Rare Tracks, Volume 1

~ Release by Bon Jovi (see all versions of this release, 1 available)

Tracklist

1Medium
#TitleArtistRatingLength
1When She Comes
engineer and mixer:
Obie O’Brien
producer:
Jon Bon Jovi and Obie O’Brien
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1995)
mixed at:
Sanctuary Sound Studios in New Jersey, United States
recording of:
When She Comes
writer:
Jon Bon Jovi and Richie Sambora
Bon Jovi3:30
2The End
engineer:
Obie O’Brien
producer:
Jon Bon Jovi and Obie O’Brien
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1995)
mixed at:
Sanctuary Sound Studios in New Jersey, United States
recording of:
The End
writer:
Jon Bon Jovi, David Bryan (keyboardist for Bon Jovi) and Richie Sambora
Bon Jovi3:40
3These Days (live, Athletic Stadium, Johannesburg, South Africa)
live recording of:
These Days
writer:
Jon Bon Jovi and Richie Sambora
publisher:
Sony/ATV Tunes LLC (ASCAP), Aggressive Music (in 1995), Bon Jovi Publishing (in 1995) and PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (in 1995)
Bon Jovi5:58
4This Ain't a Love Song (live, Wembley Stadium, London, UK)
live recording of:
This Ain’t a Love Song
writer:
Jon Bon Jovi, Desmond Child and Richie Sambora
publisher:
April Music Inc., Desmobile Inc., Sony/ATV Tunes LLC (ASCAP), Aggressive Music (in 1995), Bon Jovi Publishing (in 1995), EMI April Music Inc. (in 1995) and PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (in 1995)
Bon Jovi6:26
5I Don't Like Mondays (live, Wembley Stadium, London, UK)
engineer and mixer:
Obie O’Brien
producer:
Jon Bon Jovi and Obie O’Brien
performer:
Bob Geldof
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1996)
recorded at:
Wembley Stadium (1st incarnation, 1923–2000) in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
live cover recording of:
I Don’t Like Mondays
lyricist and composer:
Johnnie Fingers and Bob Geldof
publisher:
Campbell Connelly, Mushroom Music Pty. Ltd., Sewer Fire Hits Ltd, Zomba Enterprises, Inc. and Zomba Music Publishing Ltd.
Bon Jovi feat. Bob Geldof5:58
6Livin' on a Prayer (live, Wembley Stadium, London, UK)
live recording of:
Livin’ on a Prayer
writer:
Jon Bon Jovi, Desmond Child and Richie Sambora
publisher:
Aggressive Music, Aggressive Music (A), EMI Music Publishing Ltd. (PRS‐affiliated), PolyGram Music Publishing Ltd., SBK Songs Ltd., Sony/ATV Tunes LLC (ASCAP), Universal Music Group International (manages UMG’s offices in most countries outside of North America), Universal Music Works (GMR affiliated), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), April Music Inc. (in 1986), Bon Jovi Publishing (in 1986), Desmobile Inc. (in 1986) and PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (in 1986)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bon Jovi5:47
7Ain't No Cure for Love (demo)
Bon Jovi4:47
8Stay (demo)
Bon Jovi4:05
9Keep the Faith (live, Wembley Stadium, London, UK)
live recording of:
Keep the Faith
writer:
Jon Bon Jovi, Desmond Child and Richie Sambora
publisher:
PolyGram Music Publishing Ltd., Sony/ATV Tunes LLC (ASCAP), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Desmobile Inc. (from 1992 to present), Aggressive Music (in 1992), Bon Jovi Publishing (in 1992), EMI April Music Inc. (in 1992) and PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (in 1992)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bon Jovi8:29
10Ordinary People (demo)
recording of:
Ordinary People
writer:
Jon Bon Jovi
Bon Jovi3:59
11Welcome to the Good Times (demo)
Bon Jovi4:15
12Captain Crash & the Beauty Queen From Mars (live, Osaka Dome, Japan)Bon Jovi5:19
13Runaway (live, China Club, New York, NY, USA)
live recording of:
Runaway
writer:
Jon Bon Jovi and George Karak
publisher:
Downtown DLJ Songs, Minder Music Ltd., Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (from 1982 to ????), George Karaoglou Publishing Inc. (from 1982 to present), Jamb Co. (in 1982), Simile Music Ltd. (in 1982), WB Music Corp. (1929–2019) (from 1982 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bon Jovi5:36
14Just Older (live, Osaka Dome, Japan)
live recording of:
Just Older
writer:
Jon Bon Jovi and Billy Falcon
Bon Jovi5:23
15Born to Be My Baby (live, China Club, New York, NY, USA)
live recording of:
Born to Be My Baby
writer:
Jon Bon Jovi, Desmond Child and Richie Sambora
publisher:
Aggressive Music, Sony/ATV Tunes LLC (ASCAP), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Bon Jovi Publishing (in 1988), EMI April Music Inc. (in 1988), New Jersey Underground Music Inc. (in 1988), PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (in 1988) and SBK April Music Inc. (in 1988)
Bon Jovi5:22