La Belle excentrique

~ Release by Satie; Anne Queffélec (see all versions of this release, 2 available)

Tracklist

1▼CD
#	Title	Artist	Rating	Length
1	Trois Gymnopédies: I. Lent et douloureux piano: Anne Queffélec (pianist) orchestra: London Symphony Orchestra recording of: Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1) composer: Erik Satie (French composer) (from 1888-02 until 1888-04) part of: Classic 100: Piano (2004) (number: 4) part of: Gymnopédies	Erik Satie		3:34
2	Trois Gymnopédies: II. Lent et triste piano: Anne Queffélec (pianist) recording of: Deuxième Gymnopédie : Lent et triste (Gymnopédie no. 2) composer: Erik Satie (French composer) (in 1888) part of: Gymnopédies	Erik Satie		2:57
3	Trois Gymnopédies: III. Lent et grave piano: Anne Queffélec (pianist) recording of: Troisième Gymnopédie : Lent et grave (Gymnopédie no. 3) composer: Erik Satie (French composer) (in 1888) part of: Gymnopédies	Erik Satie		2:44
4	Trois Gnossiennes: I. Lent piano: Anne Queffélec (pianist) (in 1988) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988) and Virgin Classics (absorbed into Erato since 2013-07-19) (in 1988) recording of: Gnossienne no. 1 composer: Erik Satie (French composer) (in 1890) part of: Trois Gnossiennes	Erik Satie		3:26
5	Trois Gnossiennes: II. Avec étonnement piano: Anne Queffélec (pianist) recording of: Gnossienne no. 2 composer: Erik Satie (French composer) (in 1890) part of: Trois Gnossiennes	Erik Satie		1:46
6	Trois Gnossiennes: III. Lent piano: Anne Queffélec (pianist) recording of: Gnossienne no. 3 composer: Erik Satie (French composer) (in 1890) part of: Trois Gnossiennes	Erik Satie		2:44
7	Gnossienne no. 4. Lent piano: Anne Queffélec (pianist) recording of: Gnossienne no. 4 composer: Erik Satie (French composer) (in 1891)	Erik Satie		2:21
8	Gnossienne no. 5. Modéré piano: Anne Queffélec (pianist) recording of: Gnossienne no. 5 composer: Erik Satie (French composer) (in 1889)	Erik Satie		3:55
9	Gnossienne no. 6. Avec conviction et avec une tristesse rigoureuse piano: Anne Queffélec (pianist) recording of: Gnossienne no. 6 composer: Erik Satie (French composer) (in 1897-01)	Erik Satie		1:21
10	Embryons desséchés: I. D'Holothurie piano: Anne Queffélec (pianist) recording of: Embryons desséchés : I. d’Holothurie composer: Erik Satie (French composer) (on 1913-06-30) part of: Embryons desséchés	Erik Satie		1:49
11	Embryons desséchés: II. D'Edriophtalma piano: Anne Queffélec (pianist) recording of: Embryons desséchés : II. d’Edriopthalma composer: Erik Satie (French composer) (on 1913-07-01) part of: Embryons desséchés	Erik Satie		2:55
12	Embryons desséchés: III. De Podophtalma piano: Anne Queffélec (pianist) recording of: Embryons desséchés : III. de Podophthalma composer: Erik Satie (French composer) (on 1913-07-04) part of: Embryons desséchés	Erik Satie		1:37
13	Trois morceaux en forme de poire: Manière de commencement producer: John West (classical engineer/producer) piano: Catherine Collard (pianist) (in 1990-10) and Anne Queffélec (pianist) (in 1990-10) piano four hands: Catherine Collard (pianist) (from 1990-10-15 until 1990-10-18) and Anne Queffélec (pianist) (from 1990-10-15 until 1990-10-18) balance engineer: Mike Hatch (engineer/editor) phonographic copyright (℗) by: Parlophone Records Limited (not for release label use! a Warner Music Group company) (in 1993) recorded at: St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (in 1990-10, from 1990-10-15 until 1990-10-18) recording of: Trois morceaux en forme de poire : Manière de commencement (from 1990-10-15 until 1990-10-18) composer: Erik Satie (French composer) (in 1903) part of: Trois morceaux en forme de poire (for piano four hands) recording of: Trois morceaux en forme de poire : Manière de commencement (in 1990-10) composer: Erik Satie (French composer) (in 1903) part of: Trois morceaux en forme de poire (for piano four hands)	Erik Satie		3:19
14	Trois morceaux en forme de poire: Prolongation du même, au pas piano four hands: Catherine Collard (pianist) and Anne Queffélec (pianist) recording of: Trois morceaux en forme de poire : Prolongation du même composer: Erik Satie (French composer) (in 1903) part of: Trois morceaux en forme de poire (for piano four hands)	Erik Satie		1:01
15	Trois morceaux en forme de poire: I. Lentement piano four hands: Catherine Collard (pianist) and Anne Queffélec (pianist) recording of: Trois morceaux en forme de poire : I. Lentement composer: Erik Satie (French composer) (in 1903) part of: Trois morceaux en forme de poire (for piano four hands)	Erik Satie		1:29
16	Trois morceaux en forme de poire: II. Enlevé piano four hands: Catherine Collard (pianist) and Anne Queffélec (pianist) recording of: Trois morceaux en forme de poire : II. Enlevé — De moitié — Premier temps composer: Erik Satie (French composer) (in 1903) part of: Trois morceaux en forme de poire (for piano four hands)	Erik Satie		2:38
