While My Guitar Gently Weeps II

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Freebird
engineer:
Al Kooper, Bob “Tub” Langford, Rodney Mills and Danny Turbeville
producer:
Al Kooper
additional organ:
Roosevelt Gook (in 1973-04)
bass guitar:
Ed King (US guitarist, bassist & songwriter) (in 1973-04)
drums (drum set):
Bob Burns (Lynyrd Skynyrd drummer) (in 1973-04)
guitar [lead guitar]:
Allen Collins (in 1973-03)
guitar [rhythm guitar]:
Gary Rossington (in 1973-03)
keyboard:
Billy Powell (in 1973-03)
organ:
Al Kooper (in 1973-04)
lead vocals:
Ronnie Van Zant (in 1973-04)
remixer:
Al Kooper
recorded at:
Studio One (Doraville, GA) in Doraville, Georgia, United States (in 1973-04)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 26), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 191) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 407)
recording of:
Free Bird (in 1973-04)
lyricist and composer:
Allen Collins and Ronnie Van Zant
publisher:
EMI Longitude Music, Songs of Universal, Inc. (BMI) and Universal Duchess Music Corp.
Lynyrd Skynyrd4.89:09
2(Don't Fear) The Reaper
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1976) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976, in 1978)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 397) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 449)
recording of:
(Don’t Fear) The Reaper
lyricist and composer:
Donald Roeser
publisher:
Blue Oyster Cult Songs, Inc., Carlin Music Corporation, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC and Sony/ATV Tunes LLC (ASCAP) (in 1976)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Blue Öyster Cult4.43:48
3Rough Boy
engineer:
Joe Hardy (US producer, engineer and musician, notably associated with ZZ Top among others) and Bob Ludwig (mastering engineer)
producer:
Bill Ham (manager of ZZ Top)
drums (drum set) and percussion:
Frank Beard (ZZ Top drummer)
electric bass guitar:
Dusty Hill
electric guitar and lead vocals:
Billy Gibbons
vocals:
Dusty Hill
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1985) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985)
recorded at:
Ardent Studios in Memphis, Tennessee, United States
recording of:
Rough Boy
writer:
Frank Beard (ZZ Top drummer), Billy Gibbons and Dusty Hill
publisher:
Hamstein Music Ltd., Music of Stage Three, Songs of Mosaic and Hamstein Music Company (publisher) (in 1985)
ZZ Top3.354:48
4Amanda
engineer and producer:
Tom Scholz
acoustic guitar, arpeggione [guitar violins], bass guitar, effects, electric guitar, electric piano, grand piano, Hammond organ and theatre organ:
Tom Scholz (from 1980 until 1981)
drums (drum set):
Jim Masdea (from 1980 until 1981) and Tom Scholz (from 1980 until 1981)
lead vocals:
Brad Delp (from 1980 until 1981)
arranger:
Tom Scholz
phonographic copyright (℗) by:
Geffen Records (in 1986) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1986)
recorded at:
Tom Scholz Hideaway Studio II in Massachusetts, United States (from 1980 until 1981)
recording of:
Amanda (from 1980 until 1981)
lyricist and composer:
Tom Scholz
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated) and Hideaway Hits (in 1986)
Boston4.354:18
5My Best Friends Girl
assistant engineer:
Nigel Walker (UK producer/engineer/guitarist)
engineer:
Geoff Workman
producer:
Roy Thomas Baker (producer), Jay Faires and Tricia Holloway
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978, in 1979)
recorded at and mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (in 1978-02)
recording of:
My Best Friend’s Girl (in 1978-02)
lyricist and composer:
Ric Ocasek
publisher:
Lido Music, Inc., Universal/MCA Music Publishing Pty Ltd and Lido Music (not for release label use!) (in 1978)
The Cars4.353:44
6Don’t Believe a Word
producer:
Gary Moore (Thin Lizzy, blues guitar) and Chris Tsangarides
guest vocals:
Phil Lynott
vocals:
Gary Moore (Thin Lizzy, blues guitar)
cover recording of:
Don’t Believe a Word (from 1978-03 until 1978-05)
lyricist and composer:
Phil Lynott
Gary Moore3:45
7White Room
recording engineer:
Adrian Barber (producer/engineer) (from 1967-07 until 1968-06) and Tom Dowd (from 1967-07 until 1968-06)
engineer:
Adrian Barber (producer/engineer) and Tom Dowd
producer:
Felix Pappalardi
bass:
Jack Bruce (from 1967-07 until 1968-06)
drums (drum set) and percussion and timpani:
Ginger Baker (from 1967-07 until 1968-06)
guitar:
Eric Clapton (from 1967-07 until 1968-06)
viola:
Felix Pappalardi (from 1967-07 until 1968-06)
vocals:
Jack Bruce (from 1967-07 until 1968-06)
phonographic copyright (℗) by:
Robert Stigwood Group Ltd. (in 1968), Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1968) and Robert Stigwood Organisation Ltd. (in 1969)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (from 1967-07 until 1967-08) and Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1967-09 until 1967-10, from 1968-02 until 1968-06)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 368)
recording of:
White Room (from 1967-07 until 1968-06)
writer:
Pete Brown (UK poet & producer, with Cream and Jack Bruce) and Jack Bruce
publisher:
BG Publishing, Casserole Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dratleaf Music Ltd., Unichappell Music, Inc., Warner Chappell Music (publisher as Warner/Chappell Music) and Warner Chappell Music, Inc.
sub-publisher:
Warner/Chappell Music Ltd. (1996–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Cream4.555:01
8Wishing Well
guest congas:
Rebop Kwaku Baah
recording of:
Wishing Well (Free song)
writer:
John “Rabbit” Bundrick, Simon Kirke, Paul Kossoff, Paul Rodgers and Tetsu Yamauchi
publisher:
Cayman Music Inc, Keepers Cottage Music Ltd. and Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
sub-publisher:
Universal Music Publishing France (not for release label use!)
