Tracklist

1Digital Media
#TitleArtistRatingLength
1"Gott, wie dein Name, so ist auch dein Ruhm", BWV 171: I. "Gott, wie dein Name, so ist auch dein Ruhm" (Chorus)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (from 2003-02-21 until 2003-02-23)
orchestra:
Amsterdam Baroque Orchestra (from 2003-02-21 until 2003-02-23)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2003-02-21 until 2003-02-23)
phonographic copyright (℗) by:
Challenge Classics (Challenge Records sub, classical) (in 2009)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2003-02-21 until 2003-02-23)
recording of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm" (from 2003-02-21 until 2003-02-23)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
part of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"
Johann Sebastian Bach1:49
2"Gott, wie dein Name, so ist auch dein Ruhm", BWV 171: II. "Herr, so weit die Wolken gehen, gehet deines Namens Ruhm" (Aria)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals:
Christoph Prégardien (tenor) (from 2002-09-26 until 2002-10-02)
orchestra:
Amsterdam Baroque Orchestra (from 2002-09-26 until 2002-10-02)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-09-26 until 2002-10-02)
phonographic copyright (℗) by:
Challenge Classics (Challenge Records sub, classical) (in 2009)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-09-26 until 2002-10-02)
recording of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": II. Aria (Tenor) "Herr, so weit die Wolken gehen" (from 2002-09-26 until 2002-10-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"
recording of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": II. Aria (Tenor) "Herr, so weit die Wolken gehen" (from 2002-09-29 until 2002-10-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"
Johann Sebastian Bach4:00
3"Gott, wie dein Name, so ist auch dein Ruhm", BWV 171: III. "Du süsser Jesus Name du" (Recitative)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Bogna Bartosz (from 2002-05-09 until 2002-05-13)
orchestra:
Amsterdam Baroque Orchestra (from 2002-05-09 until 2002-05-13)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-05-09 until 2002-05-13)
phonographic copyright (℗) by:
Challenge Classics (Challenge Records sub, classical) (in 2009)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-05-09 until 2002-05-13)
recording of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": III. Recitativo (Alt) "Du süßer Jesus-Name du" (from 2002-05-09 until 2002-05-13)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"
Johann Sebastian Bach1:01
4"Gott, wie dein Name, so ist auch dein Ruhm", BWV 171: IV. "Jesus soll mein erstes Wort in dem neuen Jahre heissen" (Aria)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Sandrine Piau (soprano) (from 2002-05-09 until 2002-05-13)
orchestra:
Amsterdam Baroque Orchestra (from 2002-05-09 until 2002-05-13)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-05-09 until 2002-05-13)
phonographic copyright (℗) by:
Challenge Classics (Challenge Records sub, classical) (in 2009)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-05-09 until 2002-05-13)
recording of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": IV. Aria (Sopran) "Jesus soll mein erstes Wort" (from 2002-05-09 until 2002-05-13)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"
Johann Sebastian Bach4:20
5"Gott, wie dein Name, so ist auch dein Ruhm", BWV 171: V. "Und da du, Herr, gesagt" (Recitative)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2002-05-09 until 2002-05-13)
orchestra:
Amsterdam Baroque Orchestra (from 2002-05-09 until 2002-05-13)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-05-09 until 2002-05-13)
phonographic copyright (℗) by:
Challenge Classics (Challenge Records sub, classical) (in 2009)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-05-09 until 2002-05-13)
recording of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": V. Recitativo (Bass) "Und da du, Herr, gesagt" (from 2002-05-09 until 2002-05-13)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"
Johann Sebastian Bach1:46
6"Gott, wie dein Name, so ist auch dein Ruhm", BWV 171: VI. "Lass uns das Jahr vollbringen zu Lob dem Namen dein" (Chorale)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (from 2003-02-21 until 2003-02-23)
orchestra:
Amsterdam Baroque Orchestra (from 2003-02-21 until 2003-02-23)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2003-02-21 until 2003-02-23)
phonographic copyright (℗) by:
Challenge Classics (Challenge Records sub, classical) (in 2009)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2003-02-21 until 2003-02-23)
