Messe In H-Moll

~ Release by Johann Sebastian Bach; Wiener Sängerknaben, Chorus Viennensis, Hans Gillesberger, Concentus Musicus Wien, Nikolaus Harnoncourt (see all versions of this release, 5 available)

Tracklist

1▶CD
2▼CD
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1Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Credo in unum Deum
choir vocals:
Chorus Viennensis (from 1968-04 until 1968-05) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
chorus master:
Hans Gillesberger (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:07
2Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Patrem omnipotentem
choir vocals:
Chorus Viennensis (from 1968-04 until 1968-05) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
chorus master:
Hans Gillesberger (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem") (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:05
3Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. En in unum Dominum
alto vocals:
Helen Watts (contralto) (from 1968-04 until 1968-05)
soprano vocals:
Rotraud Hansmann (soprano) (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:38
4Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Et incarnatus est
choir vocals:
Chorus Viennensis (from 1968-04 until 1968-05) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
chorus master:
Hans Gillesberger (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:40
5Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Crucifixus
choir vocals:
Chorus Viennensis (from 1968-04 until 1968-05) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
chorus master:
Hans Gillesberger (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:20
6Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Et resurrexit
choir vocals:
Chorus Viennensis (from 1968-04 until 1968-05) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
chorus master:
Hans Gillesberger (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:20
7Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Et in Spiritum
bass vocals:
Max van Egmond (bass-baritone) (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:24
8Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Confiteor
choir vocals:
Chorus Viennensis (from 1968-04 until 1968-05) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
chorus master:
Hans Gillesberger (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor") (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:33
9Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Ex expecto
choir vocals:
Chorus Viennensis (from 1968-04 until 1968-05) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
chorus master:
Hans Gillesberger (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto") (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:19
10Messe in H-moll, BWV 232: III. Sanctus. Sanctus
choir vocals:
Chorus Viennensis (from 1968-04 until 1968-05) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
chorus master:
Hans Gillesberger (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:52
11Messe in H-moll, BWV 232: IV. Osanna, Benedictus, Agnus Dei et Dona nobis pacem. Osanna
choir vocals:
Chorus Viennensis (from 1968-04 until 1968-05) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
chorus master:
Hans Gillesberger (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:53
12Messe in H-moll, BWV 232: IV. Osanna, Benedictus, Agnus Dei et Dona nobis pacem. Benedictus
tenor vocals:
Kurt Equiluz (tenor) (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:34
13Messe in H-moll, BWV 232: IV. Osanna, Benedictus, Agnus Dei et Dona nobis pacem. Agnus Dei
alto vocals:
Helen Watts (contralto) (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:46
14Messe in H-moll, BWV 232: IV. Osanna, Benedictus, Agnus Dei et Dona nobis pacem. Donna nobis pacem
choir vocals:
Chorus Viennensis (from 1968-04 until 1968-05) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
chorus master:
Hans Gillesberger (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:01

Credits

Release

producer:Wolf Erichson (engineer/producer)
orchestra:Concentus Musicus Wien
conductor:Nikolaus Harnoncourt (conductor)
chorus master:Hans Gillesberger
composer:Johann Sebastian Bach (German Baroque period composer & musician)
alto vocals:Helen Watts (contralto)
bass vocals:Max van Egmond (bass-baritone)
choir vocals:Chorus Viennensis
Wiener Sängerknaben (The Vienna Boys Choir)
soprano vocals:Rotraud Hansmann (soprano)
Emiko Iiyama (soprano)
tenor vocals:Kurt Equiluz (tenor)
Discogs:https://www.discogs.com/release/7115364 [info]