At The Movies

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Stormy Weather
recorded in:
Hollywood, Los Angeles, California, United States (on 1941-12-15)
orchestra:
Lou Bring’s Orchestra
conductor:
Lou Bring (conductor and pianist)
cover recording of:
Stormy Weather (on 1941-12-15)
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. and The Songwriters Guild
Lena Horne3:24
2Summertime
clarinet:
Artie Shaw (in 1945)
trumpet:
Roy Eldridge (in 1945)
instrumental cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (in 1945)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Artie Shaw and His Orchestra featuring Roy Eldridge5:04
3On Green Dolphin Street
alto saxophone:
Johnny Hodges (in 1965)
electronic organ:
Wild Bill Davis (in 1965)
instrumental cover recording of:
On Green Dolphin Street (in 1965)
lyricist:
Ned Washington (in 1947)
composer:
Bronisław Kaper (in 1947)
publisher:
Catharine Hinen Music, Leo Feist Inc. and Patti Washington Music
Johnny Hodges with Wild Bill Davis3:16
4As Time Goes By
cover recording of:
As Time Goes By (the song from “Casablanca”) (in 1956)
lyricist and composer:
Herman Hupfeld
publisher:
WB Music Corp. (1929–2019) (ended), Chappell (company that specialized in library and production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) and Warner Bros., Inc. (not for release label use!) (in 1931)
sub-publisher:
香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
part of:
Casablanca (original soundtrack of the 1942 American film)
Lee Wiley3:13
5The Pink Panther Theme
recording engineer:
Jim Malloy
producer:
Joe Reisman
tenor saxophone:
Plas Johnson (in 1962)
orchestra:
The Henry Mancini Orchestra (in 1963)
conductor:
Henry Mancini (US composer, conductor & arranger) (in 1963)
arranger:
Henry Mancini (US composer, conductor & arranger)
recorded at:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, United States (in 1963)
recording of:
The Pink Panther Theme (in 1962)
orchestrator and composer:
Henry Mancini (US composer, conductor & arranger)
arranger:
Deseő Csaba
publisher:
EMI United Partnership Ltd., Northridge Music, Inc. and 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S E Asia) Ltd., Taiwan Branch)
part of:
Classic 100: Piano (2025) (number: 61)
recording of:
The Pink Panther Theme (on 1963-09-16)
orchestrator and composer:
Henry Mancini (US composer, conductor & arranger)
arranger:
Deseő Csaba
publisher:
EMI United Partnership Ltd., Northridge Music, Inc. and 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S E Asia) Ltd., Taiwan Branch)
part of:
Classic 100: Piano (2025) (number: 61)
instrumental recording of:
The Pink Panther Theme
orchestrator and composer:
Henry Mancini (US composer, conductor & arranger)
arranger:
Deseő Csaba
publisher:
EMI United Partnership Ltd., Northridge Music, Inc. and 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S E Asia) Ltd., Taiwan Branch)
part of:
Classic 100: Piano (2025) (number: 61)
Henry Mancini & His Orchestra featuring Plas Johnson4.12:38
6Round Midnight
engineer:
Ed Rak
mixer:
Larry Clothier and Ed Rak
double bass:
George Mraz (jazz bassist) (on 1988-04-13)
drums (drum set):
Al Foster (on 1988-04-13)
piano:
Eric Gunnison (on 1988-04-13)
tenor saxophone:
Clifford Jordan (on 1988-04-13)
vocals:
Carmen McRae (on 1988-04-13)
recorded at:
Clinton Recording Studios (NYC 10th Ave till 2010) in New York, New York, United States (on 1988-04-13)
mixed at:
Clinton Recording Studios (NYC 10th Ave till 2010) in New York, New York, United States
cover recording of:
’Round Midnight (on 1988-04-13)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
Carmen McRae6:30
7Lover Man (Oh, Where Can You Be)
guitar:
Django Reinhardt (French jazz guitarist and composer) (in 1949)
violin:
Stéphane Grappelli (jazz violinist) (in 1949)
instrumental cover recording of:
Lover Man (in 1949)
lyricist:
Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
composer:
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (ended) and Universal Music Corp. (USA, affiliated with ASCAP)
Django Reinhardt & Stephane Grappelli3:12
8The Wild One (Hot Blood)
