :
Jimmie Haskell
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1976), Rhino Entertainment Company (not for release label use!) (nel 1976, nel 2002), Warner Strategic Marketing Inc. (nel 1976) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1976)
registrata presso:
Sound Labs, Inc. in Hollywood, Los Angeles, California, Stati Uniti, Sound Labs, Inc. in Hollywood, Los Angeles, California, Stati Uniti (archi) e Caribou Ranch Recording Studio in Nederland, Colorado, Stati Uniti (dal 1976-03 al 1976-04)
mixata presso:
Caribou Ranch Recording Studio in Nederland, Colorado, Stati Uniti (dal 1976-03 al 1976-04)
registrazione di:
If You Leave Me Now (dal 1976-03 al 1976-04)
paroliere:
Peter Cetera
compositore:
Peter Cetera (nel 1976)
editore:
Big Elk Music, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fairwood Music Ltd., Island Music Ltd., Polish Prince Music e Spirit Music Publishing Ltd.
Chicago4.23:58
15Ain’t No Woman (Like the One I’ve Got)
produttore:
Steve Barri, Dennis Lambert e Brian Potter (US songwriter & producer)
arrangiatore archi :
Don Hockett e Dennis Lambert
registrazione di:
Ain't No Woman (Like the One I've Got)
autore:
Dennis Lambert e Brian Potter (US songwriter & producer)
editore:
Songs of Universal, Inc. (BMI)
The Four Tops3:09
16One Less Bell to Answer
tecnico audio, tecnico e produttore:
Bones Howe
assistente tecnico:
Johnny Golden (mastering engineer), Larry Cox (US engineer/producer) e Rik Pekkonen
basso :
Joe Osborn (American bass guitar player, session musician and songwriter)
membranofono :
Hal Blaine (U.S. studio drummer and percussionist)
voce solista:
Marilyn McCoo Davis (nel 1970)
esecutore:
Billy Davis, Jr., Florence LaRue Gordon, Lamonte McLemore, Marilyn McCoo Davis e Ron Townson
lavorazione tecnica effettuata presso:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, Stati Uniti
registrazione cover di:
One Less Bell to Answer (nel 1970)
paroliere:
Hal David (nel 1967)
compositore:
Burt Bacharach (nel 1967)
editore:
Blue Seas Music, Inc. (conclusa), JAC Music Co., Inc. (conclusa), BMG Rights Management (UK) Ltd. (Hal David), New Hidden Valley Music Co., PW Arrangements e Universal Music Corp. (USA, affiliated with ASCAP)
The 5th Dimension3:31
17Clap for the Wolfman
tecnico di registrazione:
Brian Christian
produttore:
Jack Richardson
voce parlata:
Wolfman Jack (US disc jockey)
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1974)
registrazione di:
Clap for the Wolfman
autore:
Burton Cummings, Bill Wallace (of The Guess Who) e Kurt Winter
editore:
Wee Mac Music, B.L.C. Ltd (nel 1974) e Walrus-Moore Music Ltd (nel 1974)
The Guess Who34:19
18I’ll Be There
produttore:
Nickolas Ashford, Hal Davis e Valerie Simpson
arrangiatore:
Bob West (US session bassist, producer & songwriter)
registrazione di:
I’ll Be There (nel 1970-06)
autore:
Bob West (US session bassist, producer & songwriter), Hal Davis, Berry Gordy e Willie Hutch
editore:
EMI April Music Inc., EMI Songs Australia, Jobete Music Co., Inc. e Stone Diamond Music Corporation
parte di:
MJ: The Musical
The Jackson 54.353:58
4▶CD: Romantic Hits of the '70s / By Request