recording of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": VI. Choral "Laß uns das Jahr vollbringen" (from 2003-02-21 until 2003-02-23)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Johannes Herman (in 1593)
part of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"
Johann Sebastian Bach1:44
7"Jesu, nun sei gepreiset", BWV 41: I. "Jesu, nun sei gepreiset" (Chorus)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (in 1999-10)
orchestra:
Amsterdam Baroque Orchestra (in 1999-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1999-10)
phonographic copyright (℗) by:
Challenge Classics (Challenge Records sub, classical) (in 2009)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1999-10)
recording of:
Kantate, BWV 41 "Jesu, nun sei gepreiset": I. Coro "Jesu, nun sei gepreiset" (in 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 41 "Jesu, nun sei gepreiset"
Johann Sebastian Bach7:42
8"Jesu, nun sei gepreiset", BWV 41: II. "Laß uns, o höchster Gott" (Aria)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Sibylla Rubens (soprano) (in 1999-10)
orchestra:
Amsterdam Baroque Orchestra (in 1999-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1999-10)
phonographic copyright (℗) by:
Challenge Classics (Challenge Records sub, classical) (in 2009)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1999-10)
recording of:
Kantate, BWV 41 "Jesu, nun sei gepreiset": II. Aria (Soprano) "Laß uns, o höchster Gott, das Jahr vollbringen" (in 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 41 "Jesu, nun sei gepreiset"
Johann Sebastian Bach5:27
9"Jesu, nun sei gepreiset", BWV 41: "Ach! define Hand, dein Segen muß allein" (Recitative)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Annette Markert (mezzo-soprano) (in 1999-10)
orchestra:
Amsterdam Baroque Orchestra (in 1999-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1999-10)
phonographic copyright (℗) by:
Challenge Classics (Challenge Records sub, classical) (in 2009)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1999-10)
recording of:
Kantate, BWV 41 "Jesu, nun sei gepreiset": III. Recitativo (Alto) "Ach! deine Hand, dein Segen" (in 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 41 "Jesu, nun sei gepreiset"
Johann Sebastian Bach1:04
10"Jesu, nun sei gepreiset", BWV 41: "Woferne du den edlen Frieden" (Aria)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals:
Christoph Prégardien (tenor) (in 1999-10)
orchestra:
Amsterdam Baroque Orchestra (in 1999-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1999-10)
phonographic copyright (℗) by:
Challenge Classics (Challenge Records sub, classical) (in 2009)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1999-10)
recording of:
Kantate, BWV 41 "Jesu, nun sei gepreiset": IV. Aria (Tenore) "Woferne du den edlen Frieden" (in 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 41 "Jesu, nun sei gepreiset"
Johann Sebastian Bach8:17
11"Jesu, nun sei gepreiset", BWV 41: "Doch weil der Feind Bei Tag und Nacht" (Recitative)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 1999-10)
choir vocals:
Amsterdam Baroque Choir (in 1999-10)
orchestra:
Amsterdam Baroque Orchestra (in 1999-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1999-10)
phonographic copyright (℗) by:
Challenge Classics (Challenge Records sub, classical) (in 2009)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1999-10)
recording of:
Kantate, BWV 41 "Jesu, nun sei gepreiset": V. Recitativo (Basso) e Coro "Doch weil der Feind bei Tag und Nacht" (in 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 41 "Jesu, nun sei gepreiset"
Johann Sebastian Bach0:53
12"Jesu, nun sei gepreiset", BWV 41: "Den ist allein die Ehre" (Chorale)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (in 1999-10)
orchestra:
Amsterdam Baroque Orchestra (in 1999-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1999-10)
phonographic copyright (℗) by:
Challenge Classics (Challenge Records sub, classical) (in 2009)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1999-10)
recording of:
Kantate, BWV 41 "Jesu, nun sei gepreiset": VI. Choral "Dein ist allein die Ehre" (in 1999-10)
lyricist:
Johannes Hermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 204)
part of:
Kantate, BWV 41 "Jesu, nun sei gepreiset"
Johann Sebastian Bach1:50
13"Gottlob, nun geht das Jahr zu Ende" BWV 28: I. "Gottlob, nun geht das Jahr zu Ende" (Aria)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Deborah York (from 2001-03-06 until 2001-03-16)
orchestra:
Amsterdam Baroque Orchestra (from 2001-03-06 until 2001-03-16)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2001-03-06 until 2001-03-16)
phonographic copyright (℗) by:
Challenge Classics (Challenge Records sub, classical) (in 2009)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2001-03-06 until 2001-03-16)
recording of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": I. Aria (Soprano) "Gottlob! nun geht das Jahr zu Ende" (from 2001-03-06 until 2001-03-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Erdmann Neumeister (from 1714 until 1717)
part of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende"
Johann Sebastian Bach3:46
14"Gottlob, nun geht das Jahr zu Ende" BWV 28: II. "Nun lob, mein Seel, den Herren" (Chorus)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (from 2001-03-06 until 2001-03-16)
orchestra:
Amsterdam Baroque Orchestra (from 2001-03-06 until 2001-03-16)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2001-03-06 until 2001-03-16)
phonographic copyright (℗) by:
Challenge Classics (Challenge Records sub, classical) (in 2009)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2001-03-06 until 2001-03-16)
recording of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": II. Coro "Nun lob, mein Seel, den Herren" (from 2001-03-06 until 2001-03-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Johann Gramann (in 1530)
is based on:
Nun lob, mein Seel, den Herren (german hymn, lyrics after Psalm 103, with the melody of "Weiß mir ein Blümlein blaue", 16th century)
part of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende"
Johann Sebastian Bach3:43
15"Gottlob, nun geht das Jahr zu Ende" BWV 28: III. "So spricht der Herr" (recitative - Arioso)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2001-03-06 until 2001-03-16)
orchestra:
Amsterdam Baroque Orchestra (from 2001-03-06 until 2001-03-16)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2001-03-06 until 2001-03-16)
phonographic copyright (℗) by:
Challenge Classics (Challenge Records sub, classical) (in 2009)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2001-03-06 until 2001-03-16)
recording of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": III. Recitativo (Arioso: Basso) "So spricht der Herr" (from 2001-03-06 until 2001-03-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende"
Johann Sebastian Bach1:51
16"Gottlob, nun geht das Jahr zu Ende" BWV 28: IV. "Gott ist ein Quell, wo Lauter Güte fleußt" (Recitative)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals:
Jörg Dürmüller (from 2001-03-06 until 2001-03-16)
orchestra:
Amsterdam Baroque Orchestra (from 2001-03-06 until 2001-03-16)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2001-03-06 until 2001-03-16)
phonographic copyright (℗) by:
Challenge Classics (Challenge Records sub, classical) (in 2009)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2001-03-06 until 2001-03-16)
recording of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": IV. Recitativo (Tenore) "Gott ist ein Quell, wo lauter Güte fleußt" (from 2001-03-06 until 2001-03-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Erdmann Neumeister (from 1714 until 1717)
part of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende"
Johann Sebastian Bach1:12
17"Gottlob, nun geht das Jahr zu Ende" BWV 28: V. "Gott hat uns im heurigan Jahr gesegnet" (Aria)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Bogna Bartosz (from 2001-03-06 until 2001-03-16)
tenor vocals:
Jörg Dürmüller (from 2001-03-06 until 2001-03-16)
orchestra:
Amsterdam Baroque Orchestra (from 2001-03-06 until 2001-03-16)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2001-03-06 until 2001-03-16)
phonographic copyright (℗) by:
Challenge Classics (Challenge Records sub, classical) (in 2009)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2001-03-06 until 2001-03-16)
recording of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": V. Aria (Duetto: Alto, Tenore) "Gott hat uns im heurigen Jahre gesegnet" (from 2001-03-06 until 2001-03-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Erdmann Neumeister (from 1714 until 1717)
part of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende"
Johann Sebastian Bach2:02
18"Gottlob, nun geht das Jahr zu Ende" BWV 28: VI. "All solch dein Güt wir preisen" (Chorale)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (from 2001-03-06 until 2001-03-16)
orchestra:
Amsterdam Baroque Orchestra (from 2001-03-06 until 2001-03-16)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2001-03-06 until 2001-03-16)
phonographic copyright (℗) by:
