Kantaten, Vol. 5: Sonntage nach Trinitatis II

~ Release by Bach; Münchener Bach‐Chor, Münchener Bach‐Orchester, Karl Richter (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Cantata No. 96, "Herr Christ, der einge Gottessohn,": 1. Chor. Herr Christ, der einge Gottessohn
recording engineer:
Hans‐Peter Schweigmann
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
flute:
Peter-Lukas Graf (flutist) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
oboe [oboe I]:
Manfred Clement (oboist) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
oboe [oboe II]:
Robert Eliscú (in 1977-10, from 1978-02 until 1978-03, in 1978-05) and Martin Spanner (oboist) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
recording of:
Kantate, BWV 96 "Herr Christ, der einge Gottessohn": I. Coro "Herr Christ, der einge Gottessohn" (from 1978-02 until 1978-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 96 "Herr Christ, der einge Gottessohn"
Johann Sebastian Bach6:36
2Cantata No. 96, "Herr Christ, der einge Gottessohn,": 2. Rezitativ. O Wunderkraft der Liebe
recording engineer:
Hans‐Peter Schweigmann
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
flute:
Peter-Lukas Graf (flutist) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
oboe [oboe I]:
Manfred Clement (oboist) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
oboe [oboe II]:
Robert Eliscú (in 1977-10, from 1978-02 until 1978-03, in 1978-05) and Martin Spanner (oboist) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
alto vocals:
Trudeliese Schmidt (mezzo-soprano) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
recording of:
Kantate, BWV 96 "Herr Christ, der einge Gottessohn": II. Recitativo (Alt) "O Wunderkraft der Liebe" (from 1978-02 until 1978-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 96 "Herr Christ, der einge Gottessohn"
Johann Sebastian Bach1:42
3Cantata No. 96, "Herr Christ, der einge Gottessohn,": 3. Arie. Ach ziehe die Seele mit Seilen der Liebe
recording engineer:
Hans‐Peter Schweigmann
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
flute:
Peter-Lukas Graf (flutist) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
oboe [oboe I]:
Manfred Clement (oboist) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
oboe [oboe II]:
Robert Eliscú (in 1977-10, from 1978-02 until 1978-03, in 1978-05) and Martin Spanner (oboist) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
recording of:
Kantate, BWV 96 "Herr Christ, der einge Gottessohn": III. Aria (Tenor) "Ach, ziehe die Seele mit Seilen der Liebe" (from 1978-02 until 1978-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 96 "Herr Christ, der einge Gottessohn"
Johann Sebastian Bach7:26
4Cantata No. 96, "Herr Christ, der einge Gottessohn,": 4. Rezitativ. Ach führe mich, o Gott, zum rechten Wege
recording engineer:
Hans‐Peter Schweigmann
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
flute:
Peter-Lukas Graf (flutist) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
oboe [oboe I]:
Manfred Clement (oboist) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
oboe [oboe II]:
Robert Eliscú (in 1977-10, from 1978-02 until 1978-03, in 1978-05) and Martin Spanner (oboist) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
soprano vocals:
Edith Mathis (soprano) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
recording of:
Kantate, BWV 96 "Herr Christ, der einge Gottessohn": IV. Recitativo (Sopran) "Ach, führe mich, o Gott, zum rechten Wege" (from 1978-02 until 1978-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 96 "Herr Christ, der einge Gottessohn"
Johann Sebastian Bach1:03
5Cantata No. 96, "Herr Christ, der einge Gottessohn,": 5. Arie. Bald zur Rechten, bald zur Linken
recording engineer:
Hans‐Peter Schweigmann
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
flute:
Peter-Lukas Graf (flutist) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
oboe [oboe I]:
Manfred Clement (oboist) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
oboe [oboe II]:
Robert Eliscú (in 1977-10, from 1978-02 until 1978-03, in 1978-05) and Martin Spanner (oboist) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
recording of:
Kantate, BWV 96 "Herr Christ, der einge Gottessohn": V. Aria (Bass) "Bald zur Rechten, bald zur Linken" (from 1978-02 until 1978-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 96 "Herr Christ, der einge Gottessohn"
Johann Sebastian Bach2:40
6Cantata No. 96, "Herr Christ, der einge Gottessohn,": 6. Choral. Ertöt uns durch deine Güte
recording engineer:
Hans‐Peter Schweigmann
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
flute:
