| # | Title | Artist | Rating | Length |
|---|
| 1 | Hair | Zen | | 2:07 |
| 2 | Driver's Seat | Sniff ’n’ the Tears | 4 | 4:00 |
| 3 | Nikita | Elton John | 3.7 | 5:44 |
| 4 | Dirty Ol' Man | The Three Degrees | | 3:06 |
| 5 | Living Doll | Cliff Richard & The Young Ones | 3 | 4:18 |
| 6 | Eloise | Barry Ryan | | 5:46 |
| 7 | Back Home | Golden Earring | 3.5 | 3:51 |
| 8 | Little Man | Sonny & Cher | | 3:21 |
| 9 | Walk Like an Egyptian | The Bangles | 4.2 | 3:23 |
| 10 | Memories | Earth and Fire | | 3:21 |
| 11 | Smalltown Boy- recording engineer:
- Pete Griffiths
- producer:
- Mike Thorne
- mixer:
- Harvey Goldberg
- recording of:
- Smalltown Boy
- writer:
- Steve Bronski, Jimmy Somerville and Larry Steinbachek
- publisher:
- BMG Music Publishing Ltd., BMG Rights Management (UK) Ltd. , Bronski Music Ltd., Bucks Music Ltd, EMI Virgin Music Ltd. , Fujipacific Music, Inc., The Copyright Collective, Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc.
- part of:
- Gotcha!
| Bronski Beat | 3.75 | 5:04 |
| 12 | In the Air Tonight- assistant engineer:
- Nick Launay and Karen Segal
- engineer:
- Hugh Padgham
- assistant producer:
- Hugh Padgham
- producer:
- Phil Collins and Hugh Padgham
- bass guitar:
- John Giblin (in 1980)
- guitar:
- Daryl Stuermer (in 1980)
- Rhodes piano, drum machine, drums (drum set), synthesizer and vocoder and lead vocals:
- Phil Collins (in 1980)
- violin:
- Sharokav (in 1980)
- arranger:
- Phil Collins
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1981) and WEA International Inc. (in 1981)
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 35) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 291)
- recording of:
- In the Air Tonight (in 1980)
- lyricist and composer:
- Phil Collins
- publisher:
- EMI April Music Inc., Hit & Run Music (Publishers) Limited, Imagem Music, Philip Collins Ltd., Effectsound Ltd. (in 1980, in 1981), Hit & Run Music (Publishing) Ltd (in 1980) and Pun Music, Inc. (in 1981)
- part of:
- Risky Business
| Phil Collins | 4.35 | 5:29 |
| 13 | The Edge of Heaven | Wham! | 4 | 4:35 |
| 14 | We Belong to the Night | Ellen Foley | 1 | 5:19 |
| 15 | San Francisco | Scott McKenzie | 3.75 | 2:59 |
| 16 | Saved by the Bell | Robin Gibb | | 3:07 |
| 17 | I Knew You Were Waiting- recording engineer:
- David Frazer (in 1986)
- percussion programming:
- Preston Glass (in 1986)
- synthesizer programming:
- Walter Afanasieff (in 1986)
- additional assistant engineer:
- Stuart Hirotsu, Mike Iacopelli , Gordon Lyon, Lennete Viegas and Jim Watts
- additional engineer:
- Dana Jon Chappelle and Maureen Droney
- producer:
- George Michael and Narada Michael Walden
- mixer:
- David Frazer and Serban Ghenea
- bass guitar:
- Randy Jackson (in 1986)
- drums (drum set):
- Narada Michael Walden (in 1986)
- electric guitar:
- Corrado Rustici (in 1986)
- percussion and tambourine:
- Greg “Gigi” Gonaway (in 1986)
- synthesizer:
- Walter Afanasieff (in 1986)
- additional vocals:
- Aretha Franklin (in 1986)
- background vocals:
- Kitty Beethoven (in 1986), Jim Gilstrap (in 1986), Jennifer Hall (in 1986), Myrna Matthews (in 1986) and Claytoven Richardson (in 1986)
- lead vocals:
- Aretha Franklin (in 1986) and George Michael (in 1986)
- vocals:
- Aretha Franklin (in 1986)
- strings arranger:
- Jerry Hey
- arranger:
- Narada Michael Walden
- phonographic copyright (℗) by:
- Arista Records, Inc. (in 1986), Arista Records, LLC (in 1986), CBS, Inc. (in 1986) and Sony Music Entertainment (UK) Ltd. (in 1986)
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, United States
- recording of:
- I Knew You Were Waiting (for Me) (in 1986)
- writer:
- Simon Climie and Dennis Morgan
- publisher:
- BMG Music Publishing Ltd., Chrysalis Music , Chrysalis Music Ltd. , Kobalt Music Publishing Ltd. , Kobalt Music Services Ltd. , Little Shop of Morgansongs , Rare Blue Music, Sony Music Publishing (Japan) Inc. , ヤマハミュージックEH(CM) , ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
| Aretha Franklin & George Michael | 4 | 4:01 |
| 18 | Don't Leave Me This Way | The Communards | 3 | 4:50 |
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