alto saxophone:
Bud Shank (in 1953)
trumpet:
Shorty Rogers (trumpet) (in 1953)
recording of:
The Wild One (Hot Blood) (in 1953)
composer:
Leith Stevens
Shorty Rogers & His Orchestra featuring Bud Shank3:20
9Ain't Misbehavin'
double bass:
Slam Stewart (on 1943-01-23)
drums (drum set):
Zutty Singleton (on 1943-01-23)
guitar:
Irving Ashby (on 1943-01-23)
piano:
Fats Waller (in 1943, on 1943-01-23)
reeds:
Gene Porter (40s west coast jazz cat) (on 1943-01-23)
trombone:
Alton Moore (on 1943-01-23) and Slim Moore (trombonist linked to Fats Waller) (on 1943-01-23)
trumpet:
Benny Carter (on 1943-01-23)
vocals:
Fats Waller (on 1943-01-23)
edit of:
Ain’t Misbehavin’ (alternate ending) (1943: “Stormy Weather” movie) by “Fats” Waller (Fats Waller)
recording of:
Ain’t Misbehavin’ (on 1943-01-23)
lyricist:
Andy Razaf (in 1929)
composer:
Harry Brooks (jazz pianist & songwriter) (in 1929) and Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music and Redwood Music Ltd. (Carlin)
Fats Waller3:58
10My Man (Mon Homme)
tenor saxophone:
Coleman Hawkins (in 1956)
instrumental cover recording of:
Mon homme (in 1956)
lyricist:
Jacques Charles (French librettist and theatre producer) and Albert Willemetz
composer:
Maurice Yvain
Coleman Hawkins3:22
11April in Paris
cover recording of:
April in Paris (in 1952)
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
Sauter-Finegan Band3:00
12Everything I Have Is Yours, Dedicated to You
assistant engineer:
Larry McGee
engineer:
Cookie Marenco
producer:
Larry Clothier and Roy Hargrove
bass:
Rodney Whitaker (Bass)
flugelhorn and trumpet:
Roy Hargrove
membranophone:
Gregory Hutchinson
piano:
Marc Cary
saxophone:
Ron Blake (woodwinds player)
trumpet:
Roy Hargrove (in 1993)
mixed at:
Clinton Recording Studios (NYC 10th Ave till 2010) in New York, New York, United States
instrumental cover recording of:
Everything I Have Is Yours (in 1993)
lyricist:
Harold Adamson
composer:
Burton Lane
Roy Hargrove4:52
13Without a Song
bass:
Sid Weiss (on 1941-01-20)
drums (drum set):
Buddy Rich (on 1941-01-20)
guitar:
Clark Yocum (on 1941-01-20)
piano:
Joe Bushkin (on 1941-01-20)
saxophone:
Heinie Beau (on 1941-01-20), Don Lodice (on 1941-01-20), Paul Mason (jazz saxophonist) (on 1941-01-20), Johnny Mince (on 1941-01-20) and Fred Stulce (on 1941-01-20)
trombone:
George Arus (on 1941-01-20), Les Jenkins (on 1941-01-20) and Lowell Martin (jazz trombonist) (on 1941-01-20)
trumpet:
Jimmy Blake (jazz trumpeter) (on 1941-01-20), Ziggy Elman (on 1941-01-20), Ray Linn (on 1941-01-20) and Chuck Peterson (trumpet) (on 1941-01-20)
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1941-01-20)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
conductor:
Tommy Dorsey (Swing trombone player & band leader) (on 1941-01-20)
arranger:
Sy Oliver
recorded at:
RCA Studio 2 in New York, New York, United States (on 1941-01-20)
cover recording of:
Without a Song (on 1941-01-20)
lyricist:
Edward Eliscu and Billy Rose (lyricist and Broadway producer)
composer:
Vincent Youmans
publisher:
Anne-Rachel Music Corp., CBS Miller Catalog, Inc., Chappell & Co., EMI Miller Catalog, Inc., Johnny Mathis Music, Inc., LSQ Music Co., Miller Music Corp., The Songwriters Guild and WB Music Corp. (1929–2019)
part of:
Great Day!
Tommy Dorsey & His Orchestra with Frank Sinatra4:28
14God Bless the Child
recorded in:
New York, New York, United States (on 1962-01-30)
recording engineer:
Ray Hall (engineer) (on 1962-01-30)
engineer:
Ray Hall (engineer) (in 1986-07)
producer:
George Avakian (US 1940-90s record producer) and Bob Prince (Jazz composer, arranger, conductor & producer)
double bass:
Bob Cranshaw (on 1962-01-30)
drums (drum set):
Harry T. Saunders (on 1962-01-30)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (in 1962, on 1962-01-30)
tenor saxophone:
Sonny Rollins (American saxophonist) (in 1962, on 1962-01-30)
recorded at:
RCA Victor Studio B (Cherokee B) in Manhattan, New York, New York, United States (on 1962-01-30)
instrumental cover recording of:
God Bless the Child (on 1962-01-30)
lyricist:
Billie Holiday
composer:
Arthur Herzog, Jr.
