Bestseller auf dem Plattenteller (78–82) (first edition)

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Sharazan
recording of:
Sharazan
lyricist:
Al Bano Carrisi, Stefano Dammicco and Romina Power
composer:
Antonio Dammicco and Ciro Dammicco
Al Bano & Romina Power4:43
2Darling
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978)
cover recording of:
Darlin’
lyricist and composer:
Oscar Stewart Blandamer
publisher:
Sony/ATV Music Publishing Australia Pty Ltd.
Frankie Miller3:09
3Abracadabra
additional engineer:
Gary Mallaber
engineer and mixer:
David Cole (American recording engineer and producer)
producer:
Gary Mallaber and Steve Miller (leader of Steve Miller Band)
bass:
Gerald Johnson
drums (drum set) and keyboard:
Gary Mallaber
guitar [guitars] and lead vocals [vocals]:
Steve Miller (leader of Steve Miller Band)
keyboard [keyboards] and synthesizer:
Byron Allred
phonographic copyright (℗) by:
Sailor Records (Steve Miller label)
recording of:
Abracadabra
lyricist and composer:
Steve Miller (leader of Steve Miller Band)
publisher:
Sailor Music
Steve Miller Band4.85:07
4Bette Davis Eyes
recording engineer:
Val Garay (in 1981-01)
producer:
Val Garay
electric guitar:
Waddy Wachtel (in 1981-01)
lead vocals:
Kim Carnes (in 1981-01)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records (imprint of Capitol Records, Inc.) (in 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1981), EMI America Records, Inc. (holding – file NO releases here!) (in 1981), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1981), EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1981) and EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1981)
recorded at:
Record One in Sherman Oaks, Los Angeles, California, United States (in 1981-01)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 18) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 425)
cover recording of:
Bette Davis Eyes (in 1981-01)
writer:
Jackie DeShannon and Donna Weiss
publisher:
Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. and Warner/Chappell Music Ltd. (1996–2019)
Kim Carnes3.953:47
5Oh Julie
recording of:
Oh Julie (1982 song)
lyricist and composer:
Shakin’ Stevens
publisher:
SM Limited and Warner/Chappell Music Ltd. (1996–2019)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Shakin’ Stevens42:32
6Birds of Paradise
recording of:
Birds of Paradise (Flying Home) (from 1980 to present)
writer:
Peter Reber and Rolf Zuckowski
Peter, Sue & Marc3:53
7D.I.S.C.O.
Ottawan4:58
8I'll Find My Way Home
producer:
Vangelis (Greek composer of electronic, new age and classical)
instruments and performer:
Vangelis (Greek composer of electronic, new age and classical)
lead vocals:
Jon Anderson (Yes/Jon & Vangelis)
vocals:
Jon Anderson (Yes/Jon & Vangelis)
arranger:
Vangelis (Greek composer of electronic, new age and classical)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1981) and Spheric B.V. (in 1981)
recording of:
I’ll Find My Way Home
lyricist:
Jon Anderson (Yes/Jon & Vangelis)
composer:
Jon Anderson (Yes/Jon & Vangelis) and Vangelis (Greek composer of electronic, new age and classical)
publisher:
EMI Music (do not use as release label! this is a music publisher), Spheric B.V., Toughknot Ltd., Warner Bros. Music Co., Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner Chappell North America
Jon and Vangelis44:31
9Come On Eileen
producer:
Clive Langer, Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners) and Alan Winstanley (English record producer)
creative direction:
Clive Langer and Alan Winstanley (English record producer)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1982) and Phonogram Ltd. (not for release label use!) (in 1982)
recording of:
Come On Eileen
writer:
Kevin Adams, James Mitchell Paterson and Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) and Kevin Adams Music Ltd.
Dexys Midnight Runners4.154:05
10Matador
additional producer:
Garland Jeffreys (lead vocals)
producer:
Roy Cicala
recording of:
Matador
writer:
Garland Jeffreys
Garland Jeffreys4:43
11Mamma Leone
producer:
Rainer Felsen
recording of:
Mama Leone (Italian version)
lyricist:
Bino (Italian singer Benedetto Arico)
composer:
Drafi Deutscher
translated version of:
Mama Leone (German version)
Bino3:59
12Hot Stuff
producer:
Pete Bellotte (English lyricist and producer) and Giorgio Moroder
vocals:
Donna Summer (soul/disco diva)
phonographic copyright (℗) by:
UMG Recordings Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1979), The Island Def Jam Music Group (American holding company, not normally a release label) (in 2003, in 2013) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2003)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 103)
recording of:
Hot Stuff
writer:
Pete Bellotte (English lyricist and producer), Harold Faltermeyer and Keith Forsey (drummer, producer and songwriter)
publisher:
Warner Chappell, WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Donna Summer4.655:16
13Skandal im Sperrbezirk
engineer:
Armand "Superelch" Volker (from 1981-03-09 until 1981-04-02)
producer:
Michael Busse (from 1981-03-09 until 1981-04-02), Barny Murphy (from 1981-03-09 until 1981-04-02), Günther Sigl (from 1981-03-09 until 1981-04-02), Harald Steinhauer (producer and songwriter) (from 1981-03-09 until 1981-04-02) and Franz Trojan (from 1981-03-09 until 1981-04-02)
mixer:
Armand "Superelch" Volker (in 1981)
drums (drum set):
Franz Trojan (from 1981-03-09 until 1981-04-02)
electric bass guitar and lead vocals:
Günther Sigl (from 1981-03-09 until 1981-04-02)
electronic organ:
Michael Busse (from 1981-03-09 until 1981-04-02)
guitar:
Barny Murphy (from 1981-03-09 until 1981-04-02)
recorded at:
Rainbow Studio (Munich, Germany) in München (Munich), Bayern (Bavaria), Germany (from 1981-03-09 until 1981-04-02)
recording of:
Skandal im Sperrbezirk (from 1981-03-09 until 1981-04-02)
lyricist and composer:
Günther Sigl
Spider Murphy Gang43:38
14Y.M.C.A.
executive producer:
Henri Belolo
producer:
Jacques Morali
edit of:
Y.M.C.A. (album version) by Village People
recording of:
Y.M.C.A.
lyricist:
Victor Edward Willis (member of the Village People)
composer:
Jacques Morali
publisher:
Can’t Stop Music (US work publisher, affiliated with BMI), EMI Music (do not use as release label! this is a music publisher), Harlem West Music Group, Scorpio Music (work publisher of "Scorpio Music") and Zomba Music Publishing Ltd.
Village People4.153:45
15Fade to Grey
engineer:
John Hudson (producer, recording and mixing engineer)
producer:
Midge Ure and Visage (new romantic band from London)
performer:
Billy Currie, Rusty Egan, Dave Formula, John McGeoch, Steve Strange (Welsh pop singer, Visage) and Midge Ure
arranger:
Visage (new romantic band from London)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1980) and Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1980)
recorded at:
Genetic Studios in West Berkshire, England, United Kingdom
mixed at:
Mayfair Sound (England) in London (Greater London), England, United Kingdom
recording of:
Fade to Grey
writer:
Billy Currie, Chris Payne (UK keyboards/viola for Gary Numan/Visage/Dramatis) and Midge Ure
publisher:
Hot Food Music Ltd., Island Music Ltd., Mood Music Ltd. (publisher) and Performance Music Ltd
Visage4.13:52
16You're the Greatest Lover
producer:
Hans van Hemert
recording of:
You’re the Greatest Lover
lyricist and composer:
Hans van Hemert and Piet Souer (composer)
Luv’2:51
17One Way Ticket
recording of:
One Way Ticket
writer:
Eruption (British disco/R&B band)
cover recording of:
One Way Ticket (to the Blues)
writer:
Hank Hunter and Jack Keller
publisher:
Colgems-EMI Music Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Eruption33:37
18Best That You Can Do (Arthur's Theme)
additional engineer:
John Guess, Lee Herschberg, Mark Linett and Richard Mullen
assistant engineer:
Stuart Gitlin and Margaret Gwynne (engineer)
producer:
Michael Omartian
mixer:
Chet Himes
lead vocals:
Christopher Cross (US singer‐songwriter)
conductor:
Michael Omartian
strings arranger:
Michael Omartian
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer and Michael Omartian
concertmaster:
Assa Drori
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981, in 1983)
recorded at and mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 19)
recording of:
Arthur’s Theme (Best That You Can Do)
writer:
Peter Allen (Australian singer‐songwriter), Burt Bacharach, Carole Bayer Sager and Christopher Cross (US singer‐songwriter)
publisher:
Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Olive Music LLC, Warner-Barham Music LLC, Warner/Chappell North America, Woolnough Music, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 54th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1981 winner)
Christopher Cross53:51
19Pop Muzik
recording of:
Pop Muzik
lyricist and composer:
Robin Scott
publisher:
BMG Music Publishing Ltd., Pop Muzik Limited and Union Square Music Publishing Ltd.
M3:18
2▶CD

Credits

Release group

part of:Bestseller auf dem Plattenteller (number: 1978-1982) (order: 4)