Ready to Go 2: Women of the 90’s

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Matrix: [sonopress logo] X-3434/4321617452 A
Mastering SID code: IFPI L024
Mould SID code: IFPI 0720

Annotation last modified on 2022-07-23 11:42 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1You’re Still the One
phonographic copyright (℗) by:
Mercury Records (the holding company; for use as ℗&© credits only!) (in 1998)
recording of:
You’re Still the One
writer:
Eilleen Shania Lange and Robert John Lange
publisher:
Loon Echo, Inc., Out-of-Pocket Productions Ltd. and PolyGram International, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
Shania Twain53:16
2Everything for Free
programming:
Mark Pythian
additional engineer:
Mark Pythian
assistant engineer:
Savvas Iossifidis
engineer:
Roy Spong
producer:
Gil Norton (British record producer)
mixer:
Gil Norton (British record producer) and Roy Spong
phonographic copyright (℗) by:
Double T Music (in 1998)
recording of:
Everything for Free (in 1998)
writer:
Gert Bettens (Belgian musician) and Sam Bettens
publisher:
Double T Music
K’s Choice3.653:45
3Kiss the Rain
vocals:
Billie Myers (UK rock singer‐songwriter)
phonographic copyright (℗) by:
Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1998)
recording of:
Kiss the Rain
writer:
Eric Bazilian, Desmond Child and Billie Myers (UK rock singer‐songwriter)
publisher:
DESMOPHOBIA PolyGram International Publishing, Inc. (in 1997), EMI Blackwood Music (in 1997), Human Boy (in 1997) and WB Music Corp. (1929–2019) (in 1997)
Billie Myers34:08
4Foolish Games
engineer:
John Holbrook
producer:
Peter Collins (producer)
mixer:
Jay Baumgardner and John Holbrook
bass guitar [bass]:
Craig Young (american session bass player)
drums (drum set):
Omar Hakim
guitar:
Tim Pierce (US session guitarist)
piano:
Robbie Buchanan (Canadian producer)
strings arranger:
Richard Benbow and Simon Warner
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1994, in 1997) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1994)
recorded at:
The Complex in Los Angeles, California, United States
mixed at:
Scream Studios in Studio City, Los Angeles, California, United States
edit of:
Foolish Games by Jewel (singer-songwriter Jewel Kilcher)
recording of:
Foolish Games
lyricist and composer:
Jewel (singer-songwriter Jewel Kilcher)
publisher:
Warner Chappell Music (publisher as Warner/Chappell Music) and Wiggly Tooth Music
Jewel34:00
5Adia
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1998)
recording of:
Adia
writer:
Pierre Marchand and Sarah McLachlan
publisher:
Pierre J Marchand, Sony/ATV Songs LLC, Studio Nomade Music and Tyde Music
Sarah McLachlan4:00
6It’s Up to You
phonographic copyright (℗) by:
PolyGram Norway (in 1998)
recording of:
It’s Up to You
writer:
C. Brandon and G. Marshall (aka Guy Gaglio)
publisher:
Beast or Angel? Inc and Tutt and Babe Music
The Tuesdays4:00
7Weak
recording engineer and producer:
Sylvia Massy and Skunk Anansie
mixer:
Andy Wallace (engineer)
bass guitar:
Cass Lewis
drums (drum set):
Robbie France
guitar:
Ace (Member of Skunk Anansie)
lead vocals:
Skin (Skunk Anansie singer)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1995)
recorded at:
Great Linford Manor in Milton Keynes, England, United Kingdom
music videos:
Weak by Skunk Anansie
recording of:
Weak
writer:
Ace (Member of Skunk Anansie), Robbie France, Cass Lewis and Skin (Skunk Anansie singer)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Skunk Anansie3.83:31
8I Think I’m Paranoid
assistant engineer:
Mike Zirkel
engineer:
Billy Bush (mixing engineer)
producer:
Garbage (US rock band)
bass guitar:
Daniel Shulman (bass guitarist)
vocals:
Shirley Manson
phonographic copyright (℗) by:
Mushroom Records Ltd. (in 1998)
music videos:
I Think I’m Paranoid by Garbage (US rock band)
recording of:
I Think I’m Paranoid
writer:
Duke Erikson (member of Garbage), Shirley Manson, Steve Marker and Butch Vig
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Deadarm Music, Irving Music, Inc. and Vibecrusher Music
Garbage3.553:37
9It’s So Hard
phonographic copyright (℗) by:
Dino Music (subsidiary of EMI Netherlands BV) (in 1997)
recording of:
It’s So Hard
composer:
Anouk Teeuwe (Dutch rock singer) and Bart van Veen
publisher:
Bouncin’ Balls Music and TBM International CV
Anouk4:25
10Wishing I Was There
phonographic copyright (℗) by:
BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation) (in 1998) and BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (in 1998)
music videos:
Wishing I Was There by Natalie Imbruglia
recording of:
Wishing I Was There
writer:
Colin Campsie, Natalie Imbruglia and Phil Thornalley
publisher:
BMG Music Publishing Ltd. and Dalmation Songs (this may or may not be the same as Dalmatian Songs Ltd.)
Natalie Imbruglia4:20
11Cornflake Girl
recording engineer:
John Beverly Jones, Paul McKenna (mixing engineer) and Eric Rosse
programming:
Eric Rosse
mixer:
Kevin Killen
bass:
George Porter, Jr. (from 1993-02 until 1993-10)
drums (drum set):
Carlo Nuccio (from 1993-02 until 1993-10)
guitar family and mandolin:
Steve Caton (from 1993-02 until 1993-10)
percussion:
Paulinho da Costa (Brazilian percussionist) (from 1993-02 until 1993-10)
piano and lead vocals:
Tori Amos (from 1993-02 until 1993-10)