Peter-Lukas Graf (flutist) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
oboe [oboe I]:
Manfred Clement (oboist) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
oboe [oboe II]:
Robert Eliscú (in 1977-10, from 1978-02 until 1978-03, in 1978-05) and Martin Spanner (oboist) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
recording of:
Kantate, BWV 96 "Herr Christ, der einge Gottessohn": VI. Choral "Ertöt uns durch dein Güte" (from 1978-02 until 1978-03)
composer:
Elisabeth Creuziger and Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 128)
part of:
Kantate, BWV 96 "Herr Christ, der einge Gottessohn"
Johann Sebastian Bach1:04
7Cantata No. 5 "Wo soll ich fliehen hin,": 1. Chor. Wo soll ich fliehen hin
recording engineer:
Hans‐Peter Schweigmann
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
oboe [oboe I]:
Manfred Clement (oboist) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
oboe [oboe II]:
Martin Spanner (oboist) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
trumpet:
Chandler Goetting (trumpeter) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
viola:
Fritz Ruf (violist) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
engineered at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany
recording of:
Kantate, BWV 5 "Wo soll ich fliehen hin": I. Coro "Wo soll ich fliehen hin" (in 1978-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-10-15)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Johann Heermann (in 1630)
part of:
Kantate, BWV 5 "Wo soll ich fliehen hin"
Johann Sebastian Bach4:17
8Cantata No. 5 "Wo soll ich fliehen hin,": 2. Rezitativ. Der Sünden Wust hat mich nicht nur befleckt
recording engineer:
Hans‐Peter Schweigmann
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
oboe [oboe I]:
Manfred Clement (oboist) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
oboe [oboe II]:
Martin Spanner (oboist) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
trumpet:
Chandler Goetting (trumpeter) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
viola:
Fritz Ruf (violist) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
recording of:
Kantate, BWV 5 "Wo soll ich fliehen hin": II. Recitativo (Basso) "Der Sünden Wust hat mich nicht nur befleckt" (in 1978-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-10-15)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 5 "Wo soll ich fliehen hin"
Johann Sebastian Bach1:21
9Cantata No. 5 "Wo soll ich fliehen hin,": 3. Arie. Ergieße dich reichlich, du göttliche Quelle
recording engineer:
Hans‐Peter Schweigmann
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
oboe [oboe I]:
Manfred Clement (oboist) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
oboe [oboe II]:
Martin Spanner (oboist) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
trumpet:
Chandler Goetting (trumpeter) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
viola:
Fritz Ruf (violist) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
recording of:
Kantate, BWV 5 "Wo soll ich fliehen hin": III. Aria (Tenore) "Ergieße dich reichlich, du göttliche Quelle" (in 1978-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-10-15)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 5 "Wo soll ich fliehen hin"
Johann Sebastian Bach6:46
10Cantata No. 5 "Wo soll ich fliehen hin,": 4. Rezitativ. Mein treuer Heiland tröstet mich
recording engineer:
Hans‐Peter Schweigmann
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
oboe [oboe I]:
Manfred Clement (oboist) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
oboe [oboe II]:
Martin Spanner (oboist) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
trumpet:
Chandler Goetting (trumpeter) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
viola:
Fritz Ruf (violist) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
alto vocals:
Trudeliese Schmidt (mezzo-soprano) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
recording of:
Kantate, BWV 5 "Wo soll ich fliehen hin": IV. Recitativo (Alto) "Mein treuer Heiland tröstet mich" (in 1978-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-10-15)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 5 "Wo soll ich fliehen hin"
Johann Sebastian Bach1:42
11Cantata No. 5 "Wo soll ich fliehen hin,": 5. Arie. Verstumme, Höllenheer
recording engineer:
Hans‐Peter Schweigmann
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
oboe [oboe I]:
Manfred Clement (oboist) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
oboe [oboe II]:
Martin Spanner (oboist) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
trumpet:
Chandler Goetting (trumpeter) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
