| # | Title | Rating | Length |
|---|
| 1 | Cantata, BWV 208 "Was mir behagt, ist nur die muntre Jagd": 1. Recitativo (Soprano I) "Was mir behagt, ist nur die muntre Jagd!"- soprano vocals [Diana]:
- Sibylla Rubens (in 1996-09)
- orchestra:
- Bach Collegium Stuttgart (in 1996-09)
- conductor:
- Helmuth Rilling (in 1996-09)
- recorded at:
- Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1996-09)
- recording of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: I. Recitativo (Sopran I) “Was mir behagt, ist nur die muntre Jagd!” (in 1996-09)
- premiered in:
- Weißenfels, Sachsen-Anhalt , Germany (in 1713-02)
- composed in:
- Weimar, Thüringen , Germany
- composer:
- Johann Sebastian Bach (in 1713)
- librettist:
- Salomon Franck
- part of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
| | 0:37 |
| 2 | Cantata, BWV 208 "Was mir behagt, ist nur die muntre Jagd": 2. Aria (Soprano I) "Jagen ist die Lust der Götter"- soprano vocals [Diana]:
- Sibylla Rubens (in 1996-09)
- orchestra:
- Bach Collegium Stuttgart (in 1996-09)
- conductor:
- Helmuth Rilling (in 1996-09)
- recorded at:
- Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1996-09)
- recording of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: II. Aria (Sopran I) “Jagen ist die Lust de Göter” (in 1996-09)
- premiered in:
- Weißenfels, Sachsen-Anhalt , Germany (in 1713-02)
- composed in:
- Weimar, Thüringen , Germany
- composer:
- Johann Sebastian Bach (in 1713)
- librettist:
- Salomon Franck
- part of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
| | 1:51 |
| 3 | Cantata, BWV 208 "Was mir behagt, ist nur die muntre Jagd": 3. Recitativo (Tenore) "Wie, schonste Göttin"- tenor vocals [Endymion]:
- James Taylor (in 1996-09)
- orchestra:
- Bach Collegium Stuttgart (in 1996-09)
- conductor:
- Helmuth Rilling (in 1996-09)
- recorded at:
- Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1996-09)
- recording of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: III. Recitativo (Tenor) “Wie? Schönste Göttin! Wie?” (in 1996-09)
- premiered in:
- Weißenfels, Sachsen-Anhalt , Germany (in 1713-02)
- composed in:
- Weimar, Thüringen , Germany
- composer:
- Johann Sebastian Bach (in 1713)
- librettist:
- Salomon Franck
- part of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
| | 1:13 |
| 4 | Cantata, BWV 208 "Was mir behagt, ist nur die muntre Jagd": 4. Aria (Tenore) "Willst du dich nicht mehr ergötzen"- tenor vocals [Endymion]:
- James Taylor (in 1996-09)
- orchestra:
- Bach Collegium Stuttgart (in 1996-09)
- conductor:
- Helmuth Rilling (in 1996-09)
- recorded at:
- Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1996-09)
- recording of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IV. Aria (Tenor) “Willst du dich nicht mehr ergötzen” (in 1996-09)
- premiered in:
- Weißenfels, Sachsen-Anhalt , Germany (in 1713-02)
- composed in:
- Weimar, Thüringen , Germany
- composer:
- Johann Sebastian Bach (in 1713)
- librettist:
- Salomon Franck
- part of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
| | 4:45 |
| 5 | Cantata, BWV 208 "Was mir behagt, ist nur die muntre Jagd": 5. Recitativo (Soprano I, Tenore) "Ich liebe dich zwar noch!"- soprano vocals [Diana]:
- Sibylla Rubens (in 1996-09)
- tenor vocals [Endymion]:
- James Taylor (in 1996-09)
- orchestra:
- Bach Collegium Stuttgart (in 1996-09)
- conductor:
- Helmuth Rilling (in 1996-09)
- recorded at:
- Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1996-09)
- recording of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: V. Recitativo (Sopran I, Tenor) “Ich liebe dich zwar noch!” (in 1996-09)