17	Trois morceaux en forme de poire: III. Brutal piano four hands: Catherine Collard (pianist) and Anne Queffélec (pianist) recording of: Trois morceaux en forme de poire : III. Brutal — Modéré — Au temps composer: Erik Satie (French composer) (in 1903) part of: Trois morceaux en forme de poire (for piano four hands)	Erik Satie		2:44
18	Trois morceaux en forme de poire: En plus piano four hands: Catherine Collard (pianist) and Anne Queffélec (pianist) recording of: Trois morceaux en forme de poire : En plus composer: Erik Satie (French composer) (in 1903) part of: Trois morceaux en forme de poire (for piano four hands)	Erik Satie		1:55
19	Trois morceaux en forme de poire: Redite piano four hands: Catherine Collard (pianist) and Anne Queffélec (pianist) recording of: Trois morceaux en forme de poire : Redite composer: Erik Satie (French composer) (in 1903) part of: Trois morceaux en forme de poire (for piano four hands)	Erik Satie		1:17
20	Descriptions automatiques: I. Sur un vaisseau producer: John H. West (classical engineer/producer) piano: Anne Queffélec (pianist) (in 1988-03) balance engineer: Mike Hatch (engineer/editor) recorded at: St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (in 1988-03) recording of: Descriptions automatiques : I. Sur un vaisseau (in 1988-03) composer: Erik Satie (French composer) (in 1913) part of: Descriptions automatiques	Erik Satie		1:46
21	Descriptions automatiques: II. Sur une lanterne producer: John H. West (classical engineer/producer) piano: Anne Queffélec (pianist) (in 1988-03) balance engineer: Mike Hatch (engineer/editor) recorded at: St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (in 1988-03) recording of: Descriptions automatiques : II. Sur une lanterne (in 1988-03) composer: Erik Satie (French composer) (in 1913) part of: Descriptions automatiques	Erik Satie		1:39
22	Descriptions automatiques: III. Sur un casque producer: John H. West (classical engineer/producer) piano: Anne Queffélec (pianist) (in 1988-03) balance engineer: Mike Hatch (engineer/editor) recorded at: St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (in 1988-03) recording of: Descriptions automatiques : III. Sur un casque (in 1988-03) composer: Erik Satie (French composer) (in 1913) part of: Descriptions automatiques	Erik Satie		1:06
23	"Je te veux", valse piano: Anne Queffélec (pianist) recording of: Je te veux (for piano solo) composer: Erik Satie (French composer) (in 1897) arranger: Erik Satie (French composer) arrangement of: Je te veux (for voice and piano)	Erik Satie		5:13
24	Poudre d'or, valse piano: Anne Queffélec (pianist) recording of: Poudre d’or composer: Erik Satie (French composer) (in 1902)	Erik Satie		4:36
25	La Belle excentrique: I. Grande Ritournelle piano four hands: Catherine Collard (pianist) and Anne Queffélec (pianist) recording of: La Belle Excentrique, fantaisie sérieuse pour piano à quatre mains : Grande ritournelle composer: Erik Satie (French composer) (from 1920-07 until 1920-10) arranger: Erik Satie (French composer) (in 1920) arrangement of: La Belle Excentrique (Fantasie sérieuse) : I. Grande ritournelle. Pas trop vite part of: La Belle Excentrique, fantaisie sérieuse pour piano à quatre mains (for piano four hands)	Erik Satie		1:40
26	La Belle excentrique: II. Marche franco-lunaire piano four hands: Catherine Collard (pianist) and Anne Queffélec (pianist) recording of: La Belle Excentrique, fantaisie sérieuse pour piano à quatre mains : Marche franco‐lunaire composer: Erik Satie (French composer) (from 1920-07 until 1920-10) arranger: Erik Satie (French composer) (in 1920) arrangement of: La Belle Excentrique (Fantasie sérieuse): II. Marche franco‐lunaire part of: La Belle Excentrique, fantaisie sérieuse pour piano à quatre mains (for piano four hands)	Erik Satie		1:27
27	La Belle excentrique: III. Valse du mystérieux baiser dans l'œil piano four hands: Catherine Collard (pianist) and Anne Queffélec (pianist) recording of: La Belle Excentrique, fantaisie sérieuse pour piano à quatre mains : Valse du mystérieux baiser dans l’œil composer: Erik Satie (French composer) (from 1920-07 until 1920-10) arranger: Erik Satie (French composer) (in 1920) arrangement of: La Belle Excentrique (Fantasie sérieuse): III. Valse du “Mystérieux baiser dans l’œil”. Mouvement de valse part of: La Belle Excentrique, fantaisie sérieuse pour piano à quatre mains (for piano four hands)	Erik Satie		1:56
28	La Belle excentrique: IV. Cancan grand-mondain piano four hands: Catherine Collard (pianist) and Anne Queffélec (pianist) recording of: La Belle Excentrique, fantaisie sérieuse pour piano à quatre mains : Cancan “Grandmondain” composer: Erik Satie (French composer) (from 1920-07 until 1920-10) arranger: Erik Satie (French composer) (in 1920) arrangement of: La Belle Excentrique (Fantasie sérieuse): IV. Cancan grand-mondain. Galop part of: La Belle Excentrique, fantaisie sérieuse pour piano à quatre mains (for piano four hands)	Erik Satie		1:39

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ASIN:	US: B00004YU7V [info]

3 Gymnopédies / 6 Gnossiennes / 3 morceaux en forme de poire / La Belle excentrique

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