100 Hits: Pop

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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#TitleArtistRatingLength
1Ghostbusters
producer:
Ray Parker Jr.
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1984) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (from 2016 to present)
part of:
Billboard Hot 100: 2025-11-15 (number: 22)
recording of:
Ghostbusters
lyricist and composer:
Ray Parker Jr.
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Golden Torch Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), IQ Music Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019), Golden Torch Music Corp. (in 1984) and Raydiola Music (in 1984)
part of:
The 57th Academy Award for Best Original Song (number: 2)
is based on:
I Want a New Drug
Ray Parker Jr.3.94:07
2Let’s Hear It for the Boy
producer:
George Duke
mixer:
Tom Perry (engineer), Tommy Vicari and Erik Zobler
analog synthesizer [Prophet V], electronic drum set [Linn Drums], Minimoog [Mini-Moog] and Moog [Memory Moog]:
George Duke
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
percussion:
Paulinho da Costa (Brazilian percussionist)
background vocals:
George Merrill, Shannon Rubicam and Deniece Williams (US soul/funk vocalist/songwriter)
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding), CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Let’s Hear It for the Boy
lyricist:
Dean Pitchford
composer:
Thomas Snow (US keyboardist/songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 57th Academy Award for Best Original Song (number: 2)
Deniece Williams3.64:22
3We Built This City
assistant engineer:
Paul Ericksen (recording engineer)
engineer:
Jeremy Smith (producer/engineer)
producer:
Jeremy Smith (producer/engineer) and Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
mixer:
Bill Bottrell
other vocals [DJ voice]:
Les Garland (American entertainment executive) (in 1985)
arranger:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
phonographic copyright (℗) by:
BMG Music (in 1985) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1985)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
remixed at:
The Soundcastle (former LA location) in Silver Lake, Los Angeles, California, United States
recording of:
We Built This City (in 1985)
writer:
Dennis Lambert, Martin Page, Bernie Taupin and Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
publisher:
BMG Music, BMG Songs, Inc., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Concord Copyrights London Limited, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Little Mole Music, Petwolf Music, Tuneworks Music Co., Universal Music Careers, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Music–MGB Songs, Warner/Chappell Music Ltd. (1996–2019), Zomba Enterprises (ASCAP-affiliated) and Zomba Enterprises, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Starship3.94:52
4Maneater
assistant engineer:
Bruce Buckhalter (Engineer), Barry Harris (engineer) and Michael Somer-Abbott
engineer:
Neil Kernon
co-producer:
Neil Kernon
producer:
Daryl Hall and John Oates
mixer:
Hugh Padgham
phonographic copyright (℗) by:
BMG Ariola Hamburg GmbH (in 1982), BMG Music (in 1982), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1982), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1982) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982)
recording of:
Maneater (in 1981-12)
lyricist:
Sara Allen, Daryl Hall and John Oates
composer:
Daryl Hall and John Oates
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fust Buzza Inc., Hot Cha Music Co., Irving Music, Inc., Primary Wave Brian, Rondor Music (Australia) Pty Ltd, Rondor Music Pty. Ltd., Unichappell Music, Inc., Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music) and Warner/Chappell Music Ltd. (1996–2019)
Hall & Oates4.44:32
5Together Forever
keyboard [Fairlight] programming:
Ian Curnow (in 1987)
additional engineer:
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall), Mike Duffy (mixing for Nitzer Ebb), Phil Harding (engineer, producer and remixer) and Karen Hewitt
assistant engineer:
Boky, Gordon Dennis (engineer at PWL Studios), Jonathan King and Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
engineer:
Mark McGuire (UK producer/engineer)
producer:
Aitken, Stock (of Stock Aitken Waterman) and Waterman
mixer:
Mixmasters Pete Hammond (UK producer aka “Mixmaster”)
drums (drum set) [drums]:
A Linn (Linn 9000) (in 1987)
guitar [guitars]:
Matt Aitken (in 1987)
keyboard [keyboards]:
Mike Stock (of Stock Aitken Waterman) and Matt Aitken (in 1987)
background vocals [backing vocals]:
Dee Lewis (in 1987), Shirley Lewis (in 1987), Mae McKenna (vocalist) (in 1987) and Suzanne Rhatigan (in 1987)
vocals:
Rick (English singer, songwriter and radio personality) (in 1987)
arranger:
Gordon Jenkins
phonographic copyright (℗) by:
Pete Waterman Ltd. (copyrights holder) (in 1987)
miscellaneous support:
PWL (task: original sound recordings made by)
recorded at:
PWL Studio 1 (in 1987) and PWL Studio 2 (in 1987)
mixed at:
PWL Studio 1 and PWL Studio 2
recording of:
Together Forever (in 1987)
writer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
publisher:
All Boys Music Ltd., Songs of Kobalt Music Publishing, Universal Music Careers, Universal–Songs of PolyGram International, Inc. and Terrace Music (from 1987 to present)
Rick Astley4.653:27
6Antmusic
producer:
Chris Hughes (producer, aka “Merrick”)
acoustic guitar, harmonica, piano and lead vocals:
Adam Ant (English new wave singer and actor)
bass guitar:
Kevin Mooney
drums (drum set):
Merrick (producer, aka “Merrick”) and Terry Lee Miall
electric guitar:
Marco Pirroni (British musician and producer)
vocals:
Kevin Mooney
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1980, in 2004), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1980) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1980)
music videos:
Antmusic by Adam and the Ants (English new wave band)
part of:
The Downloader’s Music Source Book (number: 139)
recording of:
Antmusic
writer:
Adam Ant (English new wave singer and actor) and Marco Pirroni (British musician and producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated) and Universal Music Publishing MGB Ltd.
