The Complete EMI Recordings

~ Release by Jacqueline du Pré (see all versions of this release, 2 available)

Annotation

See http://www.arkivmusic.com/classical/album.jsp?album_id=177845 for recording details.

Annotation last modified on 2011-10-27 00:58 UTC.

Tracklist

1▶CD
2▶CD
3▶CD
4▶CD
5▶CD
6▶CD
7▶CD
8▶CD
9▶CD
10▶CD
11▶CD
12▼CD
#TitleArtistRatingLength
1Don Quixote, Op 35: Introduction: Don Quixote Sinks into Madness
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: I. Introduction (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote (op 35; TrV 184)
Richard Strauss6:02
2Don Quixote, Op 35: Theme: Don Quixote and Sancho Panza
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: Maggiore. Sancho Panza (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
recording of:
Don Quixote, op. 35: Theme: Mäßig. "Don Quichotte, der Ritter von der traurigen Gestalt" (Don Quixote, op. 35: 2. Theme: Mäßig. "Don Quixote, the Knight of the Sorrowful Countenance") (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss2:13
3Don Quixote, Op 35: Variation I: The Adventure with the Windmills
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: Variation I: Departure. The Adventure of the Windmills (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss3:03
4Don Quixote, Op 35: Variation II: The Battle with the Sheep
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: Variation II: The Battle With the Sheep (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:41
5Don Quixote, Op 35: Variation III: Discourse between Knight and Squire
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: Variation III: Sancho's Wishes, Peculiarities of Speech and Maxims (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss8:19
6Don Quixote, Op 35: Variation IV: The Adventure with the Pilgrims
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: Variation IV: The Adventure With the Procession of Penitents (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:51
7Don Quixote, Op 35: Variation V: The Knight's Vigil
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: Variation V: Don Quixote's Vigil During the Summer Night (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss4:54
8Don Quixote, Op 35: Variation VI: The Meeting with Dulcinea
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: Variation VI: Dulcinea (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:21
9Don Quixote, Op 35: Variation VII: The Ride through the Air
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: Variation VII: Don Quixote's Ride Through the Air (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:06
10Don Quixote, Op 35: Variation VIII: The Voyage in the Enchanted Boat
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: Variation VIII: The Trip on the Enchanted Boat (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:57
11Don Quixote, Op 35: Variation IX: The Combat with the two Magicians
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: Variation IX: The Attack on the Mendicant Friars (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:10
12Don Quixote, Op 35: Variation X: The Defeat of Don Quixote
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: Variation X: The Duel and Return Home (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss4:20
13Don Quixote, Op 35: Finale: Don Quixote's Death
producer:
Peter Andry (producer)
cello:
Jacqueline du Pré (cellist) (from 1968-04-06 until 1968-04-09)
viola:
Herbert Downes (from 1968-04-06 until 1968-04-09)
violin:
Desmond Bradley (violinist) (from 1968-04-06 until 1968-04-09)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-04-06 until 1968-04-09)
conductor:
Sir Adrian Boult (conductor) (from 1968-04-06 until 1968-04-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1968-04-06 until 1968-04-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-04-06 until 1968-04-09)
recording of:
Don Quixote, op. 35: III. Epilogue: Don Quixote's Mind Clears. Death of Don Quixote (Don Quixote, op. 35: Epilogue: Don Quixote's Mind Clears. Death of Don Quixote) (from 1968-04-06 until 1968-04-09)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote (op 35; TrV 184)
Richard Strauss6:01
14Cello Concerto in D minor: I. Prélude: Lento - Allegro maestoso
producer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
cello:
Jacqueline du Pré (cellist) (from 1973-10-04 until 1973-10-06)
orchestra:
The Cleveland Orchestra (from 1973-10-04 until 1973-10-06)
conductor:
Daniel Barenboim (pianist and conductor) (from 1973-10-04 until 1973-10-06)
balance engineer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1973-10-04 until 1973-10-06)
live recording of:
Concerto pour violoncelle et orchestre en ré majeur : I. Allegro (from 1973-10-04 until 1973-10-06)
composer:
Édouard Lalo (French composer) (from 1876 until 1877)
part of:
Concerto pour violoncelle et orchestre en ré majeur
Édouard Lalo12:51
15Cello Concerto in D minor: II. Intermezzo: Andantino con moto
producer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
cello:
Jacqueline du Pré (cellist) (from 1973-10-04 until 1973-10-06)
orchestra:
The Cleveland Orchestra (from 1973-10-04 until 1973-10-06)
conductor:
Daniel Barenboim (pianist and conductor) (from 1973-10-04 until 1973-10-06)
balance engineer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1973-10-04 until 1973-10-06)
recording of:
Concerto pour violoncelle et orchestre en ré majeur : II. Intermezzo (from 1973-10-04 until 1976-10-06)
composer:
Édouard Lalo (French composer) (from 1876 until 1877)
part of:
Concerto pour violoncelle et orchestre en ré majeur
Édouard Lalo6:16
16Cello Concerto in D minor: III. Andante - Allegro vivace
producer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
cello:
Jacqueline du Pré (cellist) (from 1973-10-04 until 1973-10-06)
orchestra:
The Cleveland Orchestra (from 1973-10-04 until 1973-10-06)
conductor:
Daniel Barenboim (pianist and conductor) (from 1973-10-04 until 1973-10-06)
balance engineer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1973-10-04 until 1973-10-06)
live recording of:
Concerto pour violoncelle et orchestre en ré majeur : III. Andante - Vivace (from 1973-10-04 until 1973-10-06)
composer:
Édouard Lalo (French composer) (from 1876 until 1877)
part of:
Concerto pour violoncelle et orchestre en ré majeur
Édouard Lalo7:28
13▶CD
14▶CD
15▶CD
16▶CD
17▶CD