viola:
Fritz Ruf (violist) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
recording of:
Kantate, BWV 5 "Wo soll ich fliehen hin": V. Aria (Basso) "Verstumme, Höllenheer, Du machst mich nicht verzagt!" (in 1978-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-10-15)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 5 "Wo soll ich fliehen hin"
Johann Sebastian Bach6:10
12Cantata No. 5 "Wo soll ich fliehen hin,": 6. Rezitativ. Ich bin ja nur das kleinste Teil der Welt
recording engineer:
Hans‐Peter Schweigmann
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
oboe [oboe I]:
Manfred Clement (oboist) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
oboe [oboe II]:
Martin Spanner (oboist) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
trumpet:
Chandler Goetting (trumpeter) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
viola:
Fritz Ruf (violist) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
soprano vocals:
Edith Mathis (soprano) (from 1978-02 until 1978-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
recording of:
Kantate, BWV 5 "Wo soll ich fliehen hin": VI. Recitativo (Soprano) "Ich bin ja nur das kleinste Teil der Welt" (in 1978-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-10-15)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 5 "Wo soll ich fliehen hin"
Johann Sebastian Bach1:02
13Cantata No. 5 "Wo soll ich fliehen hin,": 7. Choral. Führ auch mein Herz und Sinn
recording engineer:
Hans‐Peter Schweigmann
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
oboe [oboe I]:
Manfred Clement (oboist) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
oboe [oboe II]:
Martin Spanner (oboist) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
trumpet:
Chandler Goetting (trumpeter) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
viola:
Fritz Ruf (violist) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-10, from 1978-02 until 1978-03, in 1978-05)
recording of:
Kantate, BWV 5 "Wo soll ich fliehen hin": VII. Choral "Führ auch mein Herz und Sinn" (in 1978-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-10-15)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Johann Heermann (in 1630)
part of:
Breitkopf 389 Choralgesänge (number: 28)
part of:
Kantate, BWV 5 "Wo soll ich fliehen hin"
Johann Sebastian Bach1:10
14Cantata No. 56, "Ich will den Kreuzstab gerne tragen,": 1. Arie. Ich will den Kreuzstab gerne tragen
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Hansjoachim Reiser (engineer/producer)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": I. Aria "Ich will den Kreuzstab gerne tragen" (in 1969-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach8:40
15Cantata No. 56, "Ich will den Kreuzstab gerne tragen,": 2. Rezitativ. Mein Wandel auf der Welt
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Hansjoachim Reiser (engineer/producer)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": II. Recitative "Mein Wandel auf der Welt" (in 1969-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach2:11
16Cantata No. 56, "Ich will den Kreuzstab gerne tragen,": 3. Arie. Endlich, endlich wird mein Joch
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Hansjoachim Reiser (engineer/producer)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": III. Aria "Endlich, endlich wird mein Joch" (in 1969-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach6:42
17Cantata No. 56, "Ich will den Kreuzstab gerne tragen,": 4. Rezitativ und Arioso. Ich stehe fertig und bereit
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Hansjoachim Reiser (engineer/producer)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": IV. Recitative and Arioso "Ich stehe fertig und bereit" (in 1969-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach2:00
18Cantata No. 56, "Ich will den Kreuzstab gerne tragen,": 5. Choral. Komm, o Tod, du Schlafes Bruder
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Hansjoachim Reiser (engineer/producer)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": V. Chorale "Komm, o Tod, du Schlafes Bruder" (in 1969-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
John Franck (in 1653)
part of:
Breitkopf 389 Choralgesänge (number: 72)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach2:10
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5▶CD

Credits

Release

part of:Bach · Kantaten (Archiv Produktion) (number: 5) (order: 5)
ASIN:DE: B000025H5X [info]
other databases:https://d-nb.info/355014076 [info]
discography entry:http://www.deutschegrammophon.com/cat/4393942 [info]
Allmusic:https://www.allmusic.com/album/release/mr0002151149 [info]