Aromatherapy 02: The Romantic Bach

~ Release by Johann Sebastian Bach (see all versions of this release, 3 available)

Tracklist

1▼CD
#TitleRatingLength
1Orchestral Suite no. 3 in D major, BWV 1068: Air
producer:
Michael Bremner (producer/engineer)
harpsichord:
Thurston Dart (conductor and keyboard player) (in 1970-12)
orchestra:
Academy of St. Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1970-12)
conductor:
Neville Marriner (conductor) (in 1970-12)
balance engineer:
Stanley Goodall (engineer) (in 1970-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1970-12)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (in 1970-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
5:18
2Beloved Jesu, We Are Here, BWV 731
piano:
Alicia de Larrocha (pianist)
recording of:
Liebster Jesu, wir sind hier, BWV 731 (for piano, Cohen)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
piano arranger:
Harriet Cohen (pianist)
arrangement of:
Liebster Jesu, wir sind hier, BWV 731
3:40
3Christmas Oratorio, BWV 248: Sinfonia
orchestra:
Stuttgart Chamber Orchestra (in 1966-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) and Karl Münchinger (German conductor) (in 1966-09)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1966-09)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (in 1966-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
6:46
4Oboe Concerto in F major, BWV 1053 (From Keyboard Concerto) : Siciliano
oboe:
Neil Black (oboist)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
arranger:
Christopher Hogwood (conductor, harpsichordist)
recording of:
Oboe Concerto in F major, BWV 1053R: II. Siciliano
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oboe Concerto in F major, BWV 1053R
5:15
5Prelude in E-flat minor, BWV 853
engineer:
Arthur Lilley (engineer)
producer:
Raymond Few (Ray Few, producer)
orchestra:
Česká filharmonie (Czech Philharmonic, formerly Czech Philharmonic Orchestra) (from 1972-09-07 until 1972-09-08)
conductor:
Leopold Stokowski (conductor) (from 1972-09-07 until 1972-09-08)
arranger:
Leopold Stokowski (conductor)
recorded at:
Rudolfinum (House of Artists) in Praha (Prague), Czechia (from 1972-09-07 until 1972-09-08)
live recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 8 in E-flat minor, BWV 853: Prelude (orch. Stokowski) (from 1972-09-07 until 1972-09-08)
orchestrator:
Leopold Stokowski (conductor)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
orchestration of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 8 in E-flat minor, BWV 853: Prelude
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 8 in E-flat minor, BWV 853: Prelude (catch all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 8 in E-flat minor, BWV 853: Prelude
5:21
6Cantata, BWV147: Jesu, Joy of Man's Desiring
piano:
Julius Katchen (pianist) (in 1961-06)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1961-06)
recording of:
Jesu, Joy of Man’s Desire, from BWV 147 (for piano, Myra Hess) (in 1961-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
piano arranger:
Dame Myra Hess (pianist)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
3:46
7Orchestral Suite no. 2 in B minor, BWV 1067: Sarabande
engineer:
Stanley Goodall (engineer)
producer:
Michael Bremner (producer/engineer)
flute:
William Bennett (flautist) (in 1970-12)
harpsichord:
Thurston Dart (conductor and keyboard player) (in 1970-12)
instruments:
William Bennett (flautist) (in 1970-12)
orchestra:
Academy of St Martin in the Fields (in 1970-12)
conductor:
Sir Neville Marriner (conductor) (in 1970-12)
balance engineer:
Stanley Goodall (engineer) (in 1970-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1970-12)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: III. Sarabande (Orchestral Suite no. 2 in B minor, BWV 1067: III. Sarabande) (in 1970-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
3:10
8Orchestral Suite no. 2 in B minor, BWV 1067: Minuet & Badinerie
engineer:
Stanley Goodall (engineer)
producer:
Michael Bremner (producer/engineer)
flute:
William Bennett (flautist) (in 1970-12)
harpsichord:
Thurston Dart (conductor and keyboard player) (in 1970-12)
instruments:
William Bennett (flautist)
orchestra:
Academy of St Martin in the Fields (in 1970-12)
conductor:
Sir Neville Marriner (conductor) (in 1970-12)
arranger:
Myra Hess (pianist)
balance engineer:
Stanley Goodall (engineer) (in 1970-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1970-12)
compilation of:
Suite no. 2 in B minor, BWV 1067: VI. Minuet (1970 recording) by William Bennett (flautist), Thurston Dart (conductor and keyboard player), Academy of St Martin in the Fields, Sir Neville Marriner (conductor) and Orchestral Suite no. 2 in B minor, BWV 1067: VII: Badinerie (1970 recording) by William Bennett (flautist), Thurston Dart (conductor and keyboard player), Academy of St Martin in the Fields, Sir Neville Marriner (conductor)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VI. Menuet (Orchestral Suite no. 2 in B minor, BWV 1067: VI. Menuet) (in 1970-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (in 1970-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