Adam and the Ants43:38
7Love Plus One
producer:
Bob Sargeant
drums (drum set):
Blair Cunningham
guitar:
Graham Jones (Haircut 100)
instruments:
Leslie Nemes
percussion:
Marc Fox (Percussionist for the 80s New Wave band Haircut 100)
saxophone:
Phil Smith (Saxophonist)
vocals:
Nick Heyward
phonographic copyright (℗) by:
BMG Eurodisc Ltd. (in 1982) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1982)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 90)
recording of:
Love Plus One
lyricist and composer:
Nick Heyward
publisher:
Bryan Morrison Music Ltd.
Haircut One Hundred43:33
8I Could Be HappyAltered Images53:32
9Love Resurrection
producer:
Steve Jolley and Tony Swain (songwriter, producer)
drums (drum set):
Tim Goldsmith
keyboard:
Tony Swain (songwriter, producer)
background vocals and lead vocals:
Alison Moyet
music videos:
Love Resurection by Alison Moyet
recording of:
Love Resurrection
writer:
Steve Jolley, Alison Moyet and Tony Swain (songwriter, producer)
Alison Moyet33:53
10I Feel the Earth Move
drums (drum set) [drum programming] programming:
Michael Jay (producer/engineer) (from 1988-04 until 1988-05)
assistant engineer:
Peter Arata, Ric Butz, John Hegedes, Greg Loskorn (American sound engineer) and Karen Siegel (engineer)
engineer and mixer:
Michael McDonald (engineer)
producer:
Michael Jay (producer/engineer)
additional keyboard [keyboards]:
Claude Gaudette (session musician, songwriter, composer) (from 1988-04 until 1988-05)
guitar:
Don Kirkpatrick (guitarist/songwriter) (from 1988-04 until 1988-05)
keyboard [keyboards]:
Greg Smith (Producer/Keyboards) (from 1988-04 until 1988-05)
background vocals:
Donna DeLory (from 1988-04 until 1988-05), Rick Jude Palombi (from 1988-04 until 1988-05) and Mona Lisa Young (US funk / soul singer) (from 1988-04 until 1988-05)
arranger:
Michael Jay (producer/engineer)
vocals arranger:
Michael Jay (producer/engineer) and Martika (American singer‐songwriter and actress)
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1988)
recorded at:
Trax Recording Studio in Hollywood, Los Angeles, California, United States (from 1988-04 until 1988-05)
mixed at:
Garden Rake Studio in Studio City, Los Angeles, California, United States
cover recording of:
I Feel the Earth Move (from 1988-04 until 1988-05)
lyricist and composer:
Carole King
publisher:
Colgems-EMI Music Inc., EMI Music Publishing Australia Pty. Limited (not for release label use!), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) and Screen Gems–EMI Music Ltd. (in 1988)
Martika24:15
11Break My Stride
drums (drum set) programming:
John Gilston (in 1983)
producer:
Peter Bunetta, Rick Chudacoff and Bill Elliott (keyboardist/composer)
analog synthesizer [Prophet-5]:
Bill Elliott (keyboardist/composer) (in 1983) and Matthew Wilder (in 1983)
drum machine [Oberheim DMX], drums (drum set) and percussion:
Peter Bunetta (in 1983)
guitar:
Dennis Herring (in 1983)
background vocals:
Greg Prestopino (in 1983), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (in 1983) and Matthew Wilder (in 1983)
lead vocals:
Matthew Wilder (in 1983)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1983), Sony BMG Music Entertainment Inc. (in 1983) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983)
recorded at:
Pasha Studios in Hollywood, Los Angeles, California, United States (in 1983)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 39)
recording of:
Break My Stride (in 1983)
writer:
Greg Prestopino and Matthew Wilder
publisher:
Buchu Music, Bug Music, Inc., Bughouse, MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Music of Windswept, Universal Studios, Inc. (formerly known as MCA Inc.), WB Music Corp. (1929–2019), Wilder Kingdom Music, Big Ears Music (publisher) (in 1983), No Ears Music (in 1983) and Streetwise Music (US publisher) (in 1983)
Matthew Wilder3.43:03
12Dr. Beat
lead vocals:
Gloria Estefan
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1984) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Dr. Beat
lyricist and composer:
Enrique Garcia (Miami Sound Machine)
publisher:
EMI Songs Ltd. and Foreign Imported Productions & Publishing, Inc.
