Leichte Klassik: Opern–Hits

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Die Zauberflöte, KV 620: Ouvertüre
orchestra:
BBC Symphony Orchestra
conductor:
Sir Colin Davis (English conductor)
recording of:
Die Zauberflöte: Ouvertüre (The Magic Flute, K. 620: Overture)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620 (The Magic Flute, K. 620)
Wolfgang Amadeus Mozart6:53
2Don Giovanni, KV 527: »Champagner–Arie« des Don Giovanni
harpsichord:
John Constable (pianist) (in 1973-05)
baritone vocals [Don Giovanni]:
Ingvar Wixell (baritone) (in 1973-05)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1973-05)
conductor:
Sir Colin Davis (English conductor) (in 1973-05)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1973-05)
recording of:
Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni) (in 1973-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:16
3Don Giovanni, KV 527: Duett Don Giovanni – Zerline »Reich mir die Hand, mein Leben«
baritone vocals [Don Giovanni]:
Ingvar Wixell (baritone)
soprano vocals [Zerlina]:
Mirella Freni (soprano)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Sir Colin Davis (English conductor)
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:03
4Der Barbier von Sevilla: Ouverture
orchestra:
Academy of St Martin in the Fields (in 1982-06)
conductor:
Sir Neville Marriner (conductor) (in 1982-06)
recording of:
Il barbiere di Siviglia: Sinfonia (in 1982-06)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Der Barbier von Sevilla (german lyrics)
part of:
Il barbiere di Siviglia
part of:
Le Barbier de Séville (french lyrics)
part of:
The Barber of Seville (english lyrics)
Gioachino Rossini7:07
5Der Barbier von Sevilla: Kavatine des Figaro »Ich bin das Faktotum«
producer:
Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Figaro]:
Thomas Allen (baritone) (in 1982-06)
vocals:
Thomas Allen (baritone)
orchestra:
Academy of St Martin in the Fields (in 1982-06)
conductor:
Neville Marriner (conductor) (in 1982-06)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1982-06)
recording of:
Il barbiere di Siviglia: Atto I, N°2. Cavatina “Largo al factotum” (Figaro) (Arie des Figaro) (in 1982-06)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini4:56
6Carmen: Vorspiel 4. Akt
producer:
Vittorio Negri (conductor)
orchestra:
London Symphony Orchestra (in 1978-06)
conductor:
Sir Neville Marriner (conductor) (in 1978-06)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1978-06)
recording of:
Carmen Suite no. 1: II. Aragonaise. Allegro vivo (based on Carmen: Entr’acte between Acts III and IV) (in 1978-06)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV)
part of:
Carmen Suite no. 1
Georges Bizet2:16
7Der Troubadour: Zigeunerchor (»Seht, wie die Wolken«)
choir vocals:
Chor der Staatsoper Dresden (Dresden State Opera Chorus) (in 1983-12)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1983-12)
conductor:
Silvio Varviso (conductor) (in 1983-12)
recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”) (in 1983-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi3:51
8La Traviata: Vorspiel 1. Akt
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1983-12)
conductor:
Giuseppe Sinopoli (conductor) (in 1983-12)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1984)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1983-12)
recording of:
La traviata: Preludio (in 1983-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
La traviata
part of:
La traviata (english lyrics)
part of:
La traviata (french lyrics)
part of:
La Traviata (aka Violetta, german lyrics)
part of:
Violetta (La traviata) (german lyrics)
Giuseppe Verdi4:28
9Nabucco: Chor der Gefangenen (»Flieg, Gedanke«)
recorded in:
East Germany (historical, 1949-1990) (in 1983-12)
choir vocals:
Chor der Staatsoper Dresden (Dresden State Opera Chorus) (in 1983-12)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1983-12)
conductor:
Silvio Varviso (conductor) (in 1983-12)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1985)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1983-12)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves) (in 1983-12)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Giuseppe Verdi4:06
10Rigoletto: Arie des Herzogs (3. Akt) (»O wie so trügerisch«)
tenor vocals [Duca]:
Neil Shicoff (tenor) (in 1984-09)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1984-09)
conductor:
Giuseppe Sinopoli (conductor) (in 1984-09)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1984-09)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca) (in 1984-09)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi3:05
11La Bohème: Arie des Rudolf (1. Akt) (»Wie eiskalt ist dies Händchen«)
tenor vocals:
José Carreras (Spanish tenor) (in 1979-02)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1979-02)
conductor:
Sir Colin Davis (English conductor) (in 1979-02)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1979)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) (in 1979-02)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini24:48
12La Bohème: Arie der Mimi (1. Akt) (»Man nennt mich jetzt Mimi«)
soprano vocals and soprano vocals [Mimì]:
Katia Ricciarelli (soprano)
vocals:
Katia Ricciarelli (soprano)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Sir Colin Davis (English conductor)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:56
13Der Liebestrank: Arie des Nemorino (2. Akt) (»Heimlich aus ihrem Auge«)
tenor vocals and tenor vocals [Nemorino]:
José Carreras (Spanish tenor)
orchestra:
Orchestra Sinfonica di Torino della RAI
conductor:
Claudio Scimone (conductor)
recording of:
L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino)
composer:
Gaetano Donizetti (Italian opera composer) (in 1832)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti4:54
14Eugen Onegin, op. 24: Polonaise
recorded in:
London (Greater London), England, United Kingdom (in 1977-12)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1977-12)
conductor:
Sir Colin Davis (English conductor) (in 1977-12)
recording of:
Евгений Онегин, op. 24: Действие III, картина 1, no. 19. Полонез (Polonaise)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Eugen Onegin: Akt III
part of:
Евгений Онегин, op. 24: Действие третье (Eugene Onegin, op. 24: Act III)
Peter Tschaikowsky4:37