publisher:
Basart Editions (ended) and Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
Sonny Rollins featuring Jim Hall7:28
15It Might as Well Be Spring
cover recording of:
It Might as Well Be Spring (State Fair) (in 1973)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
composer:
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 18th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1945 winner)
part of:
State Fair (1945 film soundtrack)
part of:
State Fair (1962 film soundtrack)
part of:
State Fair
Cleo Laine2:47
16Lover Come Back to Me
trumpet:
Dizzy Gillespie (in 1948)
instrumental recording of:
Lover, Come Back to Me (from "The New Moon") (in 1948)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
writer:
Sigmund Romberg
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The New Moon: Act II
Dizzy Gillespie3:32
17Everytime We Say Goodbye
assistant recording engineer:
Jerry Wood (recording engineer)
recording engineer:
Jim Mooney
associate producer:
Joseph S. DeBeasi (composer, music editor and producer)
producer:
Steve Backer
bass:
John Leftwich (Jazz bassist) (from 1987-01 until 1987-05)
drums (drum set):
Ralph Penland (Drums) (from 1987-01 until 1987-05)
piano:
Frank Strazzeri (from 1987-01 until 1987-05)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (from 1987-01 until 1987-05)
cover recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (in 1987)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Chet Baker4:49
18It's Only a Paper Moon
instrumental cover recording of:
It’s Only a Paper Moon (in 1941)
lyricist:
E.Y. Harburg (in 1933) and Billy Rose (lyricist and Broadway producer) (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Anne-Rachel Music Corp., Chappell & Co., Chappell Music Ltd., Gloccamorria Music, Next Decade Entertainment, S.A. Music Co., SA Music, Shapiro Bernstein & Co. Ltd. and Warner Bros. Music (publisher; do NOT use as release label)
John Kirby & His Orchestra3:10
19Moon Glow (I'm Living in the Past)
banjo:
Morris White (jazz guitarist) (on 1934-01-22)
double bass:
Al Morgan (jazz double-bassist) (on 1934-01-22)
drums (drum set):
Leroy Maxey (jazz drummer) (on 1934-01-22)
piano:
Benny Payne (jazz pianist and vocalist) (on 1934-01-22)
reeds:
Eddie Barefield (on 1934-01-22), Andrew Brown (jazz saxophonist) (on 1934-01-22), Arville Harris (on 1934-01-22) and Walter Thomas (on 1934-01-22)
trombone:
DePriest Wheeler (on 1934-01-22) and Harry White (jazz trombonist) (on 1934-01-22)
trumpet:
Doc Cheatham (on 1934-01-22), Edwin Swayze (on 1934-01-22) and Lammar Wright (on 1934-01-22)
vocals:
Cab Calloway (on 1934-01-22)
instrumental cover recording of:
Moonglow (on 1934-01-22)
lyricist:
Eddie DeLange
composer:
Will Hudson and Irving Mills
Cab Calloway and His Cotton Club Orchestra3:11
20What a Wonderful World
recorded in:
New York, United States (on 1967-08-16)
engineer:
Eddie Brackett and Bob Simpson (US jazz engineer/producer)
producer:
Bob Thiele (producer & songwriter)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
baritone saxophone:
Raymond Stanfield (on 1967-08-16)
clarinet:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Jerome Richardson (on 1967-08-16)
double bass:
Russ Savakus (on 1967-08-16)
drums (drum set):
Grady Tate (on 1967-08-16)
flute:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16), Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
guitar:
Allen Hanlon (jazz guitarist) (on 1967-08-16), Art Ryerson (on 1967-08-16) and Willard Suyker (on 1967-08-16)
percussion:
Warren Hard (on 1967-08-16)
piano:
Hank Jones (piano) (on 1967-08-16)
tenor saxophone:
Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
trombone:
Urbie Green (on 1967-08-16) and J.J. Johnson (jazz/bop trombonist/session leader) (on 1967-08-16)
trumpet:
Louis Armstrong (on 1967-08-16), Clark Terry (American swing trumpeter) (on 1967-08-16) and Joe Wilder (on 1967-08-16)
lead vocals:
Louis Armstrong (on 1967-08-16)
orchestra:
Louis Armstrong’s Orchestra and Chorus (on 1967-08-16)
conductor and chorus master:
Tommy Goodman (pianist, arranger for Benny Goodman and Duke Ellington) (on 1967-08-16)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 171) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 283)
recording of:
What a Wonderful World (on 1967-08-16)
writer:
George Douglas (producer & songwriter) and George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. and Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
part of:
12 Monkeys Soundtrack
part of:
Freaky Friday (2003)
Louis Armstrong Orchestra & Chorus42:17

Credits

Release

compiler:Jo Kennedy (compiler of jazz releases)
Brian Priestley (English jazz writer, pianist and arranger, born 10 July 1940 in Manchester, England)
Discogs:https://www.discogs.com/release/33481010 [info]