guest vocals:
Merry Clayton (from 1993-02 until 1993-10)
publisher:
Sword and Stone
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1994)
recorded at:
The Fishhouse in New Mexico, United States (from 1993-02 until 1993-10)
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Cornflake Girl (from 1993-02 until 1993-10)
lyricist and composer:
Tori Amos
publisher:
Sword and Stone
Tori Amos3.95:05
12Where Have All the Cowboys Gone?
vocals:
Paula Cole
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1996)
recording of:
Where Have All the Cowboys Gone?
lyricist and composer:
Paula Cole
publisher:
Ensign Music Publishing and Hingface Music
Paula Cole44:27
13Walk This World
recording engineer and mixer:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
producer:
Youth (producer/bassist Martin Glover)
phonographic copyright (℗) by:
Big Life Records (Company behind the "Big Life" imprint) (in 1994)
recording of:
Walk This World
lyricist and composer:
Heather Nova
publisher:
Butterfly Recordings
Heather Nova4.653:48
14Your Ghost
guest background vocals:
Michael Stipe
phonographic copyright (℗) by:
4.A.D. (in 1994)
recording of:
Your Ghost
lyricist and composer:
Kristin Hersh
publisher:
Yes Dear Music
Kristin Hersh3.53:15
15How Do I Live
assistant recording engineer:
Glenn Spinner
recording engineer:
Jeff Balding
producer:
Tony Brown (US producer, pianist and keyboardist) and Trisha Yearwood
mixer:
Chuck Ainlay
acoustic guitar:
Larry Byrom
bass guitar:
Michael Rhodes
drums (drum set):
Paul Leim
electric guitar:
Steve Gibson (US country vocalist and guitarist)
keyboard:
Steve Nathan and Matt Rollings (American composer, musician and record producer)
lap steel guitar:
Paul Franklin (steel guitarist)
saxophone:
Jim Horn (saxophonist, hornist, flutist and oboist)
strings:
Nashville String Machine
background vocals [harmony vocals]:
Carrie McDowell and Judson Spence
conductor:
Ronn Huff
strings arranger:
Ronn Huff
phonographic copyright (℗) by:
Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1997)
recorded at:
Ocean Way Studios in Nashville, Tennessee, United States
mixed at:
Sound Kitchen Studios in Franklin, Tennessee, United States
recording of:
How Do I Live
lyricist and composer:
Diane Warren (US songwriter)
publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and Realsongs (from 1997 to present)
part of:
The 70th Academy Award for Best Original Song (number: 2)
Trisha Yearwood53:58
16Let It Rain
phonographic copyright (℗) by:
Sony Music Entertainment (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1996)
cover recording of:
Let It Rain
lyricist and composer:
Kristen Hall
publisher:
Ludakris and PSO Ltd.
recording of:
Let It Rain
lyricist and composer:
Kristen Hall
publisher:
Ludakris and PSO Ltd.
recording of:
Let It Rain
composer:
Kristen Hall
Amanda Marshall44:30
17Damn, I Wish I Was Your Lover
producer:
Rick Chertoff and Ralph Schuckett (keyboard, composer, producer)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1992) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1992)
recording of:
Damn I Wish I Was Your Lover
lyricist and composer:
Sophie B. Hawkins
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Broken Plate Music Inc. (in 1992) and The Night Rainbow Music (publisher) (in 1992)
Sophie B. Hawkins3.354:14
18Legend of a Cowgirl
phonographic copyright (℗) by:
Sony Music Entertainment (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
recording of:
Legend of a Cowgirl
writer:
Imani Coppola, Donovan Philips Leitch (Scottish singer, songwriter and guitarist) and Mike Mangini (Not to be confused with the drummer who has the same name. He's a producer, songwriter and engineer)
publisher:
Ash Belle Music, Donovan Music Ltd., Ensign Music Corp, Famous Music Corp (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Gee Street Music and Tsadoddnos Music
Imani Coppola3:43
19Chains
mixer:
Chris Lord‐Alge
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1994), Sony Music Productions (for copyrights use only) (in 1994) and Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1998)
recording of:
Chains
writer:
Tina Arena (in 1993-10), Pam Reswick (American songwriter) (in 1993-10) and Steve Werfel (in 1993-10)
publisher:
Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Mushroom Music (Mushroom label’s publishing company), Orient Pacific Music Pty. Ltd., PolyGram Music Publishing Australia Pty. Ltd., Standard Music Ltd. (publishing company associated with David Platz and Howard S. Richmond), Standard Music Publishing Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Tina Arena4:01

Credits

Release

manufactured in:the EU (Europe)
rights society:BIEM (international rights organization representing member societies from 58 countries)
GEMA (German rights society; do not use this as a label or work publisher!)
distributed by:the local BMG company (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation)
copyrighted (©) by and phonographic copyright (℗) by:BMG Nederland BV (in 1998)
pressed at and glass mastered at:Sonopress GmbH in Gütersloh, Nordrhein-Westfalen (North Rhine-Westphalia), Germany
Discogs:https://www.discogs.com/release/742715 [info]

Release group

part of:Ready to Go (Women of …) (number: 2) (order: 2)