Miami Sound Machine3.854:23
13Automatic
recorded in:
Los Angeles, California, United States (in 1983)
recording engineer:
Michael Brooks (sound engineer and remixer, notably associated with The Pointer Sisters) (in 1983)
drum machine programming:
Brock Walsh (singer, producer, songwriter) (in 1983)
associate producer:
Glen Ballard and Brock Walsh (singer, producer, songwriter)
producer:
Richard Perry (producer)
bass:
Eddie N. Watkins Jr. (in 1983)
guitar:
Mark Goldenberg (in 1983) and Dennis Herring (in 1983)
Minimoog and synthesizer:
John Van Tongeren (in 1983)
synthesizer:
Stephen Mitchell (US musician, composer, songwriter, producer et al.) (in 1983), Howie Rice (in 1983) and Brock Walsh (singer, producer, songwriter) (in 1983)
lead vocals:
Ruth Pointer (in 1983)
remixer:
Bill Schnee
recording of:
Automatic (in 1983)
composer:
Brock Patrick Walsh (singer, producer, songwriter) and Mark Goldenberg
The Pointer Sisters44:48
14System Addict
recording of:
System Addict
writer:
Gary Bell and Billy Livsey
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Five Star4:04
15Building a Bridge to Your Heart
recording of:
Bridge to Your Heart
writer:
Andrew Gold and Graham Gouldman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Island Music (Island Music Ltd.), Island Music Ltd., Sluggogsongs and St. Anne’s Music Ltd.
Wax4:13
16Safety Dance
producer:
Marc Durand (Canadian producer)
phonographic copyright (℗) by:
Statik Records (in 1982) and Marc Durand Production (in 1983)
edit of:
The Safety Dance by Men Without Hats (Canadian new wave/synthpop group)
music videos:
The Safety Dance by Men Without Hats (Canadian new wave/synthpop group)
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 39) and Huffington Post: 100 Best Canadian Songs Ever (number: 48)
recording of:
The Safety Dance (from 1982-01 until 1982-03)
lyricist and composer:
Ivan Doroschuk (Men Without Hats)
publisher:
Betty Songs, Ivan Ltd., Polygram Music, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Texas City Music Inc., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Tactik Music (publisher) (in 1982) and Wintrup Musik (in 1982)
Men Without Hats3.82:47
17My Camera Never Lies
recording of:
My Camera Never Lies
writer:
Andy Hill (English producer & songwriter) and Nichola Martin (songwriter)
publisher:
Big Note Music Ltd., Paper Music Ltd. and Universal Music Publishing MGB Limited
Bucks Fizz4:03
18Boys (Summertime Love)
producer:
Claudio Cecchetto (Italian record producer & talent scout)
produced for:
Five Record (Italian label owned by Fininvest)
recording of:
Boys (Summertime Love)
lyricist:
Claudio Cecchetto (Italian record producer & talent scout) and Malcolm Charlton
composer:
Matteo Bonsanto and Roberto Rossi (composer)
publisher:
Budde Music France, Canale 5 Music, D.J.'s Gang, Melmax, RTI SpA (not for release label use!), Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Sabrina Salerno3.753:57
19Sign of the Times
engineer:
Phil Chapman (engineer), Pete Hammond (UK producer aka “Mixmaster”), Phil Harding (engineer, producer and remixer) and Julian Mendelsohn (Australian record producer and engineer)
producer:
Peter Collins (producer)
alto saxophone:
Miranda Joyce
bass guitar:
Lesley Shone
drums (drum set):
Judy Parsons
guitar:
Sarah‐Jane Owen
lead vocals:
Jennie Matthias
phonographic copyright (℗) by:
Stiff Records Ltd. (in 1983)
recording of:
Sign of the Times
writer:
Stella Barker, Clare Hirst, Miranda Joyce, Jennie Matthias, Sarah‐Jane Owen, Judy Parsons and Lesley Shone
The Belle Stars4.52:55
20Good Thing Going
recording of:
We’ve Got a Good Thing Going
writer:
The Corporation (Motown songwriters), Berry Gordy, Fonce Mizell, Freddie Perren and Deke Richards (American songwriter and record producer)
publisher:
Jobete Music (UK) Ltd.
Sugar Minott33:34
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Credits

Release group

part of:100 Hits (UK Demon Music Group) (number: 13) (order: 45)