Free43:36
9Blind Eye
engineer:
Martin Birch
producer:
Derek Lawrence (British producer)
recorded at:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, United Kingdom
recording of:
Blind Eye (Wishbone Ash)
writer:
Andy Powell, Martin Turner, Ted Turner (of Wishbone Ash) and Steve Upton
Wishbone Ash3:46
10Let It Grow
assistant engineer:
Steve Klein (Engineer)
engineer:
Karl Richardson
producer:
Tom Dowd
drums (drum set):
Jamie Oldaker (from 1974-04-18 until 1974-05-10)
electric bass guitar [Bass]:
Carl Radle (from 1974-04-18 until 1974-05-10)
electronic organ:
Dick Sims (from 1974-04-18 until 1974-05-10)
guitar:
Eric Clapton (from 1974-04-18 until 1974-05-10) and George Terry (guitar player with Clapton in 70's) (from 1974-04-18 until 1974-05-10)
piano and synthesizer:
Albhy Galuten (from 1974-04-18 until 1974-05-10)
resonator guitar [dobro] and lead vocals:
Eric Clapton (from 1974-04-18 until 1974-05-10)
background vocals:
Tom Bernfield (from 1974-04-18 until 1974-05-10), Yvonne Elliman (from 1974-04-18 until 1974-05-10) and George Terry (guitar player with Clapton in 70's) (from 1974-04-18 until 1974-05-10)
phonographic copyright (℗) by:
RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1974) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1974)
recorded at:
Criteria Studios in Miami, Florida, United States (from 1974-04-18 until 1974-05-10)
recording of:
Let It Grow (from 1974-04-18 until 1974-05-10)
lyricist and composer:
Eric Clapton
publisher:
EC Music Ltd. (UK work publisher for Eric Clapton), Throat Music and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Eric Clapton3.74:59
11Maggie May
producer:
Rod Stewart
12 string guitar, bass guitar and electric guitar:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) (in 1971)
acoustic guitar:
Martin Quittenton (guitarist for Steamhammer) (in 1971)
celesta:
Pete Sears (in 1971)
cymbal and membranophone:
Micky Waller (in 1971)
Hammond organ:
Ian McLagan (in 1971)
mandolin:
Ray Jackson (in 1971) and David Lindley (in 1971)
lead vocals:
Rod Stewart (in 1971)
phonographic copyright (℗) by:
Mercury Records Inc. (copyrights use only) (in 1971), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1971), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1971) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1971)
recording of:
Maggie May (in 1971)
publisher:
Rod Stewart
writer:
Mike Peters, Martin Quittenton (guitarist for Steamhammer) and Rod Stewart
publisher:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label’s publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell and Warner Chappell Music (publisher as Warner/Chappell Music)
Rod Stewart4.25:15
12Heart Full of Soul
engineer:
Roger Cameron
producer:
Giorgio Gomelsky
acoustic guitar:
Keith Relf (on 1965-04-20)
bass:
Ron Prentice (on 1965-04-20)
guitar:
Jeff Beck (English rock guitarist) (on 1965-04-20)
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1965)
recorded at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, United Kingdom (on 1965-04-20)
cover recording of:
Heart Full of Soul (on 1965-04-20)
lyricist and composer:
Graham Gouldman
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Man-Ken Music Ltd.
The Yardbirds4.62:28
13Kiss This Thing Goodbye
recording of:
Kiss This Thing Goodbye
writer:
Justin Currie, Iain Harvie and Mick Slaven
publisher:
Polygram Music
Del Amitri14:30
14Gold
bass:
Brian Garofalo
drums (drum set):
Michael Botts
electric guitar:
Lindsey Buckingham (guitarist, singer, songwriter and producer) and John Stewart (singer-songwriter (Kingston Trio))
keyboard [keyboards]:
Joey Carbone
background vocals:
Stevie Nicks
lead vocals:
John Stewart (singer-songwriter (Kingston Trio))
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1979)
recording of:
Gold
lyricist and composer:
John Stewart (singer-songwriter (Kingston Trio))
publisher:
Bugle Publishing and Unichappell (publisher)
John Stewart4:20
15Call Me the Breeze
recording engineer:
James Long (engineer) (from 1970-09-29 until 1970-09-30)
guitar:
J.J. Cale
steel guitar:
Weldon Myrick
vocals:
J.J. Cale
recorded at:
Moss Rose Studio in Nashville, Tennessee, United States (from 1970-09-29 until 1970-09-30)
recording of:
Call Me the Breeze (from 1970-09-29 until 1970-09-30)
lyricist and composer:
J.J. Cale
publisher:
Johnny Bienstock Music
sub-publisher:
Warner Chappell Music France
J.J. Cale42:39
16What Is It
recording of:
What It Is
lyricist and composer:
Mark Knopfler
Mark Knopfler4:56
17Whirlpools End
producer:
Brendan Lynch (London producer) and Paul Weller (English singer‐songwriter and musician)
mixer:
Brendan Lynch (London producer)
acoustic guitar, electric guitar and background vocals:
Steve Cradock
bass guitar:
Dr. Robert
drums (drum set):
Steve White (Style Council drummer)
guitar, Hammond organ, piano and lead vocals:
Paul Weller (English singer‐songwriter and musician)
other instruments [Cyremin]:
Brendan Lynch (London producer)
recorded at:
The Manor in Oxfordshire, England, United Kingdom
recording of:
Whirlpools End
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
Paul Weller47:11