Double J – The 90s: The Greatest Decade in Music?

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Celebrating 90's month across Double J and triple j in June, 2017. We've handpicked a giant 4CD collection and download that showcases and celebrates the 90s.

To say it was all about the fuzzy guitars and fiery screams of grunge is to discount the slinky synths of West Coast hip hop and the thumping, anthemic big beats of the decade's best dance music.

The beauty of 90s music was both its diversity and the way artists took the styles of previous decades, refined them, then added a sonic dimension and attitude that matched both the optimism and, at times, despair of the decade.

Was the 90s really just one decade?

When you look at the 80 or so songs we've collected here, you realise it's just a snapshot of what was an explosive, diverse, and prolific era for music.

Annotation last modified on 2023-04-06 03:07 UTC.

Tracklist

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#TitleArtistRatingLength
1These Days
phonographic copyright (℗) by:
Grudge Records (Australian label)
edit of:
These Days (album version) by Powderfinger (Australian rock band)
recording of:
These Days
writer:
Jon Coghill, John Collins (Australian rock guitarist), Bernard Fanning, Ian Haug, Darren Middleton and Powderfinger (Australian rock band)
publisher:
Mushroom Music (Mushroom label’s publishing company)
Powderfinger4:14
2Zombie
producer:
Stephen Street (famous producer, songwriter)
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1994)
recording of:
Zombie
lyricist and composer:
Dolores O’Riordan
publisher:
Island Music Ltd., Neue Welt Musikverlag GmbH & Co. KG (– 2017) and Universal–Songs of PolyGram International, Inc.
The Cranberries44:11
3It’s Like That
additional producer:
Jason Nevins
producer:
Larry Smith (US hip hop producer) and Russell Simmons
remixer:
Jason Nevins
phonographic copyright (℗) by:
Profile Records Ltd. and Smile Communications
produced for:
Rush Groove Productions
recording of:
It’s Like That
writer:
Darryl McDaniels (rapper Darryl McDaniels), Joseph Simmons (US rapper Rev. Run of Run-D.M.C) and Larry Smith (US hip hop producer)
publisher:
Protoons Inc., Rush-Groove and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Run‐D.M.C. vs. Jason Nevins3.34:10
4The Beautiful People
assistant engineer:
Brian Pollack (engineer) and Chris Vrenna (member of Tweaker)
engineer:
Sean Beavan and Dave Ogilvie (Canadian producer, engineer, and musician)
co-producer:
Marilyn Manson (the person)
producer:
Dave Ogilvie (Canadian producer, engineer, and musician) and Trent Reznor
mixer:
Sean Beavan, Dave Ogilvie (Canadian producer, engineer, and musician) and Chris Vrenna (member of Tweaker)
editor:
Sean Beavan, Charlie Clouser, Dave Ogilvie (Canadian producer, engineer, and musician), Trent Reznor and Chris Vrenna (member of Tweaker)
drums (drum set):
Ginger Fish (American drummer)
electric bass guitar and electric guitar:
Twiggy Ramirez
electric guitar and guitar synthesizer:
Sean Beavan
keyboard:
Madonna Wayne Gacy
lead vocals:
Marilyn Manson (the person)
phonographic copyright (℗) by:
Interscope Records (part of UMG Recordings, Inc.) (in 1996)
recorded at:
Nothing Studio in New Orleans, Louisiana, United States
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 86)
recording of:
The Beautiful People
lyricist:
Brian Hugh Warner (Marilyn Manson, the person)
composer:
Twiggy Ramirez
publisher:
Blood Heavy Music, Dinger & Ollie Music and Songs of Golgotha
Marilyn Manson4.653:39
5That Ain’t Bad
recording of:
That Ain’t Bad
writer:
Simon Day (Australian musician, member of Ratcat)
Ratcat33:58
6Society
Pennywise3:24
7Woman
recording of:
Woman
writer:
Neneh Cherry, Cameron McVey and Jonathan Sharp (UK producer aka Jonny Dollar)
publisher:
EMI Music (do not use as release label! this is a music publisher)
Neneh Cherry4:30
8Sex & Candy
engineer:
Ken Gioia and Jim Sabella
producer:
John Wozniak (Marcy Playground singer & guitarist)
mixer:
Ken Gioia and Marcy Playground
acoustic guitar and electric guitar:
John Wozniak (Marcy Playground singer & guitarist)
bass and drums (drum set):
Jared Kotler
vocals:
John Wozniak (Marcy Playground singer & guitarist)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1997)
recorded at and mixed at:
Sabella Studios in Roslyn, New York, United States
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 33) and Indie 88: Top 500 Indie Rock Songs (number: 285)
recording of:
Sex and Candy
lyricist and composer:
John Wozniak (Marcy Playground singer & guitarist)
publisher:
Wozniak Publishing
Marcy Playground3.92:50
9Girls Like That (Don’t Go for Guys Like Us)Custard33:11