2:47
9Brandenburg Concerto no. 4 in G major, BWV 1049: Allegro
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (from 1972-07 until 1972-09)
flute:
Aurèle Nicolet (flutist) (from 1972-07 until 1972-09) and Peter Reidemeister (Liner Notes author) (from 1972-07 until 1972-09)
violin:
Stoika Milanova (violinist) (from 1972-07 until 1972-09)
orchestra:
Stuttgart Chamber Orchestra (from 1972-07 until 1972-09)
conductor:
Karl Münchinger (German conductor) (from 1972-07 until 1972-09)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: I. Allegro (from 1972-07 until 1972-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
7:41
10"Wachet Auf" From Cantata, BWV 140: Sleepers Awake
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra) (in 1958-05)
conductor:
Raymond Agoult (Hungarian, London-based conductor and composer) (in 1958-05)
arranger:
Sir Granville Bantock (British composer)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-05)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645 (catch-all for arrangements) (in 1958-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645
recording of:
Wachet auf, ruft uns die Stimme, BWV 645 (Bantock orchestration) (in 1958-05)
orchestrator:
Sir Granville Bantock (British composer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645
5:39
11Cantata, BWV 22: Sanctify Us by Thy Goodness
piano:
Alicia de Larrocha (pianist) (in 1977-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-06)
recording of:
Kantate, BWV 22 "Jesus nahm zu sich die Zwölfe": V. Choral "Ertöt uns durch dein Güte" (for piano, Cohen) (in 1977-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Harriet Cohen (pianist)
arrangement of:
Kantate, BWV 22 "Jesus nahm zu sich die Zwölfe": V. Choral "Ertöt uns durch dein Güte"
3:21
12Concerto for Oboe and Violin, BWV 1060: Adagio
harpsichord:
Christopher Hogwood (conductor, harpsichordist) (in 1974-08) and Nicholas Kraemer (harpsichordist and conductor) (in 1974-08)
oboe:
Tess Miller (oboist) (in 1974-08)
violin:
Carmel Kaine (violinist) (in 1974-08)
orchestra:
The Academy of St. Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1974-08)
conductor:
Sir Neville Marriner (conductor) (in 1974-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1975)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1973 until 1974, in 1974-08)
recording of:
Concerto for Violin & Oboe in C minor, BWV 1060R: II. Adagio (reconstructed arrangement for violin & oboe of BWV 1060) (in 1974-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Concerto in C minor for Two Harpsichords, BWV 1060: II. Largo ovvero Adagio
is based on:
Concerto Pour Deux Clavecins, BWV 1060: II. Adagio (Arr. Pour Flutes) (Recorder consort arrangements)
part of:
Concerto for Violin & Oboe in C minor, BWV 1060R (reconstructed arrangement of the concerto for harpsichord and strings)
5:21
13Keyboard Concerto in G minor, BWV 1058: Andante
engineer:
Stanley Goodall (engineer)
producer:
Michael Haas (classical music producer)
piano:
András Schiff (pianist) (from 1989-01-24 until 1989-01-26)
orchestra:
Chamber Orchestra of Europe (from 1989-01-24 until 1989-01-26)
conductor:
András Schiff (pianist) (from 1989-01-24 until 1989-01-26)
performer:
András Schiff (pianist)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1990)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1989-01-24 until 1989-01-26)
recording of:
Concerto for Keyboard and Orchestra no. 7 in G minor, BWV 1058: II. Andante (from 1989-01-24 until 1989-01-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto for Keyboard and Orchestra no. 7 in G minor, BWV 1058
5:47
14Double Violin Concerto in D minor, BWV 1043: II. Largo ma non tanto
violin:
Granville Jones (violinist) and Carl Pini (violinist)
orchestra:
Philomusica of London
conductor:
Thurston Dart (conductor and keyboard player)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
5:34
15The Well-Tempered Clavier, Book I: Prelude no. 1 in C major, BWV 846
piano:
András Schiff (pianist) (in 1984-09)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1984-09)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude (in 1984-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 29)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
revision of:
Prelude and Fugue no. 1 in C major, BWV 846.1/846a: I. Prelude (early version)
1:59
16Cantata, BWV 208: Sheep May Safely Graze
producer:
James Mallinson (producer)
orchestra:
Stuttgart Chamber Orchestra (in 1977-10)
conductor:
Karl Münchinger (German conductor) (in 1977-10)
arranger:
Karl Münchinger (German conductor)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1977-10)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. “Schafe können sicher weiden” (catch-all for arrangements) (in 1977-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”
4:36

Credits

Release

part of:Eloquence (Deutsche Grammophon/Decca/Philips Classics, et al.; classical series established in 1999) (order: 162)