| # | Title | Artist | Rating | Length |
|---|
| 1 | The Train Kept A‐rollin’ | Johnny Burnette | | 2:16 |
| 2 | Twenty‐flight Rock | Eddie Cochran | | 1:41 |
| 3 | Great Balls of Fire | Jerry Lee Merritt | | 1:53 |
| 4 | Wake Up Little Susie | The Everly Brothers | 4.65 | 2:02 |
| 5 | Jailhouse Rock | Elvis Presley | 3.55 | 2:27 |
| 6 | Matchbox | Carl Perkins | | 2:28 |
| 7 | Shake, Rattle and Roll | Bill Haley | | 2:31 |
| 8 | Be‐bop‐a‐lula | Gene Vincent | 4.35 | 2:36 |
| 9 | Blueberry Hill- producer:
- Dave Bartholomew
- phonographic copyright (℗) by:
- Everest Records , Liberty (in 1957) and EMI Records USA (in 1991)
- recorded at:
- Master Recorders in Hollywood, Los Angeles, California, United States
- edit of:
- Blueberry Hill by Fats Domino
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 17), Rolling Stone: 500 Greatest Songs of All Time (number: 81) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 147)
- cover recording of:
- Blueberry Hill (on 1956-06-27)
- lyricist:
- Al Lewis and Larry Stock
- composer:
- Vincent Rose
- publisher:
- Chappell & Co., Inc. , Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. , Sovereign Music Company and Victoria Music Publishing Co. Ltd.
- part of:
- 12 Monkeys Soundtrack
| Fats Domino | 4.65 | 2:20 |
| 10 | Tutti Frutti | Little Richard | | 2:23 |
| 11 | See You Later, Alligator | Bobby Charles | | 2:50 |
| 12 | Rockhouse | Roy Orbison | | 2:05 |
| 13 | Rocket 88 | Jackie Brenston | 4 | 2:49 |
| 14 | Rock ’n’ Roll Dance | Lloyd Price | | 2:16 |
| 15 | Blue Monday | Smiley Lewis | | 2:42 |
| 16 | Honey Hush | Big Joe Turner | | 2:39 |
| 17 | Riot in Cell Block #9 | The Robins | 3 | 3:02 |
| 18 | Hound Dog- recorded in:
- Los Angeles, California, United States (on 1952-08-13)
- recording engineer and mixer:
- Joel Moss
- assistant engineer:
- Tom Hardisty , Brandon Harris and Sue McLean
- producer:
- Hummie Mann, Johnny Otis and Marc Shaiman
- editor:
- Curtis Roush
- double bass [bass]:
- Albert Winston (on 1952-08-13)
- drums (drum set):
- Leard Bell (on 1952-08-13)
- guitar:
- Pete Lewis (on 1952-08-13)
- piano:
- Devonia Williams (on 1952-08-13)
- vibraphone [vibes]:
- Johnny Otis (on 1952-08-13)
- vocals:
- Big Mama Thornton (on 1952-08-13)
- orchestra:
- Johnny Otis & His Orchestra (on 1952-08-13)
- conductor:
- Artie Kane
- part of:
- Blues Hall of Fame: Classic of Blues Recording Single (number: 2006)
- recording of:
- Hound Dog (on 1952-08-13)
- lyricist:
- Jerry Leiber (on 1952-08-12)
- composer:
- Mike Stoller (on 1952-08-12)
- previously attributed to:
- Johnny Otis
- publisher:
- Chappell Morris Ltd., Cherry Lane, Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. , MCA Music Ltd., MCA Music Publishing , Sony/ATV Songs LLC, Universal Music Publishing , Universal/MCA Music , Williamson Music Company and Williamson Music, Inc.
| Big Mama Thornton | 4.65 | 2:50 |
| 19 | Cat Music | Tommy Scott | | 2:10 |
| 20 | Johnny B. Goode- producer:
- Leonard & Phil Chess
- double bass:
- Willie Dixon (on 1958-01-06)
- drums (drum set):
- Jasper Thomas (on 1958-01-06)
- guitar and lead vocals:
- Chuck Berry (on 1958-01-06)
- piano:
- Johnnie Johnson (on 1958-01-06)
- recorded at:
- Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (on 1958-01-06)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1958 (number: 1), NME: 50 Greatest Guitar Riffs of All Time (number: 3), Rolling Stone: 500 Greatest Songs of All Time (number: 7), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 33), Helsingin Sanomat: 100 maailman parasta laulua (number: 53) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
- recording of:
- Johnny B. Goode (on 1958-01-06)
- lyricist and composer:
- Chuck Berry (in 1955)
- publisher:
- Arc Music , Arc Music Corp. , Isalee Music, Jewel Music Publishing Co. Ltd. and ロックンロール ミュージック
- part of:
- Back to the Future: the Musical
| Chuck Berry | 4.2 | 2:40 |