Les Inrockuptibles: 10 ans/100 chansons

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1You Made Me Realise
producer:
My Bloody Valentine (Irish shoegaze band)
bass guitar:
Deb B. Googe (English bassist)
drums (drum set):
Colm Ó Cíosóig (Irish drummner, member of My Bloody Valentine)
guitar:
Bilinda Jayne Butcher
instruments:
K. Shields (singer/guitarist/producer, My Bloody Valentine)
vocals:
Bilinda Jayne Butcher and K. Shields (singer/guitarist/producer, My Bloody Valentine)
phonographic copyright (℗) by:
Creation Records (in 1988)
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 50)
recording of:
You Made Me Realise
lyricist and composer:
Kevin Shields (singer/guitarist/producer, My Bloody Valentine)
publisher:
Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
My Bloody Valentine4.53:47
2Natural One
recording of:
Natural One
composer:
Lou Barlow, John Davis (Folk Implosion guitarist/drummer) and Wally Gagel
The Folk Implosion53:10
3Cannonball
assistant engineer:
Sean Leonard (Irish engineer) and Andy Taub
engineer:
Mark Freegard
producer:
Kim Deal and Mark Freegard
bass guitar:
Josephine Wiggs
drums (drum set):
Jim MacPherson
guitar:
Kelley Deal and Kim Deal
vocals:
Kelley Deal, Kim Deal and Josephine Wiggs
phonographic copyright (℗) by:
4AD (in 1993)
recorded at:
Brilliant Studios in San Francisco, California, United States, Coast Recorders in San Francisco, California, United States and Refraze Recording Studios in Dayton, Ohio, United States
mixed at:
The Record Plant (Sausalito, 1972-1981) in Sausalito, California, United States
music videos:
Cannonball (Official Video) by The Breeders
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 22), Indie 88: Top 500 Indie Rock Songs (number: 416) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 489)
recording of:
Cannonball
lyricist and composer:
Kim Deal
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Period Music
The Breeders4.553:36
4Pump Up the Volume
engineer:
John Fryer (British producer and engineer)
producer:
Martyn Young
mixer:
John Fryer (British producer and engineer) and Ivo Watts‐Russell
drums (drum set):
Colourbox
guitar:
A.R. Kane (British dreampop duo)
sampler:
John Fryer (British producer and engineer)
turntable:
Dave Dorrell and C.J. Mackintosh
music videos:
Pump Up the Volume by M|A|R|R|S (1987 group known for “Pump Up the Volume”)
part of:
TV Cream: Real 100 Best Singles Ever (number: 91)
recording of:
Pump Up the Volume
composer:
Martyn Young and Steven Young (UK musician, member of Colourbox & MARRS)
part of:
American Psycho
MARRS3.655:08
5Pacific 202
producer:
808 State
recording of:
Pacific 202
composer:
Graham Massey, Martin Price and Gerald Simpson
publisher:
Perfect Songs (UK publisher, affiliated with BMI)
arrangement of:
Pacific State
recording of:
Pacific 707
composer:
Graham Massey, Martin Price and Gerald Simpson
arrangement of:
Pacific State
808 State3.355:39
6Bizarre Love Triangle
engineer:
Michael Johnson (UK recording engineer and producer)
phonographic copyright (℗) by:
Factory Communications Ltd. (holding company – file no releases here!) (in 1986)
recorded at:
Amazon Studios (defunct studios in Liverpool, became Parr Street Studios) in Simonswood, Lancashire, England, United Kingdom, Jam Studios in Finsbury Park, Hackney, Haringey, Islington, London (Greater London), England, United Kingdom and Windmill Lane Studios (original location, until 1990) in Dublin, County Dublin, Leinster, Ireland
part of:
Indie 88: Top 500 Indie Rock Songs (number: 114), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 201), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 220) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 379)
recording of:
Bizarre Love Triangle
writer:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
publisher:
Be Music (New Order’s own publishing company), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music) and Warner/Chappell Music Ltd. (1996–2019)
New Order4.54:22
7Wrote for Luck
recording of:
W.F.L. (Think About the Future)
composer:
Paul Davis (UK keyboardist for Happy Mondays), Mark Day (from Happy Mondays), Paul Ryder, Shaun Ryder and Gary Whelan
publisher:
London Music
Happy Mondays6:12
8My October Symphony
recording of:
My October Symphony
writer:
Chris Lowe (1/2 of Pet Shop Boys) and Neil Tennant
publisher:
10 Music Ltd. and Cage Music Ltd.
Pet Shop Boys5:20
9Babies
engineer:
Ed Buller and Adi Winman
producer and mixer:
Ed Buller
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1992)
produced for:
140dB
recorded at:
Fallout Shelter in Chiswick, Hounslow, London (Greater London), England, United Kingdom (in 1992-07)
remixed at:
Westside Studios in London (Greater London), England, United Kingdom (from 1994-02-08 until 1994-02-11)
remix of:
Babies (original mix) by Pulp (from 1994-02-08 until 1994-02-11)
recording of:
Babies (in 1992-07)
lyricist:
Jarvis Cocker
composer:
Nick Banks, Jarvis Cocker, Candida Doyle, Steve Mackey (producer; Pulp bassist) and Russell Senior
publisher:
Island Music Ltd.
Pulp4.254:06
10Sit Down
recording of:
Sit Down
lyricist:
Tim Booth
composer:
Tim Booth, Jim Glennie, Larry Gott and Gavan Whelan
James4:17
11End of a Century
engineer:
John Smith (UK producer/engineer)
producer:
Stephen Street (famous producer, songwriter)
guest flugelhorn:
Roddy Lorimer (from 1993-11 until 1994-01)
guest instruments:
Kick Horns (from 1993-11 until 1994-01)
guest trombone:
Richard Edwards (trombonist) (from 1993-11 until 1994-01)
phonographic copyright (℗) by:
Food Ltd. (in 1994)
recorded at:
Maison Rouge in London (Greater London), England, United Kingdom (from 1993-11 until 1994-01)
recording of:
End of a Century (from 1993-11 until 1994-01)
lyricist:
Damon Albarn
composer:
Damon Albarn, Graham Coxon, Alex James (UK bassist for Blur/Fat Les) and Dave Rowntree
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Blur3.152:47
12There She Goes
engineer:
Dave Charles (British drummer as well as producer & engineer)
producer:
Bob Andrews (keyboardist and producer)
mixer:
Steve Lillywhite
bass guitar and background vocals:
John Power (of The La’s and Cast)
drums (drum set):
Chris Sharrock
electric guitar:
John Byrne (John 'Boo' Byrne, electric guitarist)
lead vocals:
Lee Mavers
phonographic copyright (℗) by:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1988)
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 45), TV Cream: Real 100 Best Singles Ever (number: 62) and Indie 88: Top 500 Indie Rock Songs (number: 418)
recording of:
There She Goes (The La’s)
lyricist and composer:
Lee Mavers
publisher:
Go! Discs Music Ltd. (publisher) and Kobalt Music Publishing Ltd. (UK)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
The La’s42:36
13Empty Sea
The Sneetches3:03
14This Time Around
Luna3:31
15Sensitive
recording of:
Sensitive
writer:
Michael Hiscock and Robert Wratten
The Field Mice55:06
16Higher Ground
The Feelies4:37
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