Challenge Classics (Challenge Records sub, classical) (in 2009)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2001-03-06 until 2001-03-16)
recording of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": VI. Choral "All solch dein Güt wir preisen" (from 2001-03-06 until 2001-03-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Paul Eber (in 1580)
part of:
Breitkopf 389 Choralgesänge (number: 124)
part of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende"
Johann Sebastian Bach0:53
19"Herr Gott, dich loben wir" BWV 16: I. "Herr Gott, dich loben wir" (Chorale)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (in 2001-11)
orchestra:
Amsterdam Baroque Orchestra (in 2001-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2001-11)
phonographic copyright (℗) by:
Challenge Classics (Challenge Records sub, classical) (in 2009)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2001-11)
recording of:
Kantate, BWV 16 "Herr Gott, dich loben wir": I. Coro "Herr Gott, dich loben wir" (in 2001-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 16 "Herr Gott, dich loben wir"
Johann Sebastian Bach1:34
20"Herr Gott, dich loben wir" BWV 16: II. "So Stimmen wir bei dieser frohe Zeit" (Recitative)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 2001-11)
orchestra:
Amsterdam Baroque Orchestra (in 2001-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2001-11)
phonographic copyright (℗) by:
Challenge Classics (Challenge Records sub, classical) (in 2009)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2001-11)
recording of:
Kantate, BWV 16 "Herr Gott, dich loben wir": II. Recitativo (Basso) "So stimmen wir bei dieser frohen Zeit" (in 2001-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 16 "Herr Gott, dich loben wir"
Johann Sebastian Bach1:15
21"Herr Gott, dich loben wir" BWV 16: III. "Lasst uns jauchzen" (Aria)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 2001-11)
choir vocals:
Amsterdam Baroque Choir (in 2001-11)
orchestra:
Amsterdam Baroque Orchestra (in 2001-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2001-11)
phonographic copyright (℗) by:
Challenge Classics (Challenge Records sub, classical) (in 2009)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2001-11)
recording of:
Kantate, BWV 16 "Herr Gott, dich loben wir": III. Aria (Basso) e Coro "Laßt uns jauchzen, lasst uns freuen" (in 2001-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 16 "Herr Gott, dich loben wir"
Johann Sebastian Bach3:25
22"Herr Gott, dich loben wir" BWV 16: IV. "Ach treuer Hort, Beschütz auch ferner hin" (Recitative)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Bogna Bartosz (in 2001-11)
orchestra:
Amsterdam Baroque Orchestra (in 2001-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2001-11)
phonographic copyright (℗) by:
Challenge Classics (Challenge Records sub, classical) (in 2009)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2001-11)
recording of:
Kantate, BWV 16 "Herr Gott, dich loben wir": IV. Recitativo (Alto) "Ach treuer Hort" (in 2001-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 16 "Herr Gott, dich loben wir"
Johann Sebastian Bach1:20
23"Herr Gott, dich loben wir" BWV 16: V. "Geliebter Jesu, du allein" (Recitative)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals:
Paul Agnew (tenor and conductor) (in 2001-11)
orchestra:
Amsterdam Baroque Orchestra (in 2001-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2001-11)
phonographic copyright (℗) by:
Challenge Classics (Challenge Records sub, classical) (in 2009)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2001-11)
recording of:
Kantate, BWV 16 "Herr Gott, dich loben wir": V. Aria (Tenore) "Geliebter Jesu, du allein sollst meiner Seelen Reichtum sein" (in 2001-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 16 "Herr Gott, dich loben wir"
Johann Sebastian Bach7:57
24"Herr Gott, dich loben wir" BWV 16: VI. "All solch dein Güt dein preisen" (Chorale)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (in 2001-11)
orchestra:
Amsterdam Baroque Orchestra (in 2001-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2001-11)
phonographic copyright (℗) by:
Challenge Classics (Challenge Records sub, classical) (in 2009)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2001-11)
recording of:
Kantate, BWV 16 "Herr Gott, dich loben wir": VI. Choral "All solch dein Güt wir preisen" (in 2001-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Paul Eber (in 1580)
part of:
Breitkopf 389 Choralgesänge (number: 125)
part of:
Kantate, BWV 16 "Herr Gott, dich loben wir"
Johann Sebastian Bach0:53