- premiered in:
- Weißenfels, Sachsen-Anhalt , Germany (in 1713-02)
- composed in:
- Weimar, Thüringen , Germany
- composer:
- Johann Sebastian Bach (in 1713)
- librettist:
- Salomon Franck
- part of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
| | 2:20 |
| 6 | Cantata, BWV 208 "Was mir behagt, ist nur die muntre Jagd": 6. Recitativo (Basso) "Ich, der ich sonst ein Gott"- bass vocals [Pan]:
- Matthias Goerne (in 1996-09)
- orchestra:
- Bach Collegium Stuttgart (in 1996-09)
- conductor:
- Helmuth Rilling (in 1996-09)
- recorded at:
- Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1996-09)
- recording of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: VI. Recitativo (Bass) “Ich, der ich sonst ein Gott in diesen Feldern bin” (in 1996-09)
- premiered in:
- Weißenfels, Sachsen-Anhalt , Germany (in 1713-02)
- composed in:
- Weimar, Thüringen , Germany
- composer:
- Johann Sebastian Bach (in 1713)
- librettist:
- Salomon Franck
- part of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
| | 0:38 |
| 7 | Cantata, BWV 208 "Was mir behagt, ist nur die muntre Jagd": 7. Aria (Basso) "Ein Fürst ist seines Landes Pan"- recorded in:
- Wien , Austria (in 1988-05)
- bass vocals [Pan]:
- Robert Holl (in 1988-05)
- orchestra:
- Concentus Musicus Wien (in 1988-05)
- conductor:
- Nikolaus Harnoncourt (in 1988-05)
- recorded at:
- Casino Zögernitz in Döbling, Wien , Austria (in 1988-05)
- recording of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: VII. Aria (Bass) “Ein Fürst ist seines Landes Pan!” (in 1988-05)
- premiered in:
- Weißenfels, Sachsen-Anhalt , Germany (in 1713-02)
- composed in:
- Weimar, Thüringen , Germany
- composer:
- Johann Sebastian Bach (in 1713)
- librettist:
- Salomon Franck
- part of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
| | 2:33 |
| 8 | Cantata, BWV 208 "Was mir behagt, ist nur die muntre Jagd": 8. Recitativo (Soprano II) "Soll denn der Pales Opfer"- soprano vocals [Pales]:
- Eva Kirchner (in 1996-09)
- orchestra:
- Bach Collegium Stuttgart (in 1996-09)
- conductor:
- Helmuth Rilling (in 1996-09)
- recorded at:
- Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1996-09)
- recording of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: VIII. Recitativo (Sopran II) “Soll denn der Pales Opfer hier das letzte sein?” (in 1996-09)
- premiered in:
- Weißenfels, Sachsen-Anhalt , Germany (in 1713-02)
- composed in:
- Weimar, Thüringen , Germany
- composer:
- Johann Sebastian Bach (in 1713)
- librettist:
- Salomon Franck
- part of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
| | 0:37 |
| 9 | Cantata, BWV 208 "Was mir behagt, ist nur die muntre Jagd": 9. Aria (Soprano II) "Schafe können sicher weiden"- recorded in:
- Wien , Austria (in 1988-05)
- soprano vocals [Pales]:
- Angela Maria Blasi (in 1988-05)
- orchestra:
- Concentus Musicus Wien (in 1988-05)
- conductor:
- Nikolaus Harnoncourt (in 1988-05)
- recorded at:
- Casino Zögernitz in Döbling, Wien , Austria (in 1988-05)
- recording of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden” (in 1988-05)
- premiered in:
- Weißenfels, Sachsen-Anhalt , Germany (in 1713-02)
- composed in:
- Weimar, Thüringen , Germany
- composer:
- Johann Sebastian Bach (in 1713)
- librettist:
- Salomon Franck
- part of:
- Classic 100: Piano (number: 38)
- part of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
| | 4:57 |
| 10 | Cantata, BWV 208 "Was mir behagt, ist nur die muntre Jagd": 10. Recitativo (Soprano I) "So stimmt mit ein"- soprano vocals [Diana]:
- Sibylla Rubens (in 1996-09)
- orchestra:
- Bach Collegium Stuttgart (in 1996-09)
- conductor:
- Helmuth Rilling (in 1996-09)
- recorded at:
- Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1996-09)
- recording of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: X. Recitativo (Sopran I) “So stimmt mit ein” (in 1996-09)
- premiered in:
- Weißenfels, Sachsen-Anhalt , Germany (in 1713-02)
- composed in:
- Weimar, Thüringen , Germany
- composer:
- Johann Sebastian Bach (in 1713)
- librettist:
- Salomon Franck
- part of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
| | 0:11 |
| 11 | Cantata, BWV 208 "Was mir behagt, ist nur die muntre Jagd": 11. Coro (Soprano I/II, Tenore, Basso) "Lebe, Sonne dieser Erden"- recorded in:
- Wien , Austria (in 1988-05)
- bass vocals [Pan]:
- Robert Holl (in 1988-05)
- choir vocals:
- Arnold Schoenberg Chor (in 1988-05)
- soprano vocals [Diana]:
- Yvonne Kenny (in 1988-05)
- soprano vocals [Pales]:
- Angela Maria Blasi (in 1988-05)
- tenor vocals [Endymion]:
- Kurt Equiluz (in 1988-05)
- orchestra:
- Concentus Musicus Wien (in 1988-05)
- conductor:
- Nikolaus Harnoncourt (in 1988-05)
- chorus master:
- Erwin Ortner (in 1988-05)
- recorded at:
- Casino Zögernitz in Döbling, Wien , Austria (in 1988-05)
- recording of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XI. Chorus (Aria a 4) “Lebe, Sonne dieser Erdem” (in 1988-05)
- premiered in:
- Weißenfels, Sachsen-Anhalt , Germany (in 1713-02)
- composed in:
- Weimar, Thüringen , Germany
- composer:
- Johann Sebastian Bach (in 1713)
- librettist:
- Salomon Franck
- part of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
| | 3:15 |
| 12 | Cantata, BWV 208 "Was mir behagt, ist nur die muntre Jagd": 12. Duetto (Soprano I, Tenore) "Entzücket uns beide"- recorded in:
- Wien , Austria (in 1988-05)
- soprano vocals [Diana]:
- Yvonne Kenny (in 1988-05)
- tenor vocals [Endymion]:
- Kurt Equiluz (in 1988-05)
- orchestra:
- Concentus Musicus Wien (in 1988-05)
- conductor:
- Nikolaus Harnoncourt (in 1988-05)
- recorded at:
- Casino Zögernitz in Döbling, Wien , Austria (in 1988-05)
- recording of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XII. Duetto (Sopran I, Tenor) “Entzücket uns beide” (in 1988-05)
- premiered in:
- Weißenfels, Sachsen-Anhalt , Germany (in 1713-02)
- composed in:
- Weimar, Thüringen , Germany
- composer:
- Johann Sebastian Bach (in 1713)
- librettist:
- Salomon Franck
- part of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
| | 2:01 |
| 13 | Cantata, BWV 208 "Was mir behagt, ist nur die muntre Jagd": 13. Aria (Soprano II) "Weil die wollenreichen Herden"- recorded in:
- Wien , Austria (in 1988-05)
- soprano vocals [Pales]:
- Angela Maria Blasi (in 1988-05)
- orchestra:
- Concentus Musicus Wien (in 1988-05)
- conductor:
- Nikolaus Harnoncourt (in 1988-05)
- recorded at:
- Casino Zögernitz in Döbling, Wien , Austria (in 1988-05)
- recording of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XIII. Aria (Sopran II) “Weil die wollenreichen Herden” (in 1988-05)
- premiered in:
- Weißenfels, Sachsen-Anhalt , Germany (in 1713-02)
- composed in:
- Weimar, Thüringen , Germany
- composer:
- Johann Sebastian Bach (in 1713)
- librettist:
- Salomon Franck
- part of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
| | 1:48 |
| 14 | Cantata, BWV 208 "Was mir behagt, ist nur die muntre Jagd": 14. Aria (Basso) "Ihr Felder und Auen"- recorded in:
- Wien , Austria (in 1988-05)
- bass vocals [Pan]:
- Robert Holl (in 1988-05)
- orchestra:
- Concentus Musicus Wien (in 1988-05)
- conductor:
- Nikolaus Harnoncourt (in 1988-05)
- recorded at:
- Casino Zögernitz in Döbling, Wien , Austria (in 1988-05)
