Oeuvres sacrées

~ Release by Johann Sebastian Bach; Concentus Musicus Wien, Nikolaus Harnoncourt (see all versions of this release, 1 available)

Tracklist

1▼CD: Messe en si mineur (extraits)
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1Messe en si mineur, BWV 232: Kyrie Eleison
choir vocals:
Chorus Viennensis (from 1968-04 until 1968-05) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
chorus master:
Hans Gillesberger (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison (Mass in B minor, BWV 232: Ia. Kyrie: Chorus "Kyrie eleison") (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach8:45
2Messe en si mineur, BWV 232: Christe Eleison
soprano vocals:
Rotraud Hansmann (soprano) (from 1968-04 until 1968-05) and Emiko Iiyama (soprano) (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (Mass in B minor, BWV 232: Ib. Kyrie: Duet "Christe eleison") (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:00
3Messe en si mineur, BWV 232: Kyrie Eleison
choir vocals:
Chorus Viennensis (from 1968-04 until 1968-05) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
chorus master:
Hans Gillesberger (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: III. Kyrie eleison (Mass in B minor, BWV 232: Ic. Kyrie: Chorus "Kyrie eleison") (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:06
4Messe en si mineur, BWV 232: Gloria in Excelsis Deo
choir vocals:
Chorus Viennensis (from 1968-04 until 1968-05) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
chorus master:
Hans Gillesberger (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo") (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach1:52
5Messe en si mineur, BWV 232: Et in Terra Pax
choir vocals:
Chorus Viennensis (from 1968-04 until 1968-05) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
chorus master:
Hans Gillesberger (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (Mass in B minor, BWV 232: IIb. Gloria: Chorus "Et in terra pax") (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:43
6Messe en si mineur, BWV 232: Laudamus Te
soprano vocals:
Emiko Iiyama (soprano) (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (Mass in B minor, BWV 232: IIc. Gloria: Aria "Laudamus te") (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:43
7Messe en si mineur, BWV 232: Qui Sedes
alto vocals:
Helen Watts (contralto) (from 1968-04 until 1968-05)
choir vocals:
Chorus Viennensis (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (Mass in B minor, BWV 232: IIg. Gloria: Aria "Qui sedes ad dextram Patris") (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:04
8Messe en si mineur, BWV 232: Cum Sanctu Spiritu
choir vocals:
Chorus Viennensis (from 1968-04 until 1968-05) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
chorus master:
Hans Gillesberger (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu") (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:21
9Messe en si mineur, BWV 232: Credo in Unum Deo
choir vocals:
Chorus Viennensis (from 1968-04 until 1968-05) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
chorus master:
Hans Gillesberger (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:07
10Messe en si mineur, BWV 232: Patrem Omnipotentem
choir vocals:
Chorus Viennensis (from 1968-04 until 1968-05) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
chorus master:
Hans Gillesberger (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem") (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:08
11Messe en si mineur, BWV 232: Et Incarnatus Est
choir vocals:
Chorus Viennensis (from 1968-04 until 1968-05) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
chorus master:
Hans Gillesberger (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:40
12Messe en si mineur, BWV 232: Cruxifixus
choir vocals:
Chorus Viennensis (from 1968-04 until 1968-05) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
chorus master:
Hans Gillesberger (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:21
13Messe en si mineur, BWV 232: Et Ressurrexit
choir vocals:
Chorus Viennensis (from 1968-04 until 1968-05) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
chorus master:
Hans Gillesberger (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:24
14Messe en si mineur, BWV 232: Sanctus
choir vocals:
Chorus Viennensis (from 1968-04 until 1968-05) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
chorus master:
Hans Gillesberger (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:52
15Messe en si mineur, BWV 232: Osanna
choir vocals:
Chorus Viennensis (from 1968-04 until 1968-05) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
chorus master:
Hans Gillesberger (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:53
16Messe en si mineur, BWV 232: Benedictus
tenor vocals:
Kurt Equiluz (tenor) (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:35
17Messe en si mineur, BWV 232: Agnus Dei
alto vocals:
Helen Watts (contralto) (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:47
18Messe en si mineur, BWV 232: Dona Nobis Pacem
choir vocals:
Chorus Viennensis (from 1968-04 until 1968-05) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
chorus master:
Hans Gillesberger (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:02
2▶CD: Magnificat / Cantates 80 et 130
3▶CD: Passion selon Saint Matthieu (extraits)
4▶CD: Passion selon Saint Jean (extraits)
5▶CD: Oratorio de Noel (extraits)