10Nearly Lost You
recording engineer:
John Agnello (engineer & producer)
producer:
Don Fleming
mixer:
Andy Wallace (engineer)
recording of:
Nearly Lost You
writer:
Gary Lee Conner, Van Conner and Mark Lanegan
publisher:
Glowing Eel Music, Ripplestick Music, Solomon Grundy Music and Sony Songs Inc.
Screaming Trees4.454:07
11Addicted to Bass
recording engineer and producer:
Josh Abrahams (Puretone, aka Puretone)
phonographic copyright (℗) by:
Warner Music Australia (AU subsidiary of Warner Music International since 1988) (in 1999)
recorded at and mixed at:
Fishtank Recording Studio in Brighton (Brighton, Victoria), Victoria, Australia
recording of:
Addicted to Bass
writer:
Josh Abrahams (Puretone, aka Puretone) and Amiel (Australian pop singer, songwriter & actress)
publisher:
Mushroom Music Publishing
Josh Abrahams & Amiel3.53:56
12What It’s Like
engineer:
John Gamble (member of the SD50s)
producer:
Everlast (US rapper/singer/songwriter Erik Schrody), John Gamble (member of the SD50s) and Dante Ross
mixer:
Jamie Staub
bass:
Ben Bocardo
cello:
Elizabeth Wright
guitar family:
Everlast (US rapper/singer/songwriter Erik Schrody)
viola:
John Wang
violin:
Alen C. Agadhzhanyan and Jacqueline Suzuki
strings arranger:
Giovanni Loria and SD50’s
recording of:
What It’s Like (Everlast)
lyricist and composer:
Erik Schrody
Everlast4.15:01
13Mutliated Lips
recording of:
Mutilated Lips
writer:
Ween (US alternative rock band)
publisher:
Browndog Music, Ver Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Ween3:49
14Labour of Love
recording engineer and producer:
Frente! and Michael Koppelman
mixer:
Michael Koppelman
recording of:
Labour of Love
writer:
Simon Austin and Angie Hart
Frente!33:03
15Popular
recording of:
Popular
lyricist and composer:
Matthew Caws (US singer-songwriter/guitarist, member of Nada Surf) and Daniel Lorca
Nada Surf53:38
16Lemonsuck
Pollyanna33:36
17Killing Me Softly With His Song
recording engineer and mixer:
Wyclef Jean (Haitian rapper, musician and actor) and Warren Riker
engineer:
Warren Riker
co-producer:
Jerry Duplessis and Pras Michel (Pras, American rapper, member of The Fugees)
producer:
Lauryn Hill and Wyclef Jean (Haitian rapper, musician and actor)
background vocals and lead vocals:
Lauryn Hill
lead vocals:
Wyclef Jean (Haitian rapper, musician and actor)
performer:
Fugees
vocals arranger:
Lauryn Hill
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (from 1996 to present, in 1996) and Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1996)
recorded at and mixed at:
Booga Basement Studio in Bloomfield, New Jersey, United States
samples:
Bonita Applebum by A Tribe Called Quest, Fool Yourself by Little Feat, Killing Me Softly With His Song by Roberta Flack, Memory Band by Rotary Connection and The Day Begins (1972 stereo mix) by The Moody Blues with the London Festival Orchestra (“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople) conducted by Peter Knight (British arranger, conductor and composer)
a cappella versions:
Killing Me Softly (L∆VINCi Remix) by L∆VINCi (LAVINCi) feat. Fugees & Kay Flock (Kevin Perez)
part of:
Flak: Best Cover Songs of the 90's, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 136) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 359)
cover recording of:
Killing Me Softly With His Song
lyricist:
Norman Gimbel
composer:
Charles Fox (film/TV composer, also Latin pianist)
publisher:
Platz Music Publishng, Rodali Music, Sony/ATV Songs LLC and Fox-Gimbel Productions Inc. (in 1972)
Fugees4.154:59
18Why’s Everybody Always Pickin’ on Me?
engineer:
Raahu
producer:
Jimmy Pop Ali (member of Bloodhound Gang)
recording of:
Why’s Everybody Always Pickin’ on Me?
lyricist:
James M. Franks
composer:
James M. Franks, Harry Middlebrooks and Mike Shapiro (saxophonist, composer of Spooky)
publisher:
Sony/ATV Songs LLC
is based on:
Spooky (instrumental)
Bloodhound Gang3.83:23
19Black Hole Sun
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1994)
edit of:
Black Hole Sun (album version) by Soundgarden
recording of:
Black Hole Sun
lyricist and composer:
Christopher J Cornell (Soundgarden lead singer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mushroom Music Pty. Ltd., Universal/MCA Music Publishing GmbH and You Make Me Sick I Make Music (in 1994)
Soundgarden44:32
20Holy Grail
phonographic copyright (℗) by:
Human Frailty Pty. Ltd. (in 1992)
recording of:
Holy Grail
writer:
John Archer (guitarist in Hunters & Collectors), Doug Falconer, Barry Palmer (Australian Guitarist), Mark Seymour and Jeremy Smith (bass (Hunters & Collectors))
publisher:
Mushroom Music Publishing
Hunters & Collectors33:45
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