- recording of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XIV. Aria (Bass) “Ihr felder und Auen, laßt grünend euch schauen” (in 1988-05)
- premiered in:
- Weißenfels, Sachsen-Anhalt , Germany (in 1713-02)
- composed in:
- Weimar, Thüringen , Germany
- composer:
- Johann Sebastian Bach (in 1713)
- librettist:
- Salomon Franck
- part of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
| | 3:20 |
| 15 | Cantata, BWV 208 "Was mir behagt, ist nur die muntre Jagd": 15. Coro (Soprano I/II, Tenore, Basso) "Ihr lieblichste Blicke"- bass vocals [Pan]:
- Matthias Goerne (in 1996-09)
- choir vocals:
- Gächinger Kantorei (in 1996-09)
- soprano vocals [Diana]:
- Sibylla Rubens (in 1996-09)
- soprano vocals [Pales]:
- Eva Kirchner (in 1996-09)
- tenor vocals [Endymion]:
- James Taylor (in 1996-09)
- orchestra:
- Bach Collegium Stuttgart (in 1996-09)
- conductor:
- Helmuth Rilling (in 1996-09)
- recorded at:
- Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1996-09)
- recording of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XV. Chorus “Ihr lieblichste Bliche! ihr freudige Stunden” (in 1996-09)
- premiered in:
- Weißenfels, Sachsen-Anhalt , Germany (in 1713-02)
- composed in:
- Weimar, Thüringen , Germany
- composer:
- Johann Sebastian Bach (in 1713)
- librettist:
- Salomon Franck
- part of:
- Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
| | 3:37 |
| 16 | Cantata, BWV 212 "Mer hahn en neue Oberkeet": 1. [Ouverture] | | 2:11 |
| 17 | Cantata, BWV 212 "Mer hahn en neue Oberkeet": 2. Aria - Duetto (Soprano, Basso) "Mer hahn en neue Oberkeet"- recorded in:
- Wien , Austria (in 1988-05)
- bass vocals:
- Robert Holl (in 1988-05)
- soprano vocals:
- Angela Maria Blasi (in 1988-05)
- orchestra:
- Concentus Musicus Wien (in 1988-05)
- conductor:
- Nikolaus Harnoncourt (in 1988-05)
- recorded at:
- Casino Zögernitz in Döbling, Wien , Austria (in 1988-05)
- recording of:
- Kantate, BWV 212 "Mer hahn en neue Oberkeet": II. Aria (Duetto Sopran, Bass) "Mer hahn en neue Oberkeet"
- premiered in:
- Leipzig, Sachsen , Germany (on 1742-08-30)
- composed in:
- Leipzig, Sachsen , Germany (in 1742)
- composer:
- Johann Sebastian Bach (in 1742)
- librettist:
- Christian Friedrich Henrici
- part of:
- Kantate, BWV 212 "Mer hahn en neue Oberkeet"
| | 0:35 |
| 18 | Cantata, BWV 212 "Mer hahn en neue Oberkeet": 3. Recitativo (Soprano, Basso) "Nu, Mieke, gib dein Guschel immer her"- recorded in:
- Wien , Austria (in 1988-05)
- bass vocals:
- Robert Holl (in 1988-05)
- soprano vocals:
- Angela Maria Blasi (in 1988-05)
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling (in 1988-05)
- recorded at:
- Casino Zögernitz in Döbling, Wien , Austria (in 1988-05)
- recording of:
- Kantate, BWV 212 "Mer hahn en neue Oberkeet": III. Recitativo (Sopran, Bass) "Nu, Mieke, gib dein Guschel immer her" (in 1996-05)
- premiered in:
- Leipzig, Sachsen , Germany (on 1742-08-30)
- composed in:
- Leipzig, Sachsen , Germany (in 1742)
- composer:
- Johann Sebastian Bach (in 1742)
- librettist:
- Christian Friedrich Henrici
- part of:
- Kantate, BWV 212 "Mer hahn en neue Oberkeet"
| | 0:58 |
| 19 | Cantata, BWV 212 "Mer hahn en neue Oberkeet": 4. [Aria] (Soprano) "Ach, es schmeckt doch gar zu gut"- recorded in:
- Wien , Austria (in 1988-05)
- soprano vocals:
- Angela Maria Blasi (in 1988-05)
- orchestra:
- Concentus Musicus Wien (in 1988-05)
- conductor:
- Nikolaus Harnoncourt (in 1988-05)
- recorded at:
- Casino Zögernitz in Döbling, Wien , Austria (in 1988-05)
- recording of:
- Kantate, BWV 212 "Mer hahn en neue Oberkeet": IV. Aria (Sopran) "Ach, es schmeckt doch gar zu gut"
- premiered in:
- Leipzig, Sachsen , Germany (on 1742-08-30)
- composed in:
- Leipzig, Sachsen , Germany (in 1742)
- composer:
- Johann Sebastian Bach (in 1742)
- librettist:
- Christian Friedrich Henrici
- part of:
- Kantate, BWV 212 "Mer hahn en neue Oberkeet"
| | 1:05 |
| 20 | Cantata, BWV 212 "Mer hahn en neue Oberkeet": 5. Recitativo (Basso) "Der Herr ist gut" | | 0:23 |
| 21 | Cantata, BWV 212 "Mer hahn en neue Oberkeet": 6. Aria (Basso) "Ach, Herr Schösser"- bass vocals:
- Thomas Quasthoff (in 1996-05)
- orchestra:
- Bach‐Collegium Stuttgart (in 1996-05)
- conductor:
- Helmuth Rilling (in 1996-05)
- recorded at:
- Stiftskirche Herrenberg in Herrenberg, Baden-Württemberg, Germany (in 1996-05)
- recording of:
- Kantate, BWV 212 "Mer hahn en neue Oberkeet": VI. Aria (Bass) "Ach, Herr Schösser, geht nicht gar zu schlimm" (in 1996-05)
- premiered in:
- Leipzig, Sachsen , Germany (on 1742-08-30)
- composed in:
- Leipzig, Sachsen , Germany (in 1742)
- composer:
- Johann Sebastian Bach (in 1742)
- librettist:
- Christian Friedrich Henrici
- part of:
- Kantate, BWV 212 "Mer hahn en neue Oberkeet"
| | 1:12 |
| 22 | Cantata, BWV 212 "Mer hahn en neue Oberkeet": 7. Recitativo (Soprano) "Es bleibt dabei" | | 0:21 |
| 23 | Cantata, BWV 212 "Mer hahn en neue Oberkeet": 8. [Aria] (Soprano) "Unser trefflicher lieber Kammerherr"- recorded in:
- Wien , Austria (in 1988-05)
- soprano vocals:
- Angela Maria Blasi (in 1988-05)
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling (in 1988-05)
- recorded at:
- Casino Zögernitz in Döbling, Wien , Austria (in 1988-05)
- recording of:
- Kantate, BWV 212 "Mer hahn en neue Oberkeet": VIII. Aria (Sopran) "Unser trefflicher, lieber Kammerherr" (in 1996-05)
- premiered in:
- Leipzig, Sachsen , Germany (on 1742-08-30)
- composed in:
- Leipzig, Sachsen , Germany (in 1742)
- composer:
- Johann Sebastian Bach (in 1742)
- librettist:
- Christian Friedrich Henrici
- is based on:
- Folia
- part of:
- Kantate, BWV 212 "Mer hahn en neue Oberkeet"
| | 1:32 |
| 24 | Cantata, BWV 212 "Mer hahn en neue Oberkeet": 9. Recitativo (Soprano, Basso) "Er hilft uns allen, alt und jung"- recorded in:
- Wien , Austria (in 1988-05)
- bass vocals:
- Robert Holl (in 1988-05)
- soprano vocals:
- Angela Maria Blasi (in 1988-05)
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling (in 1988-05)
- recorded at:
- Casino Zögernitz in Döbling, Wien , Austria (in 1988-05)
- recording of:
- Kantate, BWV 212 "Mer hahn en neue Oberkeet": IX. Recitativo (Sopran, Bass) "Er hilft uns allen, alt und jung" (in 1996-05)
- premiered in:
- Leipzig, Sachsen , Germany (on 1742-08-30)
- composed in:
- Leipzig, Sachsen , Germany (in 1742)
- composer:
- Johann Sebastian Bach (in 1742)
- librettist:
- Christian Friedrich Henrici
- part of:
- Kantate, BWV 212 "Mer hahn en neue Oberkeet"
| | 0:32 |
| 25 | Cantata, BWV 212 "Mer hahn en neue Oberkeet": 10. Aria (Soprano) "Das ist galant" | | 1:15 |
| 26 | Cantata, BWV 212 "Mer hahn en neue Oberkeet": 11. Recitativo (Basso) "Und unsre gnäd'ge Frau" | | 0:46 |
| 27 | Cantata, BWV 212 "Mer hahn en neue Oberkeet": 12. Aria (Basso) "Fünfzig Taler bares Geld " | | 0:50 |
| 28 | Cantata, BWV 212 "Mer hahn en neue Oberkeet": 13. Recitativo (Soprano) "Im Ernst ein Wort!" | | 0:26 |
| 29 | Cantata, BWV 212 "Mer hahn en neue Oberkeet": 14. Aria (Soprano) "Klein-Zschocher müsse" | | 7:25 |
| 30 | Cantata, BWV 212 "Mer hahn en neue Oberkeet": 15. Recitativo (Basso) "Das ist zu klug vor dich" | | 0:22 |
| 31 | Cantata, BWV 212 "Mer hahn en neue Oberkeet": 16. Aria (Basso) "Es nehme zehntausend Dukaten" | | 0:43 |
| 32 | Cantata, BWV 212 "Mer hahn en neue Oberkeet": 17. Recitativo (Soprano) "Das klingt zu liederlich" | | 0:21 |
| 33 | Cantata, BWV 212 "Mer hahn en neue Oberkeet": 18. [Aria] (Soprano) "Gib, Schöne, viel Söhne"- recorded in:
- Wien , Austria (in 1988-05)
- soprano vocals:
- Angela Maria Blasi (in 1988-05)
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling (in 1988-05)
- recorded at:
- Casino Zögernitz in Döbling, Wien , Austria (in 1988-05)
- recording of:
- Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVIII. Aria (Sopran) "Gib, Schöne, viel Söhne" (in 1996-05)
- premiered in:
- Leipzig, Sachsen , Germany (on 1742-08-30)
- composed in:
- Leipzig, Sachsen , Germany (in 1742)
- composer:
- Johann Sebastian Bach (in 1742)
- librettist:
- Christian Friedrich Henrici
- part of:
- Kantate, BWV 212 "Mer hahn en neue Oberkeet"
| | 0:39 |
| 34 | Cantata, BWV 212 "Mer hahn en neue Oberkeet": 19. Recitativo (Basso) "Du hast wohl recht" | | 0:20 |
| 35 | Cantata, BWV 212 "Mer hahn en neue Oberkeet": 20. Aria (Basso) "Dein Wachstum sei feste" | | 5:51 |
| 36 | Cantata, BWV 212 "Mer hahn en neue Oberkeet": 21. Recitativo (Soprano, Basso) "Und damit sei es auch genung"- recorded in:
- Wien , Austria (in 1988-05)
- bass vocals:
- Robert Holl (in 1988-05)
- soprano vocals:
- Angela Maria Blasi (in 1988-05)
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling (in 1988-05)
- recorded at:
- Casino Zögernitz in Döbling, Wien , Austria (in 1988-05)
- recording of:
- Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXI. Recitativo (Sopran, Bass) "Und damit sei es auch genug" (in 1996-05)
- premiered in:
- Leipzig, Sachsen , Germany (on 1742-08-30)
- composed in:
- Leipzig, Sachsen , Germany (in 1742)
- composer:
- Johann Sebastian Bach (in 1742)
- librettist:
- Christian Friedrich Henrici
- part of:
- Kantate, BWV 212 "Mer hahn en neue Oberkeet"
| | 0:15 |
| 37 | Cantata, BWV 212 "Mer hahn en neue Oberkeet": 22. [Aria] (Soprano) "Und dass ihr's alle wißt" | | 0:43 |
| 38 | Cantata, BWV 212 "Mer hahn en neue Oberkeet": 23. [Recitativo] (Soprano, Basso) "Mein Schatz, erraten!"- recorded in:
- Wien , Austria (in 1988-05)
- bass vocals:
- Robert Holl (in 1988-05)
- soprano vocals:
- Angela Maria Blasi (in 1988-05)
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling (in 1988-05)
- recorded at:
- Casino Zögernitz in Döbling, Wien , Austria (in 1988-05)
- recording of:
- Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIII. Recitativo (Sopran, Bass) "Mein Schatz! erraten" (in 1996-05)
- premiered in:
- Leipzig, Sachsen , Germany (on 1742-08-30)
- composed in:
- Leipzig, Sachsen , Germany (in 1742)
- composer:
- Johann Sebastian Bach (in 1742)
- librettist:
- Christian Friedrich Henrici
- part of:
- Kantate, BWV 212 "Mer hahn en neue Oberkeet"
| | 0:33 |
| 39 | Cantata, BWV 212 "Mer hahn en neue Oberkeet": 24. Coro (Soprano, Basso) "Wir gehn nun"- recorded in:
- Wien , Austria (in 1988-05)
- bass vocals:
- Robert Holl (in 1988-05)
- soprano vocals:
- Angela Maria Blasi (in 1988-05)
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling (in 1988-05)
- recorded at:
- Casino Zögernitz in Döbling, Wien , Austria (in 1988-05)
- recording of:
- Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIV. Chor (Sopran, Bass) "Wir gehn nun, wo der Tudelsack" (in 1996-05)
- premiered in:
- Leipzig, Sachsen , Germany (on 1742-08-30)
- composed in:
- Leipzig, Sachsen , Germany (in 1742)
- composer:
- Johann Sebastian Bach (in 1742)
- librettist:
- Christian Friedrich Henrici
- part of:
- Kantate, BWV 212 "Mer hahn en neue Oberkeet"
| | 1:07 |